This time around, we shall cover Best Street Photography Lens Sony A7Iii. Obviously, there is a great deal of information on 10 Best Travel Lenses for Sony A7iii for Any Budget (2022) on the Internet. The fast rise of social media facilitates our ability to acquire knowledge.

Sony E Mount Street Photography Lens-related material is also connected to Sony Alpha 7 Iii Street Photography and Best Budget Lenses For Sony A7Iii. As for further searchable items pertaining to Best Wide Lens For Sony A7Iii, they will likewise have anything to do with 10 Best Travel Lenses for Sony A7iii for Any Budget (2022). Best Street Photography Lens Sony A7Iii - Sony E Mount Street Photography Lens

94 Reference List: Best Street Photography Lens Sony A7Iii | Sony E Mount Travel Lens

  • The focal length is of primary importance for landscape photography, but the max aperture is (usually) not. While a wide aperture can be used to isolate a detail in the landscape or to capture the night sky, much landscape photography is done using small apertures for significant DOF (Depth of Field). Therefore and fortunately, landscape photography does not require the fastest lenses, those with the widest aperture with accompanying heaviest weight, largest size, and highest cost. - Source: Internet
  • If you need anything better than the Samyang 85mm f/1.4 manual focusing lens, then it has to be the Sony FE 85mm f/1.8 auto-focusing lens. It does come at twice the price of the Samyang though. - Source: Internet
  • The lens is compact and lighter than a faster zoom lens of the same range would be. This lens boasts five stops of image stabilization shake correction, according to Canon. You will not be disappointed with the image quality this Canon lens produces. - Source: Internet
  • Landscape photography often requires travel to get to the ultimate landscape photography destination. When traveling by airline, you will want to keep your pack light. The same need applies when hiking to a select location. Packing light helps keep the photographer’s energy up, and increased energy will allow him or her to better focus on capturing the desired image. Light weight is a generally important feature for a lens in the landscape kit. - Source: Internet
  • If you mainly use your 35mm lens for architecture or landscape shooting this is the one you are looking for. It offers very high contrast as well as resolution coupled with a good correction of almost all optical aberrations. It is in many ways the better Zeiss Loxia 35mm 2.0, but if you already have the Zeiss lens and you are thinking of upgrading: this only makes sense when you want to use the lens at wider apertures often. - Source: Internet
  • There is no best 35mm lens for everyone, since individual needs are so different. This is why you won’t find any ratings in terms of stars or points out of 5 in this guide. Instead here are 5 questions to help you reflect on what you need in a 35mm lens. If you already know what you need you can skip to the lenses discussion directly. - Source: Internet
  • This zoom lens from Sigma starts a nice wide-angle lens and is ideal for street photography when you like to get in close to your subject. If you only like to carry one lens, this one will cover many bases. The quality of glass is typical of Sigma lenses and will produce a high-quality image. - Source: Internet
  • The low light performance of a lens is also important when you are choosing a lens for street photography . Some photographers on a budget cannot afford the more expensive lenses that have a wider maximum aperture. There’s also the option of third-party lenses and which ones might be the best lens for street photography . Typically lenses made by Nikon, Sony, and Canon will be more expensive. Lenses made by Tamron, Sigma, Tokina, and other third parties are cheaper. - Source: Internet
  • So how fast does your lens need to be? If you chose a f/1.8 lens over a f/1.4 lens this will seldom make the difference between a good and a bad picture but it often is one important factor for the look of your images. Also keep in mind that the quality of the blur (bokeh) can be more important than the amount of blur. - Source: Internet
  • If you prefer not to pay so much for a 35mm f/1.4 fixed focal length, then this offering from Sigma is worthwhile looking at. This prime lens gets rave reviews from street photographers. The clarity and image quality are exceptional, and the price is certainly more affordable than the same focal length made by Sony, Nikon, or Canon. - Source: Internet
  • I think the Nikon Nikkor 2.8/35 is a good option for those that like a well build manual lens but are running on a budget. The Nikkor is a decent landscape lens and I used it for that purpose a lot. It is optically in the same league as the Minolta MD 2.8/35, but build quality is nicer. - Source: Internet
  • Until recently I was just another student without any budget for expensive lenses, therefore I only have used one 35 mm lens so far. For now it still does the job. Stopped down sharpness is very good and distortion is low. - Source: Internet
  • This 35mm is also great for environmental street portraits as you don’t need to be too far away from the person you are photographing. It provides a very natural sense of the atmosphere of the location you are photographing in. This is because it is not so wide to begin distorting perspective than wider angle lenses are. - Source: Internet
  • Should I get a prime or a zoom lens for landscape photography? The prime vs. zoom lens decision is a big one for the landscape photographer. Generalizing, the biggest advantage for using a prime lens is ultimate image quality. These lenses typically produce the sharpest corners, low (or no) distortion, the least vignetting, and the best sunstars. - Source: Internet
  • I hope you have enjoyed reading this run-down of the best lenses for street photography . There are so many options for focal length. These fit all manner of different cameras from a variety of companies. The variables are many. The best way to choose lenses for the camera system you love is to read opinions like these and then try lenses out to see which ones suit you the best. - Source: Internet
  • To discover the best lens for street photography , keep reading through this article, and we hope you will find it helpful as you make your choice. We can make recommendations, but it’s up to you which one you choose based on the style of your photography and the camera you use. It will also depend on your budget because the price range can vary depending on the lens you want. - Source: Internet
  • The focal lengths available in this lens are incredibly wide, and photographing with these angles of view is very fun. Especially the 12mm end provides the opportunity to set one’s work apart from the crowd. The FE 12-24 is a quality lens, but note that it does not accept front filters. - Source: Internet
  • The 35mm 2.8 is probably the best ouf of Tamron’s wide f/2.8 primes, but there are so many (faster) 35mm options available these days, it becomes somewhat hard to recommend unlike you really don’t need a lens faster than f/2.8. - Source: Internet
  • While not inexpensive, this lens delivers incredible image quality, despite the extremely-wide angles of view it avails. With f/2.8 available, this Sony lens is a great choice for photographing the night sky, along with low light events. Take this lens to the most beautiful locations and it is sure enable you to bring home exceptional results. Note that this does not accept front filters. - Source: Internet
  • How much should you spend? If you are on a very tight budget but a competent photographer you will get very good results out of a $50 lens but you will have to deal with a few scenarios where you would have gotten better results with a more expensive lens. But keep in mind we all know that guy who reliably gets bad results out of his $4000 Leica lens. Since available income differs so much it is impossible to give a general recommendation here but it is a good idea to consider how much you will use a lens, how much joy you will get out of using it and count that against much how much you will miss the money it cost you. - Source: Internet
  • Like the Canon’s focal length of 24 – 105mm, it also boasts five stops of effective vibration reduction. Making it ideal for street photography where you’re not likely to want to be carrying a tripod around with you. As with other focal lengths in this range, this is a versatile street photography lens. - Source: Internet
  • The wide f/2.8 max aperture advantages this lens for stopping action in low light, making it an ideal choice for photographing action sports and low light events. The f/2.8 aperture is also useful for creating a strong background blur, allowing the subject to be isolated from a distracting background. - Source: Internet
  • Nikon prime lenses have a fabulous reputation for being sharp and well built. This model is an F mount, FX lens. There are also options for Nikon mirrorless cameras and crop sensor models too. - Source: Internet
  • The Sigma 24-70mm f/2.8 DG DN Art Lens, with a focal length range that encompasses the most-used angles of view, is a great all-around lens choice. This lens is well built and functions as beautifully as it looks. With a wide aperture, the 24-70 DN Art lens is ready to tackle low light scenarios, and the image quality this lens produces is very sharp, especially for the low price. - Source: Internet
  • Though it lacks the wide f/2.8 aperture, the Sony FE 24-105mm f/4 G OSS Lens adds significantly to the long end of the general-purpose focal length, and it also adds Optical SteadyShot. Lighter weight, smaller size, and lower price are additional advantages this lens has over the Sony FE f/2.8 counterpart, and somewhat surprisingly, the f/4 lens is slightly sharper in most comparisons. The optical performance, combined with the rest of this lens’s features, including good weather-sealed build quality and a great close-focusing capability, make it a very popular landscape photography zoom lens choice. - Source: Internet
  • For street photographers who prefer a wider angle prime than a 50mm, a 35mm f/1.4 or f/1.8 may suit you better. If you like wider angle prime lenses than this, take a look at the 24mm options available. - Source: Internet
  • It’s a robust, complete lens system that benefits from Sony’s early bet on mirrorless, along with support from numerous third parties. Ultra-wide, macro, telephoto—it’s all covered, in one form or another. But figuring out which lens is right for you can be tough, especially if you’re just getting started with the system. - Source: Internet
  • For a very low price, the Tamron 17-28 Di III lens provides professional-grade image quality in a compact, lightweight package. There is little this lens lacks aside from switches. The focal length range does not reach the widest or the longest in the class, but it matches perfectly with another exceptional bargain lens, the Tamron 28-75mm f/2.8 Di III RXD Lens. - Source: Internet
  • This was Sigma’s first Art lens and they really hit a home run with this one: nice build quality, good optics, decently priced. For most that want a 35mm 1.4 with AF this is probably the most sensible and trouble free option. - Source: Internet
  • Zoom lenses are typically much larger and heavier. They are unideal for low light settings and portrait shooting as they typically come with max apertures of F4 or higher. The premium zoom lenses can get down to F2.8 and overcome these challenges, but you will be paying a lot more for them. - Source: Internet
  • On a full-frame camera, a 50mm lens is considered to be a normal focal length because it provides a field of view similar to how we see. However, the field of view is narrower on an aps-c or other crop sensor camera. So you need to consider this as a 35mm lens may be more suitable for street photography with a crop sensor camera. I’ve introduced some 35mm focal length lenses later in this list. - Source: Internet
  • For street photographers who enjoy third-party lenses, this Tamron 24-70mm is exceptional. It’s available for both Nikon, Sony, and Canon cameras. Like the Pentax 24-70mm lens, it also has rounded diaphragm blades that make for a lovely smooth bokeh and lovely image quality. - Source: Internet
  • While landscape photographers may sometimes find this lens’s 100mm wide end a bit too narrow, but sometimes the 400mm end is very welcomed, including for making distant mountain scenes large in the frame. I often photograph wildlife and landscapes simultaneously, and this lens’s range is ideal for that dual purpose. When 400mm is not long enough, this lens’s teleconverter compatibility will be found advantageous. The FE 100-400 has Sony GM pro-grade build quality. - Source: Internet
  • You should also consider the lens family. Sony gives its better optics a G designation and reserves the GM (G Master) moniker for its highest-quality lenses. If you own a high-resolution a1 or a7R model, it’s often worth it to splurge on a GM lens, but you can usually get excellent results with more affordable lenses if you work with an a7 or a6000 camera. - Source: Internet
  • With a selection (or multiple selections) from each of the above categories, you will have lenses with a vast range of focal lengths for your landscape photography needs. Landscape photography can make use of all focal lengths Sony currently offers, from the widest angle through the longest telephoto, but I’ll approximate the most useful range at 16-300mm. The ultra-wide-angle lenses will allow you to emphasize a foreground subject against an all-in-focus large scene, the telephoto lenses will keep distant subjects large in the frame, and the general-purpose lens will frequently find landscape application. - Source: Internet
  • I think every camera and lens company makes at least one version of the fixed focal length 50mm lens. Nikon, Canon, Sony, and all the third-party lens makers have at least one version of the 50mm lens. The main variable that affects the price is whether the lens has a maximum aperture of f/1.8 or a maximum aperture of f/1.4. - Source: Internet
  • Sony sells two types of mirrorless cameras. The a6000 series and ZV-E10 are built around the APS-C size, and its a1, a7, and a9 cameras use the larger full-frame format. Because of this, you need to be a bit careful and ensure that you buy the right lens for your camera. Sony consistently names its APS-C lenses with an E designation, while full-frame options get FE, but third parties don’t always follow suit. - Source: Internet
  • A prime lens downside is that you need to buy and carry many lenses to adequately cover the focal length range of a single zoom lens. Frequent lens changes required by a set of primes will inevitably lead to increased sensor dust that will be impossible to overlook in areas of blue sky at f/11. The best zoom lenses available today have excellent image quality, and they are my choice for a significant percentage of my landscape photographs. However, I often have both lens types with me, and sometimes I carry cameras with both types mounted at the same time. - Source: Internet
  • Which lens do travel bloggers use? The most popular lenses for travel bloggers are the kit lenses that come with starter cameras, usually something in the 24-105mm F4 range. Additionally, the “nifty-fifty” (50mm prime lens) is extremely popular for vlogging and lifestyle photography. As professional photographers and travel bloggers, our lens of choice is the Sony 24-105mm F4 G lens as it is budget-friendly and the perfect “all-in-one” lens fitting every occasion and requiring no lens changes in the field. - Source: Internet
  • This version is an upgrade from the previous Lumix h-fs lens. This micro four-thirds mount lens is compatible with other brands such as Sony and Olympus. This makes for a flexible camera and lens combination if you’re out taking street photos with friends who also use this style of camera. - Source: Internet
  • Tamron continues to produce great mirrorless lenses, and the 70-180mm f/2.8 Di III VXD Lens is another big hit. Though this lens’s focal length range falls short of the competing 70-200mm models, the range it does provide is great for landscape photography, and the image quality it provides is similarly great. The compact and light weight will be appreciated during long wedding shoots. That the price is affordable is welcomed by everyone. - Source: Internet
  • Since landscape subjects are often motionless, image stabilization can be a huge benefit for a landscape lens for those times when a tripod is not desired or practical. Even under full sunlight, I very frequently need image stabilization to make handheld shooting successful, especially when using a light-reducing circular polarizing filter (a mandatory part of the landscape kit). The wind typically found at some of the ultimate landscape locations further increases the need for image stabilization with handheld daylight photography. - Source: Internet
  • While we prefer the versatility that a zoom lens provides, many travel photographers prefer shooting with prime lenses. The major advantage to prime lenses is the higher F-stops, providing better bokeh and low-light performance. Sharpness also tends to superior for the cost, and prime lenses are typically (but not always) more compact. - Source: Internet
  • Keep in mind that what is considered the best lens for street photography will vary. This is based on your skill level and style. We will cover street photography lens criteria. We will also include examples of the best Canon lens for street photography , as well as the best Sony, Nikon, and third-party lenses. - Source: Internet
  • This Canon lens is also an f/4 lens. Similar to the Nikon 24 – 120mm f/4 focal length, but with a little shorter reach. It’s a versatile lens for street photography when you’re using your Canon full-frame DSLR camera body. - Source: Internet
  • The 35mm AF lens Bastian has been waiting for so long to couple with his Sony FE 85mm 1.4 GM. Smoothest bokeh in a 35mm lens we have seen yet and certainly the best performing f/1.2 lens in terms of optical qualities you can put on your E-mount camera. - Source: Internet
  • The Sony 20mm was released as an alternative to the Sigma in 2020 and may be the better option for many travelers. This lens is about 1/3 the size of the Sigma which is often a deciding factor for prime lens users. In addition, it is slightly sharper and comes in at the same price. - Source: Internet
  • Sensors that are not full frame come in different dimensions. So, for example, if you attach a 50mm lens to a camera with an APSC sensor, you will see less than if you attach the same focal length to a camera with a micro 4/3 sensor. If you are not sure about how this works, please check out this article. - Source: Internet
  • Blurry corners are usually not appreciated in landscape images. Distortion is typically the most noticeable when a flat line appears near the frame border, and curved oceans just don’t look right. Vignetting shows most readily with a solid color covering a sizable portion of the frame edge and corner, and though a gradient blue sky color may be pretty, this effect being caused by the lens is usually not desirable in a landscape image. A great sunstar can become the most-stunning element in a landscape image, and a wide aperture, typical of a prime lens, stopped down significantly, usually creates the largest, best-defined sunstars. - Source: Internet
  • Because the maximum aperture is f/4 on this lens, the depth of field will not be so shallow as with a faster lens. In low light, you’ll also need a faster shutter speed or a higher ISO setting. This should not be a problem, as many street photographers prefer to use a maximum aperture of f/5.6 to allow for more depth of field. There is also a Canon EF lens available in this same focal length range. - Source: Internet
  • One of Sony’s most impressive lenses so far. A 35mm 1.4 as small as the already small 24mm 1.4 GM – something no one here thought would be feasible. Better sharpness than anyone would ever need, good bokeh rendering. - Source: Internet
  • Vintage lenses are usually not optically perfect, but they have characteristics that give them certain charm. The aforementioned Helios 44-2 for example is famous for it’s swirly bokeh. It is not sharp, but it is quite unique and fun. But for peak performance or sharpness, better to go for one of the lenses listed above! - Source: Internet
  • Because of its remarkable capabilities and features, the Sony FE 24-70mm F2.8 GM II Lens is the go-to lens for many, including the most advanced professionals. The most-needed focal length range is fully covered, with outstanding image quality included. - Source: Internet
  • If you go through the trouble of adding a 5m PCX filter this smokes many native lenses in several categories. It is one of the few true allround lenses that works well (if not very well) for almost every application you can think of for a 35mm lens. The only real disadvantage: it is not a native lens, which would make it even more enjoyable to use. - Source: Internet
  • The Pentax 24 – 70mm f/2.8 is a high-performance medium-range zoom lens ideal for street photography . It’s fast and flexible with exceptional imaging power. It’s a weather-resistant lens with special seals that effectively protect it when you’re out taking photos in inclement weather. - Source: Internet
  • Well… I know, this is not a 35mm lens. I wish it were though, since 35mm are a bit more universal than 40mm and integrate better into many kits. I want my “35mm” to cover a wide range of applications with a focus on landscape and nature photography but I also want to use it to photograph people in different settings. I prefer to focus manually when I am taking nature images and I am competent enough to capture most social settings well with manual focus. - Source: Internet
  • I have reviewed a couple of AF 35mm lenses but usually they are annoying to focus manually and they lack nice sunstars and good flare resistance which I want for landscape images. So for know I stick with the 1.2/40 which is by far my most used lens but I still hope that one day there will be a Voigtlander 1.7/35 in E-mount which could be a bit more compact and be a bit sharper with nicer off-center bokeh. - Source: Internet
  • This lens is tack sharp across the range and about half the size of the F2.8 lenses in the same focal distance. What you give up in low light ability and bokeh, you get back in daytime performance, sharpness, and size. Also, because this lens has been around a while and is so popular, bargain seekers can likely find it for less than $500 used! - Source: Internet
  • A special effect lens with funky rendering at f/1.4, smoother rendering stopped down and lots of aberrations. It is pleasant to handle and affordable. Might be worth checking out if you are after different rendering but we can’t recommended it as a general purpose lens. - Source: Internet
  • Sony FE 600mm F4 GM OSS The Sony FE 600mm F4 GM OSS is a big, serious lens for capturing distant action, but its price makes it purely for professionals and very serious enthusiasts. MSRP $12,999.99 MSRP $12,999.99 Sony FE 600mm F4 GM OSS Review - Source: Internet
  • For example, a prime 35mm f/2 lens will be significantly cheaper than a 35mm f/1.4 lens. Some prime lenses will be more expensive than some zoom lenses are. This can often come down to the specifications of a prime lens compared to a zoom lens. - Source: Internet
  • As the Sigma 28-70mm f/2.8 DG DN Contemporary Lens is added to the recommendations list, it is the smallest and lightest Sony-mount lens covering this focal length range. Those attributes are frequently important for landscape photographers hitting the trail. Affordability is always a valued lens aspect. - Source: Internet
  • (Which lens is best for travel photography.) The best overall lens for travel photography on the Sony A7 series is the Sony 24-105mm F4 G lens. This lens combines incredible corner to corner sharpness at all zooms and apertures, a non-variable max aperture of F4, and the covers the most commonly-shot focal distance for travel photography with the 24-105mm range. It is considered a “one-and-done” lens in that it can shoot everything from landscapes to portrait to street photography, meaning you can leave all other lenses at home. - Source: Internet
  • I often find my favorite landscape images being captured at telephoto focal lengths, and this lens has the most-needed range for this use. With a fixed f/4 max aperture, this lens gives up a substantial amount of size, weight, and cost over the wider f/2.8 version. The FE 70-200mm f/4 includes pro-grade features, including solid, weather-sealed build quality, Optical SteadyShot, and teleconverter compatibility. - Source: Internet
  • This is a very small and light and decently sharp lens that is very attractive for someone who wants a lightweight 35 for hiking or similar purposes. While I expect the new Tamron 2.8/35 to be very likely an even better performer, it will be both much larger and 80% heavier. At its official price the Sony Zeiss was overpriced, but now it can often be found new at very attractive prices, and used at even lower ones. - Source: Internet
  • If you are a full-frame Nikon user who enjoys a good zoom lens, then you must consider the Nikon AF-S FX 24mm – 120mm f/4G ED zoom lens. The range of this lens is ideal for street photography . Because it has a little more reach than shorter focal length zoom lenses, it also makes it a great lens for street portraits. It’s also a great lens for many other styles of photography . - Source: Internet
  • Before any short introduction we tell you how long we have used a lens and if we have borrowed it from a manufacturer. But in most cases we have bought the lenses new from retail stores or on the used market. If you want to support our independent reviews please consider using one of the affiliate links. It doesn’t cost you anything and helps us a lot. - Source: Internet
  • In low light, this lens will be of little practical disadvantage over the more expensive, faster aperture lenses. You can always push your ISO setting up or use a slightly slower shutter speed. As with other Canon lenses, the build quality and optics are excellent, but maybe not to the same standard as the faster 50mm lenses. This lens is compact and lightweight. - Source: Internet
  • For micro four-thirds camera street photographers, this Lumix zoom lens is great for street photos. As with everything about micro four-thirds, this lens is small, compact, and of high quality. The zoom range means that it’s a street photography lens that suits many situations. If your focus is on capturing candid street portraits, or wide-angle street photos, this lens will serve you well. - Source: Internet
  • All of the other options in the 35mm line-up were nearly double the size, with the exception of the Sony F2.8 pancake lens which compromises 2 full stops of light (unacceptable for most.) - Source: Internet
  • This lens 50mm can also be considered a standard kit for any Nikon photographer who develops their gear beyond kit lenses. It’s affordable and versatile for use with much more than street photography . Like the Canon 50mm f/1.8, it’s compact and lightweight. - Source: Internet
  • 35mm is an excellent focal lenght for a mixture of different types of photography, it is the wider cousin of a generalist lens like a 50mm. At f2.8, you get less bokeh, but you also get a wider lens that is somewhat better suited for stuff like landscapes, while still being perfectly usable for portraits and general photography. It’s also the favorite focal length of many street photographers out there. - Source: Internet
  • The 35mm range is perhaps the most popular for prime-lens users. There is no shortage of options to choose from, from the Sony F2.8 pancake lens to the Sigma Art F1.2. Having compared the cost, size, image quality, and other relevant factors, it was definitively decided that the newest Sony 35mm is the best value for most photographers. - Source: Internet
  • If you prefer to remain further away, a 35mm lens or a 40mm focal length will not be of much use to you. You’ll want to opt for a longer focal length if you’re that type of street photographer. For photographers who like to get in close, a 35mm lens may not be wide enough. Especially on a crop sensor camera. You’ll probably enjoy using a wide-angle lens of more than 28mm. - Source: Internet
  • A faster f/1.4 lens allows you to blur your background more than a slower f/2.8 lens and it also lets in more light, allowing for lower ISO or shorter shutter speeds. Faster lenses are usually bigger, heavier and more expensive than slower lenses but there are exceptions to both rules we mention in the discussion of each lens. - Source: Internet
  • Good build quality by modern standards but only average for a legacy lens. See Nikkor 2.8/35 if this is very important to you. - Source: Internet
  • The Minolta MD 2.8/35 is a good lens if you like to focus manually and work on a very limited budget. Optically it is about as good as the much smaller modern 2.8/35s. It can deliver very good results even on high resolution sensors. - Source: Internet
  • The 24-105mm range covers everything from landscapes to close-ups, providing a very flexible range. While it is not small, it is extremely valuable to have a “one-and-done” lens that we almost never have to change in the field, thus keeping our sensor clean of dirt and debris. It is also sharp corner-to-corner, provides an acceptable max aperture across the entire zoom range, and can typically be found at an amazing price point on sale for about $1100. - Source: Internet
  • Since landscape subjects are often motionless, fast autofocus is not usually an essential feature for landscape photography. I use regularly use autofocus when shooting landscapes, but waiting even an extra second for the lens to focus would seldom make a difference in my images (unless the wife and kids are waiting for me). Even manual focus often works well for landscape photography, especially when photographing at narrow apertures. - Source: Internet
  • Zeiss Loxia 2/50 4.5 The Zeiss Loxia 2/50 is one of the best modern manual focus lenses out there, and is worthy of being called Editors’ Choice. $699.00 at Amazon See It (Opens in a new window) Zeiss Loxia 2/50 Review - Source: Internet
  • As mentioned above, the 24-70mm range is the typical choice for a primary lens, but most people really do not require the ability to shoot at F2.8. If budget and/or size are your priority, consider the Sony Zeiss 24-70mm F4 instead. - Source: Internet
  • For street photographers who use Sony aps-c cameras, this lens is a must-have. You will find this f/1.8 lens has a compact design and is great when you want to get in a bit closer to your subject without having to move. It may not be as wide as some street photographers like, but it is perfect for others. - Source: Internet
  • Pros: The Tamron 70-180mm is easily the best lens for travel in this focal distance range on the Sony A7iii. It was sharper than the competition, a huge surprise, weighs half as much and is only 40% of the price! Cons: The biggest con to the Tamron is that the Auto-Focus performance at high speeds was about half as good as the Sony lenses. Of lesser importance, the Sony options had slightly less Chromatic Aberration and fringing. Also does not get to 200mm like the competition. - Source: Internet
  • Cameras that can swap out lenses, like those in Sony’s mirrorless system, don’t work with just any lens. You need to shop for one that’s made for your camera. If you opt for the Sony system, you benefit from a decade’s worth of lens development, which means there are oodles of optics from which to choose. - Source: Internet
  • Tamron has produced a very affordable 24mm f/2.8 prime lens that is great for street photography . This lens is incredibly compact and lightweight, making it an ideal option for street images. The wide angle makes it easy to capture as much as you and to get it all in focus, either using manual focusing or auto. - Source: Internet
  • Pros: This is the smallest and 2nd-most affordable lens of the 85mm Sony Full Frame line up, while offering similar or better image quality at F1.8 as any other option. At a price tag of $599, this lens is a must for prime shooters and at only 371g, its perfect for travelers. Cons: Not quite as sharp corner to corner as the premium lenses, and not quite as cheap as the Rokinon / Samyang. - Source: Internet
  • Again needs are very different: If you do a lot of hiking you probably don’t want to carry the very heavy Sigma, but a slower, lighter lens. As a wedding photographer on the other hand performance will usually be more important than weight. Lenses also need to fit into your camera bag. - Source: Internet
  • You can spend anywhere from $150 to $1500 for a 35mm E-mount lens. You can also adapt a good legacy 35mm for a little over $50. As a rule of thumb more money gets you better optical quality, better build quality, better reliability and faster lenses. There are some rather embarrassing exceptions to this rule of thumb in the E-mount 35mm lineup though. - Source: Internet
  • 35mm is a very important focal length to me, this is also why I have reviewed so many 35mm lenses: to find the one that best fits my needs. The best allround 35mm lens I think exists is (still, even after the release of the Voigtlander 35mm 2.0 E Apo-Lanthar) the Voigtlander VM 35mm 1.7, which unfortunately suffers a bit on the Sony filterstack unless you use a 5m PCX filter, which makes it an astonishing lens even on Sony cameras. - Source: Internet
  • If your travel photography includes a lot of wildlife or requires some discretion for capturing the moment, a good telephoto lens is essential. We compared the Sony 100-400mm, Sony 200-600mm, Sigma 150-600mm, and Sigma 100-400mm before deciding on the Tamron 150-500mm. At the price point, this was easily the best value due to its superior autofocus, sharpness, and max apertures. - Source: Internet
  • Pros: Best value when factoring price to the most important features of a telephoto lens (max aperture, image sharpness, and autofocus performance). Also lighter than most comparable models. Half the cost of the Sony offerings! Cons: Those with a higher budget may prefer the extended range of the 200-600mm, or the higher max apertures of the 100-400mm. Lower build quality than the competition. - Source: Internet
  • While this lens’s focal length range is not as dramatic as the Sony equivalent, the cost is not as dramatic either. The Sigma 14-24mm f/2.8 DG DN Art Lens impresses with the image quality it delivers, the build and aesthetic qualities are excellent, and AF is fast and quiet. Note that this does not accept front filters. - Source: Internet
  • There are so many options it’s difficult to know which lens for street photography will be the best one. You must consider things like aperture, the best focal length for street photography , and the type of camera you use. Is your camera a full-frame, or does it have a crop sensor? This will affect how you pick the focal length of your lens for street photography . I will address these issues as I make recommendations for the best lens for street photography . - Source: Internet
  • When considering the price of a lens also look at the long term cost of it. A cheap $350 lens which breaks after 1 year of use costs you $350 for a year of use. A more expensive $600 lens you bought used that can be sold after a year for $550 costs you $50 for a year of use. And it was probably more enjoyable to use in that year. There is also an effect called “early adopter tax”: the value of newly released lenses usually depreciates rather quickly in the first year. - Source: Internet
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