What Color Is Red'S Contrast On The Visible Spectrum? 72 Pointers

This time around, we shall cover What Color Is The Opposite Of Red On The Visible Spectrum. Obviously, there is a great deal of information on Colors on the Web on the Internet. The rapid rise of social media facilitates our ability to acquire knowledge.

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• The web colors fuchsia and magenta are identical, made by mixing the same proportions of blue and red light. In design and printing, there is more variation. The French version of fuchsia in the RGB color model and in printing contains a higher proportion of red than the American version of fuchsia.[citation needed] - Source: Internet
• <img src=’/assets/blog/2017-04-14/spectrum.svg’ alt=’’ The visible spectrum of colors. Or actually: a compressed version of it, because no display can really show them all. - Source: Internet
• Magenta is the complementary color of green. The two colors combined in the RGB model form white. Side-by-side, they provide the highest possible contrast and reinforce each other’s brightness. - Source: Internet
• Image by Bruce MacEvoy. I recommend spending a few hours reading his excellent page about color perception. Much of this post is just a simple summary of it. - Source: Internet
• The response curve as a function of wavelength for each type of cone is illustrated above. Because the curves overlap, some tristimulus values do not occur for any incoming light combination. For example, it is not possible to stimulate only the mid-wavelength/“green” cones; the other cones will inevitably be stimulated to some degree at the same time. The set of all possible tristimulus values determines the human colour space. It has been estimated that humans can distinguish roughly 10 million different colors. - Source: Internet
• Light, no matter how complex its composition of wavelengths, is reduced to three colour components by the eye. For each location in the visual field, the three types of cones yield three signals based on the extent to which each is stimulated. These values are sometimes called tristimulus values. - Source: Internet
• For example, a red shirt looks red because the dye molecules in the fabric have absorbed the wavelengths of light from the violet/blue end of the spectrum. Red light is the only light that is reflected from the shirt. If only blue light is shone onto a red shirt, the shirt would appear black, because the blue would be absorbed and there would be no red light to be reflected. - Source: Internet
• Magenta was the English name of Tokyo’s Oedo subway line color. It was later changed to ruby. It is also the color of the Metropolitan line of the London Underground. - Source: Internet
• Typically, only features of the composition of light that are detectable by humans (wavelength spectrum from 400 nm to 700 nm, roughly) are included, thereby objectively relating the psychological phenomenon of color to its physical specification. Since perception of colour stems from the varying sensitivity of different types of cone cells in the retina to different parts of the spectrum, colors may be defined and quantified by the degree to which they stimulate these cells. These physical or physiological quantifications of color, however, do not fully explain the psychophysical perception of colour appearance. - Source: Internet
• There are three types of cones in the human eye that are sensitive to short (S), medium (M) and long (L) wavelengths of light in the visible spectrum. (These cones have traditionally been known as blue-sensitive, green-sensitive and red-sensitive, but as each cone is actually responsive to a range of wavelengths, the S, M and L labels are more accepted now.) - Source: Internet
• While the magenta used in printing and the web color have the same name, they have important differences. Process magenta (the color used for magenta printing ink—also called printer’s or pigment magenta) is much less vivid than the color magenta achievable on a computer screen. CMYK printing technology cannot accurately reproduce on paper the color on the computer screen. When the web color magenta is reproduced on paper, it is called fuchsia and it is physically impossible for it to appear on paper as vivid as on a computer screen. - Source: Internet
• While the mechanisms of color vision at the level of the retina are well-described in terms of tristimulus values (see above), color processing after that point is organized differently. A dominant theory of color vision proposes that colour information is transmitted out of the eye by three opponent processes, or opponent channels, each constructed from the raw output of the cones: a red-green channel, a blue-yellow channel and a black-white “luminance” channel. This theory has been supported by neurobiology, and accounts for the structure of our subjective colour experience. Specifically, it explains why we cannot perceive a “reddish green” or “yellowish blue,” and it predicts the colour wheel: it is the collection of colors for which at least one of the two colour channels measures a value at one of its extremes. - Source: Internet
• We associate colors with the real world objects that share that color and with abstract ideas extended from them. Red, yellow, and orange are the color of fire and the hot sun. These are the “warm” colors, and they tend to make us think of action and dynamism. Blue and green are the color of the cool water and grass. These “cool” colors feel reserved and dependable and make people relaxed. - Source: Internet
• Another problem with color reproduction systems is connected with the acquisition devices, like cameras or scanners. The characteristics of the colour sensors in the devices are often very far from the characteristics of the receptors in the human eye. In effect, acquisition of colors that have some special, often very “jagged,” spectra caused for example by unusual lighting of the photographed scene can be relatively poor. - Source: Internet
• The CIE 1931 colour space chromaticity diagram. The outer curved boundary is the spectral (or monochromatic) locus, with wavelengths shown in nanometers. Note that the colors depicted depend on the colour space of the device on which you are viewing the image, and therefore may not be a strictly accurate representation of the colour at a particular position, and especially not for monochromatic colors. - Source: Internet
• In the same year, two British chemists, Chambers Nicolson and George Maule, working at the laboratory of the paint manufacturer George Simpson, located in Walworth, south of London, made another aniline dye with a similar red-purple color, which they began to manufacture in 1860 under the name “roseine”. In 1860 they changed the name of the color to “magenta”, in honor of the Battle of Magenta fought by the armies of France and Sardinia against Austrians at Magenta, Lombardy the year before, and the new color became a commercial success.[3][7] - Source: Internet
• The next problem is different color response of different devices. For colour information stored and transferred in a digital form, colour management technique based on colour profiles attached to color data and to devices with different colour response helps to avoid deformations of the reproduced colors. The technique works only for colors in gamut of the particular devices, e.g. it can still happen that your monitor is not able to show you real color of your goldfish even if your camera can receive and store the colour information properly and vice versa. - Source: Internet
• A frequent way of referring to colour on computer screens is by using the RGB system. In this model, each colour is given a value for each red, green and blues components ranging from 0 to 255, giving a total value of 16.7 million possible colours. However, due to the very complex way in which the eye perceives colours, we can see colours which are outside of the gamut of the RGB scheme - there is no unique mapping that definitively converts a wavelength to a colour, and as such the above tool should been seen as more of an approximation than a rigorous resource. - Source: Internet
• Magenta took its name from an aniline dye made and patented in 1859 by the French chemist François-Emmanuel Verguin, who originally called it fuchsine. It was renamed to celebrate the Italian-French victory at the Battle of Magenta fought between the French and Austrians on 4 June 1859 near the Italian town of Magenta in Lombardy.[3][4] A virtually identical color, called roseine, was created in 1860 by two British chemists, Chambers Nicolson and George Maule. - Source: Internet
• When we write CSS, we use a special shorthand to describe RGB colors called hexadecimal. Hexadecimal colors are prefixed with # . Instead of writing the colors as percentages or on a scale from 255, we use only two numbers per color by using pairs of base 16 numbers, which counts from 0 to 9 and then from A to F . - Source: Internet
• Starting in 1935 the family of quinacridone dyes was developed. These have colors ranging from red to violet, so nowadays a quinacridone dye is often used for magenta. Various tones of magenta—light, bright, brilliant, vivid, rich, or deep—may be formulated by adding varying amounts of white to quinacridone artist’s paints. - Source: Internet
• In the CMYK color model, used in color printing, it is one of the three primary colors, along with cyan and yellow, used to print all the rest of the colors. If magenta, cyan, and yellow are printed on top of each other on a page, they make black. In this model, magenta is the complementary color of green, and these two colors have the highest contrast and the greatest harmony. If combined, green and magenta ink will look dark gray or black. The magenta used in color printing, sometimes called process magenta, is a darker shade than the color used on computer screens. - Source: Internet
• The electromagnetic spectrum doesn’t distribute color quite the same way as a color wheel. That’s because our cone cells are specialized and don’t give us an even sensitivity to light. We are more sensitive to blue, green, and red, and a little less sensitive in between. Our brains also form a smooth continuum between the far left and far right sides to create violet, a trick which works largely because we are least sensitive to that part of the spectrum. - Source: Internet
• Additionally, different colors are often associated with different emotional states, values or groups, but these associations can vary between cultures. In one system, red is considered to motivate action; orange and purple are related to spirituality; yellow cheers; green creates cosiness and warmth; blue relaxes; and white is associated with either purity or death. These associations are described more fully in the individual colour pages, and under colour psychology. - Source: Internet
• Over the course of millions of years, the human eye has evolved to detect light in the range 380—780nm, a portion of the electromagnetic spectrum known as visible light, which we perceive as colour. The particular range of wavelengths coincides with a window in the Earth’s atmosphere, through which this light can travel. Higher frequency radiation, such as x-rays are absorbed by the atmosphere, as are lower frequencies, such as microwaves. - Source: Internet
• This color is called magenta in X11 and fuchsia in HTML. In the RGB color model, it is created by combining equal intensities of red and blue light. The two web colors magenta and fuchsia are exactly the same color. Sometimes the web color magenta is called electric magenta or electronic magenta. - Source: Internet
• Electromagnetic radiation is characterized by its wavelength (or frequency) and its intensity. When the wavelength is within the visible spectrum (the range of wavelengths humans can perceive, approximately from 380 nm to 740 nm), it is known as “visible light.” - Source: Internet
• Species that have colour receptors different from humans, e. g. birds that may have four receptors, can differentiate some colors that look the same to a human. In such cases, a color reproduction system ’tuned’ to a human with normal colour vision may give very inaccurate results for the other observers. - Source: Internet
• Colour (or colour, see spelling differences) is the visual perceptual property corresponding in humans to the categories called red, yellow, white, etc. Colour derives from the spectrum of light (distribution of light energy versus wavelength) interacting in the eye with the spectral sensitivities of the light receptors. Color categories and physical specifications of colour are also associated with objects, materials, light sources, etc., based on their physical properties such as light absorption, reflection, or emission spectra. - Source: Internet
• The titular alien entity in the 2019 horror film Color Out of Space, an adaptation of the 1927 H. P. Lovecraft short story The Colour Out of Space, is depicted as being magenta due to the color’s extra-spectral status. - Source: Internet
• In color printing, the color called process magenta, pigment magenta, or printer’s magenta is one of the three primary pigment colors which, along with yellow and cyan, constitute the three subtractive primary colors of pigment. (The secondary colors of pigment are blue, green, and red.) As such, the hue magenta is the complement of green: magenta pigments absorb green light; thus magenta and green are opposite colors. - Source: Internet
• A given light source may emit light at many different wavelengths (and most do); its spectrum is then a distribution giving its intensity at each wavelength. Although the spectrum of light arriving at the eye from a given direction determines the color perceived in that direction, there are many more possible spectral combinations than color sensations. In fact, one may formally define a color as a class of spectra that give rise to the same colour sensation, although such classes would vary widely among different species, and to a lesser extent among individuals within the same species. In each such class the members are called metamers of the colour in question. - Source: Internet
• Similarly, languages are selective when deciding which hues are split into different colors on the basis of how light or dark they are. Apart from the black-grey-white continuum, English splits some hues into several distinct colors according to lightness: such as red and pink or orange and brown. To English speakers, these pairs of colors, which are objectively no more different from one another than light green and dark green, are conceived as totally different. A Russian will make the same red-pink and orange-brown distinctions, but will also make a further distinction between sinij and goluboj, which English speakers would simply call dark and light blue. To Russian speakers, sinij and goluboj are as separate as red and pink or orange and brown. - Source: Internet
• The red and green subpixels create everything from red, orange, yellow to green. The green and blue subpixels are for green, cyan and blue hues. Red and blue form purples and magentas. - Source: Internet
• Most light sources are mixtures of various wavelengths of light. However, many such sources can still have a spectral color insofar as the eye cannot distinguish them from monochromatic sources. For example, most computer displays reproduce the spectral colour orange as a combination of red and green light; it appears orange because the red and green are mixed in the right proportions to allow the eye’s red and green cones to respond the way they do to orange. - Source: Internet
• Magenta ( ) is a color that is variously defined as pinkish-purplish-red,[1] reddish-purplish-pink or mauvish-crimson.[2] On color wheels of the RGB (additive) and CMY (subtractive) color models, it is located exactly midway between red and blue. It is one of the four colors of ink used in color printing by an inkjet printer, along with yellow, black, and cyan, to make all other colors. The tone of magenta used in printing is called “printer’s magenta”. It is also a shade of purple. - Source: Internet
• Imagine we point one beam of light that contains green light (meaning it has a wavelength of 500 nm) and one with red light (650 nm) at the same spot. That spot does not reflect light with a wavelength of 550 nm; the light itself is not affected by the mixing. We do however perceive the color that lies between green and red on the spectrum! - Source: Internet
• Color is a person’s perception of an object’s reflected or emitted light. It depends on its wavelengths, brightness and its environment. Yes: color is in our own individual experiences of what we see. But let’s get into the easy stuff first - the physics - and then deal with that personal perception. - Source: Internet
• Different cultures have different terms for colors, and may also assign some colour names to slightly different parts of the spectrum: for instance, the han character 青 (rendered as qīng in Mandarin and ao in Japanese) has a meaning that covers both blue and green; blue and green are traditionally considered shades of “青.” In more contemporary terms, they are 藍 (lán, in Mandarin) and 綠 (lǜ, in Mandarin) respectively. For example, in Japan, although the traffic lights have the same colored lights that other countries have, the green light is called using the same word for blue, “aoi”, because green is considered a shade of blue. - Source: Internet
• Choosing colors depends often on the designer’s taste. This can lead to tough discussions with stakeholders that do not share that taste. Everyone has gut reactions toward colors, but expressing why an element should have a certain color rarely goes beyond that. - Source: Internet
• The colour table should not be interpreted as a definitive list – the pure spectral colors form a continuous spectrum, and how it is divided into distinct colors is a matter of culture, taste, and language. Newton added a seventh colour, indigo, between blue and violet, but most people are not able to distinguish it and most color scientists do not recognize it as a separate colour; it is sometimes designated as wavelengths of 420–440 nm. Furthermore, the intensity of a spectral colour may alter its perception considerably; for example, a low-intensity orange-yellow is brown, and a low-intensity yellow-green is olive-green. - Source: Internet
• So computer displays show images with pixels and each pixel has a three tiny lights: a red one, green one and blue one. But can such an RGB array create all colors? In theory, yes, well, almost. As we discussed, the three cone types cannot discern between a mix of two narrow ranges of wavelengths and a spectral color. So if those narrow bands are aligned with the peak sensitivities of our retinal cones, the cones can be stimulated just like they are by spectral colors between the sensitivities. - Source: Internet
• In color theory, we often talk about the color wheel. A color wheel is really just the spectrum twisted around so that the violet and red ends are joined. The color wheel is particularly useful for showing how the colors relate to each other and how you can create new colors by mixing two or more colors. - Source: Internet
• Magenta has been used in color printing since the late nineteenth century. Images are printed in three colors; magenta, cyan, and yellow, which when combined can make all colors. This image from 1902 is using the alternative RYB color model instead. - Source: Internet
• If one or more types of a person’s colour-sensing cones are missing or less responsive than normal to incoming light, that person can distinguish fewer colors and is said to be colour deficient or colour blind (though this latter term can be misleading; almost all color deficient individuals can distinguish at least some colors). Some kinds of colour deficiency are caused by anomalies in the number or nature of cones in the retina. Others (like central or cortical achromatopsia) are caused by neural anomalies in those parts of the brain where visual processing takes place. - Source: Internet
• There is an interesting phenomenon which occurs when an artist uses a limited colour palette: the eye tends to compensate by seeing any grey or neutral color as the color which is missing from the colour wheel. E.g.: in a limited palette consisting of red, yellow, black and white, a mixture of yellow and black will appear as a variety of green, a mixture of red and black will appear as a variety of purple, and pure grey will appear bluish. - Source: Internet
• Similarly, most human colour perceptions can be generated by a mixture of three colors called primaries. This is used to reproduce colour scenes in photography, printing, television and other media. There are a number of methods or colour spaces for specifying a colour in terms of three particular primary colors. Each method has its advantages and disadvantages depending on the particular application. - Source: Internet
• Using only one color in your palette is called monochrome. This will create the strongest connection to your chosen color, but doesn’t give you a lot of options for design. Popular companies that use this technique successfully with very different colors include Coca-Cola, Chase, and Sprint. It is impossible to think of Coca-Cola without its particular shade of red. These brands try to be unfortgettable by using bold colors and heavy repetition. - Source: Internet
• Purple looks like violet instead! The reason is that violet light does not only activate our short wavelength cones, but also the long wavelength cones for the reds. Purple also triggers both these types, making our brains interpret them as similar. Magenta is like purple with more red. - Source: Internet
• Visible light waves consist of different wavelengths. The colour of visible light depends on its wavelength. These wavelengths range from 700 nm at the red end of the spectrum to 400 nm at the violet end. - Source: Internet
• In order to have a precise discussion about color, it helps to have a formalized way of defining colors. The model I find most useful is describing a color’s brightness, hue and saturation. Brightness is the easiest to understand, it defines how much light an object sends to our eye balls. The other two are weirder and more interesting. - Source: Internet
• The other type of light-sensitive cell in the eye, the rod, has a different response curve. In normal situations, when light is bright enough to strongly stimulate the cones, rods play virtually no role in vision at all. On the other hand, in dim light, the cones are understimulated leaving only the signal from the rods, resulting in a monochromatic response. (Furthermore, the rods are barely sensitive to light in the “red” range.) In certain conditions of intermediate illumination, the rod response and a weak cone response can together result in colour discriminations not accounted for by cone responses alone. - Source: Internet
• Purple and magenta are examples of non-spectral colors; you can only make them by mixing wavelengths. Red and blue, as you know. Now unlike with mixing red and green, we do not perceive a color between those two on the spectrum! By averaging the wavelength, you would imagine you’d get green: - Source: Internet
• Because of this, and because the primaries in colour printing systems generally are not pure themselves, the colors reproduced are never perfectly saturated colors, and so spectral colors cannot be matched exactly. However, natural scenes rarely contain fully saturated colors, thus such scenes can usually be approximated well by these systems. The range of colors that can be reproduced with a given colour reproduction system is called the gamut. The CIE chromaticity diagram can be used to describe the gamut. - Source: Internet
• Setting aside illuminant adaptation and contextual effects, surfaces appear to have the color of the light leaving them in the direction of the eye. Since the composition of this light may depend on the orientation of the surface and lighting conditions, the perceived colour of an object also depends on these factors. However, some generalizations can be drawn. - Source: Internet
• If the spectrum is wrapped to form a color wheel, magenta (additive secondary) appears midway between red and violet. Violet and red, the two components of magenta, are at opposite ends of the visible spectrum and have very different wavelengths. The additive secondary color magenta is made by combining violet and red light at equal intensity; it is not present in the spectrum itself. - Source: Internet
• Color terms evolve. It is argued that there are a limited number of universal “basic color terms” which begin to be used by individual cultures in a relatively fixed order. For example, a culture would start with only two terms, meaning roughly ‘dark’ (covering black, dark colors and cold colors such as blue ) and ‘bright’ (covering white, light colors and warm colors such as red), before adding more specific color names, in the order of red; green and/or yellow; blue; brown; and orange, pink, purple and/or gray. Older arguments for this theory also stipulated that the acquisition and use of basic colour terms further along the evolutionary order indicated a more complex culture with more highly developed technology. - Source: Internet
• When coloured lights are mixed together, it is called additive mixing. Red, green and blue are the primary colours for additive mixing. If all of these colours of light are shone onto a screen at the same time, you will see white. - Source: Internet
• You can easily experiment with this. Hold some coloured cellophane in front of your eyes and have a look around. Notice how some colours are changed and others look similar. Figure out which colours are being absorbed. - Source: Internet
• With values for hue, saturation and brightness we can accurately define colors in a way that is close to how we describe colors verbally. Take for instance ‘vivid light blue’. The basic name of a color, ‘blue’, describes the hue. ‘Light’ means high brightness. Vivid means high saturation. - Source: Internet
• Again, this only makes sense because our long wavelength cones are also sensitive to short wavelengths. For creating colors for animals that have different cones sensitivities, this model would not work. In fact, most of our color images do not look anything like their reality. - Source: Internet
• The German telecommunications company Deutsche Telekom uses a magenta logo. It has sought to prevent use of any similar color by other businesses, even those in unrelated fields, such as the insurance company Lemonade.[11] - Source: Internet
• The familiar colors of the rainbow in the spectrum – named from the Latin word for appearance or apparition by Isaac Newton in 1671 – contains all those colors that can be produced by visible light of a single wavelength only, the pure spectral or monochromatic colors. The colour table at right shows approximate frequencies (in terahertz) and wavelengths (in nanometers) for various pure spectral colors. The wavelengths are measured in vacuum (see refraction). - Source: Internet
• The color magenta was the result of the industrial chemistry revolution of the mid-nineteenth century, which began with the invention by William Perkin of mauveine in 1856, which was the first synthetic aniline dye. The enormous commercial success of the dye and the new color it produced, mauve, inspired other chemists in Europe to develop new colors made from aniline dyes.[3] - Source: Internet
• Structural colors are colors which are caused by interference effects rather than pigment. Colors are produced when a material is scored with fine parallel lines, formed of one or more thin parallel layers, or otherwise composed of microstructures on the scale of the colour’s wavelength. If the microstructures are spaced randomly, light of shorter wavelengths will be scattered preferentially to produce Tyndall effect colors: the blue of the sky, aerogel of opals, and the blue of human irises. If the microstructures are aligned in arrays, for example the array of pits in a CD, they behave as a diffraction grating, the grating reflects different wavelengths in different directions due to interference phenomena, separating white light into colors. If the structure is one or more thin layers then it will reflect some wavelengths and transmit others, depending on the thickness of the layer(s). - Source: Internet
• Humans perceive a small part of the electromagnetic spectrum through our eyes as light, on a scale of frequencies which we call color. Light that has a short frequency is perceived as blue, and a longer frequency is perceived as red. Some humans have a deficiency in the ability to distinguish some colors, so it is important to remember that a discussion about color is about how most humans process light and is necessarily subjective. We will talk about accessibility in relation to color blindness later. - Source: Internet
• To describe a purely red color, we would use FF (the highest value) for the red, and then 00 (the lowest value) for both the green and the blue. A pure black would be #000000 , a nice medium gray is #AAAAAA , white would be #FFFFFF , and so on. You are likely to always have a color picker close at hand, so while it is useful to be able to adjust a color solely by adjusting the hexadecimal value, it is best to stick to those helpful tools for now. - Source: Internet
• Opaque objects that do not reflect specularly (which tend to have rough surfaces) have their colour determined by which wavelengths of light they scatter more and which they scatter less (with the light that is not scattered being absorbed). If objects scatter all wavelengths, they appear white. If they absorb all wavelengths, they appear black. - Source: Internet
• Because I think discussions about personal taste should not be a big part of design critique, I decided to learn more about color matching rules. After all, when I can explain why certain colors are a good choice, others can react to those reasons. While analyzing color palettes, I quickly found out that I needed a better understanding of what color actually is and how we people perceive it. In this post I will share what I learned so far. - Source: Internet
• The trichromatric theory discussed above is strictly true only if the whole scene seen by the eye is of one and the same colour, which of course is unrealistic. In reality, the brain compares the various colors in a scene, in order to eliminate the effects of the illumination. If a scene is illuminated with one light, and then with another, as long as the difference between the light sources stays within a reasonable range, the colors of the scene will nevertheless appear constant to us. This was studied by Edwin Land in the 1970s and led to his retinex theory of colour constancy. - Source: Internet
• The primary colours of light are red, green and blue. Mixing these colours in different proportions can make all the colours of the light we see. This is how TV and computer screens work. If you look at a screen with a magnifying glass you will be able to see that only these three colours are being used. For example, red and green lights are used to make our brain perceive the image as yellow. - Source: Internet
• Magenta is an extra-spectral color, meaning that it is not a hue associated with monochromatic visible light. Magenta is associated with perception of spectral power distributions concentrated mostly in two bands: longer wavelength reddish components and shorter wavelength blueish components.[5] - Source: Internet

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