73 Startling Facts About The Origins Of Digital Art

This time around, we shall cover When Did Digital Art Start. Obviously, there is a great deal of information on Digital Art Styles on the Internet. The fast rise of social media facilitates our ability to acquire knowledge.

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73 Shocking Facts About When Did Digital Art Start | Sword Art Online Progressive

• “Graphic art is given as illustration under computer graphics. It is used to create images to illustrate stories. Many software programs are used to change the illustrations into 3D. We teach art students not only of how to use digital art applications, but also the art itself,” said Addis Afework, Lecturer and Painter. - Source: Internet
• Digital Photography is created using an analogue or digital camera. The image is then digitised and imported into a digital workspace such as a computer or mobile device. Here the image can be edited using various types of software applications and photo editing programmes, allowing artists greater freedom of manipulation than could be achieved in a dark room. - Source: Internet
• As jobs become global, your digital art portfolio will be compared to other local and international digital artists. However, there are always jobs for talented digital artists. So, focus on your strengths, be professional, and stay determined. - Source: Internet
• The invention of digital photography in the 1950s massively sped up image capturing abilities. Photoshopping is also a speed up of composite photography or collages made by people in the Victorian era and the early 20th century, by gluing multiple photographs together and sometimes rephotographing them. Contemporary means of digital image production and socially networked means of image distribution like Facebook, Instagram, YouTube, TicTok, Flickr and Twitter, give global populations the possibility of presenting their photos, videos, and texts in ways they never could in the 19th or 20th centuries. Since the introduction of first Kodak camera “users” have had tools to create their own media, but it’s only recently that we’ve had access to multiple paths that allow media objects to easily travel and allow users to interact and collaborate with each other. - Source: Internet
• You may have more exposure to digital art due to your online presence, but it’s hard to say if it’s actually more popular. Sharing and publishing digital art is also much easier than conventional art which is why it might be so popular online. Digital art is also preferred by many beginners as well due to being so convenient. - Source: Internet
• The Dia Foundation also began commissioning artists to make work for the Web in 1995. Dia selected artists based on their interest in exploring the aesthetic and conceptual potentials of the medium. They were not concerned with choosing artists who had a fluency or proficiency in digital tools or computer programming. Then, for the first time in 2000, the Whitney Biennial in New York had a room dedicated to Net Art and in 2001 there were two large survey exhibitions of Net Art and other forms of New Media Art, Bitstreams at the Whitney and 010101: Art in Technological Times at SFMoMA. So what had been a cultural underground, making art to critically engage with the Internet and the Web, was becoming an established academic and artistic field by the early 2000s. - Source: Internet
• There are many ways to buy and collect digital artwork. Crypto art is a growing niche that can be a great way to learn about and buy digital artworks. If you enjoy the work of crypto or digital artists, then buying digital art could be a great investment choice which you can enjoy just as you would traditional original artworks. - Source: Internet
• As the program progresses, you can apply and integrate the new techniques and tools with your ideas. It is important to remember that the teacher is the expert. Their guidance, comments, and instructions make you a better digital artist. - Source: Internet
• We live in a digital world. The rise of technology in the 21st century has completely transformed the way in which we think, create and consume. And the art world – far from being sheltered inside the walls of galleries and institutions – has been undergoing a metamorphosis of its own. - Source: Internet
• “I have developed many characters from the battle of Adwa using digital art, with the right mood of the scenery at the time. It takes the audience back to that time. It is different from traditional painting. The characters I create are very relatable with the stories. They are also relatable to all audiences,” said Fanuel Leul, Digital Artist. - Source: Internet
• “I am not sure what the future holds. I could see more live stream of artwork in the future through social media. The CGI technology I use on a daily basis is moving towards real-time simulation and feedback which I am sure will change how things are done in the future. At present, there can be a lot of waiting around as the computer processes and runs simulations, but that wait time will eventually erode as technology improves.” - Source: Internet
• “Digital art still feels quite new and in its infancy, so with time it may require curators to participate. The digital art world seems fragmented and disjointed, in a way making it the opposite of the physical bricks and mortar art world.” - Source: Internet
• As we mentioned above, there are many types of digital artists with many of the types having different paths and skillsets required. Because of this, there is no one linear path to becoming a digital artist. Having said that, whether you want to be a digital painter or an animator, there is some overlap in the steps you should follow to find success. - Source: Internet
• Okay, real talk time. I got into digital art very late in life. I’d already trained in a number of careers before I really put in the time and effort to learn this new skill. Sure, I’d doodled on my notebooks back in school, but I didn’t put in the time to study and grow as an artist until fairly recently. Now, a few years in, I can say this is one of the most rewarding experiences I’ve found. - Source: Internet
• Like everything else, art has also started going digital. Younger generations have grown up with digital art, but it is still a very new concept for many of us. If you want to know more about what digital art is and how you can get into creating it or collecting it, then keep on reading! - Source: Internet
• Gone are the days when only humans play story characters. A human character does not have to put on excessive costumes to play the character of legends who passed even before photography was invented. With digital drawing pads, computers, and software programs, two- and three-dimensional visual characters are developed with even more features and abilities than their human counterparts. The only limitation, however, is that digital art cannot replace live theater. - Source: Internet
• Digital artists’ salaries depend on their skills and expertise but also the studio and country they are working from. Therefore, experience is a primary factor considered when weighing how much a digital artist earns. The following are the approximate salaries for different levels of digital artists. - Source: Internet
• The term digital art was first used in the early 1980s following the invention of a computer programme named AARON, which was written by the artist Harold Cohen. AARON was a robotic machine which initially created original abstract drawings on sheets of paper laid on the floor. Cohen invented this technology in response to his question “what are the minimum conditions under which a set of marks functions as an image?”. This query and digital art in general opened up debates about what could be considered art, the role of the artist and the very definition of creativity. In his 1999 essay ‘Colouring without Seeing: A Problem in Machine Creativity’, Cohen questioned the autonomy of the machine in creating art, stating: - Source: Internet
• “Coupling art with technology is the best way to boost the youth’s imagination. Especially in developing countries like Ethiopia, the scope and imagination boundaries of the young has shrunk, mainly because their minds are constantly exposed to conflict, instability, extremism, and poverty. Digital art is a new venue to think about solutions,” believes Fanuel. EBR - Source: Internet
• Additionally, every tool will be new when starting to learn digitally. Computers, software, and electronic drawing tablets require that the artist has a digital mindset. And as contemporary digital artists enter the digital entertainment industries, they will recognize their strengths and the areas they enjoy the most. - Source: Internet
• Addis says digital art is not well utilized in Ethiopia. “Few graduates are currently embarking on developing it. However, there are no working spaces and platforms for youngsters who want to practice full time.” - Source: Internet
• Within our collection Martin Stranka is a digital photographer who creates surreal images in the digital realm. By editing and photoshopping various elements together Stranka creates visually powerful and electric images which excite the imagination. In the beautifully high-definition image Dreamers and Warriors Stranka has overlapped various visual elements to convey a surreal and intriguing narrative. - Source: Internet
• Why create art at all? Well, that’s a personal question. Everyone has their own reason for diving into the art world. In technical terms, we usually divide art into “object focussed” or “process focussed.” Basically, this means you are either creating art for the final product, or you’re creating art for what the process does for you (and your audience). - Source: Internet
• 2D Digital Painting is where the artist draws directly onto the 2D digital surface, either on a tablet or computer. Using a digital paintbrush or tool, the artist can build up different layers to create the final image. In 3D Digital Painting, artists model and render shapes which are sculpted in virtual spaces. - Source: Internet
• In some ways, digital art can be easier than drawing due to having the ability to undo mistakes without much consequence. Coloring, layering, shading, etc., is also much more convenient and easier to do on digital media, with many different tools and settings available at an artist’s disposal. However, other talented artists may struggle to learn the new technologies required to create digital artworks. - Source: Internet
• The easiest way to get started is, no joke, with an iPad. Apple’s tablet has a huge selection of applications specifically designed for creating digital art. Check out the link above for some of our favorites, including a number of free programs. - Source: Internet
• The demand for digitally generated visual artworks is growing in Ethiopia, mainly from film makers, videogame enthusiasts, and visual advertisement agencies. However, there are only few digital artists as not even the traditional art has fully matured in Ethiopia. EBR’s Samuel Habtab, assessed the baby steps digital visual art is taking in Addis Ababa. - Source: Internet
• ‘The physical world informs what I do in the digital space,” says Chris. “My work is a digital simulation of reality. In order to make it convincing one must have a good sense of the materiality of things. - Source: Internet
• This art style comes from the manipulation and alteration of digital images using a variety of software, most commonly Adobe Photoshop. While it is one of the most common types of digital art, it is by no means an easy feat. When you see a manipulation that truly understands the craft, you’ll understand how effective this style can be. - Source: Internet
• As more and more artwork went digital, artists noticed the somewhat common effect of glitching and corrupted image files…and how interesting and effective they could be. This led to intentionally corrupting, or moshing, data files to create psychedelic visuals. - Source: Internet
• And finally, the newest development in Internet Art during the Digital / Crypto Age is the NFT (Non-fungible Token). Read the Wikipedia description of NFTs linked below. Also read the short article about the NFT market and its implications for the art world. Finally, the most famous NFT was made by an artist named Beeple, who sold the very first NFT for $69 million dollars. Read the short critical analysis of the actual images in Beeple’s NFT below. - Source: Internet
• Storage and delivery of digital art are also much easier than other traditional art forms due to being stored digitally. Artists can simply send their prints digitally with a few mouse clicks if the need arises. This process allows digital art to be more accessible, global, and widely influential. - Source: Internet
• You need a variety of skills to become a successful digital artist. These skills depend on the type of media you work with and the position or specialty you choose in the Digital Entertainment industry. Some examples are: - Source: Internet
• Digital Art also has parallels to Video art because video art was made possible by the introduction of the Sony Porta-Pak, which was cheap and easy to use allowing artists and other users to access the world of video for the first time. A generation later the introduction of the web browser led to the birth of computer art as a movement. New Media artists saw the Internet as an accessible artistic tool and they started using computers and eventually the Internet to explore the changing relationship between technology and culture. You can read more about the early years of video art in the Video Art chapter of this book. You can also read more about Digital Art that employs video in the Digital Video Art and Video Installation chapter. - Source: Internet
• New Media artist Mark Tribe (born 1966) has argued that remixing and culture jamming is a form of New Media Art also innovated by early 20th century Dada. In A Hacker Manifesto, written by McKenzie Wark in 2004, Wark extends the idea of hacking beyond to the computer and into other domains. Hacking is innovation, wherever it is practiced. By hacking codes, for example the codes of art, we create the possibility of new ways of thinking and new things to examine. - Source: Internet
• With the proliferation of digital art software, the industry saw programs designed to mimic the styles and tools of the physical art world. Digital brushes could simulate using a variety of paints, oils, watercolors, and pencils. As the software grew more sophisticated, so too did the artwork. Comic book, storyboard, and concept artists started incorporating digital tools into their workflow, expanding their possibilities and styles across multiple mediums. - Source: Internet
• Cory Arcangel (born 1978) is another artist who works across media and critically examines technology. He often hacks machines to make interventions that encourage users to think about the structure, aesthetic and interface of the technology in new ways. For example, he hacked a Super Nintendo cartridge to create his piece Super Mario Clouds, by removing all other components of the game Super Mario Brothers, until clouds are the only thing left. - Source: Internet
• While it is very true that digital art can be a lucrative skill to market, you have to remember that there are a LOT of digital artists out there. The competition is stiff, so there is no guarantee that you’ll make your millions selling that GIF of a donut eating a glazed person. We’re not saying you shouldn’t try, but treat it the same as you would trying to break in to the traditional art world. It’s a marathon, not a sprint. - Source: Internet
• “The human visual system is fundamentally very good at adapting. The eye can adjust and appreciate digital art in the way intended by its creator” - J. Sutton - Source: Internet
• “Dance has a great deal to learn from digital technologies: they can provide a new insight into the creative processes involved in it.” - A. Menicacci - Source: Internet
• 3D art and paintings can be all of this and more. Beeple’s Everydays fit into this category, and you can see similar images from artists all around the world. They can be traditional or countercultural; evocative and even taboo. This artwork is created using 3D software, from Blender and ZBrush to Cinema 4D. - Source: Internet
• Digital art has many pros and cons. One benefit of digital art is that it is far more convenient than traditional art due to the fact that you don’t need to gather tools such as brushes, paints, etc., and require minimal setup. It also is far more forgiving than traditional art due to the ability to undo most mistakes with just the click of a button. - Source: Internet
• “What [first] appealed to me about the digital side was the absence of friction in the process.” He continues, “I didn’t have to rely on anyone to get stuff done which can get tiresome when making physical things […] I think with digital art you can maybe explore and test more ideas without having to worry about budgets, prototypes, storage of prototypes etc.” - Source: Internet
• “It’s difficult to see how one can exist without a digital presence,’ Chris tells us. ‘That’s how important it is to my career. I don’t think I have such a thing as an offline fan base. Some of my most interesting projects have happened through Instagram […] It’s very different to the traditional structure whereby a creative agency reaches out to an artist to produce work for a client.” - Source: Internet
• No matter how skilled you are, your portfolio won’t be perfect right off the bat. In fact, you don’t want it to be. You want your portfolio to continue improving as your skills as a digital artist improve. In other words, if your portfolio isn’t improving, it means you’re not growing as an artist, which is something all artists want to avoid. - Source: Internet
• By the end of the 1980s, when Adobe released their new digital image editing software called Photoshop, the position of the digital computer as an artistic tool, for creation, appropriation, manipulation and deconstruction, was solidified. While cultural theorists like Marshall McLuhan (1911-1980) were analyzing the media decades before the 1980s, other theorists added their voices to the dialogue and began to examine critically examine the roles for New Media as it started to leave the military, government, big business and academia. Both Jean Francois Lyotard’s The Post Modern Condition (1979) and Jean Baudrillard’s Simulacra and Simulation (1981) contain detailed discussions of computing and Sherry Turkle and Donna Haraway quickly arose as American academics engaging critically with this new technology. - Source: Internet
• The term “Digital Art” is a fairly broad term, and the styles we’re discussing began in the early 1960s. Then called “computer art,” multimedia art," or “cyber art,” these pieces were mostly designed and planned using traditional methods of pen and paper. The artist would then use various tools and technology to enhance the final product into something abstract and visceral. - Source: Internet
• It’s tempting to imagine that, tied to technology as it is, the world of digital art operates as an android twin to the physical community. Yet this is not the case. Just as digital art has affected the way audiences can experience art, it creates challenges and opportunities for how the art trade industry will develop. - Source: Internet
• “In college, I was interested in making high-end design, art, furniture and products. But I started to realise that the image was just as important as the actual object – most people only get to experience these ultra-rare objects through an image online or in a book or magazine. These thoughts pushed me to pursue image-making using digital technology.” - Source: Internet
• First, the most important aspects are the faculty and programs offered. Second, it is essential to check the school accreditation. On the one hand, there are digital art schools with great experienced teachers but without any certification. - Source: Internet
• Another approach to digital art that can involve Dada Hacking and Readymade strategies is Glitch Art. Glitch Art is often made with lost bits of the old and new technology. Some Glitch artists manipulate old digitized photographs or old Internet gifs, using editing software to “corrupt” the image, creating layers or distorting pixel blocks to achieve a glitchy or distorted look. A “glitch” is something created as the result of a technology malfunction and in the 1990s, visual artists became interested in using digital glitches to make art. However, there are earlier precursors to Glitch Art, including works like Nam June Paik’s TV Magnet (1965) and Digital TV Dinner (1978) by Jamie Fenton and Raul Zaritzky. - Source: Internet
• But the biggest cost is one’s own time – in that respect there is no difference between physical vs digital. Advances in software and computing power has meant that you can achieve far more with less money than you could 10 years ago, making it much easier for people to participate in the production of digital artwork, design and filmmaking." - Source: Internet
• As the AARON programme developed and the compositions it produced became more complex, this question became more complicated; representational imagery such as rocks and plants were added throughout the 1980s, representational figures in interior scenes were added in the 1990s, and eventually colour was introduced in the early 2000s. However, throughout his career Cohen was careful to never brand the machine as creative in its own right, and it was argued that the true creativity and artistic merit lay in the hands of the creator and programmer, which, in the case of AARON, was Cohen. This line of thought has guided digital art throughout its development, leading it to be considered a true and well-respected art form and medium. We too understand and see the beauty in digital art and therefore have a wide variety of prints and photographs for sale, showcasing some of the best contemporary digital artists who continue to push the boundaries of digital art. - Source: Internet
• Digital art is about creativity and letting your imagination run wild, yet you should be able to follow instructions. First, attend classes eager to learn, listen to your teachers, and complete your assignments on time. Pay special attention to the foundational course,s as these will lay out the principles for a successful career. - Source: Internet
• Making good quality digital art requires the same amount of skill, talent, originality, knowledge, and effort as any other traditional art piece. Every artist must learn to master his tools regardless of the medium. Therefore, it’s fair to say digital art can be called “real” art. - Source: Internet
• The simplest reason is often the most important. Creating art is an amazing way to express yourself creatively. It can be extremely therapeutic, a way for you to explore complex emotions and share them in new and exciting ways. - Source: Internet
• Questions to Consider: Video Games What are some of the reasons that Video Games can be considered New Media Art? What are some of the differences between traditional video games and hacking projects by artists like the Critical Art Ensemble, the Radical Software Group and Corey Archangel? Consider how the viewer or user is engaged with in some of the video games presented in “The Case for Video Games”, what are some of the different types of interaction that someone playing a video game might encounter? (Consider a traditional scrolling or platform games like early Mario, consider first person shooters, consider structured narrative RPGs, also consider sandbox or open world RPGs and MMORPGs (or Massive Multiplayer Online Role Playing Games) and simulation games like the Sims or Second Life.) What kind of user engagement does creative hacking involve and how is that level of engagement different than playing some of the different types of games you’ve described in response to the previous question? At the beginning of this book we talked about the artist Cao Fei (born 1978), who constructed a fictional, open world city in Second Life called RMB City (2008-2011). What are some of the differences between this project by Cao Fei and some of the video game formats you have described above? - Source: Internet
• And if you have questions, we are always here. School of Motion was founded to break down the barriers to motion design, and we put artists first at every turn. If you want to grow into this wonderful world, we are here to help. - Source: Internet
• With this technique, an artist can virtually paint a picture, modifying its original form while maintaining the general layout of the subject matter. The specific visual characteristics of a digital painting can be traced back to the software with which it was generated. Examples of some characteristics are transparency, symmetry, distortion, repetition, and texture. - Source: Internet
• Questions to Consider: net.art How did you navigate each project you examined? Was it easy or difficult to find your way around in the work of art? Did you scroll, click around or use some other type of navigation? What was the project like when you first entered? What did you expect and what happened when you started interacting with it? What kind of interaction did the project allow? Describe the level of audience involvement. Could you change the work of art? Were you unable to change the project? What about other people who participate in the project, have they changed or add to it? Why do you think each artist chose the approach to audience involvement that they did? What is each of the net.art projects you examined about? What themes are explored? What was the goal of each project? How was your experience with net.art projects you examined different than visiting a gallery or a museum? Did any of the web-based art projects you just examined reference earlier print-based technologies? If so, explain how. - Source: Internet
• “There was a time when the brush was the apogee of artistic progress. What is important is not so much the interfaces used, but the relationship between the creator and their creation” - M. Kruger - Source: Internet
• Digital visual art, particularly the use of software applications to develop characters on computers and digital drawing pads, is usually used to revive and resurrect the features of historical people whose images are inaccessible and to also rebrand existing characters with new features. Digital visual art can generally be called digital painting. Once fully developed, digital art can animated into 3D or 2D formats. - Source: Internet
• When Beeple (aka Mike Winkelmann) is featured on MSNBC and roasted on The Tonight Show, you know that we are living in strange times for Digital Artists. A talent that has long been a side-hustle for Graphic, Motion, and VFX designers is taking over the art world. What does that mean for you? For the digital art market? And how can you get started now that this train has already left the station? - Source: Internet
• “The only thing to be aware of in digital artwork is controlled access to high resolution master data. The work I share on websites and with magazines is compressed and at lower resolutions than the master artwork. They still look good in a magazine but if you were to try and create a large art print it would look pretty bad compared with the Giclee art prints I can provide.” - Source: Internet
• When the Macintosh computer was released in 1984, artists and designers were among the first to realize the potential for this new technology. Macintosh popularized the graphical user interface, designed by Susan Kare for Apple. It also had a simple drawing and painting program the emphasized a new role for the computer as a creative tool. You can read a critical analysis of earlier developments in graphic user interface (GUI) during the 1970s in this essay titled “Black Gooey Universe” by American Artist (born 1989) in unbag (Winter 2018). American Artist explains the dominance of white, cisgender designers and proposes how that early dominance shaped racial biases and erasures online today. - Source: Internet
• Listen & Reflect: An Oral History of the Internet Watch An Oral History of the Internet #6: Mendi & Keith Obadike, Creator: NYU Abu Dhabi Art Gallery, Source: YouTube.com (2021) (44:37 minutes). Questions to Consider: What do Mendi and Keith Obadike have to say about what it felt like when the Internet started? What do they say about what it means to work, act and create art online? They talk about making art on the Internet as making public art. What do you think that means? What do they have to say about the Internet as a “utopian” and “democratic” space in the 90s? What can we learn about the early days of the Internet (and even the tech as it works for us today) by listening to New Media Artists like Mendi and Keith Obadike? Later in this chapter, you’ll look at work by an artist named Tabita Rezaire, who works to critique digital colonialism, what do the Obadike’s have to say about the legacy of colonialism in the early days of the Internet? - Source: Internet
• This is where a lot of modern digital artists land. Graphic art is, simply put, art pieces created using digital tools. This can be character studies, landscapes, concept art, comic books, and many others. The use of digital tools allows for a level of precision that traditional pen and paper art does not. - Source: Internet
• artnetweb was another collaborative founded in 1993 to provide artists access to the investigate and use new technologies in their projects. In 1997, they organized PORT as an “exhibition of networked digital worlds on the Internet, providing a platform for experimental, networked and time-based art projects. Another venue for Internet Art between 1997 and 2003 was Gallery 9, also organized by the Walker Art Center. You can find an archive of the work they supported linked here Gallery 9. - Source: Internet
• ‘There is a danger that social media – and particularly Instagram – can imprison your thinking. You can start to make work based on what people might like and I do not necessarily want to do that – even though you want people to like your stuff. It’s important for me to be consistent with my work and not hop around with loads of random ideas.’ - Source: Internet
• Bishop, Claire, ed. Participation (Whitechapel: Documents of Contemporary Art). Cambridge, MA: MIT Press, 2006. - Source: Internet
• The internet has opened up many new avenues for the promotion and distribution of art. And with this new freedom comes the risk of unlicensed use and reproduction. We asked Chris if this was more of a worry to him as a digital artist, than it would be if he produced physical pieces. - Source: Internet
• Bishop, Claire. Artificial Hells: Participatory Art and the Politics of Spectatorship. London and Brooklyn: Verso, 2012. - Source: Internet
• Many popular exhibits now showing around the globe combine both digital and traditional art elements. The work of Yayoi Kusama, for example, fuses digital and physical art forms and attracts record numbers of visitors whenever it goes on display. Recent digital “immersive” exhibits have taken older traditional artworks from artists like Vincent Van Goh and digitized them, allowing more viewers to appreciate artworks that would once have been much more difficult to see. - Source: Internet

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