81 Bibliography: Are Digital Paintings Really Art?

This time around, we shall cover Is Digital Painting Real Art. Obviously, there is a great deal of information on What is digital art? A quick guide to digital painting on the Internet. The fast rise of social media facilitates our ability to acquire knowledge.

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81 Reference List: Is Digital Painting Real Art | is digital drawing real art

• In raster painting, colors and lines are registered pixel by pixel on the canvas. In procedure as well as appearance, raster, ‘grid’ or ‘bitmap’ painting resembles most closely a traditional painting with real brushes and paint. The image is created on the screen in a stroke-by-stroke manner. All the characteristics of the individual painter’s hand are preserved. The only digital trait is the flatness of the physical carrier. - Source: Internet
• The relation between painting and photography is centuries old, but never before has it been so close. To place a picture on a digital canvas and transform it into a painting now requires nothing but a push on a button, and a photographer today uses the same software for editing and transforming a photo as the artist for creating a painting. The shared toolbox entails changes in painterly development (below) and creates a new transition zone between painting and photography. - Source: Internet
• This is especially relevant for painters working on mobile apps because they have the RGB profile embedded in their artworks. A desktop painting program should be used to convert RGB colors to a CMYK profile for printing. Most printing companies supply their own profile, tailored to the machinery, ink and choice of paper. They can also prescribe one of the CMYK profiles that are available in most computers. Some accept files with the RGB profile and convert them to their own CMYK profile. - Source: Internet
• Besides, I like seeing my art printed on products and I think it looks best when the painting is digital. I can create ultra high definition paintings that can be printed on giant canvases without losing quality, which I could not do with one of my regular paintings. In order to print my traditional paintings on products, I have to either take a picture of them or scan them, and edit them on the computer. They still look great on most products, but sizing is more limited. - Source: Internet
• Some artists practice their fundamentals through digital drawing right from the start with no traditional drawing at all. That is possible, and I understand that many artists just want to dive into digital art right away since it’s so much fun. So if you’re itching to start working digitally that is an option. - Source: Internet
• In painting software, the process to generate Mandelbrot images is predetermined, based on the Mandebrot equation. Personal choices are possible for colors but not for forms. Images are truly generated, the result of a process of selection . - Source: Internet
• In desktop painting software, the basic profile types have their corresponding palettes and matching color spectrum in the workspace. It is advisable to work in the palette and the spectrum that matches the destination - CMYK for printing, RGB for online display and grayscale for black and white. Changing RGB to CMYK profiles is not (yet) possible on mobile devices. - Source: Internet
• Now, as explained above, there are both advantages and inconveniences to digital painting. Sometimes, you cannot beat the feeling of having something tangible between your hands. Sometimes, you want to create something without limitations. It all depends on what your goals are for your artwork. - Source: Internet
• Information about the software that is used to create the painting is rarely available. In order to appreciate originality and technical skill, to distinguish what comes out of the app from what comes out of the artist and perhaps to judge if art claims are justified, some collectors would probably like to know which program was used to create the painting. Visit Ben Guerette’s A Blog appArt for a wild variety of styles and technical skills that are a property of the software. More out-of-the-box styles at: Gallery of preset styles and conversions. - Source: Internet
• The essence of ‘generated’ art is the possibility to instruct the computer, in a language of formulas, to create lines, forms and colors. Some of these formulas generate patterns that infinitely repeat themselves. However far you zoom in, you will always see new fragments of the same pattern. These self-repetitive forms are called fractals: geometrical shapes that can be split into parts, each of which is a reduced-size copy of the whole. - Source: Internet
• Only 216 colors are standardized between browsers. The artist who wishes to avoid online color deviation has the option to use the ‘web safe color palette’. However this seriously limits the choice of colors. - Source: Internet
• A notorious case in the young history of digital painting is the enlargement software that was part of the popular Brushes app for raster painting. Brushes recorded all the painter’s actions on the iPad, which could then be replayed on a larger canvas on the desktop. Until 2012, Brushes was the only raster program that offered enlargement without loss of resolution, a unique feature that enabled digital raster painters for the first time in history to show and sell their work. David Hockney was the first well known painter to surprise the art world with very large prints of raster paintings made on the iPad. His exhibition ‘A bigger picture’ at the London Royal Academy of Arts between January and April 2012 made Brushes wildly popular. - Source: Internet
• This website attracts thousands of visitors worldwide every month. Digital artists, let collectors know what you are doing while increasing traffic to your portfolio by linking (parts of) this site to yours. Share our effort to promote a better understanding of digital painting. - Source: Internet
• Obviously, forms and shapes that are typical for digital painting cannot be transmitted to a physical carrier in a manual process. The digital characteristics would be lost. A digital artwork, in its physical representation, is and can only be a print or an image on a screen. If an artwork that was created on a computer is printed on canvas and painted over with real paint or a brushstroke gel, the result is a traditional, non digital painting. The original work on the computer still meets the definition of a digital painting. - Source: Internet
• Another thing I love is that with digital painting, experimentation is endless. It’s very easy to alter the colors and correct lines, especially in Photoshop. I work with layers a lot: I will start on one layer, then add more details on another layer, and so on. If at anytime I don’t like what I just did, I can just delete the specific layer without touching the rest of the painting. - Source: Internet
• Each art project can be handled differently when it comes to digital painting too. Some artists like to use a lot of layers in their work, others use just one. Some artists prefer many different brushes while others use only a handful. - Source: Internet
• It is possible to securely timestamp a digital document, keeping track of its initial creation and subsequent modifications, making it unique. The process is based on the same hashcodes that are used to create NFT for artworks. Timestamps rely on a single ‘Trusted Authority’. Compared with NFT, trusted timestamping doesn’t consume a lot of energy. - Source: Internet
• A growing number of artists have online images of their art stolen, minted as unique digital assets, and offered for sale on NFT platforms. DeviantArt, an large online community for digital artists began monitoring NFT platforms for theft of their users’ work in the fall of 2021. By January 2022 it had sent 90,000 alerts about possible fraud to thousands of their users. The Guardian quoting DA’s chief operations Moti Levi, wrote that automated computer programs (bots) had been attacking the site, scraping whole galleries of artists’ works. The pieces would later appear on NFT marketplaces, often with artists’ names and watermarks still attached. - Source: Internet
• An infinitely self-repetitive pattern was first studied around 1918 by the French mathematicians Pierre Fatou and Gaston Julia. Their pioneering work was forgotten until Benoit Mandelbrot mentioned them 60 years later in his work about fractal geometry. In honor of Mandelbrot’s work, others named the specific points generated by Mandelbrots equation (that was similar to that of Fatou and Julia) the ‘Mandelbrot set’. In 1978 the American mathematician Robert Brooks first programmed a visualization and thereby introduced fractals in the field of arts. - Source: Internet
• Galleries use RGB files for online presentation to offer physical prints. The RGB color palette is used as it is or auto-converted to the CMYK palette. Small or large color deviations are inevitable, especially if bright or ‘psychedelic’ colors have been used. If accurate color representation is important, the artist can order a proof from the gallery before offering prints. Approval of a proof can be mentioned in the description of the painting. - Source: Internet
• In 1968, the Hungarian theoretical biologist Aristid Lindenmayer developed geometrical patterns aimed at describing the growth process of plants. In painting software, this mathematical framework is used to create patterns of lines, shapes and color. L-systems can also be used to generate self-similar fractals like the Mandelbrot set. The method is computer-executed, a process of construction . The artist is able to originate the image, adapt the rules and determine the final result. - Source: Internet
• NFT platforms are mountains of all conceivable styles, techniques, directions and formats. Besides art, even the most exclusively curated platforms offer an incredible amount of home industry. The possibilities to filter and search are limited and it is extremely difficult for individual artists to make themselves visible. One solution is to build visibility on social media, blog, homepage or art community, and from there link to the NFT platform. - Source: Internet
• Problems with enlargement are the main disadvantage. Often, the length and width of the creation is as small as a (mobile) computer screen and the resolution as low as 72 dots per inch. If the image is to be transferred to a physical carrier of a customary size that can hang on the wall, it has to be enlarged considerably. This generally entails manual correction, a tedious and time consuming process. Manual enlargement is a serious obstacle for printing and selling raster paintings. - Source: Internet
• While these transformations are push-button, they are often part of a more complex method that combines several kinds of photographic, computer-generated and painterly aspects in subsequent stages. A possible workflow might be: a screenshot or photo is taken, subjected to a transformation like a swirl and put on the canvas as component of a painting. Applied as mixed media, new photography makes an important contribution to contemporary visual language. - Source: Internet
• Of course, not all artists have the same opinion on the subject. Some traditional artists are receptive towards digital art. Others see digital art as: “Computer, draw me a person,” and a portrait suddenly appears on their computer screen. This is certainly not how digital artists work most of the time… - Source: Internet
• Collecting digital art starts with browsing and research. To browse the many online portfolios is not yet as easy and pleasant as it can be. There is a great deal of room for improvement in search algorithms. At the time of writing the search process has several serious limitations. - Source: Internet
• A 2022 study of the Crypto Carbon Ratings Institute compared a handful of PoS-based currencies with PoW-based Bitcoin and Ethereum. Compared to Bitcoin and Ethereum they used less than 0.001% electricity. Note the exponential scale in the chart below: at every next horizontal line, electricity consumption increases tenfold. - Source: Internet
• Obviously, it’s not just for traditional artmaking that you need a good set of skills. But it’s where you start. In order to to succeed in any art form you need to learn the basis of art-making which begins in a traditional setting. - Source: Internet
• A unique mark can be registered and embedded in the code of the image. Other than a digital watermark, that is placed over the image and can easily be removed, a digimark survives a variety of manipulations and transformations and even duplication by screenshot. Digimarks are optionally supplemented with a search service that crawls the Internet tracing and reporting copies. - Source: Internet
• Many PoW networks, including ethereum and its ETH, have announced a swith to PoS. This seems to be difficult and will take some time. For the moment, popular platforms like OpenSea, Rarible, SuperRare, Nifty, KnownOrigin, Goddust, Makersplace etc. are not suitable for the environmentally conscious artist. - Source: Internet
• As the AARON programme developed and the compositions it produced became more complex, this question became more complicated; representational imagery such as rocks and plants were added throughout the 1980s, representational figures in interior scenes were added in the 1990s, and eventually colour was introduced in the early 2000s. However, throughout his career Cohen was careful to never brand the machine as creative in its own right, and it was argued that the true creativity and artistic merit lay in the hands of the creator and programmer, which, in the case of AARON, was Cohen. This line of thought has guided digital art throughout its development, leading it to be considered a true and well-respected art form and medium. We too understand and see the beauty in digital art and therefore have a wide variety of prints and photographs for sale, showcasing some of the best contemporary digital artists who continue to push the boundaries of digital art. - Source: Internet
• It is a common misunderstanding that a print cannot be a numerously unique work of art. It certainly can, and often is. There are a number of ways to protect uniqueness and limited editions for prints as well as digital files. - Source: Internet
• I should be noted that the NFT may be unique, but the source file that is used to generate the NFT remains on the computer of the creator. A digital file can easily be re-minted by changing a tiny part of it. A different NFT will then be generated. Google ‘reverse image search’ can be used to track the origin of an image or find roughly similar images. - Source: Internet
• Many online activities and physical representations leave a reliable trace that supports a claim of authorship. Images in ISBN-published books for instance, or images published at exhibitions. Images posted in an art community will often bear a timestamp. Images posted on a blog usually have a timestamp that can be modified by the owner and so are less useful. - Source: Internet
• Basically, a traditional painting is tangible. It’s created using paper, canvas, paint brushes, pens, or anything physical really. A digital painting is created on a computer. It does not exist in the physical world until you have it printed on something. - Source: Internet
• Within our collection Martin Stranka is a digital photographer who creates surreal images in the digital realm. By editing and photoshopping various elements together Stranka creates visually powerful and electric images which excite the imagination. In the beautifully high-definition image Dreamers and Warriors Stranka has overlapped various visual elements to convey a surreal and intriguing narrative. - Source: Internet
• It’s reasonable if the term “digital” confuses because it can imply that everything is done digitally because the word digital usually entails that things are easier and faster. Creating art on a digital device has the advantage of built-in capabilities like ctrl+z and ctrl+s, which allow for easy redoing, which is not feasible with traditional painting. It also includes perspective grids, but that doesn’t make digital painting any easier than traditional painting. - Source: Internet
• Digital painting does not provide physical texture or volume as the painting is created on a screen, but it can simulate it through filters and effects. For someone who has only used traditional methods before, digital painting can be a completely new creative experience. You can simulate the effect of a traditional artwork or create something totally different, such as fractal art for instance. - Source: Internet
• A certificate is a document that accompanies the print and bears a mark of identity such as the signature of the artist, often supplemented with some other personalized sign, watermark, bar code, fingerprint or hologram which matches an identity mark on or in the print. It contains a copyright declaration, distinguishes between an original and an open or closed edition, states the size of a limited edition. Importantly, it informs the buyer of the status of the source file: whether the copyright will be destroyed, reserved for the artist, or transferred to the buyer, if the file is sold. A Certificate of Unicity for a numerically unique print (‘original’ or ‘1/1’) a Certificate for a Limited Edition and a Certificate for an Open Edition is regularly updated and freely available on this site. - Source: Internet
• The verification of the artwork itself has the problem that a tiny change in the source file will generate an entirely different NFT. Technically it is easy for a thief to register authorship or for the artist to sell a copy. Automated computer programs can monitor the platforms for images with a certain amount of deviation from the original image, a technique based on ‘information distance’ - but so far this tool has not been used. - Source: Internet
• Vector paintings can be recognized by a certain minimalism and a sharp definition of forms that is reminiscent of screen prints and monochrome collages. Colors are strictly monochrome or perfect gradients of two colors. In the absence of a brush stroke, other aspects that convey something of the maker’s mood or personality such as atmosphere, palette, concept, choice of subject and composition come to the fore. Since this is not the case with all digital art, it should be noted that the artist has complete control over the creative process. - Source: Internet
• Since it isn’t yet possible to choose platforms for their more or less homogeneous supply of well-defined directions in digital art, while the difference in ecological footprint between the platforms is huge, it makes all the more sense to let environmental considerations make the difference. It also seems a good choice to wait. There will be more ‘green’ platforms, a better verification of authorship, a better understanding and more homogeneous presentation of art directions. Last but not least, royalty contracts will probably become platform independent. - Source: Internet
• Digital art is just another way for visual storytelling. It uses emerging technologies and techniques. It’s no better than traditional art but it sure is no less either. In the end, it all depends on everyone’s personal preferences. - Source: Internet
• Sellers of cryptocurrency and providers of digital wallets are not banks. They are no more subject to centralized supervision of their accounts than a baker or a greengrocer. In most countries, the only check is for money laundering. There are no general agreements about reserves or compensations if accounts are hacked and plundered. In March 2022, hackers gained access to private keys used to validate transactions on the Ronin platform and stole $625 million in cryptocurrency. - Source: Internet
• Raster and combined vector-raster paintings can be effectively protected by using low resolution and small size files for online display. Stronger measures such as DRM are needed to protect duplication and enlargement of online vector paintings. The artist should protect full-size, high resolution files of the artwork by choosing safe methods of transfer and by sharing full scale files only with printing companies that delete them after use. - Source: Internet
• In the market of prints, the number of illegal copies is likely to increase. As yet there is no public registration of copyrights on digital art. Even without copyright the owner of an NFT has the digital source code of the image, which makes exploitation technically simple and economically tempting. - Source: Internet
• For a vector painting, where colors and lines are controlled by formulas, enlargement requires nothing but a push on a button. There is no loss of resolution. For raster painting, information will have to be added to fill in the gaps. This is done with the help of enlargement software or by the ’re-size’ option in the painting program. Automatic enlargement usually needs manual corrections. - Source: Internet
• Digital artists have always stood by their work, claiming that digital art is every bit as “real” as traditional works. Traditional artists, on the other hand, consider digital art a form of “cheating”, “fast and easy art”, and “fake”. Some might even say that digital creators don’t make enough effort to be considered real artists. - Source: Internet
• When it comes to art software there’s also plenty of variety. Many digital artists prefer Photoshop since that’s the industry staple. But there are free alternatives like Krita which totally rocks for digital painting. - Source: Internet
• In order to eliminate deformation and obtain a faithful representation of the original, automatic enlargement is usually followed by manual correction. Depending on the speed of the computer and the chosen size and resolution of the image, correction can be slow or even come to a halt. The screen, of course, is not enlarged: the artist can no longer see the whole image and has to zoom in and out, switching between corrections and reviewing the results. Depending on the size of the file, the slow and detailed process compares to fine needlework. - Source: Internet
• Uncertainty and chance are used to generate variations on a theme. The artist makes an initial choice from a gallery of images and uses it to walk a choice path of push-button random transformations for lines, shapes, colors and other parameters. Finally, several parameters can be changed to manually adjust and personalize the image. The method varies from a process of selection to a process of play or a process of construction . - Source: Internet
• Buying prints directly from the artist has pros and cons. The color quality can be a pro, if the artist embeds a color profile for printing, makes corrections when needed and has the work printed at a professional printing company. Many online galleries use RGB color profiles for printing, with small or larger color deviations. On the other hand it is not easy for individual artists to match the attractive display and professional framework with safe payment, delivery and sales conditions that online galleries offer. - Source: Internet
• First things first, in order to be a digital artist you need a computer. Or an iPad, or something similar. Have you ever doodled on your phone screen using a drawing app? Congrats, you did digital art! In my case, as a professional artist, I need a powerful computer capable of running demanding graphics software without slowing down. - Source: Internet
• Second thing you need is a painting software. You may have heard of Photoshop. It’s the best one in my opinion and my favorite painting software. The whole Adobe suite is great. Illustrator is great to create vector art (logos for instance, and graphic design in general) but Photoshop is my go-to for painting. - Source: Internet
• Most platforms are based on NFTs with the ERC-721 interface. According to Kelly LeValley Hunt, initiator of the Golddust art marketplace, it is currently not possible to graft the royalty obligation onto these NFTs. As a result, the artist receives royalty only as long as collector is kind enough to stay on the same platform. Most platforms offer NFT transfers to other platforms, royalty obligations are therefore easily annulled. It is expected that royalty contracts will become platform-independent in the near future. - Source: Internet
• 2D Digital Painting is where the artist draws directly onto the 2D digital surface, either on a tablet or computer. Using a digital paintbrush or tool, the artist can build up different layers to create the final image. In 3D Digital Painting, artists model and render shapes which are sculpted in virtual spaces. - Source: Internet
• What distinguishes vector from all other forms of digital painting is that it uses the ability of the computer to capture forms and lines in mathematical formulas. A French engineer, Pierre Bézier, was the first to use the existing mathematical framework to make visual representations. With smooth ‘Bézier curves’ he designed new car models at Renault around 1960. Since then, vector programs have become popular in the world of design and advertising. Digital painters are beginning to explore the medium. - Source: Internet
• The artist should embed a color profile in the finished artwork that matches one of two destinations: a webpage or a printing company. This is important because the color palette for printing is much smaller than the palette of a computer screen. If the artist sends a painting to the printer that has the RGB profile for online display embedded, every color that is not available will in an automated process be translated to neighboring color that can be printed. The result can be disappointing. - Source: Internet
• For example, artists can create selections over one part of an animal’s body or a human’s face(anything, really). That selection precisely controls where the paintbrush can mark, so even if the artist paints outside the selection it won’t appear on the screen. Pretty cool! - Source: Internet
• In traditional paintings, the original work is typically worth thousands and millions of dollars. However, there are usually limited copies—prints costing $10-$200. With digital art as its is easier to reproduce, it becomes a point of contention whether digital art is real and valuable or not. - Source: Internet
• Overall I consider digital art to be the pinnacle of modern art. No extra supplies, no mess, no fuss, and so much easier to correct mistakes. And you can even hang digital paintings on the wall like real art. Not much else I could ask for. - Source: Internet
• Digital art is a form of art that uses digital technology. Wikipedia defines a digital artist as someone who “makes use of digital technologies in the production of art.” - Source: Internet
• Painting media are sometimes combined, either by using different software for the same painting or by using a program for hybrid painting. Vector-raster painting combines the personal brush style of raster with the formula-based lines and forms of vector. The use of different software offers maximum contrast between sharp and soft and between the uni- and duo-colors of vector and the broad palette of raster. Other popular combinations are manual vector with computer generated, and photography with raster or vector painting and with computer ‘generated’. - Source: Internet
• The major problem is that platforms make little or no effort to verify who is the artist. Some send an email to the artist’s social media account and wait for a reply before they validate the account. The collector is also mostly anonymous and fake sales have been used to boost the artist’s reputation. Platforms warn collectors to do some online research to find out if a work is really offered by the artist. Google ‘reverse image search’ can be used to track the origin of an image and find roughly similar images. - Source: Internet
• Artists who offer their art at an NFT platform should realize that ‘Proof of work’ (PoW) based currencies and transactions are a serious environmental concern. Nature recently calculated that bitcoin alone will be responsible for two degrees global warming in the next 25 years. ETH, the native currency of the Ethereum network, belongs to the same category of giant energy consumers. The Ethereum network can be used with greener currencies that are based on a different protocol, ‘Proof of stake’ (Pos) but this does not prevent collectors to fall back on energy consuming currencies within the platform. Fortunately, ‘green’ platforms, based on ‘Proof of Stake’ are gaining ground (see green NFT platforms). - Source: Internet
• PAM (physical asset management) consists of a manual signature and/or some unique mark that establishes authorship. A GS1 or EAN code can be and attached to both certificate and artwork. GS1 codes are issued in over 100 participating countries and can easily be generated online. - Source: Internet
• A list of eco-friendly art platforms can be found at https://www.github.com/memo/eco-nft. - Source: Internet
• No technique is better than another. Digital art is actually an extension of traditional art that uses a computer as a tool. It’s more forgiving and possibilities for experimentation are unlimited. However, a traditional art piece is often considered to be worth more than a digital file due to its uniqueness and authenticness. - Source: Internet
• The biggest downside to digital painting I can think of is that the tactile feeling is gone. There’s no touch, no pen on paper, no smell. It’s kind of like reading a book on a Kindle instead of a printed volume. The physical feeling is not there. - Source: Internet
• I have noticed that a lot of people don’t understand what digital art is. Several customers have asked me to explain the differences between digital and traditional painting so I thought I would write a blog post about it, as I use both techniques and I enjoy both. What is digital art? Read on! - Source: Internet
• NFT (or ’non fungible token’) is a unique code that identifies a digital work and links it to its creator. NFTs provide buyers with proof of authenticity and ownership, using advanced encryption. They can be traded online in cryptocurrencies on various platforms. Just like the currency itself, all subsequent transactions are verified in a decentralized manner by many individual computers in a network. In the process they form a ‘blockchain’ which serves as a public ledger. - Source: Internet
• Galleries with ‘follow me’ and ’thumbs-up’ features rank artists by their number of followers, number of likes, and number of paintings in their portfolio. The artistic value thus measured results in increased visibility for some and decreased visibility or invisibility for others in search results. Though stars and thumbs are a common way to valuate all kinds of products, the application to art and literature is an issue. Some critics have posited that the acquisition of thumbs-up and likes is not an indication of artistic quality but of social media skills, two values that might well be inversely related. - Source: Internet
• Digital art can be easier sometimes,(- and I will list you the pros and cons later on) but it’s not easier from the knowledge and actual skills perspective. Digital artists must understand drawing and painting fundamentals, composition, techniques, colouring, etc.. and those are only a few skills that come from knowledge and experience and absolutely no software is a replacement for any of those criteria. - Source: Internet
• The term digital art was first used in the early 1980s following the invention of a computer programme named AARON, which was written by the artist Harold Cohen. AARON was a robotic machine which initially created original abstract drawings on sheets of paper laid on the floor. Cohen invented this technology in response to his question “what are the minimum conditions under which a set of marks functions as an image?”. This query and digital art in general opened up debates about what could be considered art, the role of the artist and the very definition of creativity. In his 1999 essay ‘Colouring without Seeing: A Problem in Machine Creativity’, Cohen questioned the autonomy of the machine in creating art, stating: - Source: Internet
• Although it may seem that traditional art supplies are cheaper, they aren’t in the long run. Whenever you purchase an art supply that runs out quickly, you will have to keep making more purchases. That money really adds up! With a digital tablet, it won’t matter how much your work progresses because of its longevity and there is no need to constantly spend money on more materials. - Source: Internet
• When the artist increases the height and width of an existing image, its resolution or information density decreases and it will become vague. Resolution is usually expressed in dpi (dots per inch). While the image on the screen already looks sharp at the standard resolution of 72 dpi on the web, a physical carrier needs 300 dpi or more to look sharp. Moreover, the physical carrier is usually much larger in height and width as well. - Source: Internet
• What this means is, the artwork is computerized. It is immaterial. It only exists as a series of binary digits in a computer until you have it printed. - Source: Internet
• I’m also all about colors in my art and working on a computer is magical. I try a color and if I don’t like it I can just use the undo button and try something else. In traditional painting you can’t do that. Depending on the medium you use you can correct or alter the color to some extent but you can’t just undo something. - Source: Internet
• Some people don’t consider digital art “real art”. This is of course absolutely wrong and the people frowning on it usually don’t know what digital art really entails. There’s a big misconception that digital art is any faster or easier than traditional art. - Source: Internet
• Digital Photography is created using an analogue or digital camera. The image is then digitised and imported into a digital workspace such as a computer or mobile device. Here the image can be edited using various types of software applications and photo editing programmes, allowing artists greater freedom of manipulation than could be achieved in a dark room. - Source: Internet
• For a full list of programs take a peek at our choices for the best digital painting software for all artists. Some of these programs are totally free, others cost quite a bit. And there are budget options too so there’s a digital painting program for everyone. - Source: Internet

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