83 Tips For Sony A7S Iii Video Lenses

Best Lenses For Sony A7S Iii Video will be the topic of our conversation on this particular occasion. There is, without a doubt, a great deal of information pertaining to Sony A7S Iii Anamorphic available on the internet. As a result of the rapid development of social media, it is now much simpler for us to acquire new information.

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83 Tips for Best Lenses For Sony A7S Iii Video | Best Zoom Lens For Sony Alpha 7 Iii

• This fairly chunky optic nonetheless only weighs in at a pretty modest 371g thanks to a predominantly plastic construction, but balanced really nicely on the Alpha A7R II we tested it with. The design is very clean - so much so that there’s no distance or DOF scales, but those niggles aside, it’s a cracking portrait lens. Focusing is nice and brisk while the nine-blade diaphragm delivers to really beautiful bokeh. Optically, there’s little to fault it on either - it’s incredibly sharp at the centre of the frame through the aperture range. If you can’t justify one of the more exotic Sony portrait lenses, this is a great option. - Source: Internet
• When it comes to Sony’s G Master lenses, we think the 12-24mm F2.8 lens is one of its best. It may not be the cheapest lens you can get for your a7iii, but its performance at a 12mm focal length is stunning. - Source: Internet
• When it comes to wide angle zoom lenses, the selection is fairly limited. Sony has a total of three lenses on offer, which are very good but unfortunately also very pricey. Then there’s also one from Tamron and another from Sigma. - Source: Internet
• Why the new Sony 24-70mm f/2.8 G Master II for video and vlogging? Not only was the newest iteration of the beloved G Master designed for all types of video applications, it’s as mobile as it comes in this class of zooms. When you use this lens you will find it to be smaller, lighter and faster, so it won’t bog you down on a long day of shooting. It’s also packed with a number of features for advanced video creation like its Linear Response Manual Focus and extremely quiet AF operation. All-in-all, it’s one of the most versatile lenses in the lineup and one any content creator will find useful for video. - Source: Internet
• The only thing to be wary of is the Achilles heel of many Sony A7 bodies, the “star eater” phenomenon. This is where the camera’s overenthusiastic noise reduction system ’eats’ stars that it misidentifies as noise or hot pixels. This tends to rear its head when shooting with particularly sharp wide-angle lenses, and / or at extreme ISOs, so be mindful if you start to see stars disappearing! - Source: Internet
• The Sony FE 100-400mm f4.5-5.6 lens is not a small or compact lens in any sense but relative to the reach it gives you, this is as small as it gets. The lens is also one of the sharpest Sony lenses out there allowing you to capture crisp and clear videos of wild animals like birds or the big five during a safari trip. - Source: Internet
• A brand new G Master version of the 16-35 mm has just been released. With an aperture of f/2.8 and the image quality the G Master lenses are famous for, this lens is the absolute cream of the crop when it comes to wide-angle lenses for the Sony Alpha 7 series. - Source: Internet
• Zeiss makes some pretty great lenses for the Sony a7iii, and the Batis 85mm f/1.8 is no exception. It’s another versatile option you can use for landscape and interior photography. - Source: Internet
• Interesting and cheaper alternative to the 10mm 5.6 and 12mm 5.6 Voigtlander lenses, but optically not as good as the 9mm 5.6 - Source: Internet
• On the other hand, if you are not easily scared by a bit more expensive lenses, or you are looking for an all-around high-end lens like The Sony FE 24mm f/1.4 GM or Sony FE 85 mm f/1.4 GM should be your top picks. - Source: Internet
• What’s considered budget-friendly is quite subjective. Some of these lenses are cheaper than others. Regardless, they’re the most affordable high-quality lenses for their categories. - Source: Internet
• The Sony FE 135mm f/1.8 GM is the ultimate portrait lens to get if you want the most top-notch optics and image quality possible. In fact, expert Roger Cicala from LensRentals said that out of 300+ lenses, this is the sharpest lens he’s ever tested. - Source: Internet
• You should also consider the lens family. Sony gives its better optics a G designation and reserves the GM (G Master) moniker for its highest-quality lenses. If you own a high-resolution a1 or a7R model, it’s often worth it to splurge on a GM lens, but you can usually get excellent results with more affordable lenses if you work with an a7 or a6000 camera. - Source: Internet
• Few zoom lenses can compete with a prime lens but this one performs just as well. The Sony FE 24-70mm f/2.8 lens will prove the perfect companion for your adventurous shoots. - Source: Internet
• Telephoto lenses are typically used to shoot wildlife, sports, and other far-away subjects. They also allow you to zoom in on landscapes to capture creative perspectives. Telephoto lenses typically have a minimum focal length of 70mm and can go up to 600mm or more. - Source: Internet
• Pancake lenses sadly have nothing to do with delicious breakfast carbs or maple syrup. They’re simply incredibly small and lightweight lenses — so light that you’ll barely feel their weight at all. These lenses are great for travel and street photography in particular, especially if you’re a minimalist and prefer packing light. - Source: Internet
• UWA lenses developed very fast during the last decades. The age of these 17mm legacy lenses shows clearly when they are compared to modern options. Nevertheless, they are pretty usable if you give the files some love in postprocessing (removal of CA’s and sharpening). - Source: Internet
• 🔮 If you’re interested in more portrait lenses, check out my review for the Sony FE 55mm F1.8 ZA. Though it has a shorter focal length, it’s great for environmental portraits, street photography, and top-notch videography. - Source: Internet
• With such a lengthy head start, Sony put those five years to good use. It designed and brought to the market a succession of impressive full-frame compatible lenses, while also ramping up its range of APS-C format lenses for its popular line of A6000 series camera bodies. Whatever type of prime or zoom lens you need for your Sony full-frame or APS-C format body, you’ll be able to find an own-brand Sony lens to fit the bill. The only catch is that sometimes the bill can be a little steep, so we’ve taken value into consideration as well in this in-depth guide to the best Sony lenses. - Source: Internet
• This specialized macro lens is super user-friendly, versatile, and one of the sharpest Sony lenses out there. It’s perfect for close-ups of tiny subjects and doubles as a portrait lens, too. CHECK PRICE ON AMAZON - Source: Internet
• Sigma’s Art lenses have an uncompromising design ethic that goes all out for enabling artistic flair and creativity, no matter if they end up being quite large and weighty. The 24-70mm f/2.8 standard zoom for Canon and Nikon SLRs is typical of the breed but the new ‘DN’ version for Sony mirrorless cameras is more of a complete redesign than a simple tweak with a different mounting plate. It’s also about 200g lighter, making it more manageable on a svelte Sony mirrorless body, but is still pretty weighty at 830g. - Source: Internet
• Of course with a lens that compact, there are some trade-offs in performance. For example, the lens only has an initial aperture of f/4-5.6. It isn’t protected against dust and splash water, and there are certainly better lenses in terms of image quality. - Source: Internet
• Wet wide-angle lenses are a great option with this camera. We recommend the Nauticam wet wide-angle lens or the Kraken KRL-01 wet wide-angle lens with the 28mm prime lens. All of these options are very sharp and will result in stunning wide-angle photos. - Source: Internet
• Sony Artisan Bob Krist has used all three of the above new lenses and says,“These three lenses have breathed new life into the APS-C format. They are precisely what serious APS-C shooters have needed. And the usefulness of these lenses to video shooters with full frame cameras cannot be underestimated because the APS-C crop on full frame video looks so great. This will make the zoom, especially useful for outdoor work where you usually have plenty of light and don’t need the super low light capabilities of Sony full-frame.” Learn more about the lenses in the video below. - Source: Internet
• The Sony 28-60mm kit lens works great with both the CMC-1 and CMC-2 wet macro lenses. The CMC-1 tends to have a little more magnification than the CMC-2 and can be slightly more difficult to use underwater. Therefore, we usually recommend starting with the CMC-2. All you need to do underwater is zoom into 60mm with the kit lens and screw on the CMC-2, get close to your subject and start taking excellent macro photos. - Source: Internet
• My biggest concern with this lens is the questionable build quality and the quality assurance problems. Out of 6 lenses I mounted on my camera 4 were badly decentered (of which 3 were new from different dealers). Focus scale is often totally misaligned. Front group is often a bit wobbly. - Source: Internet
• The 45 mm is special because the focal length is rather unusual. The normal focal length for full-frame lenses is typically around 50 mm. In purely mathematical terms, however, 45 mm is closer to the field of vision of the human eye, making this lens an interesting alternative. - Source: Internet
• Some of the cheaper lenses may use more plastic, which although is lighter can be less durable. When looking for the best build quality in a lens, pay attention to its weather sealing features too. Especially if you’re looking to shoot outdoors! - Source: Internet
• Any video shooter’s wishlist of requirements for their kit of lenses can really be boiled down to three things: they create high-quality footage, they cover the focal range you need, and they don’t weigh you down. It can seem difficult to put together a kit filled with lenses that don’t sacrifice at least one of these requirements, but you can have it all in each of these Sony lenses built with video creation in mind. Sony isn’t messing around with these compact masterpieces – they’re built well, they perform well and they won’t overwhelm your kit – especially paired with cameras like the Sony ZV-E10 and Sony Alpha 7C. Video shooters and vloggers check out the list of lenses below for a closer look at why they each check the boxes for evolved video quality, complete versatility and unmatched mobility. - Source: Internet
• When most people picture the stereotypical photographer with their massive lenses, they are picturing a telephoto lens. With a range between 100mm and 600mm or more, this type of lens can zoom in extremely far. It’s usually used in professional sports and wildlife photography. - Source: Internet
• We have nothing bad to say about third-party lenses in general. We actually use Tamron lenses ourselves and are very happy with them. So you might also want to consider going third party to take advantage of a wider range of options or better value for money. - Source: Internet
• This lens from Samyang also has an unusual focal length with its 75 mm. 85 mm is more common for portrait lenses, but the 75 mm in combination with its aperture of f/1.8 is just as capable of producing a great background blur, so you can really make your subject stand out. - Source: Internet
• However, choosing the widest aperture you can find may not always be the wisest choice. After all, these lenses would be large, bulky, and more expensive. If you’re travelling a lot and shooting mostly the scenery, you might want to choose a higher aperture number just to save space. Check our travel photography tips for a better travel photography experience! - Source: Internet
• We’re proud owners of a Sony Alpha 7II and we would never want to part without this great camera. In this guide we’ll show you which lenses are available for the Alpha 7 series. If you’re looking for the perfect full-frame lens for E-mount cameras, you’ve come to the right place! - Source: Internet
• Any type of lens can be used to capture people, which means they are technically portrait lenses. But specific focal lengths can produce more flattering images. Shorter ones (35-55mm) are great if the backdrop is important to the story you’re telling, while longer focal lengths of 85 to 135mm can be great for general portraits. - Source: Internet
• This lens is ultra-sharp edge-to-edge throughout the focal range. While bokeh is generally not a strong suit of lenses with such narrow apertures, this lens actually delivers really nice bokeh. Moreover, autofocus is fast, accurate, and practically silent. - Source: Internet
• Try the Sony FE 28mm F2.0, one of the most compact and budget-friendly lenses you can get. It’s great for wide-angle photography of landscapes and everyday scenes, and an overall brilliant prime lens too. - Source: Internet
• This lens produces beautiful bokeh as you can come to expect from a lens with such a wide aperture. It is also considerably sharper in most use cases compared to other 85mm lenses, even sharper than the Sony 85mm F1.4 GM lens, and best of all, it is almost 700 USD cheaper! - Source: Internet
• Just as with conventional SLRs, independent manufacturers have kept an eye on Sony’s progress and started designing prime and zoom lenses that compete with own-brand optics. Some of the latest from the likes of Sigma and Tamron deliver similar or even better performance than Sony’s own lenses, while undercutting them for price. Let’s take a closer look at the best buys to suit a range different requirements. - Source: Internet
• It’s great if you like to shoot a wide range of subjects but don’t want to carry around many lenses. This Tamron lens is a go-to lens for most beginners or casual photographers. Thanks to its focal range, you can capture portraits, detailed close-ups, landscapes, and even the night sky. This is a perfect lens to capture the varied landscapes and huge diversity of people in places like India. - Source: Internet
• As usual in ultra-wide lenses, the lens hood is an integral part of the barrel and protects the bulbous, protruding front element. As such, there’s no attachment thread for the direct mounting of filters. However, the new E-mount version of the lens adds a gel filter slot in its mounting plate, complete with a locking device, and comes with a template for cutting gel filter material to size. - Source: Internet
• Few lenses beat the Sony FE 24mm f/1.4 GM for quality wide angles. Sony has prioritised four main features in this lens: high resolution, creamy bokeh, fast autofocus, and a compact, portable design. - Source: Internet
• Note that if you want to print your photos on very large prints or posters, then this lens will fall short, and you’re better off with either of the two previously mentioned wide-angle lenses (the Sigma 14-24mm f/2.8 or the Sony 16-35mm f/2.8), which are much sharper and crispier. - Source: Internet
• If you’re looking for a new lens for your Sony A7III, then this list is perfect for you. With the help of professional photographers and camera experts, we have compiled a list of what they believe to be some of the best lenses out there today. These lenses are available in various price ranges, so no matter how much money you have to spend on one, there’s something here that will work well with your needs. Whether it’s specifically geared towards portraits or if it has an aperture range suitable for landscapes, these lenses have everything that any photographer could ever want! - Source: Internet
• For vlogging, look for a wide-angle lens (max 35mm focal length) with a minimum focus distance of around 0.30 m (1 ft) or less so that you can easily stay in focus while talking to the camera. Here are the best Sony a7III lenses for videos. - Source: Internet
• I have been using the Voigtlander 10mm 5.6 and reviewed the Laowa 10-18mm 4.5-5.6, but both lenses had one flaw too much and I wasn’t really happy with them. - Source: Internet
• This is a sharp, affordable, and lightweight lens that also is quite versatile. With a maximum aperture of f/1.8, this lens shoots gorgeous bokeh. It avoids any chromatic aberration as well as distortion, putting it distinctly into a bracket with other more high-end lenses. - Source: Internet
• Sony sells two types of mirrorless cameras. The a6000 series and ZV-E10 are built around the APS-C size, and its a1, a7, and a9 cameras use the larger full-frame format. Because of this, you need to be a bit careful and ensure that you buy the right lens for your camera. Sony consistently names its APS-C lenses with an E designation, while full-frame options get FE, but third parties don’t always follow suit. - Source: Internet
• The Tamron 17-28mm f/2.8 Di III RXD is the best wide lens for Sony a7III when it comes to size and portability. In fact, this lens is almost half the weight of the previous two wide-angle zoom lenses, making it an excellent travel-friendly gear. - Source: Internet
• The Sony FE 24mm f/1.4 GM is hands down one of the best prime lenses for Sony a7III simply because it’s rare to find a wide-angle lens with a maximum aperture of f/1.4. Its image quality is also impeccable. - Source: Internet
• This lightweight and travel-friendly lens combines wide-angle and telephoto reach, taking away the need to switch between multiple lenses. It’s also incredibly sharp and weather-resistant. CHECK PRICE ON AMAZON - Source: Internet
• Zeiss Loxia 2/50 4.5 The Zeiss Loxia 2/50 is one of the best modern manual focus lenses out there, and is worthy of being called Editors’ Choice. $699.00 at Amazon See It (Opens in a new window) Zeiss Loxia 2/50 Review - Source: Internet
• Sony FE lenses stand for Sony Full E-mount lenses, which refers to any lens designed for the full-frame Sony mirrorless cameras. This includes the ever-popular Sony a7iii. You can use these lenses on APS-C cameras too, but note that the focal length will increase by 1.5x. - Source: Internet
• When picking a lens for your camera, a number of important factors come into play. In this guide, we put our emphasis on all-round performance. And if you’re a traveling photographer or videographer, you might prioritize lightweight lenses and quality over a less expensive price. - Source: Internet
• The Sony FE 24-105mm f/4 G OSS is a very versatile lens with generous wide-angle coverage and a mighty telephoto reach. It’s a fantastic lens to travel with as it takes away the need to carry and switch between different lenses. It is also decently lightweight given its focal range. - Source: Internet
• We’ve noticed that overall, there is little difference between the image quality in the popular Sony 28mm f/2 prime lens with the Nauticam WWL-1 vs the Sony 28-60mm kit lens. This is particularly true because it is rare for underwater wide angle photographers to capture photos with a very wide aperture. So the only real difference between the lenses underwater is that you have zoom through capability with the kit lens. Although it might seem counterintuitive, we think it makes the most sense to go with the kit lens option vs the prime lens option and the WWL-1 if you’re looking to capture the best scuba diving sites in all their glory. - Source: Internet
• The Sigma 14-24mm is excellent value for money, with a sturdy, weather-sealed body. Although there’s no filter thread for standard filters, there is an integrated rear holder for gel filters. And though it’s heavier than many of the lenses on this list, handling is exceptional. - Source: Internet
• The Sony FE 1.4x Teleconverter extends the reach of some of the best Sony a7III telephoto lenses to the following lengths. Keep in mind, though, that it’ll do so by sacrificing one full aperture stop. - Source: Internet
• One of the sharpest lenses Sony has ever made. With this prime lens, you’ll never have to sharpen photos in post-processing again. Bokeh is also super smooth and creamy. CHECK PRICE ON AMAZON - Source: Internet
• Cameras that can swap out lenses, like those in Sony’s mirrorless system, don’t work with just any lens. You need to shop for one that’s made for your camera. If you opt for the Sony system, you benefit from a decade’s worth of lens development, which means there are oodles of optics from which to choose. - Source: Internet
• Good video lenses should have a fixed aperture for smooth transitions and a wide max aperture (f/2.8 or wider) for beautiful bokeh and low-light performance. If you’re planning to vlog, go for a wide-angle lens with a minimum focus distance of around 0.30 m (1 ft) or less. - Source: Internet
• Prime lenses from Sony are usually more expensive, as they’re faster and require a more complex design. They are manufactured in lower quantities which naturally drive up the cost more. However, this also means they have a better build quality. - Source: Internet
• The system is very compact for wide angle and macro. It’s great for traveling. All you need is one port, one camera lens, and two wet lenses - the Nauticam WWL-1 and the macro diopter - Source: Internet
• To take the best portraits, look for a prime lens with a focal length of 85mm or longer. Prime lenses have very wide apertures, allowing you to create stunning bokeh, a shallow depth of field, and better subject-background separation — all of which would enhance your portraits. Here are the best Sony a7III prime lenses for portraits. - Source: Internet
• If you’re looking to travel with your Sony a7III, you’ll want a small and lightweight lens that’s easy to carry. A good, versatile zoom range might also come in handy if you want to shoot a variety of things. Here are the best Sony a7III lenses to bring on your trips. - Source: Internet
• Below, I differentiate different types of lenses by the size of their aperture, which is the hole that allows in light as measured by the f-stop. With a wider aperture, more light will come in for a better chance at getting great video indoors in dim lighting. The big trade-off with a wide aperture is you can’t focus on as many objects at different distances because the lens has a shallow depth of field. This will keep your subject very clear but the background will become blurry. - Source: Internet
• We have no association with any lens manufacturer apart from occasionally loaning a lens for a review. Before any short introduction we tell you how long we have used a lens and if we have borrowed it from a manufacturer. But in most cases we have bought the lenses new from retail stores or on on the used market. - Source: Internet
• Sony A7 cameras are compatible with a versatile range of lenses. If you are looking for a budget lens that allows for amazing portrait photos and an ample bokeh, the Sony FE 35mm F/1.8 is a great choice. - Source: Internet
• The Nauticam WWL-1B is an ultrasharp wide angle wet lens that screws onto the front of a port underwater to convert a 28mm full frame lens to a 130 degree field of view. The reason this lens is so sharp is that it has been designed to work underwater so that your lens focuses on the actual subject in the water and not on the virtual image of the dome. The WWL-1 also allows your lens to focus ultra close to a subject, and has full zoom through capability - which means you can zoom anytime during the dive for a versatile field of view. And to top it off, we’ve found in our tests that a relatively “cheap” kit lens like the 28-60mm often performs better than fast, prime lenses. Although we are not yet sure why this is, there is anecdotal evidence of this happening with other photographers as well. - Source: Internet
• The Sony FE 24mm is one of the few surprisingly compact wide-angle lenses out there. It is an awesome combination of bokeh, speed, high resolution, and comfort. You can shoot especially amazing photos with this lens in combination with the Sony Alpha a7R III. - Source: Internet
• Keep in mind that its f/4 aperture makes it less of a low-light performer than the previously mentioned f/2.8 zoom lenses. Bokeh also isn’t as smooth as it is on those f/2.8 lenses. - Source: Internet
• Those looking for some of the best third-party Sony a7iii compatible lenses would love the Sigma 24-70mm F2.8 DG DN Art. It combines both range and high brightness to deliver a stunning performance, without the exorbitant price tag. - Source: Internet
• While the Tamron 28-75mm f/2.8 is our top pick, there are many other fantastic Sony a7III zoom lenses out there. Here are our other top choices. - Source: Internet
• The Sony FE 55mm f/1.8 ZA is a ridiculously sharp lens that will take your videos and photos to the next level. In fact, it’s one of the sharpest Sony lenses out there and delivers impeccable image/video quality. - Source: Internet
• Like other G Master (GM) lenses, this build comes with a full set of weather-seals and a rubber seal for the mounting plate. It also has a detachable hood. But the biggest advantage of this model is the quick autofocus speed which is near silent at the same time. - Source: Internet
• It’s a flyweight wide-angle lens that packs a great punch in low light conditions. This is a top pick for photographers or videographers traveling on a budget, as it is the most affordable of the bunch. Yes, one of the great selling points of this lens is its very competitive price tag, especially compared to similar lenses on the market. - Source: Internet
• Due to its size, telephoto lenses often need a tripod to prop up. They are heavy, not portable, and very expensive, making it less ideal for beginners. If you do go for one, research your camera backpacks carefully to make sure you have enough room to store this and the rest of your lenses/accessories. - Source: Internet
• To capture subjects far away from you, you’ll need a telephoto lens, which typically has a minimum focal length of 70mm. You can also get a super-telephoto lens, which typically has a focal length of 300mm or more. Here are the best Sony a7III telephoto lenses. - Source: Internet
• Macro lenses have a 1:1 magnification ratio and typically, a minimum focusing distance of around 0.30 m (0.98 ft) or less. This will allow you to get extremely sharp and detailed close-ups of microscopic subjects. - Source: Internet
• The Sony FE 2.0x Teleconverter extends the reach of some of the best Sony a7III telephoto lenses to the following lengths. Keep in mind, though, that it’ll do so by sacrificing two full aperture stops. - Source: Internet
• Bear in mind, though, that not all lenses are compatible with the best teleconverters. By using them, you’ll also be reducing the maximum aperture of your lens, and sometimes, the general image quality of your shots. Here are the best two teleconverters for the Sony a7III. - Source: Internet
• Although the Sony FE 90mm f/2.8 Macro G OSS is a specialized macro lens, it doubles as a fantastic portrait lens as well. It’s also one of the sharpest Sony lenses ever made and will allow you to capture incredibly fine details on your subjects. - Source: Internet
• Unlike most up-market zoom lenses for DSLRs, this one has a widest available aperture of f/4 rather than f/2.8, which helps to make its size and weight a better match for the comparatively small A7 series bodies. As with most Zeiss-badged optics, the physical design looks minimalist, without any switches for auto/manual focus modes or on/off for the OSS (Optical SteadyShot) stabilizer. Even so, the metal lens barrels feel beautifully engineered and the build is dust/moisture resistant. Sharpness is good and very consistent throughout the zoom and aperture ranges although the corners become a little soft at longer zoom settings. - Source: Internet

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