Today’s topic is Best Sony G Master Lenses. Obviously, you can find a great deal of Sony Lens Ranking-related content online. The proliferation of online platforms has streamlined our access to information.

There is a connection between the Best Portrait Lenses for Sony a7C and best sony g master lenses information. more searching has to be done for Best Sony Lens For Video, which will also be related to Best Sony Aps-C Lenses. Best Sony G Master Lenses - Sony's E-mount lenses for demanding videographers

84 Fun Facts Best Sony G Master Lenses | Best Lenses For Sony A7 Iii

  • Sony calls the lens “the ultimate portrait prime,” and it’s difficult to argue with that. I’ve used 85mm prime lenses with wide apertures for complete senior portrait shoots, and the results are fantastic. There appears to be always enough ambient light to use this lens handheld. - Source: Internet
  • On launch this lenses was sold out for over 6 months! It offers excellent sharpness and autofocus performance in a compact and lightweight body. There is very little in the way of chromatic aberrations to worry about and the lens is sharp across the frame even at its maximum aperture of f/2.8. - Source: Internet
  • The constant f/4 aperture is a welcome sight on this budget zoom lens. Many lenses of this price range will have a variable max aperture, which results in losing stops of light as you zoom in. The constant aperture offers better low-light performance and gives you more creative control. - Source: Internet
  • While Sony’s mirrorless lens mount is generically-known as the E-mount, the single letter E on a model name specifically refers to lenses that are only corrected for cameras with cropped APSC sensors, like the A6000 series, or full-frame bodies running in cropped / Super-35 modes; in either case, the crop reduces the field-of-view by 1.5 times, so a 50mm becomes equivalent to 75mm. Note older NEX bodies also employ cropped APSC sensors, but may not have the firmware to correct distortion on some of the latest lenses; they’ll still work, but you may see more distortion that you would on an A6000 series body. - Source: Internet
  • Sony also has multiple lines of lenses to cover different budgets. It has the expensive though high-quality GM lineup as well as the more affordable G line. There are also lenses collaboratively built with Zeiss for more variety. Plus, third-party lens manufacturers are filling even more gaps. But no matter what you are looking for, the best Sony lenses will help you take advantage of the features and quality of your Sony camera. - Source: Internet
  • A normal or standard lens is one that most closely replicates human vision. That’s generally considered to be around 50mm. They are extremely versatile lenses and one every photographer should have in their arsenal. Plus, a prime normal lens is generally very affordable and compact, making it more approachable and easy to keep with you even when traveling. - Source: Internet
  • When it comes to wide angle zoom lenses, the selection is fairly limited. Sony has a total of three lenses on offer, which are very good but unfortunately also very pricey. Then there’s also one from Tamron and another from Sigma. - Source: Internet
  • So how do you choose between the two? To a certain extent, it comes down to preference–and of course, budget–but there are some pros and cons to each. First, lenses made by Sony are designed to work in tandem with its cameras. The biggest asset of that is that it generally results in faster and more accurate autofocus. But, they also can be cost prohibitive. - Source: Internet
  • The Canon RF 85mm F1.2L USM is a new addition to the Canon RF line of lenses, with an estimated MSRP (manufacturer’s suggested retail price) of $2,099.00. - Source: Internet
  • Sony makes some impressive, highly capable cameras, and if you own one, it’s only natural that you want quality Sony lenses to go with it. While lens options used to be somewhat limited, Sony has expanded its range in recent years. You’ll now find just about any focal length you want, with plenty of zoom and prime choices. - Source: Internet
  • A portrait lens does not refer to any specific type of lens because any lens can be used for portraits. You can use a prime, a zoom, a telephoto, or even a kit lens to take portrait photos. That said, the best portrait lenses often have a focal length of somewhere between 70 to 135mm, along with a wide maximum aperture for great low-light performance and shallow depth-of-field. Here are the best portrait lens options for the Sony a7R4. - Source: Internet
  • The best Sony Camera Lenses tend to be the company’s G-Master lenses, which are big and beautiful but expensive. There are many alternatives for photographers and videographers who need lighter, smaller or just less expensive lenses. And many of these optics are so good on their own that they can outperform Sony’s G-Master optics. Sony has two distinct lines of mirrorless cameras. - Source: Internet
  • This lens has an ultra-wide f/1.8 aperture and offers image quality at a wide-open aperture that is superior to that of most portrait lenses at any aperture. The end result is simply spectacular. This focal length necessitates a moderate amount of working distance for full-body portraits, but it provides an excellent perspective for even tight headshots. That background blur produced by this lens is incredible – great for portraits. - Source: Internet
  • Unlike most up-market zoom lenses for DSLRs, this one has a widest available aperture of f/4 rather than f/2.8, which helps to make its size and weight a better match for the comparatively small A7 series bodies. As with most Zeiss-badged optics, the physical design looks minimalist, without any switches for auto/manual focus modes or on/off for the OSS (Optical SteadyShot) stabilizer. Even so, the metal lens barrels feel beautifully engineered and the build is dust/moisture resistant. Sharpness is good and very consistent throughout the zoom and aperture ranges although the corners become a little soft at longer zoom settings. - Source: Internet
  • The Sony FE 24-70mm F2.8 GM II lens is part of the Sony G Master range, and if you don’t know, this is their premium line of lenses, with the aim to provide ultimate image quality, as well as beautiful background blur (or bokeh). This new lens is relatively small and lightweight, with an aperture ring, making it a great match if you’re looking for a small(er) lens without compromising on image quality. There’s an 82mm filter thread, and a relatively close focus distance of 21-30cm. With weather-sealing it’s a perfect match for Sony’s weather sealed mirrorless cameras. - Source: Internet
  • A brand new G Master version of the 16-35 mm has just been released. With an aperture of f/2.8 and the image quality the G Master lenses are famous for, this lens is the absolute cream of the crop when it comes to wide-angle lenses for the Sony Alpha 7 series. - Source: Internet
  • The Sony 24-70mm F2.8 GM II is a new masterpiece from Sony that follows the same design approach as the Sony 70-200mm F2.8 GM II OSS : sharper , lighter, faster & video improvements - Source: Internet
  • For shooting astrophotography with the a7R IV your best options are the Sony FE 24mm F1.4 GM, the Sony FE 16-35mm F2.8 GM or the Sigma 14mm 1.8 DG HSM Art. All of these lenses have been covered in further detail under the wide-angle section of this guide. - Source: Internet
  • Of course with a lens that compact, there are some trade-offs in performance. For example, the lens only has an initial aperture of f/4-5.6. It isn’t protected against dust and splash water, and there are certainly better lenses in terms of image quality. - Source: Internet
  • An all-in-one lens typically refers to a lens that covers a wide focal range and allows you to shoot anything from a moderate wide-angle landscape shot, to a portrait shot or even a slight telephoto shot. All-in-one lenses make great walk-around or travel lenses for when you want to travel as light as possible. Here are the best all-in-one lens options for the Sony a7R IV. - Source: Internet
  • As focal lengths get longer, lenses built with traditional optical glass have problems with chromatic aberration, and as a result, images suffer from lower contrast, lower color quality, and lower resolution. ED glass drastically reduces chromatic aberration at telephoto and provides excellent contrast across the entire image, even at wide aperture settings. Super ED glass offers enhanced compensation for chromatic aberration. - Source: Internet
  • It features the same XD focus motor found in more expensive lenses like the Sony FE 400 F2.8 GM and 600 F4 GM. The XD linear focus motor is very fast, reliable and very quiet, which makes it a good choice for video work as well as stills. - Source: Internet
  • Just in-case you didn’t know, Sony makes two different types of E-mount lenses. APS-C E-mount lenses which are designed for cameras with an APS-C sensor and full-frame E-mount lenses designed for cameras like the Sony A7 series and A9. The APS-C lenses have E in their name whilst the full-frame lenses have FE. - Source: Internet
  • The 85mm F1.2L is a unique lens because it’s the only one in this series designated as a “L” lens. All the other RF lenses are considered “new standard zoom” or “wide angle zoom” lenses. - Source: Internet
  • Third-party lenses are often a good bet when looking to expand your system, offering premium performance at a cut-down price. The Sigma 20mm F2 DG DN | C is a prime lens providing excellent value for money, and is a good budget-friendly alternative to Sony’s own FE 20mm f/1.8 G (featured a few entries down from this one). In testing, we found that this lens handled fantastically on the Sony A7R IV, creating a perfectly balanced setup, and its optical performance was superb. It’s sharp throughout the aperture range, only getting a little soft at f/22. - Source: Internet
  • We’re proud owners of a Sony Alpha 7II and we would never want to part without this great camera. In this guide we’ll show you which lenses are available for the Alpha 7 series. If you’re looking for the perfect full-frame lens for E-mount cameras, you’ve come to the right place! - Source: Internet
  • If having a native Sony lens isn’t as important to you, the Sigma Art 14-24mm f/2.8 (opens in new tab) could be a great option. At $1400 it’s less than half the cost of Sony’s $3000 G Master, and the difference between 12mm and 14mm would be minimal. While full-time professional photographers would likely still opt for Sony over Sigma, we think the Sigma is excellent, and gave it five stars in our Sigma 14-24mm F2.8 DG HSM ART lens review as well as giving it a place in our best lenses for astrophotography buying guide. - Source: Internet
  • The AF-S Nikkor 85mm f/1.4G is the second lens in Nikon’s range of professional f/1.4 lenses, complementing the excellent (and expensive) AF-S Nikkor 58mm f/1.4G in Nikon’s line up. - Source: Internet
  • On top of the ability to resolve the full 50Mpix of the sensor , the ability for the AF motor to be compatible with the 120 AF computation/ sec and 30 frames/seconds will be important for the A1. All Sony recent lenses with a XD linear AF motor are compatible and some older ones with some fast linear motor. Third party lenses are moslty limited at 15fps - Source: Internet
  • The Sony FE 85mm F1.4 G Master lens is a bright 85mm lens, that could be the ideal portrait lens, with impressive sharpness in the centre, even when shooting wide-open. There’s also the excellent build quality that you expect from a G Master lens, as well as dust and moisture resistance. Like other G Master lenses, you get an aperture ring with with clickless option. However, there are some downsides, as it is quite weighty at 820g, and it’s also rather expensive. - Source: Internet
  • Featuring a large maximum aperture of f/1.4,the Pentax HD PENTAX-D FA* 85mm f/1.4ED SDM AW is one of the brightest, fastest lenses in its class. - Source: Internet
  • The build is professional-quality, with full weather sealing, which you usually only get on higher-end lenses. And it has a fluorine-coated front element to help keep that clean and free of dust and fingerprints. Though it’s not large compared to full-frame lenses, it is a bit big when paired with tiny APS-C cameras, which some may not appreciate. Sony’s Carl Zeiss Vario-Tessar T E 16-70mm f/4 ZA OSS is a much smaller –and more affordable–option, but you will lose a stop of aperture and get a lower image quality. - Source: Internet
  • Within each series, Sony indicates its superior models by the letter G and names its flagship mirrorless lenses G Master or GM for short. Models involving a partnership with Zeiss are labeled ZA, and are generally pitched between Sony’s own G and GM lenses in quality. Meanwhile, lenses labeled PZ have a Power Zoom for smooth motorized zooming while filming, while those with OSS refer to Optical SteadyShot stabilisation. Phew, enough of the specs and now on to my recommendations; the text links in the next section take you to B&H to check prices, while links to my full reviews and sample galleries are lower on the page. - Source: Internet
  • The Sony FE 90mm f/2.8 Macro G OSS lens is an exceptionally sharp lens. DxOMark reviewed this lens and said that it’s outstanding, scoring higher than both the Canon and Nikon equivalent macro lenses. - Source: Internet
  • These lenses are often faster, cheaper, and lighter than their zoom counterparts. The best prime lenses have a maximum aperture of at least f/1.8, whereas zoom lenses typically start at f/3.5. - Source: Internet
  • Those who use Sony crop sensor cameras still get access to that classic standard zoom (plus a little extra) with this lens, as it provides a full-frame equivalent of 24-82.5mm. With a max aperture of f/2.8, it offers the fastest aperture of any Sony zoom lens. And, unlike many APS-C zoom lenses, it has a constant maximum aperture, so you don’t lose out on stops of light when you zoom in. - Source: Internet
  • There are three main categories of focal lengths, wide-angle, normal, and telephoto. Lenses that have a focal length of 35mm and lower are considered wide-angle lenses, which, as the name suggests, provide a wide angle of view. The wide angle will result in lower magnification and also a less shallow depth of field compared to other focal lengths. They are ideal for landscapes, real estate, group portraits, and event photography. - Source: Internet
  • Sony has two lens systems: the Sony E-mount and the A-mount. Sony E-mount lenses are designed for its current range of full-frame and APS-C format mirrorless cameras, while the A-mount is the system used by Sony’s now defunct range of DSLR-style SLT cameras. If you’re looking for the best Sony lenses to buy, you’re probably going to want an E-mount lens. - Source: Internet
  • Another issue common to ultra-wide-angle lenses is ghosting and flare. Since they are so wide, they tend to show flares if the sun is pretty much anywhere other than directly behind you. Yet this lens handles those things remarkably well, making them much less of an issue. That’s partially a result of the built-in lens hood, which doubles as protection since the front element is bulbous and sticks out. And, for photographers who love their sunstars, this lens creates some beautiful ones. - Source: Internet
  • The Sony FE 100-400mm f4.5-5.6 lens is not a small or compact lens in any sense but relative to the reach it gives you, this is as small as it gets. The lens is also one of the sharpest Sony lenses out there allowing you to capture crisp and clear images of wild animals like birds or the big five during a safari trip. - Source: Internet
  • Sony’s lens lineup continues to expand and improve, filling the needs of more photographers. Its best lenses offer truly exceptional quality and maximize its cameras’ impressive features. Plenty of entry-level and beginner-friendly Sony lenses come at more approachable prices, so if you are just getting started, you won’t need to spend a small fortune on a single piece of equipment. - Source: Internet
  • This lens from Samyang also has an unusual focal length with its 75 mm. 85 mm is more common for portrait lenses, but the 75 mm in combination with its aperture of f/1.8 is just as capable of producing a great background blur, so you can really make your subject stand out. - Source: Internet
  • I certainly wouldn’t recommend a 1.4x extender for all zoom lenses of this range and aperture, but in my testing, I have been very impressed by the quality of the 200-600mm G lens when paired with the Sony 1.4x extender. - Source: Internet
  • Sony’s mirrorless lenses corrected for use on full-frame bodies like the A7 and A9 series, are labeled FE and have no reduction in their field-of-view when shooting in full-frame modes; these also work on cropped bodies or in cropped modes, albeit again with a 1.5x field-reduction. Sony’s A-mount lenses have SAL in their product codes, but models additionally labeled with DT are designed for bodies with cropped / APSC sensors. - Source: Internet
  • As you can come to expect with the Sony GM lenses, the image quality produces with this lens is extremely sharp from corner to corner. The F2.8 aperture allows you to use the lens in any condition which is great for travel as you are often shooting in an uncontrolled environment. This lens is also perfect if you like shooting during sunrise or sunset, as well as astrophotography. - Source: Internet
  • Most significantly, wildlife photography necessitates skilled and specialized equipment, and with that, I flex my “Sony FE 200-600mm F5.6-6.3 lens in the air, claiming it is the best wildlife lens for the sony a6600. - Source: Internet
  • Ultimately, the decision to get a prime or zoom lens comes down to how and what you will use the lens for, as well as personal preference. Some photographers prefer to only use prime lenses, while others use a mix or perhaps even all zoom. Each has its advantages and disadvantages, so there is no right or wrong answer here. - Source: Internet
  • The Sigma 70mm F2.8 DG Macro lens for Sony E-mount is one of the first lenses that Sigma has adapted for Sony E-mount. I say adapted because this lens was originally designed for SLR cameras and not mirrorless, therefore it’s a little larger than it really needs to be. Still, if you can get over the size then this really is a very good lens that costs around 50 percent less than the Sony 90mm Macro. - Source: Internet
  • This lens produces beautiful bokeh as you can come to expect from a lens with such a wide aperture. It is also considerably sharper in most use cases compared to other 85mm lenses, even sharper than the Sony 85mm F1.4 GM lens, and best of all, it is almost 700 USD cheaper! - Source: Internet
  • One of the most helpful things was the reduction in size compared to its predecessor. Telephoto lenses are not light pieces of kit, so anything companies can do to shave off weight is welcome. At 2.3 pounds, the updated version of this 70-200mm is a full pound lighter than the original. That will make a significant difference if you are holding this lens for a full day of shooting. - Source: Internet
  • With such a lengthy head start, Sony put those five years to good use. It designed and brought to the market a succession of impressive full-frame compatible lenses, while also ramping up its range of APS-C format lenses for its popular line of A6000 series camera bodies. Whatever type of prime or zoom lens you need for your Sony full-frame or APS-C format body, you’ll be able to find an own-brand Sony lens to fit the bill. The only catch is that sometimes the bill can be a little steep, so we’ve taken value into consideration as well in this in-depth guide to the best Sony lenses. - Source: Internet
  • Especially in nature photography, you cannot always get as close to your subject as you would like, and sometimes you want to work from a safe distance. Zoom lenses allow you to get the shots you need. And today’s zoom lenses are lighter and more compact than sony lenses of earlier generations, making them a convenient choice as well. - Source: Internet
  • As another APS-C lens, Sony’s 18-105mm provides a lot of versatility at an affordable price. It has the full frame equivalent of 27-157.5mm, giving you a bit of wide-angle and some good telephoto reach at the same time. It would be a great all-arounder to bring while traveling as opposed to needing to pack multiple lenses. - Source: Internet
  • I’m sure you’ll have seen LensCoat Lens Covers on the telephoto lenses of many wildlife photographers. They offer added concealment when photographing wildlife in the field – especially for big white lenses like the 200-600 – and protection to your precious lens while you’re crawling around in the dirt for that perfect low-angle shot. Or… when you smack the lens on your door while exiting the car—yep, been there, done that. - Source: Internet
  • The medium-sized 90mm full-frame telephoto macro E-mount lens has built-in image stabilization for sharp, clear images with a magnification of up to 1:1, even when shooting handheld. Advanced optics and coatings with a 9-blade circular aperture deliver the exceptionally soft bokeh that G lenses are known for. Sharp focus rendition is achieved with a floating focus mechanism that suppresses aberrations equally at all focusing distances, whether the subject is far away or extremely close. - Source: Internet
  • This fairly chunky optic nonetheless only weighs in at a pretty modest 371g thanks to a predominantly plastic construction, but balanced really nicely on the Alpha A7R II we tested it with. The design is very clean - so much so that there’s no distance or DOF scales, but those niggles aside, it’s a cracking portrait lens. Focusing is nice and brisk while the nine-blade diaphragm delivers to really beautiful bokeh. Optically, there’s little to fault it on either - it’s incredibly sharp at the centre of the frame through the aperture range. If you can’t justify one of the more exotic Sony portrait lenses, this is a great option. - Source: Internet
  • The Sony FE 135mm f/1.8 GM Lens may be one of the best lenses you’ll ever use. Its sharpness, speed, and build quality are impeccable. - Source: Internet
  • For such a compact size and an affordable price point, it is hard to beat the Sony FE 85mm F1.8 lens when it comes to price-to-quality ratio. If you want to save some money, I highly recommend you go for the Sony 85mm F1.8 lens and use the money you saved to invest in other lenses instead. - Source: Internet
  • Sigma’s Art lenses have an uncompromising design ethic that goes all out for enabling artistic flair and creativity, no matter if they end up being quite large and weighty. The 24-70mm f/2.8 standard zoom for Canon and Nikon SLRs is typical of the breed but the new ‘DN’ version for Sony mirrorless cameras is more of a complete redesign than a simple tweak with a different mounting plate. It’s also about 200g lighter, making it more manageable on a svelte Sony mirrorless body, but is still pretty weighty at 830g. - Source: Internet
  • Sigma 16-28mm F2.8 DG DN Lens: Again, the G Master lenses are not cheap and it might not be reasonable to buy them especially if you are just starting out so for those of you who are looking for an excellent but affordable architecture/landscape wide-angle lens for your travel, I highly recommend you take a look at the Sigma 16-28mm F2.8 DG DN lens. - Source: Internet
  • As usual in ultra-wide lenses, the lens hood is an integral part of the barrel and protects the bulbous, protruding front element. As such, there’s no attachment thread for the direct mounting of filters. However, the new E-mount version of the lens adds a gel filter slot in its mounting plate, complete with a locking device, and comes with a template for cutting gel filter material to size. - Source: Internet
  • Distortion can make ultra-wide lenses challenging. If you are shooting interiors, the last thing you want is dramatic, complicated distortion. Luckily, distortion is very well handled thanks to Sony’s design that includes three extreme aspherical elements and one standard aspherical element. That’s not to say it’s fully absent, but it’s simple barrel distortion at the wide end and pincushion when zoomed in, making it straightforward to correct. - Source: Internet
  • The Sony FE 90mm F2.8 Macro is one of the best macro lenses in the photography world and the Sony FE 400mm F2.8 GM is a superb telephoto lens for shooting sports or wildlife. - Source: Internet
  • The APS-C series is aimed at beginners to enthusiasts, while the full-frame series is available for enthusiasts to professionals. Sony has two lens systems, one for its E-mount mirrorless cameras and the other for its older A-mount DSLR and SLT cameras. Older A-mount lenses can also be used on E-mount mirrorless cameras with a Sony adapter, but for best performance and greatest compatibility with mirrorless bodies, we would recommend using native E-mount lenses whenever possible. - Source: Internet
  • The Sony FE 70-300mm F4.5-5.6 G OSS offer a very good zoom range in a fairly compact body. Unlike all of the other Sony telephoto lenses that are white, this lens is black. So if you prefer to be a little more discrete whilst shooting then you may prefer this lens. - Source: Internet
  • The Sony FE 14mm f/1.8 GM is one of those lenses that make one grateful to be photographing at this time. Those photographing architecture, real estate, large products, or other subjects in a confined space, those photographing the great outdoors, including landscape and night sky photography, and those who simply want to get creative with ultra-wide-angles will want the Sony FE 14mm f/1.8 GM Lens in their kit. - Source: Internet
  • Sony mirrorless camera lenses are corrected for use on full-frame bodies such as the A7 and A9 series, are labeled FE and have no reduction in angle of view when shooting in full-frame mode; these also work on cropped bodies or in cropped mode, but again with a 1.5x reduction in angle of view. Below we have mentioned some of the Best Sony Camera Lens. - Source: Internet
  • The 45 mm is special because the focal length is rather unusual. The normal focal length for full-frame lenses is typically around 50 mm. In purely mathematical terms, however, 45 mm is closer to the field of vision of the human eye, making this lens an interesting alternative. - Source: Internet
  • Just as with conventional SLRs, independent manufacturers have kept an eye on Sony’s progress and started designing prime and zoom lenses that compete with own-brand optics. Some of the latest from the likes of Sigma and Tamron deliver similar or even better performance than Sony’s own lenses, while undercutting them for price. Let’s take a closer look at the best buys to suit a range different requirements. - Source: Internet
  • Tamron 28-75mm f2.8 G2 Lens: For a cheaper alternative, the Tamron 28-75mm F2.8 G2 lens is also highly recommended for those of you who are looking for a great all-around travel lens that is affordable while retaining 85% of the quality of what you get from premium lenses like the Sony GMaster lenses. - Source: Internet
  • We have nothing bad to say about third-party lenses in general. We actually use Tamron lenses ourselves and are very happy with them. So you might also want to consider going third party to take advantage of a wider range of options or better value for money. - Source: Internet
  • The Sony 50 F1.2 GM (2300 euros) shows that a F1.2 compact lens with AF is possible on E mount. It comes right at the top of the best 50mm lenses in the market : outstanding sharpness, very smooth background blur, excellent bokeh & color rendition , very compact and light, ultra fast AF compatible with the 30fps of the Sony A1. - Source: Internet
  • The top lens among the portrait lenses for Sony A7c is the 70-200 f/2.8 image stabilized lens because it is one of the most important zoom lenses in most photographers’ kits, and also because it includes a superset of the classic portrait focal length range, it is widely used to photograph people. This lens is frequently held in the hands of both professionals and amateurs. Professionals use it because no better lens exists for many occupations, and amateurs use it because it has the longest focal length obtainable in an affordable, conveniently-sized f/2.8 lens. - Source: Internet
  • Designed to appeal to those shooting sports, wildlife and action with fast cameras like the Sony a6600, the 70-350mm f/4.5-6.3G OSS super-telephoto lens is an exciting new addition to Sony’s APS-C range. It promises high optical performance, with built-in optical image stabilisation, plus typical G master lens sharpness from corner to corner. Offering 5x optical zoom, the lens is still relatively lightweight and would be a great addition to any kit bag. - Source: Internet
  • But that’s not to say that you should never use full-frame lenses on APS-C bodies, nor APS-C lenses on full-frame cameras. Sony allows its full-frame and APS-C lenses to be used interchangeably with its full-frame and APS-C format cameras, and there are scenarios where each can be advantageous. Check out our guides on when to use APS-C lenses instead of full-frame and what is crop factor to learn more. - Source: Internet
  • Telephoto lenses are typically the hallmark of sports and wildlife photographers. Sports photographers will often work with lenses up to 400mm and sometimes longer whereas wildlife photographers prefer the longest glass possible depending on what they are shooting. Here are the best telephoto lenses for the Sony a7R IV. - Source: Internet
  • The TravelCoat is a neoprene sleeve that protects the lens when it’s in your bag. I like to use these because it means you can stack other items around the lens when it’s packed into your pack for travel. Cylindrical lenses don’t usually make great use of the cubic internal shape of a bag, but with the lens protected by a TravelCoat, I can jam extra items all around it and take much more with me in my carry-on bag. - Source: Internet
  • The Sony Sonnar T* FE 35mm F2.8 ZA and Rokinon/Samyang AF 35mm f/2.8 FE are also both great lenses for street photography. I’m going to cover these two lenses next under pancake lenses. - Source: Internet
  • The Sony 20mm F1.8 G is a new masterpiece from Sony and could deserve the GM label. Compared to the Sony 24mm F1.4 GM is a little bit less excellent in term of Bokeh and corners sharpness, but vs the competition around 20-21mm for Sony E mount , it takes easily the pole position This lens will be ideal for landscape, astrophotography, indoor / outdoor architecture, night scene and it is a must have if you like wide angle primes The lens is also ideal for videographers for use on gimbal. For Youtubers/Vloggers when used in selfie mode , you can frame your full environment thanks to its wide angle of view - Source: Internet
  • If you want to use this lens for astrophotography then you will see some signs of coma from f/1.8 to f/2.5 and you might even see traces of coma at f/2.8 if you have very bright stars at the edges of the frame. However, coma is still not as prominent as on many other wide-angle lenses. - Source: Internet
  • This lens delivers excellent sharpness from the center of the frame right to the edges even when wide open at f/1.4. Flare control and chromatic aberrations are very well controlled and the build quality as we have come to expect from GM lenses is first class. Bokeh is deliciously creamy and the lens is of course weather sealed against dust and moisture. - Source: Internet
  • Finally, telephoto lenses are anything over 70mm. They have a narrow field of view, high magnification, and are capable of extremely shallow depth of field. Thanks to the high magnification, they are perfect for sports and wildlife photography or anything that you aren’t able to get close to your subject. They also are excellent for portraits because they lend themselves to fantastic separation between the subject and background, helping your subject stand out. - Source: Internet
  • Welcome to our guide to the best Sony E-mount lenses for your Sony mirrorless camera. This list represents the crème de la crème of Sony E-mount optics, and as such, we’ve only included lenses that have received our coveted 5-star Testbench Gold award in a full review. These are all lenses that we’ve used, tested and rated, and we reckon every single one offers superb value for money. - Source: Internet
  • One of the knocks on Sony years ago was that its lens range was a bit limited. But the company has been very aggressive in recent years in building out its range. As a result, there’s now a Sony lens for just about every occasion. Here we’ve focused on the best Sony lenses to start your collection, choosing optics to cover all of the most common focal lengths. - Source: Internet
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