This time, we’re going to talk about Best Lens For Sony Alpha 7 Iv. There is a lot of information about Best Lenses For Sony Alpha 7 Iv on the internet, of course. Social media are getting better and better quickly, which makes it easier for us to learn new things.

The best lenses for the Sony A7R IV and Best Lenses Sony Alpha 7 are also linked to information about Dxomark Best Lenses For Sony A7R Iii. As for other things that need to be looked up, they are about Looking for a Travel Camera? The Sony a7 IV Is Worth the $2,500 Price Tag and have something to do with A Simple Guide to All Sony Alpha 7 Lenses: Which E-Mount Full-Frame FE Lens Is the Best for You?. Best Lens For Sony Alpha 7 Iv - Sony A7 IV review

74 Shocking Facts About Best Lens For Sony Alpha 7 Iv | Sony A7 IV Underwater Camera Review

  • The two 70-200mm lenses share generally similar sharpness characteristics throughout the focal range from f/4 onwards, but the 70-200 F2.8 version has one very distinctive trait that makes very attractive: it’s sharper wide open at f/2.8 at 200mm than it is at 70mm. That’s unusual in a zoom, but it’s not without one potential downside—that of noticeable astigmatism when wide open, though it becomes less of an issue stopping down. - Source: Internet
  • Most DSLR cameras do not come with any lenses (unless you buy a basic camera/lens kit), and the Sony a7 IV is no exception. Most users shooting travel, portraiture, still-life, fashion, and so on will be fine with a budget-friendly standard lens, like a fixed 50-mm lens. Depending on the brand, those will generally run between $150 and $300 (just make sure to buy one compatible with the Sony E mount). - Source: Internet
  • David replaced his Batis 18mm 2.8 with the Sony FE 14mm 1.8 GM. Because this 14mm lens is so good he doesn’t mind cropping a bit so could sell his Batis 18mm 2.8. - Source: Internet
  • We already talked about the Sony FE 28-60mm F4-F5.6 lens and how, paired with the Nauticam WWL-1B Wide-Angle Wet lens, it’s a great wide-angle option. Include a Nauticam Compact Macro Converter CMC-2, and you can shoot stunning macro photography too, proving the 28-60mm is one of the most versatile Sony lenses for underwater photography. - Source: Internet
  • It’s also a bit faster with a lens speed of f/1.2 and the image quality is exceptional. And so is the price. The lens currently sells for about 1,350 euros. - Source: Internet
  • The Tamron 70 to 180 mm is a real insider tip. The lens has a speed of f/2.8 in combination with a focal length of 70 to 180 mm. It’s very compact for this type of lens and only weighs 815 grams. - Source: Internet
  • An exceptional lens. It outperforms the already very good 4/16-35 while only weighting 165g more. The only downside is the very significant price tag. - Source: Internet
  • Quick final note: We receive several emails every day with questions about which lens is best for a specific purpose. We hope you understand that we just can’t answer them all. As a small company, we simply don’t have the time. If you have any questions, please leave us a comment below the post and we’ll try to get back to you as soon as possible. Deal? - Source: Internet
  • The Sony 24-70mm F 4 or the Sony 28-70mm F3.5-F5.6 are good choices along with the 35mm F2.8 portrait lens. - Source: Internet
  • One of them is the 20 mm with an aperture of f/1.4. The lens is perfect for landscape and architecture photographs. It costs about 800 euros. - Source: Internet
  • And this lens certainly lives up to those demands. It can easily go toe to toe with the Sony 24 to 70 mm. Top image quality, fast, quiet, and slightly more compact and lighter than the Sony G Master. - Source: Internet
  • This lens offers a larger zoom range with a focal length of 70-300 mm. The downside is the underwhelming aperture between f/4.5 and 5.6. - Source: Internet
  • Further, the camera includes a variety of all-new focusing-related features including new Focus Map overlay that helps the operator visualize the depth of field; it shows a red coloration for objects in front of the depth of field and blue for behind the depth of field. The area in sharp focus is then shown without the colorful overlay. The A7 IV also supports AF Assist mode, brought over from the FX6 video camera, allowing for the use of the lens’s focusing ring while keeping AF enabled. - Source: Internet
  • It has a very compact build, is sealed against dust and splash water, and even comes with a filter thread. What’s more, it has a practical zoom range of 17-28 mm and a very good lens speed of f/2.8. - Source: Internet
  • All three lenses improve across the field into the outer zones upon stopping down just one stop, though all three have lower sharpness at 70mm, along with relatively weak edge performance. Starting from a wider aperture gives the FE 24-70mm F2.8 GM an advantage here, though, as it has excellent corner-to-corner sharpness throughout the focal range at f/5.6. It retains high sharpness stopping down further, whereas the Sony Zeiss’s performance continues to fluctuate, with softer outer zones returning at 70mm f/11. - Source: Internet
  • It has an aperture of f/1.8 and a surprisingly good image quality. At 500 euros, this portrait lens definitely offers the best value for money in the market. - Source: Internet
  • Interesting and cheaper alternative to the 10mm 5.6 and 12mm 5.6 Voigtlander lenses, but optically not as good as the 9mm 5.6 - Source: Internet
  • UWA lenses developed very fast during the last decades. The age of these 17mm legacy lenses shows clearly when they are compared to modern options. Nevertheless, they are pretty usable if you give the files some love in postprocessing (removal of CA’s and sharpening). - Source: Internet
  • An exceptional lens. This is one of the rare cases where a zoom outperforms many primes. If you can live with the lack of a filter thread and accept a little worse flare resistance then it is a very attractive lens. - Source: Internet
  • And then there’s the price tag. At $2,499 / £2,400 / AU$$4,299 (body only), it’s moved into another bracket compared to the entry-level A7 III. For those who are new to full-frame cameras, it’s arguably overkill when you consider the existence of the Nikon Z5 ($1,699 / £1,719 / AU$3,099) and Panasonic Lumix S5 ($1,999 / £1,799 / AU$3,199). That spare change could buy you a very nice lens to support your preferred style of photography or video. - Source: Internet
  • The lens is very sharp, but the autofocus could be a bit faster. Still, you get a very good lens for your money. It currently costs about 500 euros. - Source: Internet
  • We have five lenses in this category, ranging from 24-400mm and costing from $1,000 all the way up to $2,600 in price—all Sony-made. The 70-200mm are mainly the choice of serious enthusiasts and professionals, as is the 100-400mm F4.6-5.6 G, while the 70-300mmm and 24-240mm are more likely to be of interest to enthusiasts looking for a wider and more general range of uses. - Source: Internet
  • With its focal length of 14 mm, the lens falls into the wide-angle category. It offers incredible image quality, but at a very high price. You should expect to pay about 1,500 euros. - Source: Internet
  • Or, for the most versatility, the Sony FE 28-60mm F4-F5.6 lens behind a flat port with zoom gears and the Nauticam WWL-1B Wide-Angle Wet lens makes an excellent wide-angle set up. Read more about the Sony 28-60mm F4-F5.6 lens for underwater photography. - Source: Internet
  • When it comes to wide angle zoom lenses, the selection is fairly limited. Sony has a total of three lenses on offer, which are very good but unfortunately also very pricey. Then there’s also one from Tamron and another from Sigma. - Source: Internet
  • The differences between the two cameras are vast if you dive into the full specs, but for most users, the biggest difference comes down to the photo size. The Nikon Z6 II is limited to a 24 MP sensor and only captures video at 4:2:0 8-bit (compared to the Sony a7 IV’s 4:2:2, 10-bit, and the Canon only has a 20 MP sensor, resulting in a max resolution of 5472 × 3648 pixels (compared to the Sony a7 IV’s 7008 × 4672). That makes the a7 IV a better choice for shooters hoping to crop photos (perhaps to avoid buying a more expensive, higher-focal-length lens). - Source: Internet
  • It’s quite bulky for a 50 mm lens, but the photo quality is excellent all around. The price isn’t exactly low at just under 1,400 euros. But then again, it’s certainly justified for a high-quality lens with Zeiss technology. - Source: Internet
  • Of course with a lens that compact, there are some trade-offs in performance. For example, the lens only has an initial aperture of f/4-5.6. It isn’t protected against dust and splash water, and there are certainly better lenses in terms of image quality. - Source: Internet
  • In terms of focal length range, this lens is a direct competitor to the Sony 12-24 mm f/4. However, the Sigma is significantly faster with an aperture of f/2.8 and still only slightly heavier at around 795 grams. - Source: Internet
  • In November 2019 we published our Sony A7R IV Sensor review. The Sony scored an excellent 99 points, securing a top-ten position in our Sensor ranking. In this article, we use the data from the A7R IV Sensor tests to recompute the results for a total of 25 Sony-compatible E-mount lenses so that you can now select the Sony A7R IV as a camera option when browsing our lens database and making comparisons. - Source: Internet
  • If you’re interested in an earlier version (the Sony a7 II), it’s currently $500 off as of late October 2022 if you buy from Sony.com, or $600 off if you buy it with a body kit. I found “open box” deals on the Sony a7 IV from Best Buy starting at $1,900, though they’re only available in certain stores (not buyable online). Sony currently has the body for $2,499 (which seems like the ballpark price around most retailers) or a set that includes an extremely versatile 28 –70mm lens for just $200 more from B&H Photo. - Source: Internet
  • Wet wide-angle lenses are a great option with this camera. We recommend the Nauticam wet wide-angle lens or the Kraken KRL-01 wet wide-angle lens with the 28mm prime lens. All of these options are very sharp and will result in stunning wide-angle photos. - Source: Internet
  • The list includes prime and zoom lenses from Sony and Carl Zeiss and covers focal lengths from 21 to 400mm. We have separated the primes from the zooms in the following sections and categorized them into wide-angle, standard, and telephoto lenses. Hopefully this will give you a better idea of which lenses work best on the A7RIV and help you find the right model for your specific style of photography or project. - Source: Internet
  • The image quality is very good and the lens is extremely fast with a maximum aperture of f/1.4. Only the autofocus leaves something to be desired with this lens. - Source: Internet
  • Another wide-angle lens from Sony. This one has very high-quality build, the product of excellent optical and technical workmanship. And the image quality is impeccable. - Source: Internet
  • The second Sigma Art lens is a top-notch portrait lens. With a focal length of 105 mm and an aperture of f/1.4 it allows for wonderful bokeh and leaves nothing to be desired. - Source: Internet
  • You can get this lens with an aperture of f/1.4 for less than 500 euros. The quality may not be on par wih the Sony lens, but it only costs a third of the price. - Source: Internet
  • We have five lenses in this category, with prices ranging from $450 up to $1600. Among those is the 21mm Carl Zeiss Loxia; while understandably not one of the top three best-performing models that we’re going to look at more closely, it easily matches them for peak sharpness, so it shouldn’t be dismissed. And although in last place, the Sony Zeiss 35mm F2.8 is also an excellent performer, though $800 isn’t exactly cheap for a f/2.8 lens. - Source: Internet
  • Jannik: You can’t go wrong with this lens , especially at the wide end. Performs is best at 20mm, but is also very good at 16mm. Keep the field curvature in mind and focus carefully. - Source: Internet
  • With Sony’s latest G Master lenses on hand to make the most of that 33MP resolution, it offers pro-level quality that just about gives it the edge over the Canon EOS R5 and Canon EOS R6, even if those cameras do offer superior burst-shooting speeds. It’s undoubtedly one of the best cameras for photography, and a fine choice for video, too. Read on for our full Sony A7 IV review. - Source: Internet
  • Second widest rectilinear lens there is in a small package. Downsides are huge vignetting throughout the aperture range and maximum aperture of only f/5.6. - Source: Internet
  • As always with all-rounder cameras, there are some small compromises on the A7 IV. Its outright image quality isn’t actually a big jump up from the Sony A7 III, with the extra detail from that resolution boost somewhat counter-balanced by some understandable noise at higher ISOs. This means that you may well want to look out for discounts on the A7 III in the Black Friday camera deals, as well as E-mount lenses in the Black Friday deals. - Source: Internet
  • In particular, when using the predecessor, I noticed a tendency to wrap my pinkie finger under the base of the camera since the grip just felt a bit too small to fit all four of my fingers around it. The larger size of the A7 IV’s grip seems to have alleviated that, despite the camera not being much taller than the predecessor. The grip here is wider, and I’m more easily able to get a full hold of the camera. Overall, the camera feels sturdier, more substantial in the hand, and simply more comfortable to use – especially with larger, heavier lenses – without having a noticeable impact on the camera’s general compact footprint. The A7 IV is still smaller, lighter and more portable than a typical full-size, full-frame DSLR, which I very much appreciate. - Source: Internet
  • We’d say that the Sony 135 mm is the better alternative to the Zeiss 135 mm. The main difference is the higher lens speed of f/1.8, which makes it much easier to create a bokeh effect. - Source: Internet
  • The lens is ideal for landscape photography. The image quality is outstanding, even with an open aperture. The lens is also protected against dust and splash water. - Source: Internet
  • It can shoot in 4k/60p, which is an ideal resolution for capturing underwater video. However, 4k/60p mode is only available with a 1.5x crop, so footage isn’t quite at the level it would be if you could use the full width of the sensor, and the effective focal length of your lenses is also affected by the crop. You can shoot in 1080/60p without the crop, but having the extra resolution at 4k/60p makes for better underwater video footage, even if that means dealing with a 1.5x crop. - Source: Internet
  • Nevertheless, the lens is an affordable starting point for getting into photography, especially when purchased in a kit. And its compact size really comes in handy when you’re traveling. The lens currently costs 380 euros on its own. That’s an okay price, but you can save even more money buying it in a kit. - Source: Internet
  • My biggest concern with this lens is the questionable build quality and the quality assurance problems. Out of 6 lenses I mounted on my camera 4 were badly decentered (of which 3 were new from different dealers). Focus scale is often totally misaligned. Front group is often a bit wobbly. - Source: Internet
  • The downside of full-frame cameras is that they’re bulkier and heavier, which is not ideal for travel and everyday carrying. That’s why I knew I wanted a full-frame mirrorless camera, a product that didn’t really exist until 2013. In “normal” cameras, an internal piece called a reflex mirror reflects light from the lens. Until recently, removing that mirror meant that photographers couldn’t change their lenses — hence the reason DSLR (which stands for “digital single-lens reflex,” which refers to camera bodies with interchangeable lenses) couldn’t also be mirrorless. But in 2008, the first mirrorless DSLR camera came out, which removed the rather large reflex mirror to create a smaller and lighter camera body that’s much better for travel. - Source: Internet
  • After getting hands-on with this camera (and then going back to my older camera and lenses), I took the plunge and bought a Sony a7 IV, even though I’m not a professional photographer. I often take photos to accompany my freelance stories for online use, but that’s probably no different from many of Matador’s readers, who may take photos to share on their blogs or social channels. It’s more camera than I need, but it’s a great piece of tech that has the potential to make me a more competent photographer. And heck, taking photos with it is just plain fun. - Source: Internet
  • Per its higher DXOMARK score, the best all-round performer is the $1299 Carl Zeiss Batis 25mm F2, but with only one more point, it is more or less tied with the $1600 Sony Zeiss Distagon FE 35mm F1.4. In third place is the Sony FE 28mm F2. At just $450, it’s a great performer for the price, but as always with lenses, it’s well worth taking a closer look at the performance at different apertures. - Source: Internet
  • An UWA lens almost without real flaws. Can be combined with the Magic Shift Converter to create a 17mm 4.0 Shift lens - Source: Internet
  • Third-party support is good on full-frame primes, but less so with zooms. Manufacturers have tended to concentrate on APS-C format lenses in the past, though that will change, what with companies like Sigma and Tamron keen to get a slice of Sony’s mirrorless FF share. Indeed, we’ve only two models in our database in this category, though we’ve yet to test to Sony’s promising (if pricey) $1,800 FE 12-24mm F4 G. We have, however, tested both of Sony’s 16-35mm zooms—the stabilized F4 Zeiss at $1350 and the $2,200 F2.8 GM version. - Source: Internet
  • We have no association with any lens manufacturer apart from occasionally loaning a lens for a review. Before any short introduction we tell you how long we have used a lens and if we have borrowed it from a manufacturer. But in most cases we have bought the lenses new from retail stores or on on the used market. - Source: Internet
  • Already at f/2.8 the sharpness across frame near infinity can be very good but mind a little field curvature. The contrast improves when stopping down to f/4.0. Coma correction wide open is also very good which makes this a great lens for astrophotography. - Source: Internet
  • Canon lenses can be attached to the Sony A7 IV with the Metabones, Sigma MC-11, or Photodiox adapters, but auto-focus is generally better with Sony lenses. Lenses like the Canon 8-15mm, 16-35mm, 17-40mm, and 100mm can work well. I found that the Canon 8-15mm fisheye lens worked better with the Sigma MC-11 adapter than with the metabones adapter. - Source: Internet
  • The Sony 16-35mm F4 lens is the top wide-angle lens choice for photo and video. If you’re looking for something even wider to get nice close-focus wide-angle (CFWA) shots of reefs there are a couple of options for shooting fish-eye. The 28mm prime lens with a fisheye conversion lens will give the widest possible angle of view. The fisheye conversion lens can be used behind a large or small dome port, while the Sony 16-35 mm F4 lens is recommended for use with an 8-inch dome or larger. - Source: Internet
  • But you’ll need more specialized lenses when it comes to specialty shooting. I tested the Sony FE 200-600mm lens, which was able to shoot incredible close-up photos of mountain goats from a distance; my friend’s 400mm lens couldn’t even find the goats while attempting to focus. Of course, photogs probably know that shooting with any lens above 300mm can make stabilization a challenge, but the combination of the camera’s stabilization and the lens’s stunning stabilization (which includes a side slider to switch between “normal” and “sports” modes) ensured the photos were stable, even from hundreds of yards away. - Source: Internet
  • The second lens I took with me was better for landscape shooting. While I usually shoot on a 10 mm lens for landscapes (and yes, it does result in some fisheye-esque distortion I need to fix in Lightroom), I took a slightly more versatile lens since I was only carrying two: the Sony FE 20mm f/1.8 G Lens. While I usually like to go a bit lower than 20 mm for landscapes, I figured it would work well as a catch-all lens for everyday shots. - Source: Internet
  • If you haven’t bought a Sony Alpha 7 III yet, we recommend purchasing the camera in a kit. That way, you’ll spend a bit less on the lens than if bought separately. Sold individually, it’s currently available for about 300 to 400 euros. - Source: Internet
  • And yet another 35 mm prime lens from Sony. This lens excels with its incredible lens speed of f/1.4. However, that also means it’s very bulky and heavy. - Source: Internet
  • I have been using the Voigtlander 10mm 5.6 and reviewed the Laowa 10-18mm 4.5-5.6, but both lenses had one flaw too much and I wasn’t really happy with them. - Source: Internet
  • Kit deals are also available for professional cameras. Who would have thought? Since it was barely more expensive than just buying the body, we also bought our cameras in a kit with the 28-70 mm, f/3.5-5.6 zoom lens included. - Source: Internet
  • Quality-wise, it’s a great lens. We definitely recommend it over the Sony 12-24 and if you can live without 35 mm, also over the Zeiss 16-35 or the Sony G Master. And last but not least, the lens is also comparatively affordable at around 1,450 euros. - Source: Internet
  • The Sony A7 Mark IV is scheduled to go on sale towards the end of December of this year, with a retail price ranging from $2500 for a body-only configuration. At this price, the A7 IV starts with an MSRP of about $500 more expensive than the A7 III did at launch. Additionally, the A7 IV will also be sold in a kit configuration with an FE 28-70mm f/3.5-5.6 OSS zoom lens, which will retail for about $2700. - Source: Internet
  • Canon Lenses Canon lenses can be attached to the Sony A7 IV with the Metabones, Sigma MC-11, or Photodiox adapters, but auto-focus is generally better with Sony lenses. Lenses like the Canon 8-15mm, 16-35mm, 17-40mm, and 100mm can work well. I found that the Canon 8-15mm fisheye lens worked better with the Sigma MC-11 adapter than with the metabones adapter. - Source: Internet
  • We were lucky enough to snatch up a bargain at a clearance sale, but even at full price, it’s a very affordable lens. The image quality is simply outstanding for the price, but unfortunately the autofocus is very loud and slow. If you can live with that, this lens is definitely a good investment at less than 200 euros. - Source: Internet
  • A brand new G Master version of the 16-35 mm has just been released. With an aperture of f/2.8 and the image quality the G Master lenses are famous for, this lens is the absolute cream of the crop when it comes to wide-angle lenses for the Sony Alpha 7 series. - Source: Internet
  • This lens from Samyang also has an unusual focal length with its 75 mm. 85 mm is more common for portrait lenses, but the 75 mm in combination with its aperture of f/1.8 is just as capable of producing a great background blur, so you can really make your subject stand out. - Source: Internet
  • We’re proud owners of a Sony Alpha 7II and we would never want to part without this great camera. In this guide we’ll show you which lenses are available for the Alpha 7 series. If you’re looking for the perfect full-frame lens for E-mount cameras, you’ve come to the right place! - Source: Internet
  • We have nothing bad to say about third-party lenses in general. We actually use Tamron lenses ourselves and are very happy with them. So you might also want to consider going third party to take advantage of a wider range of options or better value for money. - Source: Internet
  • For its compact size my favorite is the Voigtlander 15mm 4.5 SWH E. It still finds it’s way into my bag regularly, and during long hikes in the mountains it often is the only lens I carry. - Source: Internet
  • The 45 mm is special because the focal length is rather unusual. The normal focal length for full-frame lenses is typically around 50 mm. In purely mathematical terms, however, 45 mm is closer to the field of vision of the human eye, making this lens an interesting alternative. - Source: Internet
  • Of note: I took a 300mm lens to a wildlife lodge a few weeks after testing the 600mm lens and was shocked at the difference. I literally thought my 300mm lens was clouded or not focusing correctly, but no: the combo of the Sony a7 IV and 600 mm lens was so good it just makes other lenses look broken in comparison. It is worth noting, however, that the lens is huge, likely because it has a built-in stabilizer. As a result, it adds a lot of weight to your kit (4.6 pounds) and can be cumbersome to carry. - Source: Internet
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