95 Surprising Things You Didn'T Know About Mid Century Modern Chair Designers

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95 Unexpected Facts About Mid Century Modern Chair Designers | Mid Century Designer Names

• His designs feature sculptural contours, and he was fastidious in revising for just the right proportion. His enduring, influential furniture designs include his Pedestal Table, Tulip Chairs and Womb Chair. He explains his wholistic view of design: “Always design a thing by considering it in its next larger context—a chair in a room, a room in a house, a house in an environment, an environment in a city plan.” - Source: Internet
• The German-American architect Ludwig Mies van der Rohe is considered one of the pioneers of modern architecture, along with Frank Lloyd Wright, Walter Gropius, Alvar Aalto and Le Corbusier. He was the last director of the Bauhaus school, and defined his personal style with extreme simplicity and structural clarity. Van der Rohe designed his popular ‘Barcelona’ chair for the German pavilion at the International Exposition of 1929, and the chrome-plated steel and leather pieces require careful hand craftsmanship despite their industrial appearance. - Source: Internet
• Mid-Century Modern design came to America as a result of World War II. The Bauhaus tradition of simple, reductionist looks is the root of Mid-Century modern design. As a response to the ornate interior designs of the preceding decades, Mid-Century Modern focuses on comfort, practicality, and function. Typically, it is exemplified in 4 main ways: - Source: Internet
• The bold rug and petal like design of the light fixture mirror the graceful curves and straight lines of the table and chairs. White walls, tile floors, and crisp drapery allows them to take advantage of their views and floods the room with natural light. It’s a playful, polished space that invites gets to sit back and relax. - Source: Internet
• It’s generally accepted that it spans from the late-1920s to the mid-1960s. Others condense that down to the much smaller window of 1947 to 1957, but that disregards such iconic pieces as Ludwig Mies van der Rohe’s Barcelona chair and some of Eames’s famous designs (more on those later). However, the movement really took off in the post-war era. - Source: Internet
• Q & A with Alan Hess Our Q&A section features well known artists and designers. In 21 short answers they share the small things that define their work as well as their personal life: How do they work? Who or what is their source of inspiration? What’s the best piece of advise they’ve been given? And what’s on top of their bucket list? This edition’s guest is Alan Hess. READ MORE - Source: Internet
• The end of World War II coincided with a raft of new ways that wood was being used, which designers and manufacturers turned to their advantage by updating furniture from the purely functional to functional, comfortable, and aesthetically pleasing. This new modern design movement felt fresh without being showy, streamlined without being dull. It tapped into the optimistic mood at the time and became an accessible way for people to express that feeling in their homes. - Source: Internet
• Q & A with Dominic Bradbury Our Q&A section features well known artists and designers. In 21 short answers they share the small things that define their work as well as their personal life. This edition’s guest is journalist and writer Dominic Bradbury. READ MORE - Source: Internet
• The midcentury style, and the furniture designers that helped shape it, resulted in some never-before-seen designs at the time. The furniture from this movement looked futuristic; it leaned toward the sculptural, the organic, the abstract. Furniture designers began to incorporate new materials, pushing the limits of what they could bend to their whim in order to design something completely new. Even the more conservative designs still pushed the envelope when it came to combining comfort with modern design. - Source: Internet
• The Danish furniture designer Grete Jalk has been called the woman that revolutionized Scandinavian design. In 1946, she graduated from the Royal Danish School of Fine Arts, and by 1953 she had won first place at the Georg Jensen Competition in Copenhagen. Greta’s two-piece molded plywood chair may be her most famous design, and it is a piece that lives on as an amazing product of the mid-century modern aesthetic. - Source: Internet
• Outdoor Chairs Despite being much more commonly associated with interior design, many mid century chairs have been designed specifically for outdoor use. From opened and lightweight models ideal for placement around your pool to the classic weather-resistant models intended for the decoration of a patio, they embody all the same qualities of their interior counterparts, while at the same time including specific additions which make them suitable for use in the exterior. Resistance to water and elements is arguably the most important twist in this case, while others can include openness of the design to reduce heat, light weight for easier movement or being stackable. - Source: Internet
• Q & A with Jürgen Nogai Our Q&A section features well known artists and designers. In 21 short answers they share the small things that define their work as well as their personal life: How do they work? Who or what is their source of inspiration? What’s the best piece of advise they’ve been given? And what’s on top of their bucket list? This edition’s guest is architectural photographer Jürgen Nogai. READ MORE - Source: Internet
• 8  Edith Heath Edith Heath founded her eponymous ceramics company in 1948, extending the concept of working with raw, organic, and minimalist materials from architecture and furniture design to homewares, as well. Heath Ceramics, in Sausalito, California, produced more than 100,000 pieces in its first year, each handmade. Heath’s own “Coupe” line remains in constant production since its introduction in 1948, proving the midcentury modern aesthetic is as relevant now as it was nearly 70 years ago. - Source: Internet
• Use of wood While not all mid century modern chair designs use wood as their main material, a vast majority relies on it at least as an accent material. For example, there are several fully upholstered mid century modern chairs which display wooden elements either on the armrests or the legs. Some, like the famous Eames lounge chair, place their upholstered cushions into moulded plywood base, while others combine wooden legs with upholstered or even plastic seats. - Source: Internet
• Clear simple lines Regardless of the differences in materials used in their productions, all mid century modern chairs share the same clear and simple lines. Some of these iconic models are well known for their smooth and organic curves, while others utilise straight lines and precise angles – but behind both of those, there is the same stylistic appeal rooted in the fact that the designers carefully thought out each and every line of the design. In mid century style, the excess ornamentation of the previous eras was replaced by the pronounced simplicity of the designs. And as a consequence, the lines and shapes themselves became the primary stylistic elements which were subsequently perfected to the point where just a couple of lines could make up a true masterpiece of furniture design. - Source: Internet
• Poul Kjærholm, like so many of his contemporaries, began his career in design as a cabinetmaker’s apprentice, working under Gronbech in 1948. He then went on to the Danish School of Arts and Crafts, Copenhagen in 1952. Throughout the mid-1950s, Kjærholm began to develop his distinctive style, which won him the prestigious ‘Lunning Award’ for his PK22 chair. Unusually opting for steel as his primary material (most of his contemporaries chose wood), Kjærholm would combine it with other materials such as leather, cane, marble, and wood. His 1965 PK24 Chaise Longue shows the culmination of his design style; also referred to as the Hammock Chair, it combined simple flowing lines with steel and woven cane. - Source: Internet
• Like a number of other midcentury modern designers, Italian-American Harry Bertoia used his talents in the world of sculpture, design, jewelry, and furniture. This cross-disciplinary approach is probably what helped spark his most iconic ideas, like the easily recognizable Diamond chair. Born in 1915, Bertoia worked with Charles and Ray Eames after moving to California in 1943. He then moved on to the manufacturer Knoll, where he gained even more creative freedom. - Source: Internet
• While the two are similar in terms of shapes and styles, the main difference can be found in the use of color. Pre-war and the few years following, furniture was purely functional, shapes would be chosen in order to use as little wood as possible and colors were a purely practical decision, hence all the deep greens and browns used in those eras. Post-war the need for functionality remained, but designers began to be more playful with colors and fabrics and drew from influences from Danish and Scandinavian countries. - Source: Internet
• Mid-century modern entwickelte sich bald zu einer internationalen Stilrichtung, die auch skandinavisches, italienisches, tschechisches und deutsches Design umfasste (siehe auch: Nachkriegsmoderne). Disziplinen waren kaum getrennt; Bildhauer wie Harry Bertoia entwarfen Möbel, genauso wie beispielsweise die Architekten Eero Saarinen, George Nelson, Norman Cherner und Richard Neutra, die ihre neue Art des Bauens gern mit eigenen Entwürfen vervollständigten.[7] In Amerika waren Herman Miller (der auch mit George Nelson sowie Charles und Ray Eames zusammen arbeitete) und Florence und Hans Knoll bekannt als Möbelhersteller der Stilrichtung. Andere bekannte Designer dieser Zeit waren: - Source: Internet
• One of the “unicorns” of the MCM world might just be the Papa Bear Chair, an iconic piece designed by the Danish designer Hans J. Wegner. Papa Bear Chairs are some of the most frequently copied styles in the furniture world, and some of the replicas are difficult to separate from the real thing. Of course, since these pieces are so revered, you can expect them to come with some exceptionally high price tags. At furniture auctions and estate sales, it isn’t unusual for investors or designers to show up ready to pay any price for the chance to own a Papa Beach Chair. - Source: Internet
• Taking advantage of new industrial technologies, they combined this inspiration with minimalist design. This style became so influential that it is recognized as a design movement in itself, entitled Danish Design with a subgroup known as Danish Modern. Also minimal, Danish Modern focused more on the aesthetics of modern design whilst employing the exquisite technique and material familiarity of highly skilled craftsmen such as cabinet makers. - Source: Internet
• It seems like everyone (including us) is obsessed with Mid-Century Modern design, and it’s not hard to imagine why. The style shows up everywhere; whether you’ve seen it on a well-curated Instagram feed or in a trendy furniture catalogue, MCM is pervasive. Characterized by its gentle, organic curves, clean lines, and use of natural materials, Mid-Century Modern design boasts many famous designers and is often summarized by the phrase “form follows function.” - Source: Internet
• A strong marker of this style is a movement away from ornate, exclusively decorative pieces. Mid-Century furniture is at its core, highly usable. This is reflected in its clean lines and shapes. Usually, when someone talks about incorporating an MCM piece into their home, they are speaking of a chair, credenza, table, or room divider. Something that is first functional and good-looking second. - Source: Internet
• Small visual footprint One of the dominant characteristics of mid century décor is its avoidance of cluttered look and appreciation of open spaces and minimalist aesthetic that stems from the careful arrangement of décor elements so that they don’t close up the space. Because of this, almost all of mid century modern chairs come with a very small visual footprint. In some models, achieving this required some clever design choices, like in the example of lounge chairs which tend to be relatively large compared to other models, so they have to include carefully thought out bases with tapered legs or a simple main support that can allow the light to flow underneath the design. Dining chairs, on the other hand, are usually much narrower and they can easily use negative space to maintain the feeling of airiness and lightness. - Source: Internet
• Whether you’re restoring an MCM home or you just love collecting amazing pieces, there are a few designer names you’ll come across again and again. These iconic designers have left their mark on the world of furniture, and their products are consistently in demand. Even pieces with some damage or wear tend to be valuable if they can be attributed to one of these five iconic mid-century modern furniture designers.s - Source: Internet
• Around 1940, she expanded her knowledge base when she traveled to Japan. Invited to visit as an “advisor on industrial design to Japan’s Ministry of Trade and Industry,” according to Richardson, Perriand initially meant to stay for six months but ended up staying for two years. Her experience in Japan, where Richardson writes that she learned about techniques like basket weave and lacquer, led to her reimagining past designs. The LC4 got a second life as the 522 Tokyo chaise lounge chair designed in 1940, a much more lightweight and organic chair now produced by Italian furniture company Cassina, in teak or bamboo. Perriand’s career showed that women could also make an impact across the mediums of midcentury modern style. - Source: Internet
• At just 24 years old, Charlotte Perriand caught the attention of Le Corbusier and her career took off. The French architect, born in 1903, also made a splash for her work in furniture design. Working in Le Corbusier’s studio, she often created items with Swiss architect Pierre Jeanneret and Le Cobusier himself. Their designs include the LC4 chaise lounge chair and the “Armchair with a Tilting Back,” both from 1928. - Source: Internet
• From the 1930s to the 1960s, the design world experienced arguably the most important period of aesthetically driven, problem-solving creativity in history. Inspired by the International and Bauhaus movements, designers involved in architecture, interiors, and industrial and furniture design looked at their trades with a new perspective, seeing design as a way to improve everyday life. Form and function became equally important, and technological advances that allowed mass, inexpensive production made good design available to the broad middle class for the first time in history. - Source: Internet
• Große Teile der amerikanischen Bevölkerung verfügten bedingt durch die florierende US-Wirtschaft nach dem Zweiten Weltkrieg über starke Konsumkraft. Der Optimismus, die Konsumfreude, die neuen Techniken und Materialien, gepaart mit der Schaffenslust der Designer hatten den Effekt eines gesellschaftlichen Aufatmens.[7] Es bestand eine große Nachfrage nach neuen, erschwinglichen und schnell baubaren Wohnhäusern samt modernen Einrichtungsgegenständen.[6] Modelle konnten erstmals in Massen produziert werden, was eher als Vorteil gesehen wurde.[7] - Source: Internet
• Once they reached that goal, the couple could mass-produce practical yet modern chairs for American consumers to buy. The RAR (Rocking Armchair Rod) chair, dating from 1948-50, took two years of development to create. Author Lucy Ryder Richardson explains in her book ​100 Midcentury Chairs: and Their Stories​ that the RAR chair contained “a variety of interchangeable metal and wood leg systems” and “dining shell versions” that made it adaptable to different spaces, from personal homes to restaurants. In addition to furniture, the Eames Office gained a reputation for producing everything from homes to art to films. - Source: Internet
• Perhaps one of the most well-known of the Danish Designers, Arne Jacobsen had a long and varied career and made important contributions to architectural Functionalism. Showing considerable talent from an early age, Jacobsen initially wished to be a painter; it was his father that steered him towards architecture as a career. This proved to be very promising, with Jacobsen winning an award, while still a student in 1925 at the Paris Exposition Internationale de Arts Décoratifs et Industriels Modernes for a chair design. His career, however, was interrupted by the war; Jacobsen was Jewish and thus had to flee to Sweden until the end of the war. Upon his return, he slowly but surely managed to build up his design practice again, eventually going on to produce such design classics as the Egg and Swan chairs, as well as working on large architectural commissions around the world. - Source: Internet
• Arguably the father of modern Danish furniture design, Kaare Klint was a Danish architect and furniture designer whose style was epitomized by excellent craftsmanship, careful selection of materials, and a clean-lined approach to design. Completing his first piece of furniture in 1914 for the Faaborg Museum, he later went on to create furniture and fittings for a number of other museums, and from 1921 to 1926, he was responsible for converting the Frederiks Hospital into the Danish Museum of Art & Design. In 1924 he founded the Furniture School at the Royal Academy, which strongly influenced subsequent Danish designers such as Børge Mogensen and Poul Kjærholm. Always carefully considering every aspect of his designs, he researched everything from materials to the human body so as to ensure that his objects were functional and comfortable. - Source: Internet
• A Danish architect inspired by an Eames plywood chair, Jacobsen designed his three-legged Ant Chair. His iconic chair designs include the Egg Chair, Drop Chair, Grand Prix Chair and Swan Chair. His furniture designs grew out of his specific architectural projects—the Egg and Swan Chairs were for the SAS Hotel in Denmark. His architectural approach to furniture is evident in his well-proportioned design. While elegantly proportioned, the designs also have a personal touch with their playful shapes resembling a free-form drawing. - Source: Internet
• The word for ‘furniture’ in other languages often refers to a sense of mobility — the French meuble or the German möbil — and Mid-Century Modern furniture designers created furniture that offered organization and multipurpose function. As society emerged from the harrowing times of war, it was almost shameful to many middle-class Americans and Europeans to own items of furniture that served only a single purpose. People simply didn’t have the time, money, or need for what was viewed by many as both wasteful and elitist. Instead, furniture became multipurpose; it could be stacked, bent, rearranged or interchanged. - Source: Internet
• While by no means an exhaustive list, here are some of the better-known Mid-Century Modernist designers. Their pieces weren’t just wildly popular when they first came out, but still endure today. Many designers who came after were deeply inspired by their work, and furniture inspired by (or straight-up copied from) their work is still greatly desired. - Source: Internet
• Even today, the influence of midcentury modern design can be felt in everything from your iPhone to the clothes you wear and the shows you watch on TV. At the heart of every major movement there are a host of key players driving it forward. Here are some of the most influential midcentury designers and their game-changing contributions to the field. - Source: Internet
• Stylistic versatility in service of functionality The adoption of form-follows-function was perhaps the greatest influence of Bauhaus movement on the mid century style. This core design philosophy is given form in a variety of different designs that were created with different practical purposes in mind. One might ask – how many functions can a chair have – but here we are talking about subtle and thoughtful approach that is characteristic for mid century modern style. The variations between a dining chair and a lounge chair, as well as between a chair intended to be used next to a coffee table and that that comes with a matching ottoman became that much more pronounced because of a kind of perfectionism and optimism of mid century designers who always aimed to create a perfect design for the new century. This focus on form-follows-function principle is responsible for the prominent variety of mid century chairs, but at the same time, it is one of the characteristics which help us define it. - Source: Internet
• 5  Eero Saarinen Though born in Finland, Saarinen was largely raised in Bloomfield Hills, Michigan, where his father Eliel Saarinen taught at Cranbrook Academy of Art. Here he developed close relationships with fellow students Charles and Ray Eames, as well as with Florence Knoll, who, along with her husband Hans Knoll, later founded Knoll Furniture, which would go on to produce each of Saarinen’s chair designs. Many of these designers worked across different media, but Saarinen stands out for his enormous and varied contributions, from the Gateway Arch in St. Louis and the TWA Flight Center at JFK International Airport to the Tulip chair and Womb chair. - Source: Internet
• Der Mid-century modern-Stil war durch klare Linien sowie sanfte organische Kurven und geometrische Formen gekennzeichnet. Funktionalität ersetzte kunstvolle Ornamente; die Form sollte der Funktion folgen. Hierbei setzten die zeitgenössischen Designer Materialien und Farben ein, die periodenspezifischen Wiedererkennungswert hatten. Werkstoffe waren nun (gerne auch kontrastierend) Kunststoff, Vinyl, Glas, Plexi- und Acrylglas, Furnier, Sperrholz, Massivholz und Aluminium; die Farbgebungen variierten von neutral bis gewagt; Schwarz-Weiß wurde aus Gründen des grafischen Kontrasts meist ohne Grautöne verwendet.[6] - Source: Internet
• Born in Denmark, Arne Jacobsen was one of the leaders of the Danish modern movement. Like many furniture designers, Jacobsen began as an architect, and his focus was on clean lines and perfect proportions. Today, Arne Jacobsen is best known for his Swan Chair and Egg Chair, two iconic chair forms that are recognized around the world. - Source: Internet
• They might sound like a duo of brothers, but Charles and Ray Eames were a married couple active in all aspects of design, art, architecture, and furniture between the late 1940s and the early 1970s. If you only know one name associated with MCM style, it’s probably Eames. Although countless designs can be attributed to the Eames pair, they are best known for their classic fiberglass chairs and their lounge and ottoman set. Eames designs are some of the most in-demand MCM pieces, the most valuable items, and, unfortunately, the most copied. If you find an Eames-style piece that looks too good to be true, check to make sure it is the real deal and not just a replica. - Source: Internet
• The introduction of new materials and processes to furniture design resulted in pieces that broke from these two styles completely. Let’s take a look at some of the major names and models that you should know when it comes to midcentury modern style. By no means an exhaustive list, this group at least gives you a start into some of the most well-known and influential names. Their designs and contributions still influence decor and interior design to this day. Many of these figures made contributions in a variety of areas; we mention these briefly, but here we look more closely at their furniture designs in particular. - Source: Internet
• While part of the Midcentury Modern movement embraced mass production with industrial materials and production as a way of making designs more affordable, other designers within the movement called back for the natural and handcrafted. (Sound familiar, hipsters?) George Nakashima was one of the foremost designers in the American Studio Craft Movement, which also included Sam Maloof. Nakashima worked primarily with wood, and his designs embraced the uniqueness of the natural material.In fact, his memoir is titled The Soul of a Tree, reflecting his profound respect for the wood out of which he formed his life’s work. His designs feature classically modern clean lines as well as organic shapes. - Source: Internet
• If you want an original, vintage piece from the 1940s, 50s, and beyond, you’ll need deep pockets. But they are out there, and good places to start your search include Panomo, Vinterior, MCM Interiors and The Old Cinema. Prices start in the hundreds for smaller examples and lesser-known designers and can go up to tens of thousands of pounds for the larger and most famous pieces. - Source: Internet
• The creativity of American designers Charles and Ray Eames knew no bounds. Over the course of four decades, the husband and wife team made a ground-breaking impact on modern architecture, furniture design, industrial design and manufacturing. Perhaps most famous for their iconic chairs, they spread their talents far and wide, becoming two of the greatest designers of the 20th Century. - Source: Internet
• In the early 1960s, Robert Heritage was responsible for designing the teak and rosewood home furnishings that the East London firm Archie Shine sold mainly through Heal’s. (Later, in 1968, Heritage would become famous for the GR 69 range of furniture for Gordon Russell and an iconic chair for the QE2.) Archie Shine’s high quality furnishings were aimed at the affluent middle classes, and, in style, struck a course between the stark, minimalist look of the early 1950s, and the heavy masculine chrome and glass style of the late 1960s. Designs were low key but warm, with plain silhouettes and subtle details, such as copper feather inlay panels or decorative grooves on drawers. - Source: Internet
• 4  Helvetica No, Helvetica isn’t a person, nor is it really a tangible product. But it is emblematic of what is considered modern. Designed in 1957 by Swiss typeface designer Max Miedinger, the typeface was meant to be universal and highly adaptable. Each ending stroke ends on a perfectly horizontal or vertical plane, in all weights, giving the typeface a stoic, stark personality that lends itself to a wide range of applications — the sans-serif typeface is used by NASA, American Apparel, BMW, General Motors, Jeep, Knoll, McDonald’s, Nestlé, and of course the New York City subway system. It’s also the only typeface with its own documentary. - Source: Internet
• Although Harry Bertoia is known for his steel ‘sound art’ sculptures, he is also recognized for his contributions to modern design. In 1950, he began working with Hans and Florence Knoll, ultimately creating five different pieces including the infamous ‘Diamond Chair’. The chair is made from a welded steel lattice, resulting in a fluid, sculptural piece with more negative than positive space. After a slight redesign, the chairs could be mass-produced and they enjoyed immediate commercial success. - Source: Internet
• Mid century modern style is arguably one of the most influential design movements of the 20th century. It profoundly shaped not only furniture design, but also architecture, art and interior design. Amongst many other things, MCM style has also been credited for defining the modern chair and anticipating some of the fundamental characteristics that mark this type of furniture today too. But, how can we define mid century modern chair? What makes it special and distinct from the similar seating solutions from the previous eras? - Source: Internet
• We have built up a fantastic reputation for selling the best Eames Lounger reproductions. This is a Trustpilot review from March 2020, “Great service, excellent quality Eames furniture. With many Eames Lounge chairs and ottomans available online (at all sorts of prices), it is very difficult to identify reliable retailers. - Source: Internet
• Unfortunately, her work mostly faded out of the general design consciousness until her furniture was reissued in the 1980s. London retailer Zeev Aram told dezeen in 2013 that when he decided to create a website chronicling her impact, Gray seemed “a bit bemused that somebody was interested in her work.” Yet her influence remains — the Museum of Modern Art, for example, added her 1930s extendable table to its collection. Aram Designs currently carries pieces like her iconic 1926 Bibendum chair. - Source: Internet
• In einem breiteren Kontext ist Mid-century modern ein Begriff für Architektur, Innenarchitektur, Produkt- und Grafikdesign, der das moderne Design der Mitte des 20. Jahrhunderts von den 1930er bis in die 1960er Jahre beschreibt. Die bei Kunstwissenschaftlern und Museen weltweit anerkannte Designbewegung[6] knüpfte an die Moderne des Bauhauses und Le Corbusiers an.[7] - Source: Internet
• The 2.8-metre-wide house has an upstairs study area clad, like the rest of the house, in spruce plywood and with a cork floor. An Eames Shell chair makes for an eye-catching office chair. - Source: Internet
• In 1941, he teamed up with Charles Eames and submitted a design for a competition put on by the Museum of Modern Art. Created for their exhibition “Organic Design in Home Furnishing,” the competition pulled together works from various now-iconic designers. The duo won awards as a team for “seating for a living room” and “other furniture for a living room.” Saarinen started designing furniture for Knoll at the invitation of Florence Knoll (more on her later). According to Knoll’s site, Florence wanted “a chair that was like a basket full of pillows — something she could really curl up in,” and that’s how the 1948 Womb chair came to life. - Source: Internet
• Mid-century modern furniture is back and more prized than ever. While some iconic pieces have never left the design lexicon, the style itself is seeing a strong resurgence even among contemporary creatives. Fresh takes on mid-century modern design are everywhere – from young designers pushing boundaries with technology, to ubiquitous budget brands reimagining vintage styles with an affordable approach. This post compiles a list of 51 mid-century modern furniture selections for every part of the home. Find your next mid-century modern living room furniture, vintage-style dining room furniture, retro bedroom furniture, and more. - Source: Internet
• The Archie Shine pieces that attract collectors’ eyes nowadays are the simple tables and consoles. Still relatively inexpensive for the quality they offer, Archie Shine furnishings are tipped to rise in value once the brand is better known. Orange & Brown has a solid rosewood oval dining table (£1,777) with six rosewood chairs (£1,777). - Source: Internet
• ‘Form follows function’ is one of its guiding principles, which means that the shape of the furniture should relate to its intended function or purpose. Our Mid-Century Modern style furniture is designed so that every piece serves a purpose and adds value to your home. Today, more than ever, this look is still very popular. It sits very well in contemporary homes and suits modern living by melding the past with the present with its clean lines, organic curves, mix-and-match materials and multifunctional designs. - Source: Internet
• After emigrating to the US from Denmark, Jens Risom and Hans Knoll formed an influential partnership. Through his relationship with Hans Knoll and his role as the design go-to as Knoll was beginning his furniture company and later through his own eponymous furniture company, Jens Risom is credited with introducing the American public to Danish Modern. His most famous designs include the Risom Rocker, desk and lounge chair. “Good design means that anything which is good by itself will go with other things,” he said. - Source: Internet
• The midcentury home is nothing without its iconic pieces—and the iconic men and women who crafted them. Many of these furniture designers were multi-disciplinary, trained as architects or sculptors as well, and their holistic approach to design yielded stunning results that continue to beautify homes and inspire design today. Discover new facts about your favorite designers or learn about a few names you may have not had on your radar. - Source: Internet
• Versatile and one of modernism’s precocious pioneers—she designed her famous lounge chair at the age of 23—Charlotte Perriand’s work ranges from rational, minimalistic chrome to organic wood. Over the span of her long career, while her materials changed, her design philosophy of harmony did not. Perriand wrote, “The extension of the art of dwelling is the art of living—living in harmony with man’s deepest drives and with his adopted or fabricated environment.” - Source: Internet
• When someone says that a design has clean lines, that doesn’t mean that those lines are also straight. Rounded edges without ornate details are also clean. They exemplify the Mid-Century style of furniture. Consider the womb chair or the Saarinen table. Both are iconic of this time period and look “clean” because of their uninterrupted and un-embellished curves. - Source: Internet
• Streamlined appearance Almost all mid century modern chairs come with a unique vintage streamlined appeal that is easily recognisable. This stylistic touch allows them to flawlessly fit in in mid century modern décor which heavily relies on the airy, open and light expression. Tapered legs are very common in MCM style, while some type of legs is almost always present in order to allow the light to flow underneath the chair, thus preventing the sensation of clutter – this is especially noticeable with armchairs which conventionally have a rather large visual footprint. - Source: Internet
• Over the course of his six-decade-long career, the Italian architect Gio Ponti built more than one hundred buildings worldwide and designed an impressive number of decorative art objects and pieces of furniture. He defined his ideal expression of a finished form as simple, light and without any possibility of addition, and he made designs that were both aesthetically pleasing and supremely functional. His ‘Distex’ armchairs are considered emblematic of Italian design, and his incredibly lightweight ‘Superleggera’ chairs made for Cassina are still produced today. - Source: Internet
• Vintage examples are currently being restored and sold by designer Margaret Howell, in collaboration with Ercol. If you’re buying vintage, the 1958 ‘Butterfly’ chair is the design to go for, a comfortable dining chair, with elm seat and back, and beech legs (vintage version costs around £250; the reissued model from ercol.com costs £395). - Source: Internet
• He drew inspiration from various sources—his iconic Wishbone Chair design came from his admiration for chairs from the Ming Dynasty. “A chair is to have no backside,” he said. “It should be beautiful from all sides and angles.” - Source: Internet
• As long as people have been furnishing homes, they’ve been designing (and shopping for) chairs to go in them. Over the centuries, a handful have stood out for their ability to stand the test of time. From antique pieces that inspired modern interpretations to original designs that remain as popular today as when they were first introduced, these 50 chairs are the ones that have made the biggest impact on design history. They run the gamut in terms of style (Louis XIV! Futuristic! Midcentury! Utilitarian!), era (Ancient Greece right up to the 21st Century), and region of origin (Malawi to Milan), but each deserves a place in the design history books. We’re sure you’ll find a few familiar shapes in there—and hopefully learn how to spot many new ones. - Source: Internet
• The black finish on these wishbone chairs is a modern interpretation of the traditional blackened brass finish. I love that it gives the chair a sleek, edgy feel. When paired with a statement chandelier, the result is a relaxed, glamorous space that beautifully blends masculine and feminine styles. - Source: Internet
• As the name suggests, the Mid-Century Modern style gained prominence post-World War II, from the late 1940s to the 1960s. The Mid-Century furniture from this era was defined by simple sleek lines, organic shapes, minimal ornamentation and high functionality which makes it highly appealing even today. These well-designed objects have stood the test of time. Mid-Century designers such as Charles and Ray Eames, Harry Bertoia, Arne Jacobsen and Isamu Noguchi created iconic furniture and lighting that are highly coveted and replicated to this very day! At its heart, our Mid-Century Modern furniture is not only beautifully constructed and functional but also priced to be affordable and designed to make everyday living easy. Whether it’s your kids perched on our Jensen Mid Century barstools eating breakfast at your kitchen island benchtop, you working from home at the Jolanda Mid Century office desk, or the entire family gathered round the Magnus Mid Century dining table, and matching Mid Century dining chairs to share food and company. - Source: Internet
• The Irish architect and furniture designer Eileen Gray is a notable figure in the world of mid-century design. In addition to collaborating on the incredible E-1027 building in France, Gray designed the iconic Bibendum chair. Well ahead of its time, the Bibendum chair was modern yet feminine. - Source: Internet
• We think Ray’s husband, Charles Eames, said it best: “Anything I can do, Ray can do better.” The duo worked hand in hand for much of their long, successful careers. Together, they are responsible for the Eames Case Study House #8, their fiberglass chair designs, and, of course, the iconic Eames Lounge Chair. However, Charles was all too often given the bulk of the credit for their joint projects. Need proof? This interview has more than a few cringeworthy moments where Ray is called the helper or the woman behind the man rather than a justified partner. - Source: Internet
• Several Mid-Century Modern designers and the pieces they created continue to influence interior design today. Pieces like the Eames chair, the Saarinen table, and the Barcelona chair turned these designers into icons. Here are a few of the best known designers of this era: - Source: Internet
• His 1957 Superleggera chair was the result of his experiments with redesigning the Chiavari chair. Dating back to the early 19th century and named after its Italian city of origin, the chair is often still used today for fancy events like weddings. Ponti re-envisioned the chair as something lighter and more affordable and landed on the Superleggera after a few iterations of his initial designs. Just a reminder to designers that even the most classic item can still be reimagined. Ponti also founded ​Domus​, an architecture and design magazine that released its 1,000th issue in 2016. - Source: Internet
• 2  Charles and Ray Eames Charles and Ray Eames, a married couple, are the best-known American midcentury designers. Recognized as innovators in material use and mass-producible design, the two developed such groundbreaking techniques as molding fiberglass and plywood into complex curves, which would become their calling card. Both the Eames Lounge Chair and the Eames Molded Fiberglass Armchairs are incredibly popular still today — as evidenced by the fakes flooding shops worldwide, and their designs’ omnipresence in magazine and pop culture. - Source: Internet
• Pairing a classic Eames chair with a curated collection of accessories is a great way to infuse Mid-Century Modern style into your home. The combination of leather and wood give this chair a decidedly masculine feel, but the gentle curves add a subtle feminine touch. This is perhaps the most recognizable piece of MCM furniture that exists! - Source: Internet
• Mid-century modern furniture was designed for people, so it is highly ergonomic. It is not garish; it is style-conscious, comfortable and has a hint of modesty about it. Most pieces have organic shapes that adapt to the human form. - Source: Internet
• The Knoll catalogues included some of her designs, ranging from credenzas to tables to chairs. Her pieces exemplified the midcentury modern style; particularly in the way that utility meets aesthetics. After the death of Hans in 1955, Knoll continued to run the company before retiring a decade later. She left a mark on midcentury modern design not only through her own pieces, but also via her business-savvy persona. - Source: Internet
• Knoll has manufactured the Diamond chair since 1952 and calls it “an astounding study in space, form, and function.” Usually seen with a cushion nowadays, the design was meant to get at the feeling of weightlessness. After the success of the design, Bertoia decided to “use the proceeds of the series to follow his dream as a sculptor,” writes Richardson. - Source: Internet
• The Danish architect and designer Arne Jacobsen created many unique and functional pieces, and he is particularly remembered for his innovative chairs. His modernist ‘Egg’ chair was designed for the Radisson SAS hotel in Copenhagen in 1959, and is still being made today. The ‘Swan’ chair, from 1958, is similarly fashioned in a single, curvaceous piece and mounted on a star-shaped aluminum base. - Source: Internet
• The end of the Second World War also saw an expansion of cities coupled with suburbanization in the U.S., which meant that there was a serious demand for modern, often modular, furnishings to match the modern, often modular, homes springing up en masse around U.S. metropolises. - Source: Internet
• Along with abstract artwork, mid-century modern design had a penchant for quirky vases. Designs in mixed colors, and those with abstract faces, are a perhaps unexpected but playful addition to a scheme. Choose a mix of different heights and pop on an unfussy side table for maximum impact. - Source: Internet
• Pretty much one of the standard names mentioned in any history of midcentury modern style, Eames feels synonymous with innovative design and timeless style. Ray (born 1912) and Charles (born 1907) Eames got married in 1941 and relocated to California from Michigan to start their design careers. The duo embodied the experimental nature of the era during which they worked, creating items from materials like plywood, plastic, and fiberglass. Their biggest goal: to create a chair from a single-form shell. - Source: Internet
• Die zeitliche Verortung von Mid-century modern ist nicht einheitlich definiert. In der Literatur beschränken einige Autoren die Ära auf die Jahre 1947 bis 1957, andere auf die Jahre 1950 bis 1965. Die amerikanische Journalistin Cara Greenberg benutzte den Begriff Mid-century modern erstmals im Titel ihres 1983 erschienenen gleichnamigen Überblickwerks über die Designbewegung in den Vereinigten Staaten, in dem sie sich auf die Möbel der 1950er Jahre konzentrierte.[1][2] Auch in Kanada,[3] Australien[4] und Neuseeland[5] hatte sich die beschriebene Stilrichtung verbreitet. - Source: Internet
• Familiarly abbreviated as MCM, mid-century modern designs have made an impressive comeback in the last few years. Although these styles originated between the 1930s and 1960s, the clean lines, sleek profiles and effortlessly chic feel create a timeless quality that’s still fresh and appealing. Searches for ‘mid-century modern’ on Barnebys increased more than 72% from 2019 to 2020, indicating a heightened interest in these stylish and functional pieces. To help you learn more about this retro trend, here are six noteworthy designers who contributed to the iconic style. - Source: Internet
• 3  George Nelson In the early 1940s, American architect and industrial designer George Nelson published “Tomorrow’s House,” a book introducing the concept of the “family room” and the idea that wall spaces between support beams in a home could be replaced with integrated storage and shelving units. The concepts were totally new. In 1945, they earned Nelson the position of design director at Herman Miller, the furniture manufacturer. During his time there, Nelson designed incredibly iconic pieces, including the Slat Platform Bench, Coconut Chair, and and Marshmallow Sofa. He is also responsible for bringing the Eameses and Isamu Noguchi, among others, into Herman Miller as designers. - Source: Internet
• The original design power couple, Charles and Ray Eames built off of Bauhaus tenets to create beautiful, functional furniture that could be mass-produced. The duo experimented extensively with moulded plywood, pioneering techniques to make the most out of the inexpensive and durable material. One of their most successful designs was the ‘Eames Lounge Chair’ and matching ottoman, made from molded plywood and leather. The luxury item was inspired by English club chairs, and has been in constant production since its introduction in 1956. - Source: Internet
• MCM chairs could be put to many different uses, like eating, writing, and playing cards. Tables had drop-leaves, or nested neatly within one another. A Mid-Century Modern bed might fold away into a couch. Following a philosophy that emerged from the Bauhaus, design was about solving a problem in the most elegant and honest way possible rather than creating a piece of art that existed for art’s sake. - Source: Internet
• Now here’s a piece that was ahead of its time. Inspired by the metal frame of a bicycle, Marcel Breuer schemed up this iconic chair when he was an apprentice at the Brauhaus. Breuer originally designed the Wassily chair in 1925—years before the mid-century movement started—but it has since become the epitome of sleek, modern design. As for the name? Breuer originally designed the chair for himself, but made one for his classmate, painter Wassily Kandinsky. He named it after his friend when the chair was rereleased in 1960. - Source: Internet
• Q & A with Clemens Kois Our Q&A section features well known artists and designers. In 21 short answers they share the small things that define their work as well as their personal life: How do they work? Who or what is their source of inspiration? What’s the best piece of advise they’ve been given? And what’s on top of their bucket list? This edition’s guest is photographer Clemens Kois. READ MORE - Source: Internet
• Born in 1915 in England, Robin Day taught at the Beckenham School of Art. He started to gain momentum after a few milestones in his career, including winning a design competition put on by the Museum of Modern Art (along with Clive Latimer) in 1950. The designer developed a relationship with Hille, a manufacturer that worked with Day for more than 20 years. In 2017, Hille relaunched the chair in collaboration with the Robin and Lucienne Day Foundation. Day’s wife Lucienne contributed to the development of midcentury textiles, making them a design power couple. - Source: Internet
• In honor of International Women’s Day, it seemed only appropriate to honor some of the incredible female designers responsible for much of the world’s mid-century modern furniture. Unfortunately, many of these women didn’t receive adequate credit in their lifetimes. We’re excited to honor and appreciate them today! - Source: Internet
• Hille was a British furniture manufacturer, founded in 1906, that had specialised in heavy, traditional furniture but, post-war, wanted to modernise its output. Hiring Robin Day as designer in 1949 was a masterstroke that led to a stream of simple, affordable but technically innovative tables, chairs, desks and storage units. Designs to look out for are his 1950 ‘Hillestak Stacking’ chair, the 1952 ‘Reclining’ chair and the 1953 ‘Qstak’. - Source: Internet
• Organic forms and ergonomic considerations While many classic mid century modern chairs feature smooth and organic forms, others prefer straight lines, but rely on precisely calculated angles, so that all ergonomic concerns are properly addressed. This is especially common in lounge chairs which utilise a shallow angle of the backrest in relation to the seat, allowing the user to sit back and relax. Similarly to this, dining chairs from the mid century era instead focus on ensuring upright position, but include various curved elements which ensure comfort and organic appeal. - Source: Internet
• A highly praised sculptor in his own right, Noguchi also happened to create everything from furniture to lighting to set designs. The Los Angeles-born creator kept studios in both Japan and New York and brought a range of influences into his work. Some of his projects include stage design for other cultural movers and shakers like Martha Graham. According to the Noguchi Museum — open to the public in Long Island City — Noguchi wanted to “make sculpture useful in everyday life.” His work “displayed the biomorphic imagery of his contemporary sculpture,” a style that he became known for in the midcentury modern movement. - Source: Internet
• Mid-century modern [ˈmɪd-ˈsɛnʧʊri ˈmɒdə[r]n] ist ein moderner Stil der Formgestaltung in Architektur und Möbeldesign etwa im mittleren Drittel des 20. Jahrhunderts, der sich vor allem durch klare Linien, organische Formen und teilweise stromlinienförmige Gestaltung ohne detaillierte Ausschmückung auszeichnete. Insbesondere in den Vereinigten Staaten von Amerika, Kanada, Australien und Neuseeland fand die Stilrichtung weite Verbreitung. - Source: Internet
• Despite being produced in volume, Stag’s veneered wood sideboards and sofas, tables and chests were of robust quality as well as being affordable to younger buyers, who appreciated their innovative style. Best-loved by fans of Fifties furniture today is the ‘C’ range, a stark, functional bedroom suite, featuring simple box-shaped units with recessed handles in light oak or darker walnut. Launched in 1953, the ‘C’ range was a commercial hit at the time, and highly influential for other designers. - Source: Internet

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