Today’s topic is Best Street Photography Lens Sony A7. Obviously, you can find a great deal of Best Sony Lenses in 2022: Ultimate E-Mount Buyers Guide-related content online. The proliferation of online platforms has streamlined our access to information.

There is a connection between the Sony Alpha 7 Iii Street Photography and Sony Alpha 7 Iii Street Photography information. additional searching needs to be done for Street Photography and Sony, which will also be related to Sony E Mount Street Photography Lens. Best Street Photography Lens Sony A7 - A7 system for street photography

536 Tips to Best Street Photography Lens Sony A7 | Best Portrait Lens Sony

  • The Sony 100-400mm f/4.5-5.6 is also not the best lens for shooting in low light. Because of its narrow max aperture, focusing on small subjects in low light can be difficult and slow. - Source: Internet
  • In addition, this lens is ultra-sharp from edge to edge even when shooting wide open, and autofocus is super fast and reliable. If you’re a fan of bokeh, you’ll be very pleased. You’ll also be able to get some fantastic low-light shots thanks to the f/1.8 aperture. - Source: Internet
  • The ultimate telephoto lens for image quality, bokeh, and low-light performance. This lens is ultra-sharp and perfect for shooting indoor events like sports and stage performances. CHECK PRICE ON AMAZON - Source: Internet
  • The Sony FE 55mm f/1.8 ZA is one of the sharpest Sony lenses out there and delivers impeccable photo and video quality. Perfect for both videos and portraits, it’s also pretty multi-purposeful. - Source: Internet
  • Years ago, I never thought I’d pen an article about the best lenses for autofocusing while shooting street. That is aside from the fact that I never expected those lenses to be from Sony. But they dominate the field by and large when it comes to autofocus algorithms in their Sony a7 and A9 lineup of cameras. Combine this with fantastic lenses that are small, affordable, and boast great image quality. There is almost nothing bad that you can say about these lenses: we strongly recommend them. - Source: Internet
  • OUR TOP PICK Tamron 28-75mm F2.8 A top-value everyday lens that’s lightweight, beginner-friendly, versatile, and impressively sharp. It can shoot everything from portraits and landscapes to starry skies. CHECK PRICE ON AMAZON - Source: Internet
  • I also had a Sony 50mm f/1.8 “nifty fifty,” which I used 99% of the time prior to this trip, and an aftermarket Samyang 35mm f/2.8. I never attached them to my camera while in Bordeaux because 1) I wanted to put the new Sony 40mm f/2.5 G through its paces and 2) the Sony 28mm f/2 was the widest lens I had. - Source: Internet
  • An ultra-fast, budget-friendly, and portable lens that takes incredible videos and vlogs. It delivers super sharp results, stunning bokeh, and great low-light performance. CHECK PRICE ON AMAZON - Source: Internet
  • 🔮 The Sony FE 16-35mm F2.8 GM (the top overall Sony a7 IV wide-angle lens) is another amazing lens for astrophotography. It’s sharp edge-to-edge even wide-open and has minimal chromatic aberrations. - Source: Internet
  • Recommendation: None of us is personally using a superzoom lens and we find those hard to recommend, as they rarely allow you to make use of the potential of a full frame camera, being severly limited in terms of maximum aperture. Offering f/2.8 at the wide end is merely some argument for the marketing department. Not because the image quality is not sufficient here, but rather because the maximum aperture drops fast as you start to zoom. - Source: Internet
  • Now you’ve found the perfect lens for you, have a look at the complete beginners guide to street photography. Or if you need help finding the right camera for you, have a look at our guide to the best camera brands for JPEGs. For more lenses have a look at the latest lens reviews. - Source: Internet
  • This is a very small and light and decently sharp lens that is very attractive for someone who wants a lightweight 35 for hiking or similar purposes. While I expect the new Tamron 2.8/35 to be very likely an even better performer, it will be both much larger and 80% heavier. At its official price the Sony Zeiss was overpriced, but now it can often be found new at very attractive prices, and used at even lower ones. - Source: Internet
  • Lenses made for full-frame cameras, on the other hand, have an image circle that’s larger than the APS-C sensor. As a result, full-frame (FE) lenses work just fine on an E-mount APS-C camera, though images will be considerably “zoomed in.” The camera will only show you the part of the image that the lens covers. - Source: Internet
  • Recommendation: It is a good enough lens with a handy zoom range, but these days the Sony FE 4.0-5.6/28-60 OSS will do the same thing in a much smaller and lighter package. Don’t buy it at full retail, there are plenty available on the used market. - Source: Internet
  • If you want a lens that can “do it all”, then look no further than the Tamron 28-200mm f/2.8-5.6 Di III RXD. This powerful multipurpose lens is essentially a wide-angle, standard zoom, and telephoto lens all at once. It truly offers spectacular value. - Source: Internet
  • For a lens of its kind, it’s very lightweight and compact. In fact, it weighs a whopping 670 g (23.6 oz.) less than the Sony 70-200mm f/2.8! Despite its smaller size and weight, it definitely makes no compromises on image quality. - Source: Internet
  • Its main competitor, the Sony 35mm f/1.8 is almost $350 cheaper but also slower. The Sony 35mm f/1.4 GM is a somewhat better lens optically, but a full $600 more. - Source: Internet
  • The only real downside of this lens is its autofocus. It definitely hunts a bit if you’re too close to your subject or in super low light. It’s also not the quietest. Still, it functions great most of the time. - Source: Internet
  • This lens does show signs of coma from f/1.8 to f/2.5 and you might even see traces of coma at f/2.8 if you have very bright stars at the edges of the frame. However, coma is still not as prominent as on many other wide-angle lenses, and also you are unlikely to have very bright stars at the edge of the frame, so I still think it’s a very good choice for astro shooters. - Source: Internet
  • Moreover, this lens is very portable and travel-friendly. Its powerful zoom range saves you from having to lug around several different lenses to swap out. With just this one lens, you can go from wide-angle to telephoto reach in only a matter of seconds. - Source: Internet
  • This was Sigma’s first Art lens and they really hit a home run with this one: nice build quality, good optics, decently priced. For most that want a 35mm 1.4 with AF this is probably the most sensible and trouble free option. - Source: Internet
  • – Beginners are used to zooming in all the time. That’s why most of them need time to practice using a prime lens. Not to mention, they have to constantly dismount and change their lenses in the field if they want to capture a different perspective. Expensive – The 35mm and 50mm are relatively affordable. But most other prime lenses can cost a whole lot more than a standard zoom lens. - Source: Internet
  • What’s considered budget-friendly is quite subjective. Some of these lenses are cheaper than others. Regardless, they’re the most affordable high-quality lenses for their categories. - Source: Internet
  • Macro lenses have a 1:1 magnification ratio and typically, a minimum focusing distance of around 0.30 m (0.98 ft) or less. This will allow you to get extremely sharp and detailed close-ups of microscopic subjects. - Source: Internet
  • Planar – Designed in the late 1890s, planar lenses have a symmetrical design, with the aperture placed in the middle of the elements. This allows the lens to stay sharp from center to corner at wide apertures, all with little chromatic aberration. Almost every 50mm lens has some element of Planar design in it - Source: Internet
  • The only downside to this lens is that it’s in the pricier range. However, it’s still the least expensive, lightest, sharpest, and best 24mm f/1.4 ever made — it’s worth every penny of its price tag, especially if you’re serious about low-light wide-angle photography. - Source: Internet
  • Where this lens comes into its own, though, is at its widest aperture settings. Out of all our lenses on our list, this one goes the widest to f/1.2. Although MFT might not seem like the obvious choice for producing beautiful bokeh and background blur, this lens does just that. - Source: Internet
  • The Sigma 70mm f/2.8 DG Macro Art is a lightweight and affordable macro lens that delivers razor-sharp results. If you want to take detailed close-ups of flowers, food, and other medium-sized subjects, then this lens will offer fantastic value. - Source: Internet
  • If you’re looking for a medium-wide angle lens, then the Sony FE 35mm f/1.8 is the best choice out there. It delivers stunning image quality and is super lightweight and travel-friendly. - Source: Internet
  • This lens can also tackle low-light situations really well. While the bokeh it produces isn’t quite as smooth as what you’d get with the Sony 70-200mm f/2.8, it’s still beautiful. Unless you’re a professional, you likely won’t even spot the difference. - Source: Internet
  • Recommendation: A lens for those who put performance above weight, size or price. Otherwise look at the 7Artisans 1.4/28. - Source: Internet
  • After Tamron’s success with their 28-75mm F2.8 Di III RXD lens they now bring us a wider alternative in the Tamron 17-28mm F2.8 Di III RXD. Similar to the 28-75mm this lens offers great sharpness wide-open in a compact lightweight body and at a very reasonable price point. - Source: Internet
  • If the Sony FE 85mm f/1.8 is too slow for you and you have a bit more to spend, take a look at this beautiful 85mm f/1.4 Art lens by Sigma. - Source: Internet
  • Looking for the best wide angle lens for Sony a7? Look no further than the Sony FE 16-35mm f/2.8 GM. This high-performance lens is razor sharp at every setting, focuses very fast, and has a practical zoom range perfect for a variety of wide-angle situations. - Source: Internet
  • When considering the price of a lens also look at the long term cost of it. A cheap $350 lens which breaks after 1 year of use costs you $350 for a year of use. A more expensive $600 lens you bought used that can be sold after a year for $550 costs you $50 for a year of use. And it was probably more enjoyable to use in that year. There is also an effect called “early adopter tax”: the value of newly released lenses usually depreciates rather quickly in the first year. - Source: Internet
  • To take the best portraits, look for a prime lens with a focal length of 85mm or longer. Prime lenses have very wide apertures, allowing you to create stunning bokeh, a shallow depth of field, and better subject-background separation — all of which would enhance your portraits. Here are the best Sony a7III prime lenses for portraits. - Source: Internet
  • Sony cameras use either an A-mount or an E/FE-mount. A-mount lenses work with Sony DSLRs. Sony’s mirrorless cameras use the E-mount and/or FE-mount. - Source: Internet
  • With the move of many photographers to mirrorless cameras, lenses like this are coming up more and more on the second-hand market. If you shop around you can pick up one for just over £1000, which, while still not cheap, is far more affordable than the full retail price. You get plenty of good quality glass for your money. - Source: Internet
  • Good everyday standard lens Buy from Amazon Tamron 24-70mm f/2.8 Di VC USD G2 Zoom Lens for Nikon F-Mount Best for Image Stabilization Constant f/2.8 maximum aperture - Source: Internet
  • To shoot subjects far away from you, you’ll need a telephoto lens, which typically has a minimum focal length of 70mm. You can also get a super-telephoto lens, which typically has a focal length of 300mm or more. Here are the best Sony a7 IV telephoto lenses. - Source: Internet
  • Looking for the best portable Sony a7 wide angle zoom lens? The Tamron 17-28mm f/2.8 Di III RXD can’t be beat. This lens is the perfect travel-friendly gear, coming at almost half the weight of the previous two wide-angle zoom lenses. - Source: Internet
  • Its built-in optical image stabilization substantially reduces the visible camera shake while recording videos or taking photos. Sony’s 24-105mm f/4 also features an auto/manual focus switch, a focus hold button, and an optical steady shot button, and it comes with Sony’s Direct Drive SSM (DDSSM) Auto Focus that is quick, precise, and silent. Therefore, the autofocus works as expected for a professional lens, making it suitable for recording films and capturing photos. - Source: Internet
  • Both this Sony lens and the Sigma 24-70mm f/2.8 have better build quality than the Tamron 28-75mm f/2.8, which is another reason why they’re pricier. - Source: Internet
  • The Sony FE 50mm f/1.8 is a very affordable and compact lens that’s excellent for casual everyday shots. Weighing only 186 g (6.6 oz.), this lens is super portable and travel-friendly. - Source: Internet
  • Despite being called a macro lens, the Sony FE 90mm f/2.8 Macro G OSS lens is also an excellent portrait lens and one of the sharpest lenses that Sony has ever built. DxOMark reviewed this lens and said that its outstanding, scoring higher marks than both the Canon and Nikon equivalents. - Source: Internet
  • While this lens’s focal length range is not as dramatic as the Sony equivalent, the cost is not as dramatic either. The Sigma 14-24mm f/2.8 DG DN Art Lens impresses with the image quality it delivers, the build and aesthetic qualities are excellent, and AF is fast and quiet. Note that this does not accept front filters. - Source: Internet
  • The maximum size of the aperture of a lens – or f/number – determines how “fast” a lens is. Faster lenses let in more light, allowing you more wiggle room when working handheld in darker environments. They also allow you to photograph a narrower focus plane, putting your subject in focus while blurring everything in front and/or behind it. - Source: Internet
  • For a telephoto zoom of this caliber, this lens is also impressively compact and lightweight. Moreover, it can double as a macro lens thanks to its mighty focal reach and ability to focus very closely. Autofocus is accurate and fast under good lighting conditions. - Source: Internet
  • – Focal length can dramatically change your perspective. Do you use your zoom lens to zoom in on a subject while shooting street photography? If you do, you’re compressing the scene. And it can’t include other outside elements besides your main point of interest. Lack of interaction – One of the best street photography tips is learning how to interact with your subject. Unfortunately, that can be difficult if you’re only zooming in to take photos. - Source: Internet
  • Aperture – The aperture advantage of a prime lens is enormous. The quality of the glass is also much better. You’ll be able to photograph at f/1.2 with some lenses if you wish. - Source: Internet
  • This lens also delivers fantastic edge-to-edge sharpness throughout the aperture range, especially wide-open at f/1.4. Autofocus is fast, reliable, and near-silent. On top of all that, this lens is also lightweight and travel-friendly. - Source: Internet
  • The Nikon AF-S NIKKOR 28mm f/1.4E ED is a wonderful lens that produces incredible results and even has pinpoint accuracy at f/1.4. We admit this lens is not as discreet compared with others on our list, and is rather heavy (645g is not lightweight), however it’s still worth considering if you value image quality above size and weight. - Source: Internet
  • This lens is razor-sharp edge-to-edge. Its wide f/2.8 aperture also helps deliver super creamy and smooth bokeh as well as excellent low-light performance. - Source: Internet
  • This lens isn’t cheap, though. There’s also some vignetting when shooting wide-open, although that can be easily fixed on Lightroom. Its f/4 aperture also makes it less of a low-light performer than the previously mentioned f/2.8 zoom lenses. Bokeh also isn’t as smooth. - Source: Internet
  • This lens is razor-sharp edge-to-edge. Its wide f/2.8 aperture also allows you to get super creamy and smooth bokeh. Plus, it’s a great lens to work with in low-light conditions. - Source: Internet
  • However, one thing that most street photographers will agree on is that wide-angle lenses below 35mm are generally more difficult to use for street. If you are shooting people with a lens under 35mm then you will literally need to be in their face to get the photo. That said, some street shooters like to use a 24mm to allow them to include more of the surrounding environment in their photo. - Source: Internet
  • a7III + 90mm F2.8 G Macro @ 1/1600 | f/2.8 | ISO 250 | ** Full Resolution SOOC Download: JPEG | RAW - Source: Internet
  • The Sony FE 16-35mm f/2.8 GM with very little coma and distortion is a great lens for astrophotography. This certainly isn’t a lightweight lens though as it weighs in at a hefty 680g. Thankfully the build quality is excellent and it’s weather sealed against dust and moisture. - Source: Internet
  • This makes this an excellent lens for street photography. With an aperture of f/1.4, it’s going to perform very well in low light. - Source: Internet
  • Recommendation: If you don’t care too much about size and price this lens delivers and exceptional peformance and a rather distinctive look. Now the Sony FE 50mm 1.2 GM may offer the more appealing package for most though. - Source: Internet
  • Many photographers have switched to a mirrorless camera system now, but it’s useful to note that many DSLR lenses can be used on a mirrorless system with the right adapter. However, it doesn’t work the other way round – i.e. you can’t use a mirrorless lens on a DSLR. - Source: Internet
  • The Sony FE 200-600mm F5.6-6.3 G OSS lens has not been out for very long but it’s already proving itself to be an exceptional telephoto lens for wildlife photographers. - Source: Internet
  • When it comes to choosing the best lens for street photography, there are two main types. You have zoom lenses that can change the focal length. Then there are prime lenses that have a fixed focal length. - Source: Internet
  • The downside of this lens is that it does not deliver reliable low-light performance. It struggles to consistently lock focus under dim lighting. Plus, while it has a relatively accessible cost, it’s certainly not the cheapest option for a fairly slow lens. - Source: Internet
  • If you are on Facebook then I’d love for you to join one of the many Sony Alpha Shooters groups that I run. There are groups for Sony Alpha landscape, portrait, sports, wildlife, weddings, macro, street, and video shooters, as well as a generic group for everything else Alpha. You can find all of the links here. The groups are a great place to post your shots with your brand new lens! - Source: Internet
  • This lens shows impeccable image quality. It delivers edge-to-edge sharpness throughout the aperture range, especially wide-open at f/1.4. It also autofocuses quickly, accurately, and pretty much silently. - Source: Internet
  • This lens is spectacularly sharp edge-to-edge throughout the whole zoom range, even when shooting wide open. The only lens that can rival its image quality is the previously mentioned Sony 24-70mm f/2.8, which is heavier, more expensive, and offers less focal reach. - Source: Internet
  • When it comes to performance, versatility, and image quality, the Sony FE 100-400mm f/4.5-5.6 GM OSS is hands-down the best super-telephoto zoom lens. It also has a maximum magnification ratio of 0.35x, allowing it to double as a powerful macro lens. - Source: Internet
  • Good build quality by modern standards but only average for a legacy lens. See Nikkor 2.8/35 if this is very important to you. - Source: Internet
  • Until recently I was just another student without any budget for expensive lenses, therefore I only have used one 35 mm lens so far. For now it still does the job. Stopped down sharpness is very good and distortion is low. - Source: Internet
  • For traditionalists who like the old-school method of adjusting the aperture on the lens, the Fujifilm XF 27mm f/2.8 R WR has a nicely implemented aperture ring. Another handy feature is its weather-resistant construction, which gives you peace of mind when out on the streets, whatever the weather. - Source: Internet
  • In fact, this lens is ultra-sharp edge-to-edge even when shooting wide open at f/2.8. Bokeh is absolutely beautiful too, and you’ll be able to create super creamy backgrounds. - Source: Internet
  • For example, attaching a 50mm full-frame lens to an APS-C camera will make the lens act more like a 75mm or 80mm lens. (The focal length of the lens itself doesn’t change.) This can be super useful if you want more of a super telephoto effect but don’t want to pay for something that expensive. - Source: Internet
  • The image quality of this lens is incredibly close to the Sony FE 24-70 F2.8 G Master lens, which is mind blowing considering the G Master costs double the price! This is Tamron’s first native lens for Sony E-mount and I most definitely hope that it’s the first of many. I don’t own this lens but would certainly like to. - Source: Internet
  • The lens weighs 6.6 ounces and is compatible with full-frame E-mount cameras or E-mount APS-C cameras. For APS-C format E-mount bodies, the lens provides a focal length of 75mm. - Source: Internet
  • This Sony lens and the Sigma 24-70mm f/2.8 are both pricier than the Tamron 28-75mm f/2.8, but they also boast a more robust build. - Source: Internet
  • Wonderful bokeh from $599.00 Buy from Amazon Sigma 35mm f/1.4 Art DG HSM Prime Lens for Nikon F-Mount Best Independent Wide-Angle Good value lens - Source: Internet
  • The Tamron 70-180mm f/2.8 Di III VXD is the best lower-priced alternative to the previously mentioned Sony 70-200mm f/2.8 and the top value f/2.8 telephoto zoom lens in the market. - Source: Internet
  • For a comparison with the Sony 24-70 F2.8 GM lens and the Tamron 28-75 F2.8 see this video from Gerald Undone. - Source: Internet
  • Without doubt, the Sigma 14mm f/1.8 Art is one of the best ultra-wide angle lenses ever made to this date. This lens has been available in both Canon, Nikon and Sigma mounts for some time, but now Sigma has adapted this lens for Sony E-mount. So you are basically getting an SLR designed lens with an adapter bolted on, this means that it does retain its considerable size and weight. - Source: Internet
  • Recommendation: The aforementioned Sony lens offers least as good performance in a significantly smaller package for the same price. The Laowa 2/15 does not perform much worse for astro at less than half the weight and price. Only recommended if you can find a decently priced used one. - Source: Internet
  • – If you genuinely want an all-in-one lens, then this is the option we recommend. It can take both wide-angle shots and telephoto images. The downside is that they’re bulky and the image quality it produces is often inconsistent. 70-200mm – This is a legitimate telephoto zoom lens that lets you take close-up shots. It’s also one of the cheapest you can buy that’s not a kit lens. - Source: Internet
  • One of the sharpest lenses Sony has ever made. With this prime lens, you’ll never have to sharpen photos in post-processing again. Bokeh is also super smooth and creamy. CHECK PRICE ON AMAZON - Source: Internet
  • The Voigtlander 110mm F2.5 Macro APO Lanthar is an incredibly sharp macro lens that offers the Sony FE 90mm F2.8 G Macro lens a good run for its money. With a comfortable working distance of 17cm and superb build quality, this lens is most definitely on my wish list. - Source: Internet
  • When your lens can go as wide as f/1.4, you know you’re going to have great flexibility in all types of shooting conditions! The Sony FE 24mm f/1.4 GM is by no means a budget lens; however, for £1,300 you get a lovely lump of glass that delivers spectacular results. - Source: Internet
  • To take the best portraits, look for a prime lens with a focal length of 85mm or longer. Prime lenses have very wide apertures, allowing you to create stunning bokeh, a shallow depth of field, and better subject-background separation — all of which would enhance your portraits. Here are the best Sony a7 prime lenses for portraits. - Source: Internet
  • The Sigma 70mm f/2.8 DG Macro Art is a lightweight and affordable macro lens that delivers impeccable, razor-sharp images. This lens offers exceptional value if you’re planning to capture detailed close-ups of flowers, food, and other medium-sized subjects. - Source: Internet
  • An “E” without the “F” means the lens was designed specifically for a Sony APS-C camera (i.e. the a6xxx line). It will have a smaller image circle than that of a lens designed for a full-frame sensor. - Source: Internet
  • It is very hard to find fault with this lens but if I’m being very picky then AF performance could be faster and the manual focus ring adjustments could be finer for more precision. That said, for macro work I’ll normally adjust the focus by moving the camera back and forth and whilst making use of focus peaking to let me know when the focus is where I’d like it to be. This lens also has optical stabilization built in, making it even easier to get tack sharp images with slower shutter speeds. - Source: Internet
  • It may take a while to master focusing on this lens, but once you do, you’ll absolutely fall in love with what it can do. (The key is to understand that it was built for Macro photography, not so much as a multi-purpose lens.) - Source: Internet
  • Autofocus is also very fast and reliable. Additionally, this lens performs fantastically in low-light conditions and creates beautiful bokeh. Sharpness is flawless from edge to edge at every aperture, and there are also no distortions, ghosts, or flares. - Source: Internet
  • To take the best portraits, look for a prime lens with a focal length of 85mm or longer. Prime lenses have very wide apertures, allowing you to create stunning bokeh, a shallow depth of field, and better subject-background separation — all of which would enhance your portraits. Here are the best Sony a7 IV prime lenses for portraits. - Source: Internet
  • Anti-Reflective; the lens contains Sony’s nano-coating technology. All G and GM lenses have this. DDSM – Direct Drive SuperSonic Motor; Designed for moving large, heavy focus groups in some Sony lenses. - Source: Internet
  • Though it lacks the wide f/2.8 aperture, the Sony FE 24-105mm f/4 G OSS Lens adds significantly to the long end of the general-purpose focal length, and it also adds Optical SteadyShot. Lighter weight, smaller size, and lower price are additional advantages this lens has over the Sony FE f/2.8 counterpart, and somewhat surprisingly, the f/4 lens is slightly sharper in most comparisons. The optical performance, combined with the rest of this lens’s features, including good weather-sealed build quality and a great close-focusing capability, make it a very popular landscape photography zoom lens choice. - Source: Internet
  • The ultimate wide-angle lens for the best image quality. It has a flexible focal range, is razor-sharp, performs well in low-light situations, and creates stunning bokeh. CHECK PRICE ON AMAZON - Source: Internet
  • With a maximum aperture of f/1.4, this is one of the fastest lenses on this list. Apart from the beautiful bokeh it produces, it also performs well in low light. So it’s a no-brainer to use this for taking nighttime street photos! - Source: Internet
  • The Sony FE 135mm f/1.8 GM is the ultimate portrait lens to get if you want the most top-notch optics and image quality possible. In fact, expert Roger Cicala from LensRentals said that out of 300+ lenses, this is the sharpest lens he’s ever tested. - Source: Internet
  • – Gold Series lens. Sony’s second-highest lens tier. GM – Gold Master, more commonly “G-Master” lens. Sony’s highest-tier lens. - Source: Internet
  • At f/2.8, it’s not particularly fast, but what it loses in speed it makes up for in its particularly small size. (A faster lens would obviously be larger and heavier.) - Source: Internet
  • Lenses can also be categorized as prime or zoom lenses. A zoom lens offers variable focal lengths, while a prime lens has a fixed focal length. Prime lenses offer better overall optical quality and can be easily changed with a twist. They are also less pricey than their zoom counterparts. - Source: Internet
  • Here’s what to look for when choosing the best video lens for Sony a7III. First, look for a lens with a fixed aperture. This will allow the exposure level of your video to stay constant even as you zoom in or out — making these transitions smooth and natural. - Source: Internet
  • Note that because of its low price, this lens has rather slow and noisy autofocus. If you want to catch every fleeting moment and shoot fast, you’re better off with the Sony FE 28mm f/2.0, a budget lens that focuses faster and that’s great for everyday shots, too. - Source: Internet
  • The wide f/2.8 max aperture advantages this lens for stopping action in low light, making it an ideal choice for photographing action sports and low light events. The f/2.8 aperture is also useful for creating a strong background blur, allowing the subject to be isolated from a distracting background. - Source: Internet
  • Bear in mind, though, that not all lenses are compatible with the best teleconverters. By using them, you’ll also be reducing the maximum aperture of your lens, and sometimes, the general image quality of your shots. Here are the best two teleconverters for the Sony a7 IV. - Source: Internet
  • The Sony FE 100-400mm f/4.5-5.6 GM OSS is the absolute best super-telephoto zoom lens you can get in terms of image quality, performance, and versatility. As a matter of fact, it also doubles as a macro lens thanks to its maximum magnification ratio of 0.35x. - Source: Internet
  • For vlogging, look for a wide-angle lens (max 35mm focal length) with a minimum focus distance of around 0.30 m (1 ft) or less so that you can easily stay in focus while talking to the camera. Here are the best Sony a7III lenses for videos. - Source: Internet
  • Sigma chose to eschew some of the “normal” conventions (i.e. external focusing, no IBIS, etc.) with this lens to focus purely on the optics…and it shows. - Source: Internet
  • The Sigma 24-70mm f/2.8 DG DN Art is a great alternative to the above-mentioned Tamron 28-75mm f/2.8 if you don’t mind a heavier lens in exchange for even better image quality. - Source: Internet
  • Recommendation: Nicer bokeh than the FE 1.8/85 and sharper than the GM 1.4/85 in the center this is a really attractive portrait lens. - Source: Internet
  • If the 35mm lens replicates what the eyes see, then the 50mm lens replicates it is even better. The 50mm lens is another affordable standard option for beginners. It gives you a good starting point where you can start experimenting with your composition skills. At the same time, a 50mm lens can produce quality shots of any street scale view. - Source: Internet
  • In addition, it’s a great low-light lens for capturing low-lit interior architecture and starry night skies. This Sony lens also produces truly stunning bokeh, allowing you to create gorgeous creamy backgrounds. Autofocus is fast, accurate, and nearly silent. - Source: Internet
  • The Sony FE 28mm f/2.0 is a very lightweight and travel-friendly budget wide-angle lens that’s especially good for landscape and architecture shots. Even though it’s affordable, it has a sturdy build quality and offers incredible value for money. - Source: Internet
  • The build quality is as good as it gets for a Sony lens and it is weather sealed against dust and moisture. It is really only the autofocus performance that lets this lens down a little, as it’s most definitely not the fastest. However, eye auto focus works well and unless your subject is moving very fast you shouldn’t have any issues with nailing razor sharp images. - Source: Internet
  • On the downside, this lens has a much shorter focal range than the Sony 16-35mm f/2.8 GM, so it can be limiting. All in all, it’s a top-value choice for those looking to shoot ultra-wide. - Source: Internet
  • For the price, the image quality of this lens is amazing. Photos come out startlingly sharp, nicely contrasty, and with great color. The bokeh is nice and creamy, and there’s nothing distracting in the out-of-focus areas. - Source: Internet
  • Bear in mind, though, that not all lenses are compatible with the best teleconverters. By using them, you’ll also be reducing the maximum aperture of your lens, and sometimes, the general image quality of your shots. Here are the best two teleconverters for the Sony a7III. - Source: Internet
  • The Tamron 17-28mm f/2.8 Di III RXD is the best wide-angle lens for you if you prioritize affordability and portability. It’s also an amazing lens for vlogging. - Source: Internet
  • Very compact and light from $125.00 Buy from Amazon Nikon AF-S FX 50mm f/1.8 Prime Lens Best Nikon 50mm Prime Lens Inexpensive prime lens - Source: Internet
  • Good video lenses should have a fixed aperture for smooth transitions and a wide max aperture (f/2.8 or wider) for beautiful bokeh and low-light performance. If you’re planning to vlog, go for a wide-angle lens with a minimum focus distance of around 0.30 m (1 ft) or less. - Source: Internet
  • The Sony FE 14mm F1.8 GM truly has everything you’d dream of in an astrophotography lens and more. First off, it’s very lightweight and travel-friendly. In fact, it’s the smallest, lightest, and sharpest 14mm in the world. - Source: Internet
  • If you’re looking to travel with your Sony a7 camera, you’ll want a small and lightweight lens that’s easy to carry. A versatile zoom range will also come in handy if you want to shoot a variety of things. If you want to capture starry nights or architecture, consider a low-light lens too. - Source: Internet
  • Price-wise, this lens offers incredible value for money as it’s even cheaper than the shorter Sony 100-400mm f/4.5-5.6 GM (mentioned above). - Source: Internet
  • So how fast does your lens need to be? If you chose a f/1.8 lens over a f/1.4 lens this will seldom make the difference between a good and a bad picture but it often is one important factor for the look of your images. Also keep in mind that the quality of the blur (bokeh) can be more important than the amount of blur. - Source: Internet
  • 🔮 As you may remember from earlier, the Sony FE 100-400mm F4.5-5.6 GM is an amazing telephoto lens that also doubles as a macro lens. It’s another great option to consider if you’re planning to shoot wildlife or sports too! - Source: Internet
  • A spectacularly sharp, fast, and portable prime lens that delivers stunning bokeh and premium image quality. A must-have for anyone serious about portraits. CHECK PRICE ON AMAZON - Source: Internet
  • BEST ZOOM LENS Tamron 28-200mm F2.8-5.6 This powerful superzoom is a wide-angle, standard zoom, and telephoto lens all at once. It’s the most travel-friendly and affordable all-in-one lens for Sony a7 cameras. CHECK PRICE ON AMAZON - Source: Internet
  • This lens is ultrasharp edge-to-edge even when shooting wide open (at f/1.8). You’ll get details so rich that you don’t even have to sharpen your photos at all in post-processing! - Source: Internet
  • The Sony FE 24-70mm F2.8 GM is one of the very few zoom lenses that can keep up optically with many of the best prime lenses. It’s extremely well built, weather sealed from dust and moisture, and the autofocus is fast and accurate. - Source: Internet
  • – Most zooms (especially your kit lens) are cheaper than prime lenses. If you don’t have the budget to buy several street photography lenses, then this is the best choice for you. Ease of use – The concept of a zoom lens is easy to understand. It lets you capture wide shots to close-ups with a twist of the lens barrel. - Source: Internet
  • Images come out highly detailed, with great color and contrast. In fact, few zooms at this price point can match the fine detail rendering (i.e., acuity) of this lens. - Source: Internet
  • The Sony FE 90mm f/2.8 Macro G OSS is the absolute best Sony a7 IV macro lens for shooting microscopic subjects such as insects, bugs, and water droplets. Moreover, this lens also doubles as a fantastically sharp portrait lens. - Source: Internet
  • This lens is extremely sharp across the frame even when wide open at its maximum aperture of f/1.4. Distortion is well controlled as is the coma making this a great lens for astro photography. - Source: Internet
  • This lens shows impressive central sharpness, even when shooting wide-open. It also performs really well in low light thanks to its wide aperture, allowing you to capture stunning starry night shots. Bokeh is also beautiful and smooth. - Source: Internet
  • The Sony FE 55mm f/1.8 ZA is a ridiculously sharp lens that will take your videos and photos to the next level. In fact, it’s one of the sharpest Sony lenses out there and delivers impeccable image/video quality. - Source: Internet
  • Recommendation: After the release of the Sigma Art 35mm 1.2 DG DN and the Sony FE 35mm 1.4 GM used prices took a severe hit and they now reflect this lens’ actual value. And don’t buy one of these new at full retail, get one of the better 35mm lenses available now. - Source: Internet
  • The 1.4x will extend the reach of the 70-200mm GM lens to 280mm and the 100-400mm GM and 400mm GM lenses to 560mm on a full frame camera like the a7iii, but it will do so by sacrificing one stop of light. Fortunately this does not slow the autofocus speeds of these lenses, however you will notice increased vignetting in the corners wide-open and also a little more software in the images. - Source: Internet
  • – One of the best street photography tips is learning how to interact with your subject. Unfortunately, that can be difficult if you’re only zooming in to take photos. Loss of quality – Using a zoom lens allows you to change the focal length on a whim. However, they often come with compromises such as variable aperture or poor image quality and sharpness. Distortion, chromatic aberration, and vignetting can also easily be an issue with the zoom alternatives—especially compared to prime lenses. - Source: Internet
  • Overall, this lens is truly a must-have if you’re serious about portraits. You’ll essentially get the same value as the premium Sony 85mm f/1.4 GM while paying much less and dragging around 450 g (15.8 oz.) less weight. - Source: Internet
    1. Panasonic Lumix LX100 II An excellent compact camera with a multi-aspect four-thirds sensor that allows users to switch between different aspect ratios, and thus experiment with different compositions. The Lumix LX100 II from Panasonic boasts a considerably larger sensor than most rival compact cameras and, combined with the 24-75mm (a perfect focal range for street photography of all styles) Leica lens, which has a maximum aperture of f/1.7, makes capturing sharp imagery with shallow depth of field, a piece of cake. – Learn more via the Panasonic website. - Source: Internet
  • Sony’s 35mm f/1.8 Prime Fixed Lens comes with built-in image stabilization and high focus capabilities. With the Sony 35mm lens, you can capture photos that have an old-school street aesthetic. Shots are crisp and clear, even in dimly lit areas. - Source: Internet
  • Sonnar – Sonnar Zeiss lenses use the Zeiss classic “Sonnar” design invented by Dr. Ludwig Bertele in the late 1920s. They feature a fast aperture, lightweight design, and fantastic contrast – all with a minimum of flare. - Source: Internet
  • The Sony FE 1.4x Teleconverter extends the reach of some of the best Sony a7 IV telephoto lenses to the following lengths. Keep in mind, though, that it’ll do so by sacrificing one full aperture stop. - Source: Internet
  • This lens is very user-friendly. To switch between autofocus and manual focus, all you need to do is push the focus ring out or pull it back in. There’s no need to flip an AF/MF switch like you’d have to do on most lenses. It’s very intuitive. - Source: Internet
  • On the downside, do not expect reliable low-light performance from this lens. Under dim lighting, it’s unable to consistently lock focus. For a relatively slow lens, it’s also not exactly cheap, despite its somewhat approachable price. - Source: Internet
  • Recommendation: The 35mm 2.8 is probably the best ouf of Tamron’s wide f/2.8 primes, but there are so many (faster) 35mm options available these days, it becomes somewhat hard to recommend unlike you really don’t need a lens faster than f/2.8 or you really want the 1:2 magnification. - Source: Internet
  • The sharpness of this lens is superb, especially when stopped down to f/5.6. It also works superbly with Sony’s autofocus system. - Source: Internet
  • The Sony FE 90mm f/2.8 Macro G OSS is one of the sharpest Sony lenses ever made and will allow you to get impeccably fine details in your portraits. On top of that, it’s also a specialized macro lens, meaning you can also use it to shoot bugs, flowers, and other small subjects. - Source: Internet
  • The Sony FE 70-200mm F2.8 GM OSS is the absolute best telephoto zoom lens for any Sony full-frame mirrorless. If you’re after the most top-notch image quality and performance, look no further than this lens. - Source: Internet
  • The Sony FE 28mm f/2.0 is a spectacular vlogging lens thanks to its wide 28mm focal length, close minimum focusing distance, and bright f/2.0 aperture. - Source: Internet
  • Editor’s Choice Sony FE 50mm f/1.8 The best Sony lens for everyday photography on a budget. Great image quality and classic focal length (Also great as an 85mm lens on APS-C). CHECK AMAZON PRICE CHECK B&H PHOTO PRICE - Source: Internet
  • The Sony FE 2.0x Teleconverter extends the reach of some of the best Sony a7III telephoto lenses to the following lengths. Keep in mind, though, that it’ll do so by sacrificing two full aperture stops. - Source: Internet
  • If you’re looking to travel with your Sony a7III, you’ll want a small and lightweight lens that’s easy to carry. A good, versatile zoom range might also come in handy if you want to shoot a variety of things. Here are the best Sony a7III lenses to bring on your trips. - Source: Internet
  • When looking for the right lens to buy – especially from third parties – you’ll need to make doubly sure that you’re buying an E-mount lens for your Sony mirrorless camera. (Many third-party developers like Tamron and Sigma make the same lens for a variety of different cameras.) - Source: Internet
  • The Sony Zeiss 55mm f/1.8 Sonnar T* lens is a huge favorite among many, many Sony shooters. Its excellent optics, strong autofocus performance, and compact size make it more than worth its price (which admittedly is a bit steep for an f/1.8). - Source: Internet
  • This lens is razor-sharp edge-to-edge, even when shooting wide-open at 400mm. It can track moving subjects with ease, making it a valuable asset for sports and wildlife shots. What’s more, autofocus is very accurate, silent, and fast. - Source: Internet
  • – The most apparent issue with prime lenses is that they don’t let you zoom in. If you need to take close-ups, you need to get close to your subject. Not as user-friendly – Beginners are used to zooming in all the time. That’s why most of them need time to practice using a prime lens. Not to mention, they have to constantly dismount and change their lenses in the field if they want to capture a different perspective. - Source: Internet
  • Sony Zeiss 24mm F/1.8: I’ve used this lens. Bit overpriced and unfortunately lacking stabilization but wonderfully sharp and contrasty. - Source: Internet
  • The focus on the a7R seems to be very fast. It locks it very quickly without any hunting. The A7 would be even faster because of hit’s hybrid Phase-Detect AF + Contrast AF system. - Source: Internet
  • If you’re planning to shoot in dim lighting conditions, this lens won’t disappoint. You’ll get high-quality, noise-free shots even in low light. Autofocus is impressively fast and very silent, too. There are also minimal flares and great ghost control. - Source: Internet
  • Looking for a lens that can “do it all”? The Tamron 28-200mm f/2.8-5.6 Di III RXD is a powerful multipurpose lens that’s basically a standard zoom, wide-angle, and telephoto lens all in one. It’s also very lightweight and compact. - Source: Internet
  • If you’re looking for the best value portrait lens, the Sony FE 85mm f/1.8 takes the cake. This lens is ultra-sharp, produces beautiful bokeh for blurry backgrounds, and has the perfect focal length for portraits. On top of that, it’s also very small and lightweight. - Source: Internet
  • Unfortunately like many ultra-wide lenses, the Sony 12-24 has a bulbous glass front element, meaning that it protrudes from the front of the lens. This makes it difficult to attach filters and there is no filter thread. However, thankfully there are now several companies making filter holders for this lens. - Source: Internet
  • Years ago, I lugged around a Nikon D90 in a canvas manpurse strapped across my chest like Chewbacca. While the Sony a7 III isn’t small enough to fit in a pocket, even with a small and light lens like the Samyang 35mm f/2.5, its dimensions:features:image quality ratio seems to be just right. And it is light enough to keep tethered to my wrist all day while walking the streets or attached to my belt using the Peak Camera Clip. - Source: Internet
  • For DSLR users, or mirrorless shooters with the correct adapter, the Tamron SP 35mm F/1.8 Di VC USD is an excellent and flexible choice for the street genre and produces pin-sharp results. This lens can be used with full-frame cameras as well as APS-C, providing a 56mm view on the latter. - Source: Internet
  • A full frame camera gives you 1:1 in terms of focal length, so 35mm is 35mm. A lens with a crop factor will mean adjusting the focal length. So if your crop factor is 1.6, your 35mm lens is behaving like a 60mm lens. - Source: Internet
  • This lens demonstrates excellent central sharpness, which is very impressive even wide-open. Autofocus is ultrafast, accurate, and essentially silent. Focusing manually is also very easy; you can do so with just a fingertip. - Source: Internet
  • The lens has a variable aperture of F4.5-5.6, an extremely fast and silent autofocus motor, and the build quality would make some Ferrari’s blush. The lens is also weather sealed against dust and moisture so you won’t need to pull out your plastic bag when the rain comes down. - Source: Internet
  • The Tamron 28-75mm f/2.8 Di III VXD G2 is a top-notch and well-rounded lens that’s perfect for beginners. This multi-purpose lens is an excellent choice for general everyday shots. - Source: Internet
  • Note that this Sigma lens is prone to some vignetting, and its focal range is shorter than the Sony 16-35mm f/2.8 GM. At the end of the day, if you’re looking to shoot ultra-wide, this is a top-value option. - Source: Internet
  • There are various types of zoom lenses. The common ones are the 18-55mmMany entry-level DSLRs come with a kit lens, like this Canon EF-S 18-55mm. Another popular zoom is the 70-200mm or 70-300mm, and you’ll find this at both the consumer level and pro. - Source: Internet
  • Review at admiringlight | MTF chart at lensrentals | B&H | Amazon.com | Amazon.de | ebay.com | ebay.de (affiliate links) - Source: Internet
  • The bright f/1.8 aperture of this lens is what makes it truly spectacular for videos and photos. It’ll allow you to get super smooth bokeh (even better than the Tamron 28-75mm f/2.8 mentioned above) as well as beautiful, crisp, and noise-free low-light videos/photos. - Source: Internet
  • By creating the Sony FE 24mm F1.4 GM lens Sony has proven that you can build an excellent lens into a very small package. The lens is extremely well built, weather sealed against dust and moisture and weighs in at only 445 g. - Source: Internet
  • If you’re looking for more of a bargain and are comfortable with a manual-focus-only APS-C lens, you could always opt for either the 7Artisan 60mm f/2.8 Macro MK II (under $200) or the TTArtisan 40mm f/2.8 Macro (under $100). - Source: Internet
  • Feel free to start with the 50mm lens because it’s cheap. You can get one for less than two hundred dollars! After all, one of the tips on street photography involves using a 35mm or 50mm for optimal results. Once you try it, you’ll see the difference in quality right away! - Source: Internet
  • While the Tamron 28-75mm f/2.8 is a solid entry-level zoom lens, the Sigma 24-70mm f/2.8 DG DN Art is a great alternative if you’re looking for a pro/expert-level zoom lens. - Source: Internet
  • For a lens of its kind, it’s very lightweight and travel-friendly. In fact, it weighs a whopping 670 g (23.6 oz.) less than the Sony 70-200mm f/2.8! Despite its smaller size and weight, it makes no compromises on image quality. - Source: Internet
  • With this lens’s wide aperture and focal length, you can also take very decent casual portraits. With that said, if you’re serious about portrait photography, the Sony FE 85mm f/1.8 is an even better budget portrait lens for the Sony a7. - Source: Internet
  • When Tamron launched their 28-75mm F2.8 Di III RXD for Sony E-mount they really hit a home run. This lens has been sold out everywhere since launch and it’s really not surprising since it offers excellent sharpness and autofocus performance in a compact and lightweight body. - Source: Internet
  • It’s a versatile lens, most suitable for travel photography and videos. The 24-105mm range is perfect for capturing landscapes and close-up portraits. You can also use it for wildlife photography, to some extent. However, it is more suitable for event photography, street photography, and portrait photography. This lens is available to buy online for just over a thousand dollars. - Source: Internet
  • If you are looking for the best native 100-400mm zoom lens for shooting wildlife (my Borneo adventure), sports and action, then look no further than the Sony FE 100-400mm f/4.5-5.6 GM OSS lens. I’ve owned this lens since it was released and it has rarely been off my camera since. - Source: Internet
  • There’s also great ghost control and minimal flares. The wide aperture of this lens will also help you get high-quality, noise-free shots in low light. In addition, the build quality is very sturdy and weather-sealed. - Source: Internet
  • The Sony 1.4x teleconverter (SEL14TC) is currently only compatible with the Sony FE 70-200mm F2.8 GM, Sony 100-400mm GM, Sony FE 200-600 G, Sony FE 400mm F2.8 GM and Sony FE 600 F4 GM lenses. It will not physically fit any other Sony E-mount lenses. - Source: Internet
  • Autofocus on this lens is fast, reliable, and completely silent. Moreover, you’ll barely see any distortions, ghosts, or flare. While you’ll see strong vignettes at wider f-stops, they can be easily removed in post-processing via Lightroom. - Source: Internet
  • Note that this lens offers 20mm less focal reach than the Sony 70-200mm f/2.8. This might be an issue if you’re planning to shoot far away subjects, such as wildlife. - Source: Internet
  • The Tamron 70-180mm f/2.8 Di III VXD is the best lower-priced alternative to the above-mentioned Sony 70-200mm f/2.8, and the top value f/2.8 telephoto zoom lens in the market. - Source: Internet
  • There are, of course, plenty of other 50mm lenses available for the Sony FE-mount, but the F/1.2 GM stands out not only for its relatively compact size and exceptional optical performance but also for being Sony’s only f/1.2 lens. - Source: Internet
  • While I find that the high resolution of the Sony A7riii often isn’t necessary, it becomes very helpful in street photography. To keep the size of the kit down (for discretion and portability), as well as for simplicity, I’ll shoot with a prime lens. But I can’t always zoom in and out with my feet as I only have an instant to capture an interesting scene. 42 megapixels of the Sony A7riii means I can crop significantly and still get a very sharp image. - Source: Internet
  • While this lens is not as sharp as the much more expensive Sony 100-400mm f/4.5-5.6, it still shows impressive image quality. It delivers excellent central sharpness throughout the zoom range, although at 300mm, corner sharpness is quite poor. - Source: Internet
  • Recommendation: A solid small lens that looks quite expensive next to the Samyang 45mm 1.8 AF or the Sony FE 50mm 1.8. - Source: Internet
  • This lens’s wide aperture is a big asset. Bokeh is incredibly smooth (even topping the Tamron 28-75mm f/2.8 mentioned above), and even under dim lighting, this lens produces crisp, gorgeous, and noise-free photos and videos. - Source: Internet
  • – Light Edition. Only ever used once in 2012 to designate a particularly lightweight lens design. OSS – Optical SteadyShot is Sony’s name for in-lens image stabilization. - Source: Internet
  • This lens offers spectacular value for money. It’s ultra-sharp from corner to corner at every aperture. In fact, according to Sony’s MTF chart, it’s possibly even sharper than the more expensive premium Sony FE 85mm f/1.4 GM. - Source: Internet
  • 18-55mm – This is the most common focal length range for kit lenses. It offers a good variation from wide to zoom. But in general, they also have the most inferior quality when it comes to optics. Nonetheless, they’re the right choice if you’re on a budget. - Source: Internet
  • The Sony FE 200-600mm f/5.6-6.3 G OSS is the best value Sony a7 lens you can get if you want to shoot subjects very far away from you, such as wildlife. Despite the mighty telephoto reach of this lens, there’s barely any compromise on image quality. - Source: Internet
  • On the downside, this lens is quite costly for a lens of its type. There are also some visible chromatic aberrations at wider apertures, especially if there’s a high contrast between the subject and the background. However, this is easy to remove with Adobe Photoshop. - Source: Internet
  • The Sony FE 90mm f/2.8 Macro G OSS is the absolute best Sony a7 macro lens for shooting very tiny subjects such as insects, bugs, and water droplets. Moreover, this lens doubles as a fantastically sharp portrait lens, too. - Source: Internet
  • Finally, you need to make sure the lens you are buying has the correct mount for your camera. There are now many different types of cameras out there – DSLRs, mirrorless, full frame, crop sensor, all of them have different requirements. Many full-frame lenses can also be used on the crop sensor cameras but check before you buy. Also remember the third party lens companies produce lenses for cameras across the industry so make sure you double, then triple check that it fits your camera before you buy! - Source: Internet
  • This lightweight and travel-friendly lens combines wide-angle and telephoto reach, taking away the need to switch between multiple lenses. It’s also incredibly sharp and weather-resistant. CHECK PRICE ON AMAZON - Source: Internet
  • Telephoto lenses are typically used to shoot wildlife, sports, and other far-away subjects. They also allow you to zoom in on landscapes to capture creative perspectives. Telephoto lenses typically have a minimum focal length of 70mm and can go up to 600mm or more. - Source: Internet
  • Sony’s full-framers have been available on the market for quite a long time, so finding a lens for this camera is not a problem, as the selection of various models is extensive. When choosing the right accessory, it is pivotal to define the type of a photoshoot you are going to conduct. To find out what working distances and apertures you use oftener and what parameters you want your lens to have, I recommend testing one of the lenses presented in this list, if possible. - Source: Internet
  • – You can consider this the kit lens for professional photographers. They’re much more expensive than the 18-55mm option, but they also provide better quality. 12-24mm – Need a speciality zoom lens that takes ultra-wide-angle shots? Then this a great option to consider. It lets you take photos in small spaces without any issues. - Source: Internet
  • If you are looking for a dedicated macro lens, or a lens that can combine both macro and portrait photography roles, then look no further than the 90mm F2.8 Macro G OSS lens. I own this lens myself and love using it for macro work and the odd portrait. - Source: Internet
  • For mirrorless Nikon shooters, the Nikon NIKKOR Z 35mm f/1.8 S is an excellent choice. Despite having a semi-wide 35mm view, this lens provides excellent sharpness across the whole frame. The AF motor is also worth a mention, as not only is it smooth and fast to focus, it’s also practically silent. This means you can shoot discreetly, which for street photography is an absolute bonus! - Source: Internet
  • With a retail price of around £300, it is hard to really fault this lens. Sharp images at f/1.4 and edge-to-edge sharpness when stopped down make this lens very appealing, and a useful addition for any street photographer on a budget. - Source: Internet
  • A faster f/1.4 lens allows you to blur your background more than a slower f/2.8 lens and it also lets in more light, allowing for lower ISO or shorter shutter speeds. Faster lenses are usually bigger, heavier and more expensive than slower lenses but there are exceptions to both rules we mention in the discussion of each lens. - Source: Internet
  • 35mm is a very important focal length to me, this is also why I have reviewed so many 35mm lenses: to find the one that best fits my needs. The best allround 35mm lens I think exists is (still, even after the release of the Voigtlander 35mm 2.0 E Apo-Lanthar) the Voigtlander VM 35mm 1.7, which unfortunately suffers a bit on the Sony filterstack unless you use a 5m PCX filter, which makes it an astonishing lens even on Sony cameras. - Source: Internet
  • If the 85mm G Master is out of budget then you might want to look at the Sony FE 85mm F1.8 lens. This lens is not as large, heavy or as ridiculously sharp as its larger G Master brother, but it certainly does not disappoint. - Source: Internet
  • If you plan to shoot indoors (such as sports or performances), you’ll benefit from this lens’s excellent low-light performance. And while bokeh isn’t quite as smooth as that of the Sony 70-200mm f/2.8, it’s still very beautiful. - Source: Internet
  • I headed out onto the streets with an a7R, FE 35 F2.8 ZA and FE 55 1.8 ZA lenses, CZ 85 F1.4 with a LA-EA4, and a pair of Leica M-mount lenses, the Leica 24 F2.8 and Zeiss 18 F4 M-mount lenses tucked neatly into my new favorite new compact camera bag Sony’s Sling Bag Carrying Case. - Source: Internet
  • This specialized macro lens is super user-friendly, versatile, and one of the sharpest Sony lenses out there. It’s perfect for close-ups of tiny subjects and doubles as a portrait lens, too. CHECK PRICE ON AMAZON - Source: Internet
  • The Sigma 14-24mm f/2.8 DG DN Art is an amazing choice for you if you want a zoom lens that’s even wider than the above-mentioned Sony 16-35mm f/2.8 GM. - Source: Internet
  • The aperture range of your lens is also key for street photography. As the lighting can greatly vary, having a large aperture range is best – ideally, the wider your lens can go, the better, and as the very minimum you want your lens to open up to at least f/2.8. - Source: Internet
  • – Gold Master, more commonly “G-Master” lens. Sony’s highest-tier lens. LE – Light Edition. Only ever used once in 2012 to designate a particularly lightweight lens design. - Source: Internet
  • If you are looking for the best possible wide-angle zoom lens then you don’t need to look any further than the Sony FE 16-35mm f/2.8 GM. This certainly isn’t a lightweight lens though, as it weighs in at a hefty 680g. - Source: Internet
  • If you’re looking for a lens that does it all, this is a good contender. Whether it’s telephoto shots, bokeh effects, portraiture, or street photography, the M. Zuiko 25mm f/1.2 Pro can do it all. - Source: Internet
  • Smooth Autofocus Motor; A cheaper AF motor used primarily on Sony’s kit lenses. XA – Extreme Aspherical; the lens contains Sony’s top-of-the-line aspherical element that produces extremely high resolution with beautiful out-of-focus areas. Reserved for Sony GM lenses. - Source: Internet
  • At AP we have tested and reviewed dozens of lenses, including optics for every major camera system that currently exists. Based on this experience, we have picked out a selection of lenses that will excel at street photography. We’ve not just gone for the most expensive, “best-on-paper” lenses, but have picked a range of options for a range of budgets, and also provided alternative suggestions for some of our more expensive selections. - Source: Internet
  • As I mention above, I primarily shoot with primes when doing street photography. You certain can use zoom lenses, but such lenses invariably increase the bulk making you less nimble and less discreet. As zooms tend to be a bit less sharp than primes, you effectively lose the ability to crop to the same extremes. Finally, you lose some aperture. - Source: Internet
  • On top of all that, this lens is also very travel-friendly as it is lightweight and compact. With its f/1.4 aperture, there’s also no better wide-angle lens for creating beautiful bokeh. - Source: Internet
  • Thankfully the build quality is excellent and it’s weather sealed against dust and moisture. The 11 circular aperture blades delivers ultra-smooth bokeh, focusing is fast and silent, and the sharpness is excellent across the frame. I own this lens myself and it very rarely leaves my gear bag. - Source: Internet
  • In fact, this lens delivers fantastic sharpness in the center of the frame throughout the whole zoom range — even when shooting wide open at f/2.8. It’s also great for portraits, and focuses quickly, quietly, and accurately. - Source: Internet
  • STF – Smooth Transition Focus. Lenses that employ special APD lens groups that get thicker towards the edges and, because of that, reduce the amount of light passing through. These lenses are designed to deliver extremely smooth, silky out of focus bokeh. - Source: Internet
  • The Olympus M. Zuiko 25mm f/1.2 Pro for Micro Four Thirds cameras is equivalent to the 50mm lens and weighs in at a very light 15 ounces. - Source: Internet
  • These are the top lenses that are optimized for Sony Alpha APS-C sensor cameras, also known as having a ‘crop-sensor.’ They work on both older models from the Sony NEX range, as well as anything from the a6xxx range (e.g. a6100, a6400, etc.). - Source: Internet
  • 35mm – Those with crop sensors often use this lens. It then becomes closer to the ideal 50mm focal length. It’s also a favorite of full frame users as well. It’s an ample frame size that allows you to capture enough of the scene without needing to step back too much. - Source: Internet
  • Wide-open at f/2.5 and the lens is already incredibly sharp both centrally and even towards the edges of the frame. Bokeh is very smooth and free from onion rings, although you will see some cat’s eyes which don’t really improve as you step-down. CA is extremely well controlled. - Source: Internet
  • This lens delivers very sharp results in the center throughout the zoom range, even when shooting wide-open. It autofocuses very accurately, quickly, and quietly, which makes it great for wildlife shots. It also takes great portraits. - Source: Internet
  • Price-wise, this lens also offers incredible value for money as it’s even cheaper than the shorter Sony 100-400mm f/4.5-5.6 GM (mentioned above). It also has an impressive weather-sealed build. - Source: Internet
  • 📸 Which lens to choose: If you shoot for fun and value travel-friendliness, then go for the Tamron 28-75mm f/2.8. But if you’re looking for a more professional option and want the utmost image sharpness and the smoothest bokeh, then go for this heavier Sigma lens. - Source: Internet
  • The Sony FE 90mm f/2.8 Macro G OSS is the absolute best Sony a7III macro lens for shooting very tiny subjects such as insects, bugs, and water droplets. Moreover, this lens doubles as a fantastically sharp portrait lens, too. - Source: Internet
  • The Sony FE 2.0x Teleconverter extends the reach of some of the best Sony a7 IV telephoto lenses to the following lengths. Keep in mind, though, that it’ll do so by sacrificing two full aperture stops. - Source: Internet
  • This camera lens is built on previous incarnations of the Canon 50mm f/1.8. It has a more robust build and is a move away from the more plastic design of the older lenses. Most notably, the mount is now metal. And this is the part that takes a beating whenever you put the lens on or take it off. - Source: Internet
  • The Sigma lens comes with a mid-range price tag compared to the other lenses discussed here. So how does this compare to the L-series lenses? Very well, in fact. It produces results that are sharper than its Canon counterparts. - Source: Internet
  • There are a lot of different factors to consider when choosing a lens for street photography. But the most important thing is to choose a lens that is fast and versatile. A lens like the Canon EF 50mm f/1.8 STM Lens is a great option because it is both fast and lightweight. - Source: Internet
  • – The concept of a zoom lens is easy to understand. It lets you capture wide shots to close-ups with a twist of the lens barrel. Versatility – You don’t have to change lenses all the time to capture the image you want. A standard zoom lens is equivalent to three or four prime lenses. - Source: Internet
  • Recommendation: This was the first actually decent fast telezoom for E-mount. Not everything is perfect, but in the end it is a really compelling lens nonetheless. Better than Sony FE 70-200mm 2.8 GM MK I, way cheaper than MK I and MK II. - Source: Internet
  • The Fujinon XF 35mm has a 7-blade aperture and a maximum magnification of 0.17x. The lens has been treated with an EBC or environmental barrier coating to reduce ghosting or flares while improving light transmittance. - Source: Internet
  • It is ultra-sharp edge-to-edge throughout the zoom range, even wide-open at f/2.8. It delivers extremely detailed photos and videos — if you want the utmost image quality, look no further than this lens. - Source: Internet
  • Macro lenses have a 1:1 magnification ratio and typically, a minimum focusing distance of around 0.30 m (0.98 ft) or less. This allows you to get extremely sharp and detailed close-ups of microscopic subjects. - Source: Internet
  • The Sony a7 III isn’t marketed or thought of as a street or a travel camera. Despite its small size when compared to DSLRs, it still isn’t as compact and discreet as I’d like. It doesn’t fit in a pocket, and its shutter has a loud clunk reminiscent of film cameras. What’s more, the camera’s full-frame sensor necessitates beefier lenses. - Source: Internet
  • If you want a lens that can “do it all”, then look no further than the Tamron 28-200mm f/2.8-5.6 Di III RXD. This powerful multipurpose lens is essentially a wide-angle, standard zoom, and telephoto lens all at once. On top of that, it’s also very lightweight and compact. - Source: Internet
  • If you’re more into Nikon cameras, our recommendation for street photography is the Nikon Nikkor Z 50mm f/1.8. This lens gives you five axis in-camera stabilization when used with Z cameras that have in-camera VR. It comes with nine aperture blades and a customizable control ring that lets you manually control the focus, aperture, and exposure. - Source: Internet
  • With a focal range roughly equivalent to 27-202mm on a full-frame camera, the Sony 18-135mm f/3.5-5.6 OSS is a perfect all-in-one lens for APS-C shooters who don’t do a lot of low-light photography or shots needing a shallow depth of field. - Source: Internet
  • While landscape photographers may sometimes find this lens’s 100mm wide end a bit too narrow, but sometimes the 400mm end is very welcomed, including for making distant mountain scenes large in the frame. I often photograph wildlife and landscapes simultaneously, and this lens’s range is ideal for that dual purpose. When 400mm is not long enough, this lens’s teleconverter compatibility will be found advantageous. The FE 100-400 has Sony GM pro-grade build quality. - Source: Internet
  • This is one of the Sony lenses that receives mixed reviews. Some people love it whilst others don’t rate is so favorably. I own this lens myself and although it’s certainly not as sharp as the GM version, the images it produces are sharp enough unless you really enjoy a good pixel peeping session. - Source: Internet
  • There are two main types of lenses on the market. A prime lens, which comes with a fixed focal length (for example 50mm), and a zoom lens, which has a variable focal range (for example 24-70mm). The advantage with a zoom lens is that you have more versatility, however the disadvantage with this type of lens for the street genre is they are generally heavier, bigger, longer, pricier (for those that come with a fixed wide aperture setting) and less discreet. In our guide we therefore stuck to prime lenses, as these are generally lighter, smaller, and are able to open to much wider aperture settings (without having to break the bank), making them a more natural choice for this genre of photography. - Source: Internet
  • Sony FE 600mm F4 GM OSS The Sony FE 600mm F4 GM OSS is a big, serious lens for capturing distant action, but its price makes it purely for professionals and very serious enthusiasts. MSRP $12,999.99 MSRP $12,999.99 Sony FE 600mm F4 GM OSS Review - Source: Internet
  • Overall, this lens performs really well. It’s impressively sharp in the center even when shooting wide open, has minimal distortions, and is great for low-light situations. Autofocus is fast, reliable, and tracks moving subjects well. - Source: Internet
  • First things first, this lens is ultra-sharp edge-to-edge throughout the zoom range, even wide-open at f/2.8. It delivers photos with extreme detail. It also focuses very fast and accurately without making any noise, which is especially handy for wildlife shots. - Source: Internet
  • This lens is ultra-sharp edge-to-edge throughout the focal range. While bokeh is generally not a strong suit of lenses with such narrow apertures, this lens actually delivers really nice bokeh. Moreover, autofocus is fast, accurate, and practically silent. - Source: Internet
  • a7R III + FE 85mm F1.8 | @ 1/400 | f/1.8 | ISO 100 | Cropped | ** Full Resolution SOOC Download: JPEG | RAW - Source: Internet
  • The Sony FE 24-105mm f/4 G OSS is a very versatile lens with generous wide-angle coverage and a mighty telephoto reach. It’s a fantastic lens to travel with as it takes away the need to carry and switch between different lenses. It is also decently lightweight given its focal range. - Source: Internet
  • This lens is also compatible with the Sony FE 1.4x and 2.0x teleconverters helping to extend its reach up to 280mm with the 1.4x and up to 400mm with the 2x. - Source: Internet
  • Again needs are very different: If you do a lot of hiking you probably don’t want to carry the very heavy Sigma, but a slower, lighter lens. As a wedding photographer on the other hand performance will usually be more important than weight. Lenses also need to fit into your camera bag. - Source: Internet
  • Expect minimal distortions and great ghost & flare control with this lens. Autofocus is ultrafast, accurate, and practically silent, while focusing manually is also extremely easy; you can do so with just a fingertip. What’s more, the build quality of this lens is nice and sturdy. - Source: Internet
  • The Minolta MD 2.8/35 is a good lens if you like to focus manually and work on a very limited budget. Optically it is about as good as the much smaller modern 2.8/35s. It can deliver very good results even on high resolution sensors. - Source: Internet
  • Under good lighting conditions, autofocus is very quick, smooth, and quiet. It also effortlessly tracks fast-moving subjects. Under dim lighting, though, this lens focuses quite slowly and can hunt for a while. Due to the narrow aperture, bokeh also isn’t the smoothest. - Source: Internet
  • The Sony FE 100mm F2.8 STF GM OSS lens is a very unique lens in the Sony FE lenses line-up since it includes a built in apodization (APD) filter. This is a clear glass filter that progressively darkens similar to a neutral density filter as you get further away from the center of the lens. - Source: Internet
  • Capturing show-stopping visuals from the streets is an art. If the streets are your muse, then you’ll need a camera and good lenses to capture the moment. If you’re looking for good recommendations on what lenses to use for street photography, let us help. - Source: Internet
  • The Sony FE 70-200mm F2.8 GM OSS lens has a maximum focus range of 200mm, so your subject will need to be reasonably close if you want them to fill the frame. However, with a constant wide-open aperture of f/2.8, this is a great lens to use in low light situations or when you want the smoothest bokeh. - Source: Internet
  • Note that if you want to print your photos on very large prints or posters, then this lens will fall short, and you’re better off with either of the two above-mentioned wide-angle lenses (the Sigma 14-24mm f/2.8 or the Sony 16-35mm f/2.8), which are much sharper and crispier. - Source: Internet
  • Are you surfing the web seeking a portable lens to shoot medium wide-angle photos? Sony FE 35mm F1.8 is what you require. Being a perfect accessory for a full frame camera, the lens provides quite wide FOV, which is ideal for taking street photos, portraits, capturing medium-sized buildings or landscapes, where ultra-wide zooms that get everything in the picture is not necessary. - Source: Internet
  • Despite its small size, there’s very little compromise on image quality. This lens is ultra-sharp even at f/2.8 across the whole frame. Bokeh is beautifully smooth especially if you shoot wide open, although you might see some onion rings from time to time. - Source: Internet
  • Zeiss Loxia 2/50 4.5 The Zeiss Loxia 2/50 is one of the best modern manual focus lenses out there, and is worthy of being called Editors’ Choice. $699.00 at Amazon See It (Opens in a new window) Zeiss Loxia 2/50 Review - Source: Internet
  • We couldn’t possibly have a top ten street lens list without mentioning the Olympus M.Zuiko Digital ED 25mm F1.2 PRO! In our 5- star review, we found the top-end 25mm lens to be built to the highest standard of quality; it survived our rigorous testing that included a heavy autumnal rain shower. - Source: Internet
  • There is no best 35mm lens for everyone, since individual needs are so different. This is why you won’t find any ratings in terms of stars or points out of 5 in this guide. Instead here are 5 questions to help you reflect on what you need in a 35mm lens. If you already know what you need you can skip to the lenses discussion directly. - Source: Internet
  • The Sony 24-105mm f/4 G OSS is another premium yet more practical lens than the Sony 16-35mm. The lens creates sharp images at any focal length with a constant f/4 aperture throughout the zoom range. It’s made of high-quality and durable plastic, while the weather seal is metallic and ensures the lens clicks tightly onto the camera. - Source: Internet
  • Within each series, Sony indicates its superior models by the letter G and names its flagship mirrorless lenses G Master or GM for short. Models involving a partnership with Zeiss are labeled ZA, and are generally pitched between Sony’s own G and GM lenses in quality. Meanwhile, lenses labeled PZ have a Power Zoom for smooth motorized zooming while filming, while those with OSS refer to Optical SteadyShot stabilisation. Phew, enough of the specs and now on to my recommendations; the text links in the next section take you to B&H to check prices, while links to my full reviews and sample galleries are lower on the page. - Source: Internet
  • The Sony Sonnar T* FE 35mm F2.8 ZA lens has been made with the street photographer in mind, and comes with many appealing features such as its 120g lightweight design and anti-reflective coating that minimises unwanted lens flare. It almost qualifies as a pancake lens as it is so small and flat! - Source: Internet
  • Looking for a top-notch everyday zoom lens? Look no further than the Tamron 28-75mm f/2.8 Di III VXD G2. It’s super sharp, versatile, and the best value entry-level lens. - Source: Internet
  • The Sony 2x teleconverter (SEL20TC) is currently only compatible with the Sony FE 70-200mm F2.8 GM, Sony 100-400mm GM, Sony FE 200-600 G, Sony FE 400mm F2.8 GM and Sony FE 600 F4 GM lenses. It will not physically fit any other Sony E-mount lenses. - Source: Internet
  • What is surpizing about this lens is that the autofocus is actually faster than the GM version. The bokeh isn’t quite as smooth as the GM, but it certainly comes very close. I own this lens myself and certainly have no plans to sell it anytime soon. - Source: Internet
  • The Sony FE 85mm f/1.8 is a spectacular portrait lens that offers exceptional value for money. It’s amazingly sharp, has stunning bokeh, focuses fast, and is distortion-free. On top of that, it’s also small, lightweight, and portable. - Source: Internet
  • If the Tamron 28-75mm f/2.8 isn’t wide enough for you, your next best bet in the mid-range zoom category is the Sigma 24-70mm f/2.8 DG DN Art lens. - Source: Internet
  • In our review we found thanks to the eBAND (Extended Bandwidth and Angular-Dependency) and BBAR (Broad-Band Anti-Reflection) the lens reduces flare and the fluorine coatings on the front element help to repel water and fingerprints so it can be kept clean. Also of note is the weather proofing of this lens, with seals around the mount and the joins that allow users to carry on shooting in the rain. This is ideal for any street photographer wanting to go out in all weather conditions. - Source: Internet
  • The Sigma 70mm F2.8 DG Macro lens for Sony E-mount (full-frame) is the first macro lens from Sigma that has been adapted to Sony E-mount. However, the word adapted here is very important since the E-mount version of this lens has been adapted from their Canon and Sigma versions that were originally designed for SLR cameras and not mirrorless. - Source: Internet
  • Sony FE 85mm F1.8 (Shot on a7III) @ 85mm | 1/1000 | f/1.8 | ISO 250 | ** Full Resolution SOOC Download: JPEG | RAW - Source: Internet
  • 🔮 If you’re interested in more portrait lenses, check out my review for the Sony FE 55mm F1.8 ZA. Though it has a shorter focal length, it’s great for environmental portraits, street photography, and top-notch videography. - Source: Internet
  • The Sony FE 2.0x Teleconverter extends the reach of some of the best Sony a7 telephoto lenses to the following lengths. Keep in mind, though, that it’ll do so by sacrificing two full aperture stops. - Source: Internet
  • If having a small lightweight lens is at the top of your list, then you may want to consider a pancake lens. If you’re unfamiliar with the term pancake lens essentially it just means a lens that is almost flat! The advantage with using them is for their size and weight; the disadvantage is they often don’t go as wide as a prime lens (for example to f/2.8 rather than f/1.8 or f/1.4), and often the image quality is not as good compared with a larger lens. - Source: Internet
  • The focal lengths available in this lens are incredibly wide, and photographing with these angles of view is very fun. Especially the 12mm end provides the opportunity to set one’s work apart from the crowd. The FE 12-24 is a quality lens, but note that it does not accept front filters. - Source: Internet
  • Street photography is all about capturing life as it happens. And to do that, you need the right gear. So what is the best lens for street photography? - Source: Internet
  • – Full-frame E-Mount lens. G – Gold Series lens. Sony’s second-highest lens tier. - Source: Internet
  • Since landscape subjects are often motionless, image stabilization can be a huge benefit for a landscape lens for those times when a tripod is not desired or practical. Even under full sunlight, I very frequently need image stabilization to make handheld shooting successful, especially when using a light-reducing circular polarizing filter (a mandatory part of the landscape kit). The wind typically found at some of the ultimate landscape locations further increases the need for image stabilization with handheld daylight photography. - Source: Internet
  • Furthermore, this model boasts a superior performance in poorly-lit spaces, which is great for snapping interiors or a night sky. Besides, this is one of the best Sony A7 lenses for producing mesmerizing bokeh, meaning that with it creating fantastic backgrounds is a cinch. Vignetting and distortion are the weak points of the lens, but removing these aberrations in post-production is not a problem, or even prevent them by configuring a camera properly. - Source: Internet
  • This is also a great low-light lens. You can expect high-quality results even when shooting indoors or at dusk. Its zoom range and wide aperture make it perfect for videos too. - Source: Internet
  • A good mid-range zoom is a must for almost every kit, but finding one of the best Sony lenses for less than $1000 isn’t so easy….that is, until Tamron came out with the 28-75mm f/2.8 Di III VXD G2. - Source: Internet
  • Autofocus is fast and reliable on this lens, even with moving subjects. This lens is also impressively sharp in the center, even when shooting wide open at f/2.8. It delivers incredible performance in low light, too, and has minimal distortions. - Source: Internet
  • Recommendation: Great lens for single shot landscape astrophotography and especially for taking pictures of the northern lights where stacking is not an option. Still an expensive niche lens and only worth the asking price if you actually need the f/1.8. - Source: Internet
  • The Sony FE 24mm f/1.4 GM is hands down one of the best prime lenses for Sony a7 IV simply because it’s rare to find a wide-angle lens with a maximum aperture of f/1.4. - Source: Internet
  • a7R III + 24mm F1.4 GM @ 1/100 | f/1.4 | ISO 100 | ** Full Resolution SOOC Download: JPEG | RAW - Source: Internet
  • Recommendation: the world’s widest rectilinear lens and a better performer than either Voigtlander 10mm 5.6 E or Laowa 10-18mm 4.5-5.6. - Source: Internet
  • Light, compact, and available for under $700, it’d be easy to assume that this was just a mediocre lens. In reality, however, the Tamron 28-75mm f/2.8 can more than pull its weight in both image quality and performance. - Source: Internet
  • What’s more, autofocus is very accurate, fast, and practical. All it takes to switch between manual focus and autofocus is pushing the focus ring out or pulling it back in. It’s all very intuitive — there’s no need to flip a switch (there’s not even an AF/MF switch on this lens!). - Source: Internet
  • Tamron 70-180mm F2.8 (Shot on a7III) @ 154mm | 1/4000 | f/2.8 | ISO 250 | ** Full Resolution SOOC Download: JPEG | RAW - Source: Internet
  • Sony’s mirrorless lenses corrected for use on full-frame bodies like the A7 and A9 series, are labeled FE and have no reduction in their field-of-view when shooting in full-frame modes; these also work on cropped bodies or in cropped modes, albeit again with a 1.5x field-reduction. Sony’s A-mount lenses have SAL in their product codes, but models additionally labeled with DT are designed for bodies with cropped / APSC sensors. - Source: Internet
  • More importantly, this lens should have a wide maximum aperture — at least f/2.8 or wider. Otherwise, your shots are likely to come out grainy. Make sure that this lens is also sharp — preferably corner-to-corner — when shooting wide-open. - Source: Internet
  • Note that this lens is quite expensive. The Sony 200-600mm f/5.6-6.3 comes at a lower price with 200mm more zoom reach, though it isn’t very good for macro shots. - Source: Internet
  • This lens may be a bit pricey, but don’t let that deter you — it’s without a doubt the lightest and sharpest 24mm f/1.4 ever made (as well as the least expensive one). If you’re serious about low-light wide-angle photography, it’s very worth the investment. - Source: Internet
  • Good everyday standard lens from $159.99 Buy from Amazon Tamron 24-70mm f/2.8 Di VC USD G2 Zoom Lens for Nikon F-Mount Best for Image Stabilization Constant f/2.8 maximum aperture - Source: Internet
  • The first accessory that I picked up when the NEX-5 debuted, was an inexpensive Leica M to Sony e-Mount adapter off eBay. I delighted to discover that adapter works just as great with the new full-frame e-mount Sony Alpha cameras. If you have a collection of old manual focus primes gathering dust, the a7/a7R may be just the camera to give them back to life thanks to the availability of lens mount adapters for virtually every lens mount from Alpa to Zeiss. - Source: Internet
  • a7R III + Sigma 70mm F2.8 Macro @ 1/1000 | f/5.6 | ISO 500 | Cropped | ** Full Resolution SOOC Download: JPEG | RAW - Source: Internet
  • If you’re looking to travel with your Sony a7 IV, you’ll want a small and lightweight lens that’s easy to carry. A good, versatile zoom range might also come in handy if you want to shoot a variety of things. Here are the best Sony a7 IV lenses to bring to dream destinations. - Source: Internet
  • Landscape photography often requires travel to get to the ultimate landscape photography destination. When traveling by airline, you will want to keep your pack light. The same need applies when hiking to a select location. Packing light helps keep the photographer’s energy up, and increased energy will allow him or her to better focus on capturing the desired image. Light weight is a generally important feature for a lens in the landscape kit. - Source: Internet
  • The bokeh is silky smooth and possibly the best of all the current 24mm f/1.4 lenses available. Autofocus is fast, quiet and super accurate. I own this lens myself and absolutely love it. I’ll be writing a review for it just as soon as I get a little free time. - Source: Internet
  • The 35mm view on a full-frame camera will appeal to traditional street photographers. Also, for those with an E-mount APS-C mirrorless Sony system camera, the lens provides an equivalent 52.5mm view, which is equally as good for many street photographers. - Source: Internet
  • Autofocus is very reliable, fast, and silent. This lens is also very lightweight, weighing a mere 281 g (10 oz.), and its small size makes it incredibly portable. - Source: Internet
  • Image quality is simply impeccable. In fact, this lens is razor-sharp edge-to-edge, even wide-open at f/1.8, which is exactly what you need in an ideal astrophotography lens. - Source: Internet
  • This lens, too, does not feature in-built image stabilization. Instead, the surface of the lens has Tamron’s BBAR (Broad-band anti-reflection) coating that reduces ghosting and flaring and preserves crisp image quality. In addition, this Tamron lens has an integrated new high-speed precision AF drive system with an RXD (Rapid extra-silent stepping drive) motor unit. The AF motor is fast, precise, and surprisingly silent. - Source: Internet
  • Perspective – Focal length can dramatically change your perspective. Do you use your zoom lens to zoom in on a subject while shooting street photography? If you do, you’re compressing the scene. And it can’t include other outside elements besides your main point of interest. - Source: Internet
  • Sony Zeiss 55mm F/1.8: In many ways, it’s the lens that defines the system. My review here. - Source: Internet
  • Thanks to its focal length and wide aperture, this lens also takes amazing casual portraits. However, if you’re serious about portraits, check out the Sony FE 85mm f/1.8 — it’s an even better budget portrait lens for the Sony a7 IV. - Source: Internet
  • The best lenses for street photography are the ones you’re comfortable using. If you’re a beginner, it’s best to pick one focal length and stick to it until you get better. This will give you the advantage of developing your skills and understanding one focal length completely before moving on to another. - Source: Internet
  • Made for the Fujifilm X series of mirrorless cameras, the Fujifilm XF 27mm f/2.8 lens has been designed to be small, light and discreet. Weighing in at a mere 84g, this lens is by far the lightest in our round-up, making it a strong contender for those who prioritise keeping weight and size to a minimum. - Source: Internet
  • A special effect lens with funky rendering at f/1.4, smoother rendering stopped down and lots of aberrations. It is pleasant to handle and affordable. Might be worth checking out if you are after different rendering but we can’t recommended it as a general purpose lens. - Source: Internet
  • Canon EF 50mm f/1.8 STM Prime Lens You can’t beat this little Canon lens for neatness, sharpness, and value for money. Buy from Amazon × Canon EF 50mm f/1.8 STM Prime Lens Amazon $125.00 Buy Now! - Source: Internet
  • The Sony Sonnar T* FE 35mm F2.8 ZA is essentially the smallest lens for Sony a7 that you can get. Weighing a mere 120 g (4.3 oz.), this lens is the perfect choice for the ultimate minimalists and those who love to pack light. - Source: Internet
  • While it comes with excellent build quality and quick, accurate autofocus, the real reason to buy this lens is for its speed and superb lowlight performance. Its f/1.4 maximum aperture is just about as fast as you can buy. - Source: Internet
  • If money is not an issue then the Sony FE 400mm F2.8 GM OSS lens already has your name on it. This is the most expensive E-mount lens that you can currently buy and it is most definitely one of my dream lens. - Source: Internet
  • Along with its 35mm focal length, this lens also has a close minimum focus distance of 0.22 m (0.73 ft). These factors make it the best wide-angle prime for street photography and environmental portraits. - Source: Internet
  • 🔮 Looking for more portrait lenses? Check out my review for the Sony FE 55mm F1.8 ZA. Although it has a shorter focal length, it’s great for environmental portraits, street photography, and top-notch videography. - Source: Internet
  • Wide-angle lenses make good choices for astrophotography because they have a larger field of view (FOV). This allows you to capture much more in one shot, such as the Milky Way and also some foreground interest. Also the wider the angle of your lens the longer you will be able to expose for before star trails become a concern. - Source: Internet
  • Yes, you can connect a Nikon lens to a Sony mirrorless camera body. You just need a Sony E-mount adapter. For more information, see the section above. - Source: Internet
  • Bokeh is very important for good portraits, and this lens is a bokeh king. It’ll allow you to create beautifully smooth out-of-focus backgrounds for your subjects. This lens also shows fantastic low-light performance. - Source: Internet
  • Macro shots are all about the details, and this lens is one of the sharpest Sony lenses ever built. It is flawlessly sharp at all apertures, even wide-open, and will bring out the tiniest details in your subjects. Bokeh is also very smooth and creamy. - Source: Internet
  • The Sigma 85mm f/1.4 Art lens also happens to be lighter, sharper, and quicker focusing than Sony’s GM version, all while costing a full $700 less. Many feel that its image quality also matches the GM, but that might be more a matter of taste. - Source: Internet
  • The Sony FE 50mm f/1.8 is a very small budget-friendly lens that’s perfect for casual everyday shots. Weighing only 186 g (6.6 oz.), it’s also super portable and travel-friendly. - Source: Internet
  • Planning to take your Sony a7 camera on your next big trip? Consider a small, lightweight, and portable lens. A nice versatile zoom range might also come in handy if you want to shoot a variety of subjects. Here are the absolute best Sony a7 lenses to travel with. - Source: Internet
  • It features a double linear motor system for precise, quiet operations that is ideal for film-making. The lens has a circular 9-blade aperture that creates a beautiful defocus effect. Like other lenses from Sony, it has a customizable focus hold button and an AF/MF switch. However, this lens does not offer built-in optical image stabilization. Most recent cameras from Sony now come with an image stabilization feature embedded in the body itself. - Source: Internet
  • The only real downside of this lens is that it’s not the cheapest thing in the world. With that said, given its top-notch video/image quality, travel-friendliness, and fast f/1.8 aperture, you definitely get incredible value for what you pay for. - Source: Internet
  • If the Sony 24-70mm F2.8 GM is out of budget or simply far too large and heavy for your style of photography, then the Sony 24-70mm F4 Vario-Tessar T* FE ZA OSS lens may be what you are looking for. The lens is very well built and weighs in at only 426 g which is half the weight of the GM version! - Source: Internet
  • To capture subjects far away from you, you’ll need a telephoto lens, which typically has a minimum focal length of 70mm. You can also get a super-telephoto lens, which typically has a focal length of 300mm or more. Here are the best Sony a7 telephoto lenses. - Source: Internet
  • a7R II + FE 16-35mm F2.8 GM @ 30sec | f/6.3 | ISO 400 | ** Full Resolution SOOC Download: JPEG | RAW - Source: Internet
  • Thanks to its wide f/1.4 aperture, this is the best wide-angle lens for bokeh and low-light environments. You can enjoy shooting at slow shutter speeds without having to venture into noise-inducing ISO levels. - Source: Internet
  • If you’re looking to travel with your Sony a7 IV, you’ll want a small and lightweight lens that’s easy to carry. A versatile zoom range will also come in handy if you want to shoot a variety of things. If you want to capture starry nights or architecture, consider a low-light lens too. - Source: Internet
  • With a selection (or multiple selections) from each of the above categories, you will have lenses with a vast range of focal lengths for your landscape photography needs. Landscape photography can make use of all focal lengths Sony currently offers, from the widest angle through the longest telephoto, but I’ll approximate the most useful range at 16-300mm. The ultra-wide-angle lenses will allow you to emphasize a foreground subject against an all-in-focus large scene, the telephoto lenses will keep distant subjects large in the frame, and the general-purpose lens will frequently find landscape application. - Source: Internet
  • GM, or Gold Master lenses are Sony’s premium, top-of-the-line lenses. They’re designed to fulfill all professional requirements, from exceptional image quality and performance to weatherproofing and a superior design build. They are designated on the lens with a white G on an orange square. - Source: Internet
  • Recommendation: A very well balanced lens and therefore a nice, cheaper alternative to the Sony FE 24mm 1.4 GM. Also for most a better choice than the one stop slower Sony FE 24mm 2.8 G and especially the Zeiss Batis 25mm 2.0. - Source: Internet
  • If you’re on the hunt for a travel-friendly budget lens with a wide focal length, then the Sony FE 28mm f/2.0 is for you. This lightweight lens is great for landscape and architecture shots and offers amazing value for money, especially given its low price. - Source: Internet
  • This lens also has faster autofocus than many specialized macro lenses. Plus, its long focal length allows you to stand far away from small subjects like insects so as to not scare them away. It truly replaces the need for a macro lens. - Source: Internet
  • However, I am very tempted to sell it so that I can afford the Tamron 28-75mm F2.8 Di III RXD lens. So my recommendation would be to buy the Tamron if you don’t want to spend the money on the GM 24-70 lens. - Source: Internet
  • At 600mm this lens is sharper than the Sony FE 100-400 + 1.4x is at 560mm. At 400mm this lens is also a touch sharper than the 100-400 which considering it’s a G lens and not a GM lens is really quite something. - Source: Internet
  • This Sigma lens also delivers smoother and rounder bokeh than the Tamron 28-75mm f/2.8. Because of all these advantages, this lens is a little bit pricier than the Tamron lens. - Source: Internet
  • Budget pick Tamron 28-75mm f/2.8 The best Sony a7S III lens for beginners Tamron has improved their standard zoom lens for mirrorless cameras with their new 28-75mm f2.8 Di III G2. This lens offers optically superior performance compared to other manufacturers, especially at the short end. $899 at Amazon $899 at Adorama - Source: Internet
  • Recommendation: The FE 1.8/55 offers a great balance between small size and good performance. It can be used for a very wide range of applications, therefore it is a very popular FE lens for a good reason. - Source: Internet
  • An incredibly sharp super-wide-angle lens that’s perfect for both landscape shots and astrophotography. It boasts spectacular image quality and a weather-sealed build. CHECK PRICE ON AMAZON - Source: Internet
  • Distagon – A design system Zeiss uses for its wide and ultra-wide angle, retrofocal lenses. These lenses are often heavy, as they are pretty complex. The Sony Zeiss Distagon T* FE 35mm F1.4 ZA is the only Distagon lens available for Sony E-mounts. - Source: Internet
  • The images it produces have excellent color, contrast and impressive sharpness across the frame. Sadly the lens is not weather sealed like its larger GM brother, so you need to be a little more careful when the rain comes down. I also own this lens myself although it is collecting dust since I picked up the GM version. - Source: Internet
  • To capture a great ‘street’ photograph one often must be quick, discreet, and perceptive. We’ve therefore taken a number of factors into account such as size, portability, speed, and, where applicable, sensor size, and selected what we believe are the top 10 cameras, (both digital and analog) for street photography. It’s also important to note that lenses are a key element in any type of photography, and for the purpose of this article, we have focused solely on the camera body itself (though in some cases this includes a built-in lens). - Source: Internet
  • This lens is also very lightweight, compact, and travel-friendly. Its mighty zoom range takes away the need to carry and swap between multiple lenses. Moreover, it has a tough and weather-resistant build. - Source: Internet
  • If you are looking for a dedicated macro lens, or a lens that can combine both macro and portrait photography roles, then look no further than the 90mm F2.8 Macro G OSS lens. I own this lens myself and have no plans to let it go anytime soon. - Source: Internet
  • The Tamron 17-28mm f/2.8 Di III RXD is the best wide lens for Sony a7III when it comes to size and portability. In fact, this lens is almost half the weight of the previous two wide-angle zoom lenses, making it an excellent travel-friendly gear. - Source: Internet
  • – This focal length isn’t everyone’s favorite, primarily if you’re not used to using it. The more experience you gain, though, the more this lens will seem best suited to street photography. This lens also offers a perspective close to what the human eye sees. Wide-angle – Do you want to get more story into your photo? Then consider wide-angle lenses. You might not want to go as wide as a fisheye, but a wide-angle can be fun as long as you control the distortions. - Source: Internet
  • This is a standard lens with an inner focus system and an autofocus speed of 0.08 seconds. It has a 9-blade aperture that gives you a smoother bokeh effect in your shots. Instead of EBC, this lens has a GI or galvanized coating to protect against ghosting and flares. - Source: Internet
  • The Sony FE 85mm F1.4 G Master is an exceptional lens and one which every portrait photographer should own if they don’t already. Sharpness across the frame is already excellent from f/1.4, flare resistance is very good, as is control of chromatic aberration. - Source: Internet
  • For vlogging, look for a wide-angle lens (max 35mm focal length) with a minimum focus distance of around 0.30 m (1 ft) or less so that you can easily stay in focus while talking to the camera. Here are the best Sony a7 IV lenses for videos. - Source: Internet
  • This lens has a very practical autofocus system. To switch between autofocus and manual focus, all you need to do is push the focus ring out or pull it back in. There’s no need to flip a switch (in fact, there’s no AF/MF switch on this lens) and it’s very intuitive. - Source: Internet
  • Weighing a mere 281 g (10 oz.), this lens is also really small, lightweight, and easy to take everywhere. Autofocus is also very fast, reliable, and silent. - Source: Internet
  • The Sony FE 12-24 F2.8 GM has not long been announced. As soon as reliable information about this lens is available this section will be updated. - Source: Internet
  • If you mainly use your 35mm lens for architecture or landscape shooting this is the one you are looking for. It offers very high contrast as well as resolution coupled with a good correction of almost all optical aberrations. It is in many ways the better Zeiss Loxia 35mm 2.0, but if you already have the Zeiss lens and you are thinking of upgrading: this only makes sense when you want to use the lens at wider apertures often. - Source: Internet
  • If you want the most top-notch image quality, then the Sony FE 135mm f/1.8 GM is the ultimate portrait lens to get. According to expert Roger Cicala from LensRentals, out of 300+ lenses, this is the sharpest lens he’s ever tested. - Source: Internet
  • The Sony FE 200-600mm f/5.6-6.3 G OSS is the best value Sony a7 IV lens to get if you want to maximize focal reach and shoot very faraway subjects, such as wildlife. Despite the mighty telephoto reach of this lens, there’s barely any compromise on image quality. - Source: Internet
  • The next product in our Nikon line-up is the Nikkor Z 35mm f/1.8. The lens is more lightweight at a little over 13 ounces. Like the Nikkor Z 50mm, it also comes with 5-axis in-camera stabilization and a 9-blade aperture. - Source: Internet
  • The Sony FE 50mm f/1.8 is a great lens for capturing street scenes and portraits. Its 50mm prime lens is known for its versatility and ability to shoot high-quality photos. - Source: Internet
  • A Carl Zeiss lens is a lens made by Sony using Zeiss design and technology. It uses the Zeiss quality standard, which focuses on resolution and contrast. (Sony partnered with Zeiss for two decades before making their first GM lens in 2016.) - Source: Internet
  • Furthermore, attaching Sony FE 70-200 mm f/2.8 to your camera allows the creation of an eye-grabbing bokeh effect to jazz up your images. Choose it to snap concerts or indoor sporting events as the lens will please you with fantastic shots even in low-lighting shooting scenarios. Thanks to its wide aperture and great focal length, this accessory also delivers stunning portraits. - Source: Internet
  • The Sony FE 35mm f/1.8 is the best option for you if you want a wide-angle prime lens with a medium-wide focal length. This is typically useful for medium-wide landscapes or architecture that doesn’t require an ultra-wide focal length. - Source: Internet
  • The Sony FE 16-35mm f/2.8 GM is the absolute best wide angle lens for Sony a7III. It’s razor-sharp at every setting, focuses super fast, and has a practical zoom range that’s suitable for a large variety of wide-angle settings. - Source: Internet
  • Recommendation: The half-a-stop faster successor to the Sony FE 50mm 1.4 ZA. If you are looking for a lens with these parameters this one won’t disappoint. Just like the Sony FE 35mm 1.4 GM a lens with hardly any flaws, but that comes at a very substantial price. - Source: Internet
  • As the Sigma 28-70mm f/2.8 DG DN Contemporary Lens is added to the recommendations list, it is the smallest and lightest Sony-mount lens covering this focal length range. Those attributes are frequently important for landscape photographers hitting the trail. Affordability is always a valued lens aspect. - Source: Internet
  • And finally the Sigma 35mm f1.4 DG DN Art lens makes it onto our list. This lens is comfortably a 5 star product (you really can’t go wrong with a Sigma Art lens) and produces amazing bokeh thanks to its smooth 11 aperture blade ring. - Source: Internet
  • If you’re planning to vlog, look for a wide-angle lens (max 35mm focal length) with a minimum focus distance of around 0.30 m (1 ft) or less so that you can easily stay in focus while talking to the camera. Here are the best Sony a7 lenses for videos. - Source: Internet
  • I have reviewed a couple of AF 35mm lenses but usually they are annoying to focus manually and they lack nice sunstars and good flare resistance which I want for landscape images. So for know I stick with the 1.2/40 which is by far my most used lens but I still hope that one day there will be a Voigtlander 1.7/35 in E-mount which could be a bit more compact and be a bit sharper with nicer off-center bokeh. - Source: Internet
  • As you will have probably noticed that this lens has found its way into 3 different categories. It’s not only a great lens for landscape, interior, and environmental portrait photography, but with its wide-open aperture of f/1.4 it also excels at astrophotography. - Source: Internet
  • Why Trust Us? Our experience with lenses for Sony Alpha cameras and how we tested Your author Mark has been shooting weddings professionally with Sony cameras for several years, using many different Sony prime and zoom lenses, as well as 3rd party e-mount options. Co-author Usnea has been using Sony cameras for 6 years, shooting landscape, nature, action, and travel photography using primarily native Sony lenses. For testing, Mark used the latest Sony a7IV full-frame mirrorless camera to evaluate a selection of Sony FE-mount lenses and a Sony a6100 for lenses designed for the APS-C format. The recommended lenses in this guide were chosen based on Mark & Usnea’s own personal experience, results of lens reviews by our various Shotkit authors (also professional photographers), and over 120 hours of combined research and analysis. We are not sponsored by any of the brands that appear here, and our opinions are completely unbiased - in short, you can trust what we say! - Source: Internet
  • This lens is best for photographers who want great features and control. It comes with a stepper motor like the Canon lenses and thus creates superior quality autofocus. The only drawback we can see is the weight. Weighing 15 ounces, this Nikon lens is a bit on the heavy side. - Source: Internet
  • The Sony FE 90mm f/2.8 Macro G OSS lens is one of the sharpest lenses that Sony has ever built. DxOMark reviewed this lens and said that its outstanding, scoring higher marks than both the Canon and Nikon equivalents. - Source: Internet
  • The 35mm AF lens Bastian has been waiting for so long to couple with his Sony FE 85mm 1.4 GM. Smoothest bokeh in a 35mm lens we have seen yet and certainly the best performing f/1.2 lens in terms of optical qualities you can put on your E-mount camera. - Source: Internet
  • Our pick Sony 24–105mm f/4 G OSS The best Sony a7S III lens The Sony 24–105mm f/4 G OSS is a great versatile lens for photographers using Sony’s full-frame a-series cameras. With a focal length range of 24-105mm, OSS (Optical SteadyShot), and modest size, weight, and price, this lens is a great option for photographers who want a versatile lens for their camera. $1,398 at Amazon $1,398 at Adorama - Source: Internet
  • The Sony FE 24mm f/1.4 GM features two XA (extreme aspherical) elements that produce pin-sharp results and three ED (Extra-low Dispersion) glass elements that help suppress chromatic aberration. Thanks to Sony’s advances in technology, they have made a great lens that offers high quality while being relatively light and compact, making it ideal for the street genre. - Source: Internet
  • Pancake lenses sadly have nothing to do with delicious breakfast carbs or maple syrup. They’re simply incredibly small and lightweight lenses — so light that you’ll barely feel their weight at all. These lenses are great for travel and street photography in particular, especially if you’re a minimalist and prefer packing light. - Source: Internet
  • It’s not easy to find a wide-angle lens with a maximum aperture of f/1.4. That’s why the Sony FE 24mm f/1.4 GM is one of the best prime lenses for Sony a7. Its image quality is also impeccable. - Source: Internet
  • This lens is not only 2mm wider than the Sony 16-35mm f/2.8 GM; it’s also a lot more affordable, too. Moreover, its image quality is absolutely outstanding. - Source: Internet
  • Sony FE 90mm F2.8 Macro (Shot on a7R III) @ 1/500 | f/2.8 | ISO 320 | Cropped | ** Full Resolution SOOC Download: JPEG | RAW - Source: Internet
  • – Completely manual lenses. You need to use the focusing ring and the aperture ring on the lens to focus and set the desired aperture value. Exif data is still submitted though. (no electronic contacts) – These lenses do not feature electronic contacts so they do not communicate things like focal length or current aperture value to the camera - Source: Internet
  • Well… I know, this is not a 35mm lens. I wish it were though, since 35mm are a bit more universal than 40mm and integrate better into many kits. I want my “35mm” to cover a wide range of applications with a focus on landscape and nature photography but I also want to use it to photograph people in different settings. I prefer to focus manually when I am taking nature images and I am competent enough to capture most social settings well with manual focus. - Source: Internet
  • On the downside, autofocus is a bit slow, and even more so in dim lighting. That’s another reason why this is not the best lens for insects and bugs; these fast-moving subjects may fly away before this lens has had a chance to focus. This lens also isn’t weather-sealed. - Source: Internet
  • The Sony FE 16-35mm f/2.8 GM is a premium lens that pretty much has it all. Its zoom range is super practical and allows you to shoot a large variety of wide-angle settings. On top of that, it has a fixed aperture that’s perfect for videos and low-light photography. - Source: Internet
  • This lens is razor-sharp edge-to-edge, even when shooting wide-open at 400mm. Autofocus is incredibly fast, accurate, and silent. It also has no trouble tracking moving subjects, which is quite important for wildlife and sports shots. - Source: Internet
  • This lens is more affordable than the previously discussed Sony 16-35mm f/2.8 GM, but that’s not all. It’s a whole 2mm wider too, with an image quality that will blow you away. - Source: Internet
  • Recommendation: This lens is optically so good that image quality shouldn’t be a deciding factor between this lens and the Sony FE 4.5-5.6/100-400 GM OSS. The build quality is not up to professional standards, still this is the best long telephoto option for everybody on a budget who can get along with the slower maximum aperture. - Source: Internet
  • I wanted to see how the cameras operated in the field, so last week I headed to Port-au-Prince, Haiti to put the a7R though it’s paces under fire. Having spent 5 years covering Haiti for the Miami Herald, I can only say how much I wish I had that camera back them. Despite it’s small size and light weight, the a7R feels solid as the aluminum block that it’s carved from. - Source: Internet
  • Recommendation: a really great lens which was unfortunately a little late to the party as many of us already bought lenses like the Zeiss Loxia 21mm 2.8 or Sony FE 24mm 1.4 GM before. If you don’t have any of these (or similar) lenses already – but you are looking for one – the 20mm 1.8 G should certainly be on top of your list of lenses to consider. - Source: Internet
  • This lens delivers very sharp results in the center throughout the zoom range, even when shooting wide-open at f/2.8. It also focuses very quickly, accurately, and quietly, and is great for portraits too. - Source: Internet
  • Recommended to: those looking for the world’s fastest 35mm or the world’s widest f/0.95 fullframe lens. Great choice not only for environmentral portraiture but also very good for stopped down landscape shooting - Source: Internet
  • If you only had one lens to pick, then let it be the Tamron 28-75mm f/2.8 Di III VXD G2. It’s the perfect entry-level lens for everyday shots and is very beginner-friendly too. - Source: Internet
  • This lens is beautifully sharp in the center even when shooting wide open at f/2.8. It has very minimal distortions and performs fantastically in low light. - Source: Internet
  • However, for those who prefer to shoot digital, the Ricoh GR III is a great option, its compact size, effective shake reduction system, super-fast operation, and excellent 28mm equivalent F2.8 lens, make it perfect for capturing dynamic street snaps. – Learn more via the Ricoh website. - Source: Internet
  • This lens produces impressive image quality, despite it not being as sharp as the more expensive Sony 100-400mm f/4.5-5.6. It delivers fantastic central sharpness throughout the zoom range, although corner sharpness at 300mm is rather poor. - Source: Internet
  • I’m Photutorial’s founder and editor of the camera, graphic design, and photography coverage. I have owned cameras and used cameras for over 20 years, during which I got used DSLRs, mirrorless (now), and even film cameras. I researched Sony lenses when I was choosing between buying a Nikon or Sony camera. In my years as a promoter in tech stores, I’ve got to test loads of cameras and lenses. - Source: Internet
  • Although zooms have a few disadvantages, they’re not as bad as some people think. They’re the best choice if you don’t want to fumble with lenses too much. It’s also a great option if you don’t have a collection of optics. If you’re willing to work around their limitations, they can produce great results. - Source: Internet
  • Autofocus is insanely fast and reliable, making it easy to capture quick fleeting moments (such as during weddings). And with the Sony a7 cameras’ in-camera corrections turned on, you’ll see no distortions. Ghosts and flares are minimal, too. - Source: Internet
  • In fact, the Sony 24-70mm f/2.8 is the best everyday zoom lens for you if you don’t want to risk missing a single shot. It’s especially worth the investment if you’re a professional wedding or event photographer who can’t afford to miss any important fleeting moments. - Source: Internet
  • The Sony Sonnar T* FE 35mm F2.8 ZA is a small beautiful lens that really excels at environmental portraiture and street photography. This 35mm f/2.8 lens is very sharp even when wide-open at f/2.8, bokeh is very pleasing and distortion is very well controlled. - Source: Internet
  • Build quality is excellent and it weighs just 565 g, which is 47 g more than the popular Sony 16-35 f/4 FE lens. The lens has very impressive corner sharpness even when wide-open at f/4, there’s minimal distortion and almost no COMA for night photography. However with a widest aperture of f/4 the 16-35 F2.8 GM lens or the 24mm F1.4 GM lens are more likely to be the first choice for astro shooters. - Source: Internet
  • While this lens is not as sharp as the much more expensive Sony 100-400mm f/4.5-5.6 GM, it still shows impressive image quality. It delivers excellent central sharpness throughout the zoom range, although at 300mm, edge sharpness is quite poor. - Source: Internet
  • The only real negative thing about this lens is the price. At $11,998.00 in the US or £10,499.00 in the UK, this lens will leave a very noticeable hole in your bank account. - Source: Internet
  • Sony has two main lens mount styles for its cameras: the A-mount and the E-mount. The A-mount is for its DSLRs (cameras with a mirror). The E-mount is for its mirrorless line – both APS-C and full-frame. - Source: Internet
  • The Sigma 105mm f/1.4 DG HSM Art Lens for Sony full-frame E-mount is an exceptionally sharp lens even when shooting wide-open at f/1.4. Autofocus works almost as fast as Sony native lenses in good lighting, but in poor light autofocus starts to struggle a little more. There is very little in the way of vignetting and almost nonexistent chromatic aberrations. - Source: Internet
  • This lens is impeccably sharp edge-to-edge, even when shooting wide open at f/2.8. It may be expensive, but its professional-grade performance backs up the high cost. It’s the best choice if you’re serious about wide-angle photography and want premium image quality. - Source: Internet
  • The Sony FE 24mm f/1.4 GM is hands down one of the best prime lenses for Sony a7III simply because it’s rare to find a wide-angle lens with a maximum aperture of f/1.4. Its image quality is also impeccable. - Source: Internet
  • Want to shoot a sky full of stars? This lens can do the job too. It’s a fantastic low-light lens that’s useful for both dark skies and low-lit interiors. Moreover, it autofocuses very quickly, accurately, and quietly. - Source: Internet
  • Overall, image quality is very impressive. You won’t notice much difference between this lens and the above-mentioned Sony 70-200mm f/2.8 unless you’re a professional. - Source: Internet
  • The older version of the same lens is a good alternative—Sony FE 70-200mm f/2.8 GM OSS. It’s around $500 cheaper than the v2, but it has a longer minimum focus distance and suffers from more corner softness. - Source: Internet
  • As a team we have bought and sold hundreds of lenses. Some we used a lot more than we anticipated and others a lot less. Based on that experience here are a few tips on how to choose the right lens fro your needs. - Source: Internet
  • Which lens should you choose? For everyday shooting and ease of travel, the Tamron 28-75mm f/2.8 is the better option. It doesn’t weigh as much, packs nicely, and comes at a lower price. This Sigma lens delivers overall better image quality, though. - Source: Internet
  • The Sony Sonnar T* FE 35mm F2.8 ZA is essentially the smallest lens for Sony a7III that you can get. Weighing a mere 120 g (4.3 oz.), this lens is the perfect choice for the ultimate minimalists and those who love to pack light. - Source: Internet
  • The Sony FE 28mm f/2.0 is a very lightweight and travel-friendly budget lens that’s especially good for landscape and architecture shots thanks to its wide focal length. Given its low price, it also offers fantastic value for money. - Source: Internet
  • If you go through the trouble of adding a 5m PCX filter this smokes many native lenses in several categories. It is one of the few true allround lenses that works well (if not very well) for almost every application you can think of for a 35mm lens. The only real disadvantage: it is not a native lens, which would make it even more enjoyable to use. - Source: Internet
  • With a focal range of 200-600mm and a maximum aperture of f/6.3 at 600mm this lens will help you to get closer to wildlife than ever before. If 600mm is not long enough then you can also add the 1.4x or 2.0x teleconverters. - Source: Internet
  • One of Sony’s most impressive lenses so far. A 35mm 1.4 as small as the already small 24mm 1.4 GM – something no one here thought would be feasible. Better sharpness than anyone would ever need, good bokeh rendering. - Source: Internet
  • Compared to the Tamron 28-75mm f/2.8, this Sigma lens has a more robust build and delivers even sharper results. Additionally, it’s an even better lens for videos as it allows you to switch focus much more smoothly while filming. - Source: Internet
  • Before any short introduction we tell you how long we have used a lens and if we have borrowed it from a manufacturer. But in most cases we have bought the lenses new from retail stores or on the used market. If you want to support our independent reviews please consider using one of the affiliate links. It doesn’t cost you anything and helps us a lot. - Source: Internet
  • – Need a speciality zoom lens that takes ultra-wide-angle shots? Then this a great option to consider. It lets you take photos in small spaces without any issues. 24-105mm – If you genuinely want an all-in-one lens, then this is the option we recommend. It can take both wide-angle shots and telephoto images. The downside is that they’re bulky and the image quality it produces is often inconsistent. - Source: Internet
  • But, as that old chestnut goes, the best camera is the one you have on you. And by all accounts the Sony a7 III is an excellent camera. Despite it not being as small as I’d like, it feels good in my hand. - Source: Internet
  • How much should you spend? If you are on a very tight budget but a competent photographer you will get very good results out of a $50 lens but you will have to deal with a few scenarios where you would have gotten better results with a more expensive lens. But keep in mind we all know that guy who reliably gets bad results out of his $4000 Leica lens. Since available income differs so much it is impossible to give a general recommendation here but it is a good idea to consider how much you will use a lens, how much joy you will get out of using it and count that against much how much you will miss the money it cost you. - Source: Internet
  • On the downside, do not expect reliable low-light performance from this lens. Under dim lighting, it’s unable to consistently lock focus. Although this lens has a decently approachable price, it’s also not exactly cheap for a relatively slow lens. - Source: Internet
  • The Sony FE 1.4x Teleconverter extends the reach of some of the best Sony a7 telephoto lenses to the following lengths. Keep in mind, though, that it’ll do so by sacrificing one full aperture stop. - Source: Internet
  • – “Optical Steady Shot”: Sony’s marketing name for lenses that feature an image stabilizer. ZA – Lenses which have been developed in cooperation by Sony and Zeiss and are produced by Sony. The outer barrel is made from metal which looks nice but scratches easily. - Source: Internet
  • The angle of view is 47 degrees, and the lens comes with a ZERO coating to reduce flares or ghosts. If you want to explore your composition skills around the city, this is the best lens to buy. It is lighter than the f/1.2 pro and produces decent-quality images with minimum effort. - Source: Internet
  • Recommendation: not the highest quality lens in this focal length range, but a very affordable and small one that even comes with AF. Those that don’t want to delve into astrophotography or only rarely need an ultra wide angle lens might end up being very happy with it. Check for decent centering though, our review sample was decentered and we had to send it back. - Source: Internet
  • – Do you want to get more story into your photo? Then consider wide-angle lenses. You might not want to go as wide as a fisheye, but a wide-angle can be fun as long as you control the distortions. Long focal length – Do you prefer a tighter crop? Longer focal lengths will compress the scene. And they also allow you to stand further back so you’re less noticeable. Something like this Canon EF 135mm f/2L is a great camera lens if you want something slightly longer. - Source: Internet
  • Autofocus is also very fast and reliable. Additionally, this lens performs beautifully in low-light situations and delivers stunning bokeh. Sharpness is flawless from edge to edge at every aperture, and there are also no distortions, flares, or ghosts. - Source: Internet
  • Even when set at the maximum aperture, the lens provides crisp and clear images. Reliable AF is also a selling point. Besides, Sony FE 35mm can blur images helping you achieve original effects to spruce up your pics. Its bright maximum aperture of f/1.8 allows a photographer to take shots of excellent quality even in dim spaces. - Source: Internet
  • The focal length is of primary importance for landscape photography, but the max aperture is (usually) not. While a wide aperture can be used to isolate a detail in the landscape or to capture the night sky, much landscape photography is done using small apertures for significant DOF (Depth of Field). Therefore and fortunately, landscape photography does not require the fastest lenses, those with the widest aperture with accompanying heaviest weight, largest size, and highest cost. - Source: Internet
  • The inclusion of three anomalous partial dispersion elements helps further boost the delivered picture quality by minimizing aberrations and color fringing. This makes images crisper and improves fidelity. Besides, the lens features an anti-glare coating to decrease the amount of reflective light, and deliver highly contrasted and saturated images. Lastly, ZEISS Batis 85mm f/1.8 is supplied with superior IS technology that virtually nullifies camera shake and allows you to take fantastic handheld images. - Source: Internet
  • 🔮 The Sony FE 16-35mm F2.8 GM (the overall top Sony a7 wide lens) is another amazing lens for astrophotography. It’s sharp edge-to-edge even wide-open and has minimal chromatic aberrations. - Source: Internet
  • The Tamron 28-75mm F2.8 Di RXD III (Model A036) lens is only compatible with Sony Alpha-E mount cameras. This lens has always been in great demand due to its convenient focal length range and constant F2.8 aperture. - Source: Internet
  • In this article we mainly list lenses which have electronic contacts to communicate aperture and focal length to the camera. There are also quite a few lenses which have an E-mount but no electronic contacts. Most of these are SLR-lenses with a modified mount and we decided against covering these because we think that most of them are not very attractive lenses. We do however cover some of the attractive ones that have been specifically designed for E-mount. - Source: Internet
  • Top-rated picture quality and terrific sharpness across the entire zoom range are the most appealing aspects of this lens. Another considerable plus is the space-saving design, which makes it an indispensable companion for any traveler. Shooters also select this model because of its noiseless AF, which works lightning fast, and its watertight body. - Source: Internet
  • Blurry corners are usually not appreciated in landscape images. Distortion is typically the most noticeable when a flat line appears near the frame border, and curved oceans just don’t look right. Vignetting shows most readily with a solid color covering a sizable portion of the frame edge and corner, and though a gradient blue sky color may be pretty, this effect being caused by the lens is usually not desirable in a landscape image. A great sunstar can become the most-stunning element in a landscape image, and a wide aperture, typical of a prime lens, stopped down significantly, usually creates the largest, best-defined sunstars. - Source: Internet
  • Cameras that can swap out lenses, like those in Sony’s mirrorless system, don’t work with just any lens. You need to shop for one that’s made for your camera. If you opt for the Sony system, you benefit from a decade’s worth of lens development, which means there are oodles of optics from which to choose. - Source: Internet
  • This is a big lens and it weighs 2115g without tripod mount and is 318mm in length. It’s also an internal focusing lens and the short zoom throw makes going from 200mm to 600mm a breeze. Because it doesn’t extend it also balances very well on a gimbal. - Source: Internet
  • If you’re deciding between this lens and the Sony 100-400mm f/4.5-5.6 GM, note that if you primarily shoot wildlife, then you’ll largely benefit from the 600mm focal length of this lens. On the other hand, the 100-400mm is a better lens for macro and landscapes. - Source: Internet
  • For a very low price, the Tamron 17-28 Di III lens provides professional-grade image quality in a compact, lightweight package. There is little this lens lacks aside from switches. The focal length range does not reach the widest or the longest in the class, but it matches perfectly with another exceptional bargain lens, the Tamron 28-75mm f/2.8 Di III RXD Lens. - Source: Internet
    1. Ricoh GR21 The GR21 from Ricoh is a cult favorite amongst street photographers( including one of the genre’s most iconic proponents, Daido Moriyama), and for good reason. Though similar in appearance to the also-excellent, previous GR 35mm incarnations, what sets it apart is the 21 mm f/3.5 lens, (which makes it the only 35mm compact camera with an ultra wide-angle 21mm lens in existence) that opens up a world of compositional possibilities. - Source: Internet
  • For landscapes, fine art or anywhere you want the maximum resolution, the a7R is absolutely the ticket. Because of the optical low-pass anti-aliasing filter on a7R, you have to be aware of the possibility of moire, but it was rare to find an example in actual use. The 117-point PDAF makes the a7 the faster focusing of the the two, so it’s better suited for focus tracking on fast-moving subjects, yet even with moving subjects, I found the focus on a7R to be plenty quick. - Source: Internet
  • 🔮 The Sony FE 16-35mm F2.8 GM (the top overall Sony a7III wide-angle lens) is another amazing lens for astrophotography. It’s sharp edge-to-edge even wide-open and has minimal chromatic aberrations. - Source: Internet
  • The lens is sharp across the frame even when wide-open at f/2.8. It’s well built and despite its heavy weight (1480g) it handles well on the Sony a7iii body. The autofocus is extremely fast and it will rarely miss the shot. - Source: Internet
  • While the Tamron 28-75mm f/2.8 is our top pick, there are many other fantastic Sony a7 IV zoom lenses out there. Here are our other top choices. - Source: Internet
  • You can spend anywhere from $150 to $1500 for a 35mm E-mount lens. You can also adapt a good legacy 35mm for a little over $50. As a rule of thumb more money gets you better optical quality, better build quality, better reliability and faster lenses. There are some rather embarrassing exceptions to this rule of thumb in the E-mount 35mm lineup though. - Source: Internet
  • To help you decide on the best lens for your intended use, I’ve categorized the lenses into the following groups. Please note that there is a little duplication between the groups but this should hopefully make it much easier for you to find the lens that you are looking for. You can click any of the below links to jump to the type of lens that interests you the most. - Source: Internet
  • The Sigma 24-70mm f/2.8 DG DN Art Lens, with a focal length range that encompasses the most-used angles of view, is a great all-around lens choice. This lens is well built and functions as beautifully as it looks. With a wide aperture, the 24-70 DN Art lens is ready to tackle low light scenarios, and the image quality this lens produces is very sharp, especially for the low price. - Source: Internet
  • This lens is quite expensive. You can get the Sony 200-600mm f/5.6-6.3 for a lower price and get 200mm more zoom reach, although that’s not a good lens for macro shots. - Source: Internet
  • If you want to capture images of the sky at night then you will want a lens that works well for low light photography. Some of the most important characteristics of a good lens for astrophotography are a wide maximum aperture like f/1.4, but the lens should also be sharp at this wide-open aperture and offer decent corner resolution and coma correction. Low vignetting is important to, as is the ability to focus manually since autofocus is out of the question at night. - Source: Internet
  • This lens is very sharp across the whole zoom range. While the corners are a bit softer than the center at all focal lengths, they’re still impressively sharp. Moreover, distortions, color-fringing, ghosts, and flares are all kept at a minimum level. - Source: Internet
  • If we had to find a downside, it’s that this lens isn’t the most affordable option, especially if you compare it to the much cheaper Sony FE 50mm f/1.8. However, the latter lens suffers from slow autofocus, and at the end of the day, you get what you invest in. - Source: Internet
  • 🔮 As you may remember from earlier, the Sony FE 100-400mm F4.5-5.6 GM is a fantastic telephoto lens that also doubles as a macro lens. It’s another great option to consider if you’re planning to shoot wildlife or sports, too. - Source: Internet
  • Of course, when looking for the best Sony A7 lenses, photographers should take into account their wishes, priorities, and budget. So, I considered functionality, portability, and price-to-performance ratio to create this selection of the most decent models. Here you will find both lenses produced by Sony and introduced by other brands. If you are a photographer who is always on the go or a videographer, lightweight lenses, which are usually quite expensive, should be your priority. - Source: Internet
  • LA-EA4 Sony A-Mount to E-Mount Lens Adapter with Translucent Mirror Technology ($349.99) adds an addition Phase-detect auto-focus system similar to the one used in the full-frame flagship Sony a99. The LA-EA4 is really fast. In some cases A-mount lenses focus even faster on a7R using LA-EA4 than they do on the a99. The most likely explanation is the all-new Bionz X processor which I’m told is a major leap from the previous generation. - Source: Internet
  • Video quality is super sharp and crisp throughout the zoom range, and for an f/2.8 standard zoom, this lens is also unusually lightweight and compact. Given its reasonable price, this is truly a top-value everyday video lens that’s worth every penny. - Source: Internet
  • Note that E-mount lenses are not identical. For example, cameras from the Alpha 7 series come with a full-format sensor, whereas the models from the Alpha 6000 series are equipped with an APS-C sensor. And these factors influence the performance of optics on different cameras. So when looking for the best Sony A7 lenses, check the model’s parameters to make sure it is compatible with your full-frame device. - Source: Internet
  • For more tips and tricks about getting the most out of your Sony a7 series camera, check out my book ‘Sony a7-Series: From Snapshots to Great Shots’. It’s your guide to all of the Sony a7 Series I & II cameras. While the camera manual explains what the camera can do, it doesn’t show how to use the camera to create great images! Starting with the Top Ten things users need to know about the cameras, author Brian Smith, a Pulitzer Prize-winning photographer and Sony Artisan of Imagery, carefully guides you through the operating features of Sony a7, a7R, a7S, a7II and a7RII and how to use them. Get practical advice from a pro on which settings to use when, great shooting tips, and assignments at end of chapter to practice what you’ve just learned. - Source: Internet
  • If you’re looking to travel with your Sony a7III, you’ll want a small and lightweight lens that’s easy to carry. A versatile zoom range will also come in handy if you want to shoot a variety of things. If you want to capture starry nights or architecture, consider a low-light lens too. - Source: Internet
  • Zeiss Batis 25mm F/2: My review is coming soon. Needless to say, I love this lens. It can be a bit too wide but it’s incredibly sharp. - Source: Internet
  • This lens is ultra-sharp even at f/2.8 across the whole frame. Bokeh is beautifully smooth especially if you shoot at f/2.8, although you might see some onion rings from time to time. Autofocus is impressively fast and very silent too. - Source: Internet
  • It might be 5 decades old, but the Olympus OM1 remains a cult favorite among analog street photographers thanks to its simplicity, compact size, and relative affordability. It features a built-in light meter, and a large, bright viewfinder, plus is compatible with a wide variety of Zuiko lenses, encompassing some excellent options and a range of focal lengths. – Learn more via the Olympus website. - Source: Internet
  • Recommendation: The manufacturer’s first E-mount lens only weighs 550g which could make it an attractive lens for those who want a fast standard zoom but don’t want to carry the heavy GM 2.8/24-70. This very well balanced zoom should be considered by anyone who finds himself confronted with dynamic scenarios like parties, events or family life. - Source: Internet
  • Sony sells two types of mirrorless cameras. The a6000 series and ZV-E10 are built around the APS-C size, and its a1, a7, and a9 cameras use the larger full-frame format. Because of this, you need to be a bit careful and ensure that you buy the right lens for your camera. Sony consistently names its APS-C lenses with an E designation, while full-frame options get FE, but third parties don’t always follow suit. - Source: Internet
  • Recommendation: A very well balanced 35mm 1.4 AF lens. Not as exciting bokeh as the Sigma 35mm 1.2 Art, not as high resolving as the Sony FE 35mm 1.4 GM, but simply a well priced allrounder. - Source: Internet
  • While Sony’s mirrorless lens mount is generically-known as the E-mount, the single letter E on a model name specifically refers to lenses that are only corrected for cameras with cropped APSC sensors, like the A6000 series, or full-frame bodies running in cropped / Super-35 modes; in either case, the crop reduces the field-of-view by 1.5 times, so a 50mm becomes equivalent to 75mm. Note older NEX bodies also employ cropped APSC sensors, but may not have the firmware to correct distortion on some of the latest lenses; they’ll still work, but you may see more distortion that you would on an A6000 series body. - Source: Internet
  • More importantly, this lens should have a wide maximum aperture — at least f/2.8 or wider. Otherwise, your shots are likely to come out grainy. Make sure that this lens is also sharp — preferably edge-to-edge — when shooting wide-open. - Source: Internet
  • Recommendation: The lightest, smallest and most affordable lens in this focal length range. Build quality and handling are inferior to the Sony FE 1.8/85 and bokeh is about on the same level: smooth most of the time but somewhat nervous in more challenging situations. Sharpness is also inferior unless stopped down quite a bit. Also make sure to check it for decentering, as our first copy was severly decentered. - Source: Internet
  • This lens has an excellent build quality and central sharpness, which is very impressive even wide-open. Autofocus is ultrafast, accurate, and essentially silent. Focusing manually is also very easy; you can do so with just a fingertip. - Source: Internet
  • While not inexpensive, this lens delivers incredible image quality, despite the extremely-wide angles of view it avails. With f/2.8 available, this Sony lens is a great choice for photographing the night sky, along with low light events. Take this lens to the most beautiful locations and it is sure enable you to bring home exceptional results. Note that this does not accept front filters. - Source: Internet
  • – Lenses which have been developed in cooperation by Sony and Zeiss and are produced by Sony. The outer barrel is made from metal which looks nice but scratches easily. (manual focus) – Completely manual lenses. You need to use the focusing ring and the aperture ring on the lens to focus and set the desired aperture value. Exif data is still submitted though. - Source: Internet
  • The Sony FE 200-600mm f/5.6-6.3 G OSS is the best value Sony a7III lens you can get if you want to shoot subjects very far away from you, such as wildlife. Despite the mighty telephoto reach of this lens, there’s barely any compromise on image quality. - Source: Internet
  • Recommendation: This affordable lens comes with a number of compromises to achieve its small size. If small size is very important to you it can still be a useful addition. As a general purpose lens we would prefer one of the other options in this focal length range. - Source: Internet
  • 50mm lenses flatten backgrounds, giving them more simplicity. 50mm is also great for street photography if you like compositions and geometry in your images. However, some may find a 50mm focal length too tight. If you like 50mm but use crop sensors; then you can go for a 35mm focal length instead for a tighter field of view. - Source: Internet
  • The Sony FE 70-200mm F2.8 GM II OSS is a high-performance telephoto zoom lens. The constant F2.8 aperture throughout the focal length range is an outstanding feat. Its large aperture and maximum focal length enable you to shoot distant objects even in low light conditions while simultaneously creating decent bokeh. - Source: Internet
  • The new Samyang is the smallest native lens. It is not quite as good optically as the FE 2.8/35, but still a good performer and very affordable. There are various reports about loud and unreliable AF though, which make it harder to recommend. - Source: Internet
  • We are a team of five photographers who all use the FE system and this blog is focused on lens reviews. So we have an in-depth knowledge of these lenses not only because we use them all the time but also because we have reviewed many of them in detail. We are also independent from any lens manufacturer and when you check our reviews you will see that we do not hesitate to name any shortcomings of a lens. To easily compare specs check out our Sony FE-list. - Source: Internet
  • On the downside, this lens might fall short if you’re looking to use your photos for very large prints or posters. In this case, either one of the previously listed wide-angle lenses (the Sony 16-35mm f/2.8 or the Sigma 14-24mm f/2.8) will provide crisper, sharper prints. - Source: Internet
  • a7III + 90mm F2.8 G Macro @ 1/1600 | f/2.8 | ISO 160 | ** Full Resolution SOOC Download: JPEG | RAW - Source: Internet
  • It’s a robust, complete lens system that benefits from Sony’s early bet on mirrorless, along with support from numerous third parties. Ultra-wide, macro, telephoto—it’s all covered, in one form or another. But figuring out which lens is right for you can be tough, especially if you’re just getting started with the system. - Source: Internet
  • Recommendation: What has been written about the Sony GM 2.8/24-70 above applies here as well. Which of these two lenses is sharper at what focal length seems to depend more on sample variation than anything else. The Sony might have an edge when it comes to bokeh and AF though, whether this is worth the premium you can only decide for yourself. - Source: Internet
  • This multi-purposeful lens serves up exceptional value. It delivers flawless edge-to-edge sharpness at every aperture as well as spectacular bokeh. You also won’t see any distortions, ghosts, or flares. Thanks to its wide aperture, it also performs superbly in low-light situations. - Source: Internet
  • The picture quality is impressive. The images are sharp not just in the center but throughout the frame. It is one of the finest and fastest lenses available for Sony’s full-frame cameras for under two thousand dollars. - Source: Internet
    1. Nikon Z fc Vintage-style meets modernity with this compact mirrorless camera from Nikon. The handy size, solid specifications which include a 20.9MP APS-C CMOS sensor, and an 11fps burst rate, as well as the stylish design, make this a great all-rounder, and though Nikon’s Z-range of lenses is relatively new, and thus limited, it won’t stay that way for too long! – Learn more via the Nikon website. - Source: Internet
  • But it wasn’t all magic. I mentioned earlier that my time in Bordeaux with the Sony a7 III was a “crash course” and a “trial by fire.” This is true in the sense that there were times of frustration and failure. I failed to get the shots I envisioned on a number occasions. The reasons were because I wasn’t fast enough, courageous enough, or smart enough with my settings. - Source: Internet
  • This lens is also super user-friendly. To switch between autofocus and manual focus, you just need to push the focus ring out or pull it back in — there’s no need to flip a switch. This lens is also fantastic for low-light situations and shows no distortions, ghosts, or flares. - Source: Internet
  • Because of its remarkable capabilities and features, the Sony FE 24-70mm F2.8 GM II Lens is the go-to lens for many, including the most advanced professionals. The most-needed focal length range is fully covered, with outstanding image quality included. - Source: Internet
  • I think the Nikon Nikkor 2.8/35 is a good option for those that like a well build manual lens but are running on a budget. The Nikkor is a decent landscape lens and I used it for that purpose a lot. It is optically in the same league as the Minolta MD 2.8/35, but build quality is nicer. - Source: Internet
  • Although the Sony FE 90mm f/2.8 Macro G OSS is a specialized macro lens, it doubles as a fantastic portrait lens as well. It’s also one of the sharpest Sony lenses ever made and will allow you to capture incredibly fine details on your subjects. - Source: Internet
  • Recommendation: Every once in a while Sigma releases an unexpected lens and this was clearly the case here. This small and slow 45mm 2.8 is a strong contrast compared to the fast yet huge Sigma Art primes. This 45mm clearly has its fans because of its nice bokeh rendering, but most people will probably want to opt for a faster lens which can be had for less money. - Source: Internet
  • The lens is sharp from 24mm all the way up to 105mm even when you are shooting wide open at f/4. If you like MTF charts then Roger Cicala has some over at LensRentals.com. Sony has really gone to town on this lens and it certainly shows. I don’t own this lens myself, but if I had money to burn I would certainly pick one up. - Source: Internet
  • You should also consider the lens family. Sony gives its better optics a G designation and reserves the GM (G Master) moniker for its highest-quality lenses. If you own a high-resolution a1 or a7R model, it’s often worth it to splurge on a GM lens, but you can usually get excellent results with more affordable lenses if you work with an a7 or a6000 camera. - Source: Internet
  • This lens is very lightweight and compact, making it perfect to travel with. Plus, its versatile zoom range allows you to shoot everything from landscapes, portraits, and close-ups to a sky full of stars. It’s an incredibly multi-purposeful lens. - Source: Internet
  • Sony A7 is a highly functional full-framer that boasts a selection of top-notch features and delivers stunning image quality. However, all these goodies are useless without a pro-level lens. Fortunately, nowadays the market offers a great selection of premium optical accessories to match the performance of Sony A7 sensors. If you have not dealt with full-frame E-mount lenses yet, read about these six models, which are suitable for capturing portraits, wildlife, macro, wide-angle, and astrophotography. The price of accessories listed here ranges from $542 to $2,090. - Source: Internet
  • Unfortunately, pancake lenses have nothing to do with delicious breakfast carbs or maple syrup. They’re simply super small and lightweight lenses — so light that you’ll barely feel their weight at all. These lenses are especially great for travel and street photography, and perfect for minimalists and those who enjoy packing light. - Source: Internet
  • Autofocus is insanely fast and reliable, making it easy to capture quick fleeting moments (such as during weddings). And with the Sony a7 IV’s in-camera corrections turned on, you’ll see no distortions. Ghosts and flares are minimal, too. - Source: Internet
  • Note that this lens offers 20mm less focal reach than the Sony 70-200mm f/2.8. This might be an issue if you’re planning to shoot very far away subjects. - Source: Internet
  • Sony SEL 50mm F/1.8: Bit long for street shooting but can give you some great results. My review of the lens here. - Source: Internet
  • This lens is not only 2mm wider than the previously mentioned Sony 16-35mm f/2.8 GM; it’s also a lot more affordable too. Moreover, its image quality is absolutely outstanding. - Source: Internet
  • Bear in mind, though, that not all lenses are compatible with the best teleconverters. By using them, you’ll also be reducing the maximum aperture of your lens, and sometimes, the general image quality of your shots. Here are the best two teleconverters for Sony a7 cameras. - Source: Internet
  • The focal length of 28–75 mm is handy for everyday photography, but it’s ideal for portrait, street, and event photography. This lens is a good option for photojournalists and other media personnel. But you could use it to capture landscapes and cityscapes, too. It is available for purchase for under a thousand dollars. - Source: Internet
  • The 35mm 2.8 is probably the best ouf of Tamron’s wide f/2.8 primes, but there are so many (faster) 35mm options available these days, it becomes somewhat hard to recommend unlike you really don’t need a lens faster than f/2.8. - Source: Internet
  • I often find my favorite landscape images being captured at telephoto focal lengths, and this lens has the most-needed range for this use. With a fixed f/4 max aperture, this lens gives up a substantial amount of size, weight, and cost over the wider f/2.8 version. The FE 70-200mm f/4 includes pro-grade features, including solid, weather-sealed build quality, Optical SteadyShot, and teleconverter compatibility. - Source: Internet
  • Recommendation: Introduced as small kit lens for the Sony A7c. Optical qualities are very solid, more solid than those of the aforementioned, much bigger and heavier Sony FE 3.5-5.6/28-70 OSS. If you are looking for a small lens that covers a useful range in a very light and compact package this is worth a closer look. - Source: Internet
  • While the Tamron 28-75mm f/2.8 is our top pick, there are many other stellar Sony a7 zoom lenses out there. Here are our other top choices. - Source: Internet
  • Since landscape subjects are often motionless, fast autofocus is not usually an essential feature for landscape photography. I use regularly use autofocus when shooting landscapes, but waiting even an extra second for the lens to focus would seldom make a difference in my images (unless the wife and kids are waiting for me). Even manual focus often works well for landscape photography, especially when photographing at narrow apertures. - Source: Internet
  • Still, despite this lens being adapted from their SLR versions, it is a beautiful lens that costs almost half the price of the Sony FE 90mm F2.8 G OSS macro lens. The images that it produces are razor sharp across the frame, chromatic aberration is well controlled as is distortion. The bokeh is silky smooth and the lens feels like all Sigma Art lenses do, extremely well built! - Source: Internet
  • Should I get a prime or a zoom lens for landscape photography? The prime vs. zoom lens decision is a big one for the landscape photographer. Generalizing, the biggest advantage for using a prime lens is ultimate image quality. These lenses typically produce the sharpest corners, low (or no) distortion, the least vignetting, and the best sunstars. - Source: Internet
  • Recommendation: It is light for a lens in this class but still a heavy lens that not everybody can or want to carry and handhold the whole day. A unique feature in this price class is the internal zooming that makes zooming smooth and easy while keeping the physical dimensions constant. A tripod with a gimbal can help here for stationary work. - Source: Internet
  • 50mm is the best focal length for street photography. It provides an outstanding balance between the subject and its surroundings. The lens creates minimum noise while capturing the surroundings. - Source: Internet
  • In addition, you’ll get beautiful bokeh effects and excellent low-light performance thanks to the bright f/1.8 aperture. This lens is also ultra-sharp from corner to corner even when shooting wide open, and autofocus is super fast and reliable. - Source: Internet
  • To capture subjects far away from you, you’ll need a telephoto lens, which typically has a minimum focal length of 70mm. You can also get a super-telephoto lens, which typically has a focal length of 300mm or more. Here are the best Sony a7III telephoto lenses. - Source: Internet
  • With Sony FE 24-105mm F4, shooters can produce both wide-angle and telephoto photography. Not only that, this model delivers images of top-level quality and has a robust and durable construction. When configured at the lowest f/stop value, the lens captures a vivid and clear picture over the full focal range. This eliminates the need to bring several accessories with you to a shooting location and change them according to the situation. - Source: Internet
  • The Sigma 70mm f/2.8 DG Macro Art is an affordable and lightweight macro lens that delivers razor-sharp results and outstanding image quality. If you plan to take detailed close-ups of flowers, food, and other medium-sized subjects, then this lens will offer fantastic value. - Source: Internet
  • Recommendation: If you are looking for a great performing modern UWA with AF and don’t mind the high price. The Tamron 17-28mm 2.8 is a more flexible lens at roughly half the price though. - Source: Internet
  • It’s an excellent choice for low-light photography. The lens also has a Movie and Still compatible mechanism that allows for steady and fast focusing. This lens comes with a Z coating nano to help prevent glares and ghosts from invading your shots. - Source: Internet
  • Keep in mind that its f/4 aperture makes it less of a low-light performer than the previously mentioned f/2.8 zoom lenses. Bokeh also isn’t as smooth as it is on those f/2.8 lenses. - Source: Internet
  • The Sony FE 1.4x Teleconverter extends the reach of some of the best Sony a7III telephoto lenses to the following lengths. Keep in mind, though, that it’ll do so by sacrificing one full aperture stop. - Source: Internet
  • This lens has a shorter focal range than the Sony 16-35mm f/2.8 GM and is prone to a bit of vignetting. All in all, it’s a top-value choice for those looking to shoot ultra-wide. - Source: Internet
  • Tamron continues to produce great mirrorless lenses, and the 70-180mm f/2.8 Di III VXD Lens is another big hit. Though this lens’s focal length range falls short of the competing 70-200mm models, the range it does provide is great for landscape photography, and the image quality it provides is similarly great. The compact and light weight will be appreciated during long wedding shoots. That the price is affordable is welcomed by everyone. - Source: Internet
  • Another great thing about this lens is its insanely fast and reliable autofocus, which will allow you to get super quick shots of fleeting moments. With your in-camera corrections turned on, you’ll also see no distortions. Ghosts and flares are minimal too. - Source: Internet
  • Recommendation: One of the best corrected f/1.4 lenses for optical aberrations, but this correction came at a price in terms of size and weight. If you allergic to loCA this is your lens, otherwise we rather recommend the Sigma Art 35mm 1.2 DG DN. - Source: Internet
  • While the Tamron 28-75mm f/2.8 is our top pick, there are many other fantastic Sony a7III zoom lenses out there. Here are our other top choices. - Source: Internet
  • A prime lens downside is that you need to buy and carry many lenses to adequately cover the focal length range of a single zoom lens. Frequent lens changes required by a set of primes will inevitably lead to increased sensor dust that will be impossible to overlook in areas of blue sky at f/11. The best zoom lenses available today have excellent image quality, and they are my choice for a significant percentage of my landscape photographs. However, I often have both lens types with me, and sometimes I carry cameras with both types mounted at the same time. - Source: Internet
  • MTF-graphs at lensrentals.com | B&H | amazon.com | amazon.de | ebay.com (affiliate links) - Source: Internet
  • The focal length and wide aperture of this lens will allow you to take amazing casual portraits, too. However, if you’re serious about portraits, check out the Sony FE 85mm f/1.8 as well — it’s an even better budget portrait lens for the Sony a7III. - Source: Internet
  • Note that if you want to print your photos on very large prints or posters, then this lens will fall short, and you’re better off with either of the two previously mentioned wide-angle lenses (the Sigma 14-24mm f/2.8 or the Sony 16-35mm f/2.8), which are much sharper and crispier. - Source: Internet
  • Moreover, if you can’t afford the previous prime lens (Sony 24mm f/1.4 GM), this 35mm wide-angle prime is an amazing alternative — it costs a lot less while still delivering very impressive image quality. It’s also incredibly lightweight and travel-friendly. - Source: Internet
  • Recommendation: A well balanced 35mm AF lens. Be sure to check out the Sigma C 35mm 2.0 DG DN as well as the Sigma Art 35mm 1.4 DG DN though, you might like their bokeh rendering and build quality (metal/aperture ring) more. - Source: Internet
  • This new lens from Tamron is an excellent upgrade from the original A036 and is very similar in price. Everything from the build quality to the autofocus to the optics has been improved, making the A063 an excellent choice for professionals. Although it doesn’t have all the features of the G Master lens, it’s still a great lens. - Source: Internet
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