This time, we’re going to talk about Best Paper For Colored Pencils Drawing. There is a lot of information about Colored Pencil Paper on the internet, of course. Social media are getting better and better quickly, which makes it easier for us to learn new things.

Colored Pencil Drawing and best paper for coloured pencil drawings are also linked to information about Strathmore Toned Paper. As for other things that need to be looked up, they are about Bristol Paper and have something to do with Best Colored Pencils. Best Paper For Colored Pencils Drawing - Strathmore Toned Paper

93 Tips to Best Paper For Colored Pencils Drawing | Drawing papers for coloured pencil artwork

  • Black paper is also popular. Learn more about using coloured pencil on black paper. Also, don’t forget to check out the step-by-step tutorial which shows glass drawn on black paper. - Source: Internet
  • This is a much thicker paper, coming in at 80 pounds, and as such, it takes color very well. The pages stay plenty crisp and get handle quite a bit of abuse and strokes without falling apart. It is also a decent size, with 80 square inches of workspace. However, being a higher quality paper, it costs a bit more per sheet. If you are wanting to test the color output capabilities of your pencils, this is a fine choice. - Source: Internet
  • My first experiences with sanded art papers was with UART Premium Pastel paper, which was available in a sample pack. Of the “regular” sanded art papers, it’s my favorite. I have also tried Fisher 400, but find the UART more satisfying to work on. It comes in a dark version, as well as the more typical light earth tone. - Source: Internet
  • In my classes, there’s a consistent question that comes up: “What is the best paper I should use for this drawing?” Oh, how I wish that was an easy one, for the possibilities with drawing paper are truly endless. There are so many varieties out there, and each one will create a different look. Here are some things to consider when selecting the best paper for your project. - Source: Internet
  • Moleskine’s Art Sketchbook comes in four sizes, ranging from pocket-sized (5” x 5.5”) to full-fledged A3. Paper quality is one of the most important aspects of this notebook – it outshines most of its competitors when it comes to this attribute. Moleskine is known for high quality paper, and this product certainly does its best to uphold the company’s reputation. - Source: Internet
  • The low GSM points to it being strictly practice paper, but this is not the case. It is useful even if you want to showcase the odd drawing or two. This set of pages, in fact, turns out to be one of the best-rounded products that we have reviewed today. - Source: Internet
  • With this, we bring today’s discussion on the ten best papers for colored pencils you can buy today to a close. We’ve covered all varieties and price ranges of papers you can buy – whether you’re a professional, beginner or somewhere in between. Remember the criteria we’ve used to review the papers, and we’re confident you’ll have a great coloring experience! - Source: Internet
  • Some papers are intended to be stretched before use. These papers can vary in the degree that you should stretch them. Variations will exist between sketchpads, rolls, and single sheets. - Source: Internet
  • Our 400 Series Colored Pencil paper has a smooth, toothy surface that is suitable for a range of colored pencil methods. Smooth, uniform covering is possible, and the long-lasting surface can withstand repeated erasures and rebuilding. The combination of the substantial weight and the vellum surface enables the application of several layers. - Source: Internet
  • It has little teeth, making it ideal for tiny details and flawless blending. The smooth paper produces more opaque and solid colors than rough paper because there are no deep dips in the teeth to fill up. Consider the following comparison of smooth and rough paper. - Source: Internet
  • It is another one of the few rare sketchbooks which were explicitly designed for colored pencils. It comes with 50 pages and is geared mostly towards those starting with colored pencil-based art. Many competitors are primarily concerned with covering all kinds of art possible, which makes this product is a bit different. - Source: Internet
  • Mi-Teintes Pastel pad has lightweight papers. It’s thin, so, we don’t recommend using wet art media like watercolor. But with dry media like pencils and charcoal, it works absolutely fantastic. - Source: Internet
  • The pad is available in three sizes – 5” x 8”, 5” x 11”, and 8” x 8”. Thus, it makes a lot of sense for students who are just starting out with colored pencils or want more practice to get this pad. 50 sheets for as little as this pad offers is a bargain you do not want to miss out on! It’s also great for the outdoorsy types and has gotten rave reviews from a lot of people as well. - Source: Internet
  • Non-traditional papers are also called textured papers. They are a sturdy substrate, over which a textured drawing surface is applied. They include brand names such as Clairefontaine Pastelmat, Fisher 400, UART, and Lux Archival. - Source: Internet
  • Technically, this isn’t a colored-pencil paper. However, once you use it, you will fall in love with the weight and the smoothness. While using this paper and colored pencils, you’ll soon forget that it wasn’t made to be used by color pencils at all! It is recommended for pencils which are slightly harder so that the paper won’t break the pencil nib. - Source: Internet
  • A popular drawing surface is Drafting Film, made from polyester, not paper. In appearance it resembles a thick tracing paper as it is translucent. It is very smooth but takes coloured pencil beautifully, although it reduces the number of layers you can use. However, you can also work on the back of the film or even layer multiple sheets as I did for the deer drawing above. - Source: Internet
  • The fiber relates to the specific material that is being used to make the paper. The two most common types are cotton and cellulose. However, the cotton can come from a variety of sources including bamboo, hemp, flax, jute, etc. Cotton will typically last longer if of high-quality but it coincidentally also tends to be more expensive. - Source: Internet
  • The second product in our recommendations comes from Legion, a company known for making cotton-based drawing paper pads for a long time. The Stonehenge series is renowned for being the best-colored pencil paper you can buy. It is 100% acid-free, comes with no chlorine or optical whiteners, and is made very responsibly. - Source: Internet
  • Very effective and quick, but probably not a perfect example. I like working on black papers and the Somerset Velvet is a very good one. As well as being lightfast (non-fading) it has a good surface." - Source: Internet
  • We especially liked the shade of the paper, which is a toned ivory color. Another great feature of the pages is that they are acid-free and have rounded corners, which helps when you’re keeping the notebook in your pocket. For drawing something up quickly or sketching while traveling, there are very few products that come close in quality. - Source: Internet
  • The OG Strathmore Colored Pencil Pad has 100 sheets with some of the best quality paper you can buy today. We especially liked the price of this pad – merely above the average price you would expect from normal sketchpads. It offers brilliant value for money and is one of the better choices you can make if you want the regular sketch finish. - Source: Internet
  • Although this is a niche brand you have probably never heard of. They provide some of the best papers for colored pencil artists. Sometimes you need to weigh out your options if you want a smooth surface or a vellum surface. - Source: Internet
  • This time Peter selected some UART 800 grit paper. The number relates to the grit surface - the higher the number the finer the grit. The link above is an affiliate link, this means if you use it to purchase from Amazon I will earn a little commission which helps to keep the site online, without costing you a penny extra! Thank you. - Source: Internet
  • Is there such a thing as too much tooth? Yes, I think so. For example, do not use pastel paper. This paper has significant tooth and is - Source: Internet
  • This Mix Media Paper Pad is terrific for beginners since it costs very less per sheet. It is available in many different sizes, ranging from 5” x 8.5” to 18” x 24”. These sheets have negligible flaws when it comes to creating art with colored pencils, but they are known to bleed with sketch pens. - Source: Internet
  • It is a beginner-level colored pencil pad – it has neither the GSM heft nor the tooth expected from more premium surfaces such as those recommended above. However, it brings a few remarkable features to the forefront – including 100% acid-free paper. It is a spiral-bound notebook rather than individual sheets, which gives you great archival benefits. - Source: Internet
  • Strathmore is a well-established company in the paper production industry with an experience of 125 years. Strathmore 400 Series Medium surface provides you with off-white papers with medium roughness. It has 24 sheets of 130 gsm papers and the dimension is 12 by 18-inches. The paper is ideal for dry art media. - Source: Internet
  • We like this paper and, coming in at a nice 140-pound weight, it can take plenty of colors and hold up. The texture is very nice, although you might have a bit more difficulty trying to lay down extremely detailed areas. Also, per sheet, this is by far the most expensive paper of the group, but if you are willing to pay the premium it will likely produce some of the most impressive results in the right hands. - Source: Internet
  • The third paper I’ll recommend is Strathmore Artagain. It’s sturdy enough to take lots of layers, but it’s smoother than either Stonehenge or Canson Mi-Teintes. It feels a bit slick compared to the previous two papers, but it can take a lot of layering. Artagain black is my favorite black paper because it’s blacker than most other black papers. - Source: Internet
  • Mi-Teintes Pastel Pad is globally preferred by almost every artist when it comes to pastels and paper crafts. It’s an affordable but good quality paper and is made from 50 percent cotton. The pad comes with 24 sheets of 9 by 12-inches, 98 lb. papers that are acid-free. - Source: Internet
  • I can use it successfully, but I just don’t prefer this paper. But I do want to go on record as saying it is very sturdy and is a thick, heavyweight (100lb) quality paper. It takes erasing quite well, too. - Source: Internet
  • So, won’t any old drawing or sketch paper do? After all, we are using a colored pencil. Umm…. no. - Source: Internet
  • Strathmore produces a number of Bristol papers, all of which are suitable for colored pencils. Remember that Bristol paper normally has two surface types: smooth and vellum. A vellum surface is traditionally preferred for colored pencil work because it has more roughness and teeth than a flat surface. The teeth of a vellum surface aids in the grasping of the colored pencil as it is placed down, allowing the artist to obtain a deeper depth of tone. - Source: Internet
  • This time Peter used Stonehenge light grey paper (affiliate link). A very good paper for coloured pencil and loved across the pond in the USA by many. Peter writes… - Source: Internet
  • Strathmore 300 Series brings a heavier Bristol paper. It’s a whopping 270 gsm paper and the drawing pad has 20 sheets of 9 by 12-inches paper. The quality of the acid-free paper is no less than what is expected from Strathmore. This paper is good for mechanical drawing and can be used with charcoal, ink, pen, markers and even airbrush. - Source: Internet
  • Basic colored pencil techniques are important, too, even if you have the best paper. By that I mean, remember it is always crucial no matter what paper you use, to begin all your projects with glazing (light) pressure. This allows the tooth to do its job helping you achieve optimal color-mixing, layering and blending. - Source: Internet
  • Moleskine comes to the market with a wonderful product which shines because of its portability. Moleskine’s claim to fame is their notebooks, which are some of the best you can find in the market. Their sketchbook is brilliant, irrespective of which set of color pencils you use with them. - Source: Internet
  • The Bellofy 100 sheet features papers that are thick and smooth on the surface. Making them one of the best papers for colored pencil drawing. With a hundred sheets that are easily separable, they work with not only watercolor pencils but other wet media as well. - Source: Internet
  • The surface has a smooth and buttery texture. It is sturdy enough to bear multiple layers of pencil colors. In case you are looking for multiple pads to draw on – say one for home and one for the studio, you should probably buy two of these. The texture is quite similar to medium watercolor paper. - Source: Internet
  • It is also very affordable. At just 3 cents/sheet (yes, I said $.03!), you can’t beat it. Compare this to 24 cents/sheet for the Strathmore brand colored pencils paper or the 33 cents/sheet for the Strathmore Bristol Vellum. - Source: Internet
  • Naturally, the size of your paper will be a crucial consideration while deciding on the best one for you. When cooking, my mother always stated, “You can always add more, never less.” - Source: Internet
  • Jack of all trades but master of none – this idiom sums the drawing pad up pretty well, in our opinion. The drawing pad gives you more range than you need when it comes to colors but also gives you enough tooth to get some excellent detail going. The sketch series is aimed at all artists and not just colored-pencil users, but it behaves quite nicely with it too! - Source: Internet
  • With this, we come to the real deal – the actual sketching pads which are directly aimed towards colored pencils and shading pencils. This paper is slightly more textured than the best color pencil sketch pads on the market but does the job just as well in most circumstances. Vellum used to be made from animals but is now made from plant material. - Source: Internet
  • If you’re looking for a smoother paper and want to introduce more detail into your work, the Canson Universal might be what you’re looking for. However, be warned – adding more detail into your work comes at the cost of allowing more colors into your work. Hence, it only makes sense to go for this pad if you’re sure you don’t want to mix colors too much. - Source: Internet
  • This Canson paper is relatively smooth, making it great for more intricate sketches. While you won’t get as much color laying out as in some of the rougher papers, there is still an adequate amount and the extra control you get from the smooth surfaces is a nice plus. This is a much smaller product, coming in at only 5.5” x 8.5” so it is easier to carry around but if you plan on doing a larger work it might not be a good choice. - Source: Internet
  • First, what medium are you going to use? The paper you need for graphite isn’t the same kind you’d use for colored pencil. What you use for colored pencil wouldn’t be a good choice for pen and ink. While experimentation is fun, you can spare yourself unnecessary mistakes by learning what certain papers are good for. - Source: Internet
  • To begin, it’s critical to use high-quality paper that can withstand abrasive procedures (such as burnishing and erasing) and maintain your artwork for as long as possible. At the very least, the paper you buy should be acid-free, which helps prevent it from becoming yellow and brittle over time. Labels like archival and permanent are useful indicators, but the true archival paper is manufactured from 100% cotton (also called rag paper). - Source: Internet
  • When we talk about performance and value, very few products come close to the Canson XL Series Mix Media Paper Pad. Canson has been manufacturing papers for over five centuries. The XL Series Mix Media Paper Pad is one of the cheapest papers you can buy and has relatively decent quality too! - Source: Internet
  • This sketchpad is a little different from regular colored pencil sketching pads, in that you get multiple ply sheets in one page and hence, a heavier sheet with a 270 GSM weight to it. This pad is ideally suited for a studio because it is too large to be used on the go. We especially liked the paper quality, which is beyond reproach. - Source: Internet
  • Arches Watercolor block provides 20 sheets of paper of impeccable quality. It’s made from 100 percent cotton and is bounded on all sides. The paper is thick, reliable and very consistent in its performance making it good for finished use. It’s also highly erasable and works really well with graphite making it’s also excellent for practice sketching. - Source: Internet
  • Canson Mi-Teintes is another paper I use quite often. It’s actually a pastel paper, but if you use the back (which is less textured,) it’s great for colored pencil work. It takes a lot of layers and can handle small amounts of solvent blending. - Source: Internet
  • Another plastic based substrate is NeverTear ‘Paper’, which unlike Drafting Film is pure white and opaque. This is another ultra smooth surface which works really well with coloured pencil. It is also waterproof, which means you can use wax pencils on it when sketching outside in all weathers. - Source: Internet
  • If you want to use solvents or wet media with your colored pencils (as is usual with watercolor pencils), you might consider purchasing heavyweight paper. When lightweight paper absorbs moisture, it warps and buckles. Look for a heavyweight paper that is at least 300 gsm or 140 lb. It is preferable to utilize gsm than lb since it is stronger. - Source: Internet
  • In fact, I began a commission recently using it and as usual, wasn’t enjoying it at first. I thought, “Press on, after all, it IS a professional grade paper.” I finished the commission and it turned out great. - Source: Internet
  • Because of this, it is important to do research and trial and error to find a paper that works for you. Similar to the colored pencils we review, there is no such thing as a “best” colored pencil paper. Depending on who you ask, you may get a dozen different answers. But that doesn’t mean that there isn’t a best paper for colored pencils given a specific application or to be used with a specific type of colored pencil. - Source: Internet
  • These days, there are a lot of different paper types. Not only thickness but surface textures vary widely among the brands available. So let me break my suggestions down into traditional and non-traditional papers. - Source: Internet
  • The paper does not bleed ink, gives you supreme control over colors, and withstands several layers of colors on the surface without any problems. It allows you to be flexible and create almost anything that comes to your mind! We undoubtedly recommend this to professionals and experts. Beginners should not spend so much to practice. - Source: Internet
  • To get a better idea of the many factors that go into determining a paper, we have broken down some of the common specifications below. While some of these are conventionally more popular to use a colored pencil it is by no means universal and, depending on the artist and the end goal that they have in mind, a less-conventional type might be preferred in some circumstances. Again, we encourage you to try a few different options and see what works for you! - Source: Internet
  • Among surfaces, there are many to consider. Smooth and vellum surface, depending on how you want your colored pencils to look upon application you make your choice. Vellum will give your colored pencils a rough texture as in you will be able to see the bumps and cracks. - Source: Internet
  • The pages are finished in natural white, so you won’t have any problems when it comes to color reproduction. These pages are acid-free, which means they have excellent archival properties as well – though not the best. The pages are also perforated, and it comes in a spiral binding which should give you an exceptional finish. Hence, you’ll be quite happy if you want to create art on these papers. - Source: Internet
  • The A4 size means you have a lot of space to work with and can use sketching pencils, colored pencils, calligraphy pens and markers among other materials. Whether the sketchbook is for a child or adult, any skill set is guaranteed to be advanced with this sketch pad. The fantastic price point means that it is accessible for all artists, especially hobbyists. - Source: Internet
  • The quality of drawing paper may vary greatly, which influences not just how long your painting will endure but also how well your colored pencils function. If you buy inexpensive paper, it may be difficult to use since it is readily destroyed by abrasive processes (such as burnishing and erasing) and will warp or buckle if you use wet media. And even if you complete your artwork, it will most likely turn yellow and brittle within a few years. It’s acceptable to save money by practicing in a cheap sketchbook, but you should always do your best to help your artwork survive as long as possible by choosing excellent materials meant for permanence. After all, colored pencils are a sluggish medium, and the collector makes them happy. - Source: Internet
  • Among paper types, these are your standard heavyweight papers. The thickness makes way for several layers of paint application. This makes it one of the best papers for watercolor pencils or colored pencils in general. - Source: Internet
  • Besides the Legion paper, this paper is one of the few which comes with a high GSM rating of 300. Don’t be fooled by the rating – these two papers are worlds apart in all other contexts. The Fabiano is hot-pressed, while most other papers tend to be cold-pressed, so they give a bit more texture. - Source: Internet
  • The area where this paper really shines is with watercolors. Since the paper is designed for that, the flow and look of watercolor are incredible on these sheets. And the fact that the paper is extremely tough and thick helps with that as well. - Source: Internet
  • At the very least, the paper you purchase should be acid-free. This is significant because any acid in the paper will damage the fibers, causing them to degrade and yellow over time. For example, most of the drawings I made in high school were done on inexpensive drawing paper, and the paper is now frail and yellow, altering the colors in the artwork. If only I had paid attention to my high school art instructor! - Source: Internet
  • Fabriano Artistico 140 lb. is a great acid-free paper that comes in a convenient size of 9 by 12-inch. The quality of this paper is excellent. - Source: Internet
  • DURABLE WATER REPELLENT HARDCOVER AND BACK: Coated sturdy chipboard hardcover and back can protect paper from creasing. The 9x12 hardcover sketchbook makes for a great surface to sketch against on the go. The water repellent cover of the dry media sketchbook can protect the artwork from the splashing water or even in the rainstorm. - Source: Internet
  • The lowered teeth restrict the amount of layers you can apply, but the binders in the pencils provide some flexibility. When working with smooth paper, start by laying down the color very lightly and gradually building it up. If you push too hard too soon, your stacking possibilities will be limited. You may reward yourself more. - Source: Internet
  • There is a plethora of papers for colored pencils. Some work especially great with colored pencils and some work great for any sort of media you work with. To get the best paper it is good to explore the ranges of Stonehenge paper, cotton-based paper, or wood pulp. - Source: Internet
  • The finish of a paper is related to its roughness or texture. A more texturized paper is going to be rougher to the touch. On a small-scale, these rougher papers are forming crevasses in the paper, which can allow the color to settle or pocket inside them, which can result in a deeper, more vivid color in some cases. - Source: Internet
  • An obvious choice, the paper comes in a wide variety of sizes. Depending on how large of a piece you want to tackle, you might have to shop around to find a larger cut size to go with. On the contrary, if you wish to simply doodle on a mobile medium a typical small sketch pad would suffice. - Source: Internet
  • The quality of this paper is outstanding. From the texture to the weight, everything feels top notch. Erasing on this paper is blemish-free, even after doing so several times. - Source: Internet
  • Paper texture, often known as grain, tooth, or finish, is the outcome of the various production processes utilized. Technically, terminology like tooth and texture mean distinct things (e.g., the peaks and valleys of the paper vs. the surface pattern of the fibers), but I’ll use them interchangeably in this post. - Source: Internet
  • My first impressions are favorable. The paper is a bit sturdier than Legion Stonehenge (90lb) and the surface texture is velvety. A delight to touch. - Source: Internet
  • If you prefer off-white or cream-colored papers then you’d like the tint of this one as well. Because of the color, we liked sketching on this paper with pencils or charcoal. Something about this shade always makes sketches appear more attractive to us. - Source: Internet
  • “I spent nearly 3 hours on this. I thought the paper was an Italian print making paper called Canaletto Liscio, but later checks showed it was much smoother and was in fact a real problem to use with coloured pencil. The final attempts to get the colour to produce a smooth effect just led to the top coats slipping around. I now believe the surface was a simple white card of about 250gsm. - Source: Internet
  • Peter used Strathmore Bristol Smooth paper (affiliate link) for this test. It is very smooth and allows lots of fine detail, although the number of layers possible can be somewhat limited. Peter commented… - Source: Internet
  • I gave up the work in the end and moved on to the examples of work on papers I could be sure of. It proved that if you use the right paper the finished result will be better and also take less time and trouble.” - Source: Internet
  • HEFTIER DRAWING PAPER: Every LYTek sketch book offers thick acid-free paper – 63lb./95gsm – perfect for dry media such as pencils, pastels, pen, etc. Every page of the LYTek art sketch book is perforated, so you can detach it cleanly & safely making this your perfect sketch book for drawings. - Source: Internet
  • Conclusion: This paper is definitely suitable for using with coloured pencil. Personally, I find it can soak up the pencil as it is very absorbent, and may need further layers the next time I come back to the project. It will, however, take many, many layers so that is not a problem as far as I am concerned. It is one of my “go to” papers. - Source: Internet
  • You can get this paper in a variety of sizes and in different quantities as well – you may want a roll if you’re a professional, but if you’re experimenting, you might want to go for single sheets. However, there is one problem – the cost. For a paper which isn’t even technically a colored-pencil paper, it’s one of the most expensive options out there. - Source: Internet
  • There are many different weights of paper. The weight isn’t the literal weight of the final product, but rather it is determined during the pulping stage in the paper-making process. This topic can be quite confusing, especially when trying to convert between measuring units, so to keep things simple just assume that the thicker the weight, the more wax/paint/etc. the paper can handle before falling apart. - Source: Internet
  • Our third choice is the Art-n-Fly Smooth Sketchpad which is extremely versatile as it is suitable for hobbyists and professionals. Intended for technique practices and best paired with dry media applications such as colored pencils and charcoal. The smooth and sturdy paper is acid free and the sketchbook is made up of 100 sheets. - Source: Internet
  • You should also examine the appropriate paper texture for your colored pencils. Most individuals prefer a smooth texture (also known as hot press, plate, or fine-grain), which enables intricate work and simple mixing. If you use a lot of layers and want the look of a paper pattern or grain, use a medium texture (also called cold press or vellum). - Source: Internet
  • Traditional papers are what most of us think of when we think of drawing paper. Smooth, usually white, and available in pads or full sheets. Popular names include Strathmore, Canson, Stonehenge, and Bee. - Source: Internet
  • As you can tell there are a lot of considerations to make in your next paper, especially when using colored pencils. A paper that does well with oil pastels might not work with colored pencils as well, for instance. Other obvious factors include your budget and the availability of the paper. That being said, we have put together a small list of our favorite choices for specifically colored pencils. - Source: Internet
  • Strathmore Mixed Media paper has a vellum drawing finish that is suitable for colored pencils and other dry media. It is also made of the same size as watercolor paper, making it suitable for wet media applications. You may blend colored pencils with other media to your heart’s content because of their robust surface and substantial weight. - Source: Internet
  • Strathmore has taken into account the needs of users who like to move around with their color pencils. They have introduced a portable variant which measures approximately 6” x 8”. It will easily fit into a small bag or a purse – you can draw with ease pretty much anywhere you wish to. The paper is acid-free and comes in at around 270 GSM. - Source: Internet
  • Not that it can’t be done on the pastel paper, it can. And if you like lots and lots of layers, then go for it. But it really is meant for pastel use, not colored pencil—they call it “pastel paper” for a reason. The same goes for cold press watercolor paper as well, not good for colored pencil use. - Source: Internet
  • “Sizing” in this case is in regards to how water-resistant the paper is. In other words, if the size level is higher, less moisture and pigment will be absorbed. While this might sound like a bad thing, it is intended to help preserve the paper and keep it looking crisp over time. It is important to find a happy balance between having enough absorbency to soak up the color you are applying but also to not absorb to the point that you overwhelm the paper and it falls apart over time. - Source: Internet
  • Common finishes include rough, cold press, and hot press. Rough is as its name suggests: very rough and full of texture. Cold press is the most common and popular, as it tries to find a happy balance between having texture but also being smooth enough to allow for more details with pencils. - Source: Internet
  • Why is this important? Well, consider this… If you start off with a heavy pressure right off the bat, think about what that does to the tooth of the paper. Basically, you will fill in the “valleys” of the paper, but you will also flatten the “hills” (essentially damaging the tooth) and may even create unwanted grooves. This will prevent the tooth from grabbing any subsequent layer and mixing properly. - Source: Internet
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