414 Things You Should Know About The Best Sony Full Frame Lens For All Purposes

This time around, we shall cover Best All Purpose Sony Full Frame Lens. Obviously, there is a great deal of information on Sony Full Frame Lenses on the Internet. The rapid rise of social media facilitates our ability to acquire knowledge.

information about Sony Full Frame Lenses is also related to 24 Best Lenses for Sony a7 IV in 2022: The Ultimate Guide and Sony Lenses. As for further searchable items pertaining to Best Super-Wide Zoom: 12-24mm, they will likewise have anything to do with Sony Lens Ranking.

414 Things You Should Know About Best All Purpose Sony Full Frame Lens | Sony Full Frame Lenses

• The Sony FE 2.0x Teleconverter extends the reach of some of the best Sony a7 IV telephoto lenses to the following lengths. Keep in mind, though, that it’ll do so by sacrificing two full aperture stops. - Source: Internet
• This lens from Samyang also has an unusual focal length with its 75 mm. 85 mm is more common for portrait lenses, but the 75 mm in combination with its aperture of f/1.8 is just as capable of producing a great background blur, so you can really make your subject stand out. - Source: Internet
• Understandably, this 200-600mm lens is huge and bulky. At over 2 kg in weight, it completely offsets your a7iii’s lightweight build. This is also not the best lens for shooting in dark conditions. - Source: Internet
• With an aperture of f/1.4, this lens can perfectly shoot the starry night sky without noise or grain. Meanwhile, the wide 24mm focal length lets you capture the entire scene with razor-like sharpness. - Source: Internet
• The sharpest wide angle zoom ever tested by DxO Mark, this G Master wide-angle constant f/2.8 maximum aperture zoom designed for full-frame E-mount mirrorless cameras offers consistent performance throughout the zoom range and benefits working in low-light conditions. The optical design incorporates two extra-low dispersion elements to reduce chromatic aberrations along with two XA elements and three aspherical elements, which significantly controls spherical aberrations for a high degree of image sharpness and clarity. Nano AR coating has been applied to limit ghosting and lens flare for increased contrast and color fidelity when working in strong lighting conditions. - Source: Internet
• But if you’re looking for the best overall lens, you can’t go wrong with the Tamron 28-75mm F2.8. Its wide focal range is extremely versatile. Use it for portraits, low-light, landscapes, and even the night sky. - Source: Internet
• To take the best portraits, look for a prime lens with a focal length of 85mm or longer. Prime lenses have very wide apertures, allowing you to create stunning bokeh, a shallow depth of field, and better subject-background separation — all of which would enhance your portraits. Here are the best Sony a7 IV prime lenses for portraits. - Source: Internet
• It’s also a bit faster with a lens speed of f/1.2 and the image quality is exceptional. And so is the price. The lens currently sells for about 1,350 euros. - Source: Internet
• It has a very compact build, is sealed against dust and splash water, and even comes with a filter thread. What’s more, it has a practical zoom range of 17-28 mm and a very good lens speed of f/2.8. - Source: Internet
• On top of that, the self-imposed restrictions often make me take better photos than with a zoom lens. I need to think more every time a shoot, and it shows in the end result. Many believe shooting with a prime lens is a great way to improve your skills as a photographer, and I wholeheartedly agree. You just need to get used to “zoom with your feet”. - Source: Internet
• If you’re looking for a macro lens for your Sony camera, then the Sony FE 90mm f2.8 G OSS Macro lens hits the park running. That is to say, it’s excellent; it offers exceptional image quality, being difficult to beat in terms of sheer resolving power. You also benefit from built-in Optical Steady Shot (OSS), helping you keep shots steady and free from blur. Plus, it doubles as a great portrait lens, and can take detailed photographs of any subject. - Source: Internet
• The Chinese company Brightin Star is now making mirrorless lenses for the Sony FE E-Mount, starting with the 55mm f1.8 lens. At $99 dollars it looks like it could be a lot of fun, especially with that 12-blade aperture. I’ve reviewed many cheap lenses like this and usually, they are worth the price if you’re just looking to mess around with a manual lens. Often only real flaws are the corner performance and inner element light scattering in bright conditions which causes a loss of clarity and contrast. - Source: Internet
• Want to shoot a sky full of stars? This lens can do the job too. It’s a fantastic low-light lens that’s useful for both dark skies and low-lit interiors. Moreover, it autofocuses very quickly, accurately, and quietly. - Source: Internet
• Prime lenses are usually lighter and shorter, and this one is no exception. If you are used to carrying bulky lenses give this one a chance. It might shock you how much of an effect it can have! - Source: Internet
• This lightweight and travel-friendly lens combines wide-angle and telephoto reach, taking away the need to switch between multiple lenses. It’s also incredibly sharp and weather-resistant. CHECK PRICE ON AMAZON - Source: Internet
• If you plan to shoot indoors (such as sports or performances), you’ll benefit from this lens’s excellent low-light performance. And while bokeh isn’t quite as smooth as that of the Sony 70-200mm f/2.8, it’s still very beautiful. - Source: Internet
• For a budget telephoto lens, check out the Tamron 70-300mm F4.5-6.3. Tamron is making more and more telephoto lenses for mirrorless cameras lately, which is great news! Some of the Tamron lenses for sony a7iii are an excellent option for a budget version of the more expensive Sony and Zeiss ones. - Source: Internet
• To shoot subjects far away from you, you’ll need a telephoto lens, which typically has a minimum focal length of 70mm. You can also get a super-telephoto lens, which typically has a focal length of 300mm or more. Here are the best Sony a7 IV telephoto lenses. - Source: Internet
• On the downside, do not expect reliable low-light performance from this lens. Under dim lighting, it’s unable to consistently lock focus. For a relatively slow lens, it’s also not exactly cheap, despite its somewhat approachable price. - Source: Internet
• As I already mentioned when talking about the best landscape lenses, the Tamron 17-28mm F2.8 Di III is a good budget option if you need a wide-angle lens. Sometimes you don’t need to best of the best, and an acceptable but solid option is preferable. - Source: Internet
• The 45 mm is special because the focal length is rather unusual. The normal focal length for full-frame lenses is typically around 50 mm. In purely mathematical terms, however, 45 mm is closer to the field of vision of the human eye, making this lens an interesting alternative. - Source: Internet
• Both this Sony lens and the Sigma 24-70mm f/2.8 have better build quality than the Tamron 28-75mm f/2.8, which is another reason why they’re pricier. - Source: Internet
• The Sony 24-70mm F2.8 GM lens is an excellent standard zoom lens designed for Sony E-mount mirrorless cameras. It features a constant F2.8 aperture throughout the zoom range, and it works great even in low light conditions. Its zoom range covers a versatile range of focal lengths, making it a great general purpose lens to carry in your kit bag. - Source: Internet
• On top of all that, this lens is also very travel-friendly as it is lightweight and compact. With its f/1.4 aperture, there’s also no better wide-angle lens for creating beautiful bokeh. - Source: Internet
• Photojournalists, sports and wedding photographers rejoice! If you’ve been patiently waiting for a 70-200 F2.8 for E-mount, this lens is worth the wait. Like the other lenses in this series it’s incredibly sharp with nice balance for E-mount cameras. - Source: Internet
• This lens is very sharp across the whole zoom range. While the corners are a bit softer than the center at all focal lengths, they’re still impressively sharp. Moreover, distortions, color-fringing, ghosts, and flares are all kept at a minimum level. - Source: Internet
• And yet another 35 mm prime lens from Sony. This lens excels with its incredible lens speed of f/1.4. However, that also means it’s very bulky and heavy. - Source: Internet
• Compact, fast telephoto zoom lens offers a f/2.8 maximum aperture ideal for shooting in low light and controlling depth of field. Optical design includes low dispersion and aspherical elements to correct a variety of aberrations and a BBAR-G2 coating to reduce flare and ghosting. Autofocus features a pair of VXD linear motor units for fast, accurate, and quiet autofocus. - Source: Internet
• Sony 200-600mm F5.6-6.3 OSS Lens Buy Here comes the big daddy of all telephoto lenses. This is Sony’s premium super-telephoto lens that can go up to 600mm, getting you extremely close to your subject. It has OSS (Optical Steady Shot) also makes it ideal for handheld photography, provided you can hold onto it for longer than a few minutes. - Source: Internet
• Some of these Oshiro lenses aren’t actually made for E-Mount but they ship with an all-metal mount. Honestly, you’re probably better off buying vintage M42 mount lenses and adapting them. But these are cheap enough that they could be a fun experiment. I just don’t know enough about Oshiro to have any opinion on them. - Source: Internet
• If you want a cheaper alternative, consider the Sony FE 50mm F1.8 lens. It’s still a solid choice for a 50mm prime lens. - Source: Internet
• It is ultra-sharp edge-to-edge throughout the zoom range, even wide-open at f/2.8. It delivers extremely detailed photos and videos — if you want the utmost image quality, look no further than this lens. - Source: Internet
• 🔮 As you may remember from earlier, the Sony FE 100-400mm F4.5-5.6 GM is an amazing telephoto lens that also doubles as a macro lens. It’s another great option to consider if you’re planning to shoot wildlife or sports too! - Source: Internet
• But that’s not to say that you should never use full-frame lenses on APS-C bodies, nor APS-C lenses on full-frame cameras. Sony allows its full-frame and APS-C lenses to be used interchangeably with its full-frame and APS-C format cameras, and there are scenarios where each can be advantageous. Check out our guides on when to use APS-C lenses instead of full-frame and what is crop factor to learn more. - Source: Internet
• A spectacularly sharp, fast, and portable prime lens that delivers stunning bokeh and premium image quality. A must-have for anyone serious about portraits. CHECK PRICE ON AMAZON - Source: Internet
• Full-frame E-Mount telephoto zoom lens with the versatility to stretch from true wide-angle to super telephoto perspectives. Its advanced optical design includes 5 aspherical elements and 1 ED glass element for reduced chromatic and spherical aberrations in a compact design. Optical SteadyShot image stabilization facilitates sharper imaging in low light situations and when shooting at long telephoto lengths. - Source: Internet
• Since it is a prime lens, you won’t be able to zoom. However, I personally find this an advantage when taking street photos. It will force you to move around, to get close to your subject and to think more about what you are actually doing. 35mm is also a great focal length for street photography, as it works well for shooting busy streets, people, portraits… - Source: Internet
• Looking for a top-notch everyday zoom lens? Look no further than the Tamron 28-75mm f/2.8 Di III VXD G2. It’s super sharp, versatile, and the best value entry-level lens. - Source: Internet
• The Sony FE 70-300mm F4.5-5.6 G OSS is made for those wanting a multi-purpose telephoto lens with incredible zoom range, but won’t be shooting in low light. - Source: Internet
• Nisi is a Chinese company that has made filters and accessories for lenses since 2005. They are now making cinema lenses for the Sony E-Mount. These lenses have excellent chromatic aberration control. They are all the same length of 11.7cm and all weigh just under 3 pounds. - Source: Internet
• One of the key characteristics of a typical landscape lens is a wide-angle or ultra-wide-angle focal length, which for full-frame cameras is generally 24mm or shorter. These types of lenses let you capture more of the scene, which makes them ideal for landscape photography. Imagine a dramatic mountain vista, a wide-open field or a massive waterfall: A wide-angle lens is a good choice for all of these shooting scenarios. Wide-angle lenses are also great for emphasizing a foreground subject. Shoot wide and get in close, and your subject will dominate the frame. - Source: Internet
• For crop-frame shooters, with cameras such as the A6600, A6400, or A6100, using a native APS-C-format lens for landscape photography and other wide-angle shooting is important. You can, of course, use full-frame “FE” format lenses on a crop-frame Sony camera (they all use the same lens mount). The crop-factor introduced by the smaller sensor will reduce some of the wide-angle field of view if you use a full-frame lens. - Source: Internet
• Reflex has announced some new lenses for the Sony E mount. They’ll also be available for Canon and Nikon, and probably Panasonic down the line too. Like the Rokinon / Samyang lenses, the Reflex lenses are basically DSLR lenses with built-in adapter tubes. - Source: Internet
• These lenses are made with high-quality anodized aluminum, brass and stainless steel. I personally love these lenses, especially on my Sony A7r III. They are lightweight manual lenses with very good optics that are just about perfect for street photography. - Source: Internet
• There are a few nice companies in Japan going strong with some great lens designs. Sigma is one of the big brands that just about everyone has heard of. And of course, Japan owns the digital imaging market with some of the best technology in the world for optics and design. - Source: Internet
• 60mm T2.9 at a 1.35x. I’ll list more information once this lens is out of its Kickstarter phase. - Source: Internet
• Now, much like the other categories on this list, you also have a choice of prime (single focus length) or a zoom lens. Prime wildlife lenses can often be quite large and expensive, with some of the benefits there being fantastic optical quality and brighter apertures, which let them perform in lower light and have gorgeous shallow depth of field. That said, it’s hard to look past the versatile of a zoom lens, which is why we’re focusing on zoom lenses here for our recommendations. - Source: Internet
• Voigtlander has always made great lenses for the Leica M-mount. They now engineer their designs and even have new designs specifically for the Sony E Mount with electronic communication. Meaning, they pass the focal distance and focus position of the lens to the camera so you should be able to get full 5-Axis IBIS support with the supported lenses. - Source: Internet
• This lens offers spectacular value for money. It’s ultra-sharp from corner to corner at every aperture. In fact, according to Sony’s MTF chart, it’s possibly even sharper than the more expensive premium Sony FE 85mm f/1.4 GM. - Source: Internet
• Lightweight wide-angle prime designed for full-frame Sony E-mount cameras is ideal as walkaround travel lens. Offers half life-size 1:2 maximum magnification ratio and 4.7″ minimum focusing distance for working with close-up subjects. OSD stepping motor achieves fast and near-silent autofocus along with full-time manual focus override. Features moisture-resistant design and fluorine coating for working in inclement conditions. - Source: Internet
• The lens has a 55mm focal length, which is roughly within the range of a normal lens. This means that the field of view is quite similar to the human eye. Even when I have a zoom lens I find myself going back to 35mm or 55mm quite often, because that’s how I perceive the world. And while the claims of normal lenses being close to the human experience are not without controversy, I think there’s at least some truth in there. - Source: Internet
• All this comes at a price, of course. This lens is definitely on the higher end of the spectrum, and you should only consider getting it if you are serious about your landscape photography. Especially because the competition is strong. Lenses like the Tamron 17-28mm F2.8 Di III might not have such spectacular sharpness but cost less than half the price, making it a fantastic budget wide angle lens for sony a7iii. - Source: Internet
• Manual focus telephoto prime lens with fast f/2.0 maximum aperture for low light and shallow depth of field control. With a rounded 9-blade diaphragm, shallow depth of field imaging will be rendered with pleasing out-of-focus highlights. Compatible with both full frame and APS-C format mirrorless E mount cameras. - Source: Internet
• If you are ever wondering why these lenses are smaller and cheaper than what Nikon offers at f0.95, and why these lenses work so well on the smaller E-Mount, this is why. Ultra-high refractive elements, usually up to four of them. The tech is cool and interesting, especially since nobody else is doing this right now. - Source: Internet
• Weighing a mere 281 g (10 oz.), this lens is also really small, lightweight, and easy to take everywhere. Autofocus is also very fast, reliable, and silent. - Source: Internet
• Update: Mitakon 50mm f0.95 Speedmaster III is on the way. If you were considering grabbing this lens it might be worth your while to wait. Mitakons lens updates usually offer some really nice build improvements. - Source: Internet
• Picking a lens for travel and street photography can be a difficult task. For street photography, you might lean towards something small, lightweight and discreet, whereas for travel purposes, you’ll likely do well with some zoom versatility. In both cases, though, you’ll probably want to keep your Sony camera kit as simple and as lightweight as possible; in other words, a single-lens setup. Think: walking around on vacation, exploring a new city or going on a hike. Having a light but versatile camera setup is key. - Source: Internet
• Below, I differentiate different types of lenses by the size of their aperture, which is the hole that allows in light as measured by the f-stop. With a wider aperture, more light will come in for a better chance at getting great video indoors in dim lighting. The big trade-off with a wide aperture is you can’t focus on as many objects at different distances because the lens has a shallow depth of field. This will keep your subject very clear but the background will become blurry. - Source: Internet
• What’s considered budget-friendly is quite subjective. Some of these lenses are cheaper than others. Regardless, they’re the most affordable high-quality lenses for their categories. - Source: Internet
• “The Sony 24mm f1.4 G Master is a lens many photographers will want to add to their shopping list, regardless of their photographic specialty. Whether you’re a landscape photographer, an astrophotographer, a street photographer, or even a portrait photographer, there will be situations where the 24mm f1.4 G Master will shine.” - Source: Internet
• It also captures stunning bokeh and performs well in low-light, thanks to the f/2.8 max aperture. With the fast, silent, and accurate autofocus, this lens doesn’t disappoint. - Source: Internet
• Image quality is simply impeccable. In fact, this lens is razor-sharp edge-to-edge, even wide-open at f/1.8, which is exactly what you need in an ideal astrophotography lens. - Source: Internet
• Kamlan has a 55mm f1.2 that is for the full-frame E-mount. It’s still a little difficult to find. - Source: Internet
• Versatile f/2.8 mid-range zoom offers the most bang for the buck. Ideal for shooting in available light with increased control over depth of field offers. Optical design incorporates a series of low dispersion and aspherical elements that greatly reduce aberrations to achieve high sharpness, enhanced clarity, and improved color accuracy. Both Super Multi-Layer and Nano Porous Coatings improve contrast and color rendering by suppressing lens flare and ghosting under harsh lighting. - Source: Internet
• “The image quality is sharp, saturated, and overall very beautiful. It beats much of the previous lenses that Sony has offered but in many ways also rivals the company’s 55mm f1.4 for their A-mount.” - Source: Internet
• Depending on your photography style, you will need a different focal length. For instance, you need a longer lens for shooting wildlife and a wide lens for capturing landscapes. To take photos of people, you might want something that’s close to a human’s natural viewing angle. - Source: Internet
• As I mentioned in the wildlife section, a good option is to take a small telephoto lens and buy a teleconverter to increase the range. It’s expensive to buy both of them, but it might be worth the investment when you really need that extra edge. The Sony 1.4x teleconverter is a good one. - Source: Internet
• Note that if you want to print your photos on very large prints or posters, then this lens will fall short, and you’re better off with either of the two above-mentioned wide-angle lenses (the Sigma 14-24mm f/2.8 or the Sony 16-35mm f/2.8), which are much sharper and crispier. - Source: Internet
• Zeiss makes some pretty great lenses for the Sony a7iii, and the Batis 85mm f/1.8 is no exception. It’s another versatile option you can use for landscape and interior photography. - Source: Internet
• An incredibly sharp super-wide-angle lens that’s perfect for both landscape shots and astrophotography. It boasts spectacular image quality and a weather-sealed build. CHECK PRICE ON AMAZON - Source: Internet
• The Sony 70-200mm F2.8 FE GM OSS lens is part of the G Master series for Sony’s mirrorless interchangeable lens cameras. It delivers ultra-crisp sharpness, reduces chromatic aberration and produces smooth and clean bokeh and minimal aberrations thanks to the XA element, two aspherical elements, four extra-low dispersion elements, and two Super ED elements in the optical design. - Source: Internet
• The lens is ideal for landscape photography. The image quality is outstanding, even with an open aperture. The lens is also protected against dust and splash water. - Source: Internet
• I hope this blog post has been helpful in your quest for finding the perfect lens. Buying a new lens is expensive, so making a good decision is important. However, remember that there are no wrong answers! Even if the lens you buy is not what you were looking for, by using it you might discover a new way of taking photos. And even a new way of seeing the world. - Source: Internet
• Shoten has just released a new update to its Speedmaster 50mm f0.95 lens. Shoten like SLR Magic and Mitakon are using lenses made by ZY Optics. They are all essentially using the same lenses but tuned or designed slightly differently for different markets. For example, the SLR Magic lenses are mostly Mitakon lenses but with gearing for cinema shooters. - Source: Internet
• There are a lot of Samyang manual focus lenses. I don’t particularly recommend them, especially since Samyang decided to produce high quality lenses with Autofocus. Note that in 2020, Samyang decided to update two of these lenses: the Samyang 14mm f/2.8 MK2 MF and the Samyang 85mm f/1.4 MK2 MF. - Source: Internet
• This lens is not only 2mm wider than the Sony 16-35mm f/2.8 GM; it’s also a lot more affordable, too. Moreover, its image quality is absolutely outstanding. - Source: Internet
• Ultra-wide zoom lens for full-frame Sony E-mount mirrorless cameras features constant f/4 maximum aperture. Sophisticated optical design incorporates aspherical and low dispersion glass elements to control spherical and chromatic aberrations for improved sharpness and clarity. Nano AR Coating is applied to reduce surface reflections, flare, and ghosting for greater contrast and color fidelity when working in bright, backlit situations. - Source: Internet
• “This lens has fantastic sharpness, class-leading bokeh, good construction, weather sealing, fast autofocus performance, and lots to offer the high-end Sony shooter. You couldn’t honestly ask for anything more.” - Source: Internet
• The Sony FE 20mm f/1.8 is very new, debuting just this past year. We’ve not reviewed the lens ourselves yet, but user reviews across the web note the lens’s sharp image quality performance, fast AF, small size and good control over coma (or comatic aberration) – a type of optical distortion that can occur to point light sources, such as stars. A lens with low comatic aberration is an important quality to consider when looking for an astrophotography lens. - Source: Internet
• The Sony FE 55 F1.8 ZA is a prime lens, which means you won’t be able to zoom with it. I personally like the restriction, since I believe it forces me to think more when I shoot. In the digital era is too easy to take pictures mindlessly. Having a prime lens makes me stop and think. - Source: Internet
• The bright f/1.8 aperture of this lens is what makes it truly spectacular for videos and photos. It’ll allow you to get super smooth bokeh (even better than the Tamron 28-75mm f/2.8 mentioned above) as well as beautiful, crisp, and noise-free low-light videos/photos. - Source: Internet
• Although the Sony FE 90mm f/2.8 Macro G OSS is a specialized macro lens, it doubles as a fantastic portrait lens as well. It’s also one of the sharpest Sony lenses ever made and will allow you to capture incredibly fine details on your subjects. - Source: Internet
• Kit deals are also available for professional cameras. Who would have thought? Since it was barely more expensive than just buying the body, we also bought our cameras in a kit with the 28-70 mm, f/3.5-5.6 zoom lens included. - Source: Internet
• Sony FE 24-105 F4 G OSS: This is hands down one of the best all-rounder lenses out there. A lens with a versatile zoom range that can work for almost any situation: portrait, landscapes, street photography… Great image quality with minimal distortion when it’s wide open. It also features a dedicated focus-lock button and AF/MF switch, which are some of my favourite features on a lens. - Source: Internet
• One of them is the 20 mm with an aperture of f/1.4. The lens is perfect for landscape and architecture photographs. It costs about 800 euros. - Source: Internet
• Featuring a compact form factor well-suited for full-frame Sony E mount mirrorless cameras, the latest lens in the Loxia line-up is based on the Distagon optical concept for reduced distortion as well as consistent, even illumination and sharpness from edge to edge. The optical design also incorporates four anomalous partial dispersion elements and one aspherical element to control chromatic aberrations and increase overall clarity and color accuracy. Zeiss T* anti-reflective coating minimizes lens flare and ghosting for greater contrast. - Source: Internet
• On the downside, this lens has a much shorter focal range than the Sony 16-35mm f/2.8 GM, so it can be limiting. All in all, it’s a top-value choice for those looking to shoot ultra-wide. - Source: Internet
• Price-wise, this lens offers incredible value for money as it’s even cheaper than the shorter Sony 100-400mm f/4.5-5.6 GM (mentioned above). - Source: Internet
• This lens is razor-sharp edge-to-edge, even when shooting wide-open at 400mm. Autofocus is incredibly fast, accurate, and silent. It also has no trouble tracking moving subjects, which is quite important for wildlife and sports shots. - Source: Internet
• Opteka is actually owned by Samyang. Like Viltrox, Opteka also makes a lot of camera accessories. Their handheld camera mounts are fairly popular and they also make a decent shutter remote for Sony cameras. Now they’re making some lenses. - Source: Internet
• Higazmos made a 60mm 1.33x anamorphic lens for the full-frame Sony E system. More information soon. - Source: Internet
• The Sony 200-600mm F5.6-6.3 FE GM OSS lens is a versatile telephoto lens designed for Sony E-mount full-frame cameras. It is ideal for shooting sports, wildlife and nature thanks to its fast autofocusing speeds which will ensure you’ll never miss fast-paced action again. For its size, it is relatively lightweight and portable and can be operated handheld comfortably. - Source: Internet
• It’s quite bulky for a 50 mm lens, but the photo quality is excellent all around. The price isn’t exactly low at just under 1,400 euros. But then again, it’s certainly justified for a high-quality lens with Zeiss technology. - Source: Internet
• Short-telephoto, portrait prime with bright maximum aperture and advanced optical layout. Fast f/1.4 design is ideal for working in low-light and selective control over depth of field for isolating subjects and working with selective focus. As part of the Art line of lenses, this lens is also designed for high-resolution rendering, and utilizes FLD and SLD glass to control chromatic aberrations and color fringing for notable clarity. - Source: Internet
• However, choosing the widest aperture you can find may not always be the wisest choice. After all, these lenses would be large, bulky, and more expensive. If you’re travelling a lot and shooting mostly the scenery, you might want to choose a higher aperture number just to save space. Check our travel photography tips for a better travel photography experience! - Source: Internet
• This lens is spectacularly sharp edge-to-edge throughout the whole zoom range, even when shooting wide open. The only lens that can rival its image quality is the previously mentioned Sony 24-70mm f/2.8, which is heavier, more expensive, and offers less focal reach. - Source: Internet
• The lens has a fast and quiet linear motor for focusing, which works great while shooting videos, and you don’t need an external mic. The construction is moisture-resistant, which is good, and the lens is quite compact. One factor that may affect your buying decision is that this isn’t a particularly fast lens, as the minimum aperture of F2.8 indicates. - Source: Internet
• This lens is great for almost anything. You can go out with the confidence that you might not need another lens. In fact, I often use exclusively my Sony FE 50mm F1.8 lens, another prime lens with a similar focal length, and my favourite lens so far. - Source: Internet
• If you need something even cheaper, a great option is taking a prime lens. Prime lenses are much more restrictive since you won’t be able to zoom. However, they offer excellent image quality, are lighter and cheaper. The Sony FE 50mm F1.8 lens is as cheap as it gets, takes amazing sharp images and it’s great in low-light situations. - Source: Internet
• If you shoot in different scenarios, having one lens covering a large range of focal lengths can be handy. This lens from Tamron is exactly that. If you’re shooting videos or landscapes, you can use the minimum focal length of 28mm. But, when you want that telephoto effect to kick in, you can get closer to your subject with the 75mm setting. - Source: Internet
• For a budget zoom lens alternative, you won’t find a better option than the Sony 28-70mm F3.5-5.6 FE. - Source: Internet
• “…the Sony a7r III and the Sony a1 had nearly imperceptible autofocusing speed with this lens. They tracked quickly, accurately, and satisfactorily. Better yet, they did this in both good and low lighting.” - Source: Internet
• Another good use case for this type of lens is to shoot sporting activities. Whether you’re a beginner who wants to start off with a super telephoto lens or a professional looking for an affordable lens with a large zoom range, this is an excellent pick. That’s what user reviews also tell you. - Source: Internet
• So, after a lot of digging, I discovered the “Sony 18-135mm F3.5-5.6” lens, which is the best zoom lens for the Sony a6400. - Source: Internet
• The ultimate wide-angle lens for the best image quality. It has a flexible focal range, is razor-sharp, performs well in low-light situations, and creates stunning bokeh. CHECK PRICE ON AMAZON - Source: Internet
• The F1.8 aperture is going to make sure the lens performs no matter the light conditions. Going out on an evening walk through the city? No problem! The images are still going to be excellent. - Source: Internet
• Sony has been busy developing a new line of Cine lenses. I’ll list what they’ve made so far and update as I find more information. So far there is just the 16-35mm T3.1 with two more lenses coming. If I had to guess I would say will complete the trinity. - Source: Internet
• “In addition to acquiring and maintaining focus quickly and reliably, the Sony 135mm f1.8 G Master creates images that marry corner to corner sharpness with lifelike colors, minimal distortion, and little to no chromatic aberrations. In focus areas appear tack sharp and defocus into velvety smooth bokeh, helping your subjects stand out from the rest of the frame” - Source: Internet
• If you are taking a telephoto lens for taking pictures of animals as part of a trip, you are probably going to take part on a safari or something similar. Long and heavy lenses are useless here. You are in a moving vehicle, most likely hand-holding your camera, and taking pictures of moving animals. - Source: Internet
• “Since I believe that the best sharpness from a lens comes out when you use a flash, I did just that. The sharpness from this lens is impeccable when the subject is nailed perfectly in focus.” - Source: Internet
• The narrow aperture also means it’s not the best lens to shoot with when there’s not a lot of ambient light. Regardless, this lens is so popular because of the versatility combined with the sharpness you get across the focal length. If you don’t want to invest in multiple lenses, get this one, and you will be sorted for a while. - Source: Internet
• “It can deliver gorgeous image quality and with the right lighting, I doubt that anyone would really be able to fault the lens or the photographer. Combine this with the little bit of weather sealing, and I can totally see how this lens can be one that stays glued to your camera in most instances.” - Source: Internet
• Next up is one of Sony’s newest addition to their professional-grade GM line, the Sony FE 35mm f/1.4 GM. Now this is a lens so good, it made B&H’s list of best-selling mirrorless lenses almost immediately after it was launched to the market. - Source: Internet
• The Sony 24-70mm F4 Vario-Tessar T FE OSS is also one of the lightest zoom lenses out there. This makes it the ideal companion for long days during your trip. Definitely, a solid option if you only want a cheap lens for sony a7iii to take on your trip. - Source: Internet
• The list of Sony zoom lenses is getting quite massive now. In terms of quality, Zeiss was leading for a while but Sony has been putting out some really good GM lenses that are very high quality. Usually, the Sony GM lenses are better than the Zeiss lenses in terms of features that they offer but they are often bigger and more expensive. - Source: Internet
• Thanks to its focal length and wide aperture, this lens also takes amazing casual portraits. However, if you’re serious about portraits, check out the Sony FE 85mm f/1.8 — it’s an even better budget portrait lens for the Sony a7 IV. - Source: Internet
• We also love the fact that it’s the lightest 24mm f/1.4 lens you can get anywhere. Sure, it does come at a higher price point, but if you’re serious about your astrophotography, this is the lens for you to get. - Source: Internet
• It’s compact, lightweight, and extremely versatile. Making this our top pick lens for the Sony a7iii for the most people’s needs. It’s certainly not the cheapest lens on the list, but it’s also not the most expensive. Truly an epic all-round lens for those looking to upgrade their camera quickly. - Source: Internet
• The only downside to this lens is that it’s in the pricier range. However, it’s still the least expensive, lightest, sharpest, and best 24mm f/1.4 ever made — it’s worth every penny of its price tag, especially if you’re serious about low-light wide-angle photography. - Source: Internet
• This lens delivers very sharp results in the center throughout the zoom range, even when shooting wide-open. It autofocuses very accurately, quickly, and quietly, which makes it great for wildlife shots. It also takes great portraits. - Source: Internet
• Overall, this lens is truly a must-have if you’re serious about portraits. You’ll essentially get the same value as the premium Sony 85mm f/1.4 GM while paying much less and dragging around 450 g (15.8 oz.) less weight. - Source: Internet
• While the Tamron 28-75mm f/2.8 is a solid entry-level zoom lens, the Sigma 24-70mm f/2.8 DG DN Art is a great alternative if you’re looking for a pro/expert-level zoom lens. - Source: Internet
• One of the knocks on Sony years ago was that its lens range was a bit limited. But the company has been very aggressive in recent years in building out its range. As a result, there’s now a Sony lens for just about every occasion. Here we’ve focused on the best Sony lenses to start your collection, choosing optics to cover all of the most common focal lengths. - Source: Internet
• When it comes to Sony’s G Master lenses, we think the 12-24mm F2.8 lens is one of its best. It may not be the cheapest lens you can get for your a7iii, but its performance at a 12mm focal length is stunning. - Source: Internet
• Under good lighting conditions, autofocus is very quick, smooth, and quiet. It also effortlessly tracks fast-moving subjects. Under dim lighting, though, this lens focuses quite slowly and can hunt for a while. Due to the narrow aperture, bokeh also isn’t the smoothest. - Source: Internet
• Capture stunning close up shots with the Sony 90mm Macro lens. It offers accurate focusing and a strong magnification with the 90mm focal range (135mm equivalent super macro if used on a cropped sensor camera). This lens is perfect for small to tiny subjects and pairs well with diopters for super macro work. - Source: Internet
• I also use the Voigtlander for my Leica lenses. It’s a very solid adapter. The close focus version just means it telescopes slightly. - Source: Internet
• The Sigma 70mm f/2.8 DG Macro Art is a lightweight and affordable macro lens that delivers razor-sharp results. If you want to take detailed close-ups of flowers, food, and other medium-sized subjects, then this lens will offer fantastic value. - Source: Internet
• The reviews for the lens speak for the quality of images you can shoot with it. It’s one of the best-rated lenses out there for Sony full-frame cameras and provides similar performance to lenses priced 2 or even 3 times higher. Get it for the excellent bokeh in shots and extremely fast autofocus, which is essential if your subject is moving. - Source: Internet
• Indeed, you won’t find another lens at this price range with a more stunning performance. The Sony 24-70mm f/2.8 GM, for instance, is great but very heavy and expensive. - Source: Internet
• More importantly, this lens should have a wide maximum aperture — at least f/2.8 or wider. Otherwise, your shots are likely to come out grainy. Make sure that this lens is also sharp — preferably edge-to-edge — when shooting wide-open. - Source: Internet
• If you’re deciding between this lens and the Sony 100-400mm f/4.5-5.6 GM, note that if you primarily shoot wildlife, then you’ll largely benefit from the 600mm focal length of this lens. On the other hand, the 100-400mm is a better lens for macro and landscapes. - Source: Internet
• Welcome to our guide to the best Sony E-mount lenses for your Sony mirrorless camera. This list represents the crème de la crème of Sony E-mount optics, and as such, we’ve only included lenses that have received our coveted 5-star Testbench Gold award in a full review. These are all lenses that we’ve used, tested and rated, and we reckon every single one offers superb value for money. - Source: Internet
• The Sony FE 100-400mm F4.5–5.6 GM OSS is light and not particularly big, compared to other options. If you are not a professional photographer willing to wait for hours and days on a tripod to get a great shot, this lens is a great option. - Source: Internet
• At the end of the day, the best lens for your Sony a7 depends on what you need it for. However, our general recommendation would be the Tamron 28-75mm F/2.8, an all-rounder with impressive image quality and construction. - Source: Internet
• The Sony FE 28mm f/2.0 is a very lightweight and travel-friendly budget wide-angle lens that’s especially good for landscape and architecture shots. Even though it’s affordable, it has a sturdy build quality and offers incredible value for money. - Source: Internet
• Fast telephoto prime pairs bright and sophisticated optics with intuitive handling and design. As part of the Art line of lenses, this 135mm f/1.8 is designed for high-resolution rendering, and utilizes FLD and SLD glass to control chromatic aberrations and color fringing for notable clarity. - Source: Internet
• The Sigma 85mm f/1.4 DG DN Art takes our short telephoto, portrait lens recommendation over the pricier Sony GM counterpart. There’s no better way of putting this — the Sigma 85mm f/1.4 DG DN Art just outperforms the Sony 85mm f/1.4 GM in every aspect that matters. - Source: Internet
• Telephoto lenses are typically used to shoot wildlife, sports, and other far-away subjects. They also allow you to zoom in on landscapes to capture creative perspectives. Telephoto lenses typically have a minimum focal length of 70mm and can go up to 600mm or more. - Source: Internet
• The Sony FE 24-70mm F2.8 GM II lens is part of the Sony G Master range, and if you don’t know, this is their premium line of lenses, with the aim to provide ultimate image quality, as well as beautiful background blur (or bokeh). This new lens is relatively small and lightweight, with an aperture ring, making it a great match if you’re looking for a small(er) lens without compromising on image quality. There’s an 82mm filter thread, and a relatively close focus distance of 21-30cm. With weather-sealing it’s a perfect match for Sony’s weather sealed mirrorless cameras. - Source: Internet
• Overall, this lens performs really well. It’s impressively sharp in the center even when shooting wide open, has minimal distortions, and is great for low-light situations. Autofocus is fast, reliable, and tracks moving subjects well. - Source: Internet
• It’s a good idea to get a remote shutter and a sturdy tripod to use with this lens for the best possible results. At this price point, there aren’t a lot of lenses that can give you this focal length combined with the sharpness that this lens from Sony offers. This makes it a good deal if you’re starting with wildlife photography. Do note that the low-light performance isn’t as good so stick to shooting in daylight as much as possible. - Source: Internet
• Sony 85mm F1.8: Are you looking for a lightweight, high-quality and affordable lens? Then this is the lens for you. This prime lens is a fantastic all-round portrait lens. And probably the best option when it comes to travel. There are slightly better, heavier and expensive options, but this is the best value for your money. - Source: Internet
• Sony has two lens systems: the Sony E-mount and the A-mount. Sony E-mount lenses are designed for its current range of full-frame and APS-C format mirrorless cameras, while the A-mount is the system used by Sony’s now defunct range of DSLR-style SLT cameras. If you’re looking for the best Sony lenses to buy, you’re probably going to want an E-mount lens. - Source: Internet
• This lens is razor-sharp edge-to-edge. Its wide f/2.8 aperture also allows you to get super creamy and smooth bokeh. Plus, it’s a great lens to work with in low-light conditions. - Source: Internet
• Good video lenses should have a fixed aperture for smooth transitions and a wide max aperture (f/2.8 or wider) for beautiful bokeh and low-light performance. If you’re planning to vlog, go for a wide-angle lens with a minimum focus distance of around 0.30 m (1 ft) or less. - Source: Internet
• The Sony FE 1.4x Teleconverter extends the reach of some of the best Sony a7 IV telephoto lenses to the following lengths. Keep in mind, though, that it’ll do so by sacrificing one full aperture stop. - Source: Internet
• In our review, we praised the lens’s image quality performance, even when used wide open – which is very impressive. The super-wide aspect ratio is also very fun to use, offering a unique perspective for some very dramatic images. We also noted the lens performed very well in controlling comatic aberrations. Though originally designed as a DSLR lens, Sigma has since come out with a native Sony E-mount version of this lens, helping do away with the need to use a mount adapter. - Source: Internet
• I can’t talk about travel lenses without mentioning prime lenses. Prime lenses have a fixed focal length. They are kind of the opposite of a zoom lens. This means, of course, that you can’t zoom at all with them! - Source: Internet
• This specialized macro lens is super user-friendly, versatile, and one of the sharpest Sony lenses out there. It’s perfect for close-ups of tiny subjects and doubles as a portrait lens, too. CHECK PRICE ON AMAZON - Source: Internet
• All of the lenses in this guide have been selected for the excellent image quality they produce, variety in focal length range and excellent build quality. Below you’ll see our shortlist of the best Sony lenses; we’ve selected a range of prime lenses as well as zooms. If you have any questions or to inquire about our price-match program, please don’t hesitate to reach out to our experts at sales@bluewaterphotostore.com or call +1 310-633-5052. - Source: Internet
• If you need even more range consider getting a teleconverter. They expand the focal length of your lens. This means that they essentially multiply your zoom, at the cost of a narrower aperture, which might have an impact in low-light settings. They are not cheap, but if you are willing to pay for one, consider the Sony 1.4x teleconverter. - Source: Internet
• The only real downside of this lens is that it’s not the cheapest thing in the world. With that said, given its top-notch video/image quality, travel-friendliness, and fast f/1.8 aperture, you definitely get incredible value for what you pay for. - Source: Internet
• The Zeiss branded Sony Zeiss Planar T* FE 50mm F1.4 ZA lens has a metal build-quality that impresses, as well as an aperture ring that can be declicked, which will benefit videographers. Focus was quiet, but not the fastest, and the high price is something to be aware of. But most importantly, the image quality on offer is “barely believable” as we said in our review, thanks to an impressive level of sharpness, as well as gorgeous-looking out-of-focus blur, even when shooting wide-open. - Source: Internet
• If you’re looking to travel with your Sony a7 IV, you’ll want a small and lightweight lens that’s easy to carry. A good, versatile zoom range might also come in handy if you want to shoot a variety of things. Here are the best Sony a7 IV lenses to bring to dream destinations. - Source: Internet
• While the Tamron 28-75mm f/2.8 is our top pick, there are many other fantastic Sony a7 IV zoom lenses out there. Here are our other top choices. - Source: Internet
• 🔮 If you’re interested in more portrait lenses, check out my review for the Sony FE 55mm F1.8 ZA. Though it has a shorter focal length, it’s great for environmental portraits, street photography, and top-notch videography. - Source: Internet
• This lens is also super user-friendly. To switch between autofocus and manual focus, you just need to push the focus ring out or pull it back in — there’s no need to flip a switch. This lens is also fantastic for low-light situations and shows no distortions, ghosts, or flares. - Source: Internet
• There really is no one answer for this, as the best lens for your Sony a7iii is the one that meets your photography needs and interests. For example, the Sony 85mm F1.8 would be the perfect choice if you’re into portrait photography, while the Sony FE 70-200mm F2.8 GM OSS is better suited to capture faraway subjects like animals and wildlife. - Source: Internet
• One of the sharpest lenses Sony has ever made. With this prime lens, you’ll never have to sharpen photos in post-processing again. Bokeh is also super smooth and creamy. CHECK PRICE ON AMAZON - Source: Internet
• The Carl Zeiss branded Vario-Tessar T* FE 24-70mm f/4 ZA OSS lens offers a “standard” zoom range of 24-70mm, with an f/4 constant aperture, that allows the lens to be relatively compact. Optical SteadyShot (OSS) gives the lens useful optical image stabilisation, and this lens was released when Sony’s full-frame mirrorless cameras didn’t feature in-body image stabilisation. Build quality is good, and the lens delivers good optical image quality. - Source: Internet
• Aperture is how much light a lens can let through its sensor, where more light allows you to shoot in the dark without too much blurring. The lower aperture number (f/1.4) means more light can get in, while a higher aperture (f/22) denotes the opposite. - Source: Internet
• The Tamron 70-180mm f/2.8 Di III VXD is the best lower-priced alternative to the above-mentioned Sony 70-200mm f/2.8, and the top value f/2.8 telephoto zoom lens in the market. - Source: Internet
• The Tamron 17-28mm f/2.8 Di III RXD is the best wide-angle lens for you if you prioritize affordability and portability. It’s also an amazing lens for vlogging. - Source: Internet
• The Sony FE 100-400mm F4.5–5.6 GM OSS lens is the perfect option for a travel telephoto lens. It has a great range, fantastic image quality, image stabilization and the most important one: it’s not particularly bulky or heavy for a telephoto lens. - Source: Internet
• Due to its size, telephoto lenses often need a tripod to prop up. They are heavy, not portable, and very expensive, making it less ideal for beginners. If you do go for one, research your camera backpacks carefully to make sure you have enough room to store this and the rest of your lenses/accessories. - Source: Internet
• OUR TOP PICK Tamron 28-75mm F2.8 A top-value everyday lens that’s lightweight, beginner-friendly, versatile, and impressively sharp. It can shoot everything from portraits and landscapes to starry skies. CHECK PRICE ON AMAZON - Source: Internet
• Those looking for some of the best third-party Sony a7iii compatible lenses would love the Sigma 24-70mm F2.8 DG DN Art. It combines both range and high brightness to deliver a stunning performance, without the exorbitant price tag. - Source: Internet
• Full-frame compatible wide-angle prime lens for E-Mount mirrorless cameras. Its wide focal length and fast aperture make it a practical and versatile lens. Its optical design features Extra-low Dispersion glass elements which reduce chromatic aberrations and provide improved contrast. Also, aspherical and advanced aspherical elements minimize spherical aberrations and help to maintain the lens’ compact, lightweight form. - Source: Internet
• Note that this lens offers 20mm less focal reach than the Sony 70-200mm f/2.8. This might be an issue if you’re planning to shoot very far away subjects. - Source: Internet
• If you’re planning to shoot in dim lighting conditions, this lens won’t disappoint. You’ll get high-quality, noise-free shots even in low light. Autofocus is impressively fast and very silent, too. There are also minimal flares and great ghost control. - Source: Internet
• Sony FE lenses stand for Sony Full E-mount lenses, which refers to any lens designed for the full-frame Sony mirrorless cameras. This includes the ever-popular Sony a7iii. You can use these lenses on APS-C cameras too, but note that the focal length will increase by 1.5x. - Source: Internet
• If you are willing to pay the extra money, the Sony FE 85mm f/1.4 GM lens is a good upgrade. The best features of this lens are the even better low-light performance and the amazing bokeh effect. In this range, this is probably the best lens for bokeh. Sony G-Master’s image quality never disappoints. - Source: Internet
• Try the Sony FE 28mm F2.0, one of the most compact and budget-friendly lenses you can get. It’s great for wide-angle photography of landscapes and everyday scenes, and an overall brilliant prime lens too. - Source: Internet
• Other good alternatives are the Sony FE 50mm F1.8 lens and my beloved Sony FE 55mm F1.8 ZA, which I used for many of the pictures of this blog. - Source: Internet
• Image quality is excellent, even wide-open, at both ends of the zoom range, and the weight savings really go a long way at making the Tamron zoom a pleasure to use for long periods of time. Plus, if you’re an APS-C Sony shooter, the lens also works very well with these smaller cameras compared to longer, heavier telephoto options. All in all, with excellent image quality, fast AF performance, compact construction and a fantastic price point, it’s no surprise that the Tamron 70-180mm f/2.8 Di III VXD got the nod onto our Lens of the Year picks for 2020 as a Telephoto Zoom Lens of Distinction. It’s an excellent telephoto zoom for Sony sports photographers. - Source: Internet
• Bear in mind, though, that not all lenses are compatible with the best teleconverters. By using them, you’ll also be reducing the maximum aperture of your lens, and sometimes, the general image quality of your shots. Here are the best two teleconverters for the Sony a7 IV. - Source: Internet
• The Sony a7iii is an expensive camera, and the lenses are pricey as well. However, that doesn’t mean that you have to spend thousands to get one. There are plenty of good quality lenses out there that won’t empty your bank account. - Source: Internet
• The Sony FE 35mm F1.4 G Master lens is another premium lens from Sony, offering superb sharpness even wide open, with excellent handling and operation, in a relatively small and light lens, with metal construction. The lens benefits from silent, and accurate autofocus, as well as a manual aperture ring with both click and clickless operation. As part of the G Master range, the lens is designed for both excellent levels of sharpness, with beautiful and attractive bokeh or background blur. - Source: Internet
• We’d say that the Sony 135 mm is the better alternative to the Zeiss 135 mm. The main difference is the higher lens speed of f/1.8, which makes it much easier to create a bokeh effect. - Source: Internet
• Autofocus performance and image stabilization — both quite important for a lens of this type — are very impressive. The Sony FE 70-200mm F2.8 GM focuses quickly and very accurately in both good and bad lighting scenarios. The image stabilization is equally awesome, and will cut a lot of hand held shake even at 200mm. - Source: Internet
• G – This is the code by Sony to distinguish top quality in their lenses. Like the Zeiss T* or the Canon L. It basically means it’s good. - Source: Internet
• If you are only going to get one lens consider the Sony 24-70mm F4 Vario-Tessar T FE OSS, one of the best budget lenses for sony a7iii. This is a great upgrade for your standard kit lens. The shooting range should be enough for most of your travel photos, from landscapes to portraits or street photography. - Source: Internet
• While I personally love my 55mm lens, I have started to fall in love recently with my new Sony FE 35mm F1.8 lens. I get that extra breathing space that sometimes is vital when doing street photography. And thanks to the amazing quality of the Sony a7iii I can still crop something too wide without losing too much quality. - Source: Internet
• Best prime lens Sony FE 24mm F1.4 gm Finding an excellent quality wide-angle lens with such a low aperture number is rare. But in this case, the Sony FE 24mm F1.4GM lens excels and is excellently priced at the same time. - Source: Internet
• Our pick for crop-sensor photographers is the Sony E 10-18mm f/4 ED OSS. Offering the widest-angle zoom range in the Sony E-mount lens lineup, the 10-18mm lens offers a 15-27mm-equivalent field of view, which makes it a versatile and capable landscape photography lens. Though we have not reviewed this lens, user reviews and other reviews are by and large extremely positive, with praise going to its optical performance in most situations, its lightweight and compact design, built-in image stabilization and the ability to use front screw-on filters. With a price of around $800, it won’t set you back too much. - Source: Internet
• The Sony FE 200-600mm f/5.6-6.3 G OSS is the best value Sony a7 IV lens to get if you want to maximize focal reach and shoot very faraway subjects, such as wildlife. Despite the mighty telephoto reach of this lens, there’s barely any compromise on image quality. - Source: Internet
• An ultra-fast, budget-friendly, and portable lens that takes incredible videos and vlogs. It delivers super sharp results, stunning bokeh, and great low-light performance. CHECK PRICE ON AMAZON - Source: Internet
• Before you go on, you should know that none of our content in this guide is sponsored. We’re also not a website that does sponsored reviews. In fact, we think you should check out our Ethics Policies about all this as we take it incredibly seriously. We reviewed all these lenses in-house and we also shot all the images for this roundup. So without further adieu, please explore the Sony FE Lens Guide. - Source: Internet
• The lens is very sharp, but the autofocus could be a bit faster. Still, you get a very good lens for your money. It currently costs about 500 euros. - Source: Internet
• Another wide-angle lens from Sony. This one has very high-quality build, the product of excellent optical and technical workmanship. And the image quality is impeccable. - Source: Internet
• If you want the most top-notch image quality, then the Sony FE 135mm f/1.8 GM is the ultimate portrait lens to get. According to expert Roger Cicala from LensRentals, out of 300+ lenses, this is the sharpest lens he’s ever tested. - Source: Internet
• best macro lens Sony 90mm F2.8 Arguably the sharpest Sony lens ever made, this is definitely your best bet if you’re in the market for a new Sony a7iii macro lens. Perfect for shooting top quality photos of tiny subjects, including insects and all other objects. $998 at Amazon$998 at B&H Photo - Source: Internet
• Sony mirrorless cameras are wide-ranging both in price and features, generally offering something for every level of photographer, and are also capable for nearly every type of photographic pursuit, be it landscape photography, portraiture, sports and wildlife or astrophotography. But, the key to capturing stunning photos (or video) of your desired subject is getting the right lens for the job. While your kit lens may be pretty good, making a small investment in additional lenses can dramatically boost the creative flexibility of your camera – and the quality of your photos. - Source: Internet
• The Velvet and Twist lenses work on their own. For the Edge and Sweet lenses, you’ll need to mount them to a Composer Pro or Composer Pro II. If you already have one of these, you can Check Price just the optics. - Source: Internet
• Autofocus on this lens is fast, reliable, and completely silent. Moreover, you’ll barely see any distortions, ghosts, or flare. While you’ll see strong vignettes at wider f-stops, they can be easily removed in post-processing via Lightroom. - Source: Internet
• And this lens certainly lives up to those demands. It can easily go toe to toe with the Sony 24 to 70 mm. Top image quality, fast, quiet, and slightly more compact and lighter than the Sony G Master. - Source: Internet
• The Sony FE 16-35mm f/2.8 GM is a premium lens that pretty much has it all. Its zoom range is super practical and allows you to shoot a large variety of wide-angle settings. On top of that, it has a fixed aperture that’s perfect for videos and low-light photography. - Source: Internet
• Despite its small size, there’s very little compromise on image quality. This lens is ultra-sharp even at f/2.8 across the whole frame. Bokeh is beautifully smooth especially if you shoot wide open, although you might see some onion rings from time to time. - Source: Internet
• Another excellent portrait lens you can get is the Sony 90mm F2.8, which also happens to be our top pick as the best macro lens for Sony a7iii. It’s user-friendly, has brilliant autofocusing, and perhaps the sharpest Sony lens to date. - Source: Internet
• This lens shows impeccable image quality. It delivers edge-to-edge sharpness throughout the aperture range, especially wide-open at f/1.4. It also autofocuses quickly, accurately, and pretty much silently. - Source: Internet
• Quality-wise, it’s a great lens. We definitely recommend it over the Sony 12-24 and if you can live without 35 mm, also over the Zeiss 16-35 or the Sony G Master. And last but not least, the lens is also comparatively affordable at around 1,450 euros. - Source: Internet
• Best telephoto lens Sony FE 70-200mm F2.8 GM OSS If you’re looking for stunning up-close shots of faraway subjects, then this is the best lens for you. With incredibly fast autofocus, it is super versatile and offers edge-to-edge sharpness. - Source: Internet
• Compact wide-angle prime designed for full-frame Sony E-mount mirrorless cameras is ideal for landscape and street photography. Lightweight design is well-suited to its use as a travel or everyday lens. Optical design incorporates three aspherical elements and a pair of high refractive index elements to suppress spherical aberrations and achieve a high degree of sharpness and clarity throughout the aperture range. Ultra Multi-Coating has also been applied to control flare and ghosting for increased contrast when working in strong lighting. - Source: Internet
• A1 30 FPS 50 MP full-frame, 26.0 oz./736 g with battery and SD card. Check Price. 03 May 2021 - Source: Internet
• When it comes to picking a lens for portraiture, you’ll most likely want something with some telephoto reach. Wide-angle lenses, on the other hand, can distort and accentuate facial features in an unflattering way, whereas a longer standard-focal length or short telephoto lens will capture a more natural, more pleasing representation of your subject. Traditionally, an 85mm prime lens has been a classic portrait go-to, offering a good focal length for natural-looking portraits and good subject isolation thanks to the wider aperture than what you typically find on a kit zoom lens. The wide aperture helps blur out the background of your shot and help your subject stand out more. - Source: Internet
• The Sony FE 35mm F1.8 lens has superb performance in low-light situations. This makes it ideal for night street photography enthusiasts. No matter if you are shooting the intense neon lights of Hong Kong or Osaka at night or a dimly lit alley in Dublin, the image quality will be rock solid. - Source: Internet
• We have nothing bad to say about third-party lenses in general. We actually use Tamron lenses ourselves and are very happy with them. So you might also want to consider going third party to take advantage of a wider range of options or better value for money. - Source: Internet
• Sony themselves do not (yet?) make macro lenses higher than 1:1 mag. ratio, and generally, most of these high-powered macro lenses are manual-focus only. For our recommendations, we will stick to the more common and more versatile lenses that offer autofocus. Not only can they be used for macro photography, but they also work for more general-purpose photography, even portraiture. - Source: Internet
• Tamron 28-75mm F2.8 Lens Buy This is more of an all-purpose lens from Tamron instead of specifically being a telephoto lens. Of course, you can always switch to the max focal length of 75mm for those close-up shots, but you also get the advantage of shooting wide whenever the situation demands it. - Source: Internet
• If you’re looking for a medium-wide angle lens, then the Sony FE 35mm f/1.8 is the best choice out there. It delivers stunning image quality and is super lightweight and travel-friendly. - Source: Internet
• On the downside, this lens is quite costly for a lens of its type. There are also some visible chromatic aberrations at wider apertures, especially if there’s a high contrast between the subject and the background. However, this is easy to remove with Adobe Photoshop. - Source: Internet
• The a7iii in itself is quite small and compact, considering it is a mirrorless camera. If travel and portability is important for you, then you might not want to buy a lens that adds too much to the weight you have to carry. Besides, this will completely nullify the size benefits of a mirrorless in the first place. And it’s always smart to pack light when you’re planning to travel. - Source: Internet
• Macro shots are all about the details, and this lens is one of the sharpest Sony lenses ever built. It is flawlessly sharp at all apertures, even wide-open, and will bring out the tiniest details in your subjects. Bokeh is also very smooth and creamy. - Source: Internet
• The Sony FE 50mm Macro lens features less magnification than the Sony 90mm making it a more flexible option for shooting larger macro subjects, fish portraits, etc. In addition it’s a great option for use with a croppsed sensor camera, which would be shooting at a 75mm equivalent with this lens). In addition you can pair it with diopters to gain more magnification. - Source: Internet
• It can be hard to find a wide-angle lens with a low aperture number, and in this case f/1.4 is magnificent. This means it’s the perfect lens for shooting beautiful bokeh! - Source: Internet
• Prime lenses from Sony are usually more expensive, as they’re faster and require a more complex design. They are manufactured in lower quantities which naturally drive up the cost more. However, this also means they have a better build quality. - Source: Internet
• This lens demonstrates excellent central sharpness, which is very impressive even wide-open. Autofocus is ultrafast, accurate, and essentially silent. Focusing manually is also very easy; you can do so with just a fingertip. - Source: Internet
• The Tamron 17-28mm f/2.8 has got to be the best wide-angle lens for the Sony a7, all thanks to its focal length and consistent f/2.8 aperture. - Source: Internet
• “The Sony 200-600mm f5.6-6.3 G OSS Super Telephoto combines snappy and precise autofocusing performance, robust build quality, and stellar image quality into a superb lens that is worthy of being added to any sports and wildlife photographer’s arsenal.” - Source: Internet
• The Sony 90mm F2.8 is hands-down the sharpest Sony lens. It’s also a great option for those interested in macro photography and portraits. Even when shooting wide-open, you can enjoy crisp images that are sharp to the edges. Featuring an impeccable AF system, this lens can produce stunning bokeh and low-light images without any distortion. - Source: Internet
• If you’re looking for an ultra-wide-angle zoom lens, then this could be a great choice, starting at an ultra-wide 16mm, zooming to 35mm. The Zeiss Vario-Tessar T* FE 16-35mm f/4 ZA OSS lens gives sharp images, and with a constant f/4 aperture, the lens is more compact than it would have been had the aperture been brighter. The lens has a solid all-metal construction, and takes a 72mm filter on the front of the lens. - Source: Internet
• It’s a versatile 7.5x high magnification zoom APS-C lens with an 18-135mm / 27-202.5mm (35mm equivalent) focal length, F3.5-5.6 aperture range, and Optical Steady Shot image stabilization that can handle a wide range of subjects and situations, including scenery, portraits, nature, and everyday photography. - Source: Internet
• Meanwhile, a wide aperture is recommended as it allows you to focus just on the subject and blur out any distracting background elements. In portrait photography, it’s important to draw the attention of viewers to the subject, including their eyes and facial features. If you are planning for a romantic getaway with your significant other a portrait lens would be a great gear to pack for capturing those sweet and candid moments! - Source: Internet
• The Tamron trinity of lenses are some of the best, but it’s not yet complete for Sony E-mount cameras. Right now we have the 28-75mm which is fantastic. There were a few firmware issues with the initial launch so make sure you upgrade the firmware of the lens when you get it. - Source: Internet
• The photographer who needs a standard zoom that reaches a bit further will surely reach (pun intended) for this lens. It’s affordable, packed with weather resistance, and reliable for the price point. For that reason, it’s well-suited for portrait photographers. It’s also terrific for event photographers who can’t get as close to a subject. - Source: Internet
• The Tamron 70 to 180 mm is a real insider tip. The lens has a speed of f/2.8 in combination with a focal length of 70 to 180 mm. It’s very compact for this type of lens and only weighs 815 grams. - Source: Internet
• In addition, this lens is ultra-sharp from edge to edge even when shooting wide open, and autofocus is super fast and reliable. If you’re a fan of bokeh, you’ll be very pleased. You’ll also be able to get some fantastic low-light shots thanks to the f/1.8 aperture. - Source: Internet
• The Sigma 30mm F1.4 Contemporary is another brilliant 3rd party portrait lens worth considering. The wide angle can give you stunning shots of people. It’s also relatively cheap and so perfect for beginners looking for a solid prime lens. - Source: Internet
• This is an extremely well-rated lens and for a good reason. It’s almost like you’re walking around with 4 different lenses built into one, similar to the quad-camera setups we see on many smartphones these days. Thanks to the large range of focal lengths, you can use this lens for anything and everything, from portraits to landscapes to street photography and macro shots. - Source: Internet
• The lens is almost weightless, which is perfect for long days. I often struggle to pick some of my heavier lenses when travelling because I know by the end of the day I’m going to be sick of carrying my bulky camera. After all, if you pay for a lightweight mirrorless camera like the Sony a7iii, why not take advantage and use a light lens as well? - Source: Internet
• Third-party lenses are often a good bet when looking to expand your system, offering premium performance at a cut-down price. The Sigma 20mm F2 DG DN | C is a prime lens providing excellent value for money, and is a good budget-friendly alternative to Sony’s own FE 20mm f/1.8 G (featured a few entries down from this one). In testing, we found that this lens handled fantastically on the Sony A7R IV, creating a perfectly balanced setup, and its optical performance was superb. It’s sharp throughout the aperture range, only getting a little soft at f/22. - Source: Internet
• Though we’ve not seen this lens in our lab, user reviews for the lens are largely positive, with owners noting the lens’s great sharpness, good close-focusing performance and affordable price point. Some criticize its slower AF performance, so keep that in mind if you shoot lots of moving subjects – however, the lens is designed for macro photography, so AF speed isn’t generally a priority. Overall, a sharp and affordable lens that serves as a great entry into the world of macro photography. - Source: Internet
• Adding more salt to the wound perhaps is the $600 price difference between the two lenses, in favor of the Sigma. So if you’re shopping around for a portrait, studio workhorse for your FE system, then the Sigma 85mm f/1.4 DG DN Art is the lens to get. - Source: Internet
• The Sony FE 35mm F1.8 lens is not only one of the best prime lenses for Sony a7iii, it’s also the best prime lens for travel. As much as I love the 50mm lenses, a short focal length offers a wider angle of view. It might not be the best Sony portrait lens, or the best landscape one, but it’s a great compromise between all options. - Source: Internet
• If you’re looking to travel with your Sony a7 IV, you’ll want a small and lightweight lens that’s easy to carry. A versatile zoom range will also come in handy if you want to shoot a variety of things. If you want to capture starry nights or architecture, consider a low-light lens too. - Source: Internet
• “This lens is a bokeh monster: the Sony 100mm f2.8 STM G Master OSS lens has 11 aperture blades, an f2.8 aperture, and then throw in the 100mm focal length factor.” - Source: Internet
• This E-mount lens is an updated version of Voigtlander’s 15mm f/4.5 III with a 110 degree angle of view. It features electronic contacts for EXIF info, Lens Menu Correction, Manual Focus Assist, Manual Focus Distance indication, Electronic Front Curtain Shutter capability, 5-Axis Image stabilization and they are optimized for the thickness of the Sony a7-Series cover glass. - Source: Internet
• The zoom design of a 70-200mm lens provides excellent versatility for a variety of sports subjects, and the 200mm reach at the long end is a really solid telephoto focal length for distant subjects. An f/2.8 aperture, though not absolutely critical for every sports photography endeavor, helps in several ways, including more pleasing subject isolation (out-of-focus backgrounds) and simply letting more light into the lens. The latter will let you shoot with faster shutter speeds, helping you get crisp, blur-free action shots; plus, it will help if you need to shoot indoors or in other lower-light situations, letting you also shoot with a lower ISO setting (and thus less noise and grain). - Source: Internet
• Tokina is a Japanese company that has produced several prime lenses for the Sony full-frame E-mount system. The Firin 20mm f2 is a fairly new non-cinema lens that’s been turning heads. It’s an all-metal lens with a brushed finish. There is also an autofocus version of the Firin available. - Source: Internet
• 🔮 The Sony FE 16-35mm F2.8 GM (the top overall Sony a7 IV wide-angle lens) is another amazing lens for astrophotography. It’s sharp edge-to-edge even wide-open and has minimal chromatic aberrations. - Source: Internet
• “Here’s where I really am perhaps most pleased with this lens. The colors are very, very nice. They feel almost film-like.” - Source: Internet
• Incorporating an apodization lens element to create exceptionally smooth, rounded bokeh while maintaining tack-sharp focus on the subject. This newly designed element nearly eliminates peripheral highlight distortion from vignetting and works with the 11-blade circular aperture to produce pleasing out-of-focus areas. The apodization lens element reduces light transmission to T5.6 when set to the lens’s maximum f/2.8 aperture. - Source: Internet
• Since Sony first announced their FE lineup of lenses, we’ve been hard at work reviewing each and every single one. Further, our team has worked to tell the transparent truth about the lenses while also giving our own insights based on industry experience. If you’re a passionate Sony photographer exploring your hobby further, then there’s something here for you. But if you’re a passionate professional, then this Sony FE Lens guide will also help you navigate and find exactly what you want. - Source: Internet
• Nevertheless, the lens is an affordable starting point for getting into photography, especially when purchased in a kit. And its compact size really comes in handy when you’re traveling. The lens currently costs 380 euros on its own. That’s an okay price, but you can save even more money buying it in a kit. - Source: Internet
• The Sigma 14-24mm f/2.8 DG DN Art is an amazing choice for you if you want a zoom lens that’s even wider than the above-mentioned Sony 16-35mm f/2.8 GM. - Source: Internet
• For vlogging, look for a wide-angle lens (max 35mm focal length) with a minimum focus distance of around 0.30 m (1 ft) or less so that you can easily stay in focus while talking to the camera. Here are the best Sony a7 IV lenses for videos. - Source: Internet
• For a lens of its kind, it’s very lightweight and travel-friendly. In fact, it weighs a whopping 670 g (23.6 oz.) less than the Sony 70-200mm f/2.8! Despite its smaller size and weight, it makes no compromises on image quality. - Source: Internet
• “Distortions are well controlled, chromatic aberrations are almost non-existent, images are sharp and have natural colors, and the lens is built like a tank. At $3,000, it’s not cheap, but that’s the price you pay for innovation when coupled to a G Master designated lens.” - Source: Internet
• To find the best astrophotography lens for Sony a7iii, you want a wide-angle lens with a wide max aperture, as well as edge-to-edge sharpness. The Sony FE 24mm f/1.4 GM checks all these boxes - Source: Internet
• Choosing the best Sony wide angle lens is definitely difficult. Both the Sony 12-24mm F4 G lens and the Sony 16-35mm F2.8 GM one are strong contenders. However, if you need to go wide, go wide. The 12mm of minimum focal length can give you the extra edge that you need when you really want to capture something massive. - Source: Internet
• If you need anything better than the Samyang 85mm f/1.4 manual focusing lens, then it has to be the Sony FE 85mm f/1.8 auto-focusing lens. It does come at twice the price of the Samyang though. - Source: Internet
• Autofocus is also very fast and reliable. Additionally, this lens performs fantastically in low-light conditions and creates beautiful bokeh. Sharpness is flawless from edge to edge at every aperture, and there are also no distortions, ghosts, or flares. - Source: Internet
• This lens is quite expensive. You can get the Sony 200-600mm f/5.6-6.3 for a lower price and get 200mm more zoom reach, although that’s not a good lens for macro shots. - Source: Internet
• This compact prime lens is my favorite wide angle walk-around lens for street photography on Sony a7 Series cameras. Despite being the smallest Sony FE lens, this baby is deceptively sharp. (See more images here) - Source: Internet
• Fast f/2.8 constant maximum aperture wide-angle zoom is ideal for shooting in low light. Optical design features low dispersion and aspherical elements to minimize both chromatic and spherical aberrations throughout the zoom range to achieve high sharpness, clarity, and color accuracy. Super Multi-Layer Coating combined with a Nano Porous Coating help to suppress lens flare and ghosting for improved contrast and color-accuracy in harsh light. - Source: Internet
• This lens offers a larger zoom range with a focal length of 70-300 mm. The downside is the underwhelming aperture between f/4.5 and 5.6. - Source: Internet
• Lightweight wide-angle prime designed for full-frame Sony E-mount cameras is ideal as everyday, walkaround shooting. Offers half life-size 1:2 maximum magnification ratio and 4.3″ minimum focusing distance for working with close-up subjects. OSD stepping motor achieves fast and near-silent autofocus along with full-time manual focus override. Features moisture-resistant design and fluorine coating for working in inclement conditions. - Source: Internet
• The Sony FE 14mm F1.8 GM truly has everything you’d dream of in an astrophotography lens and more. First off, it’s very lightweight and travel-friendly. In fact, it’s the smallest, lightest, and sharpest 14mm in the world. - Source: Internet
• The Tamron 28-75mm F2.8 Di III RXD is the best all-round lens for Sony a7iii and one of our top picks for today. It’s made of durable polycarbonate casing that’s compact and lightweight, while still being versatile. - Source: Internet
• The Sony FE 100-400mm f/4.5-5.6 GM OSS is the absolute best super-telephoto zoom lens you can get in terms of image quality, performance, and versatility. As a matter of fact, it also doubles as a macro lens thanks to its maximum magnification ratio of 0.35x. - Source: Internet
• Featuring a 135° angle of view, the new Laowa 9mm f/5.6 is currently the widest non-fisheye lens ever developed for fullframe mirrorless cameras. Landscape photographers can now experience an ultimate wide-angle photography with beautiful scenery captured in one shot. The ultra-wide angle of view is particularly helpful for interior shooting as it helps exaggerated the sense of space. - Source: Internet
• The Sony FE 90mm f/2.8 Macro G OSS is the absolute best Sony a7 IV macro lens for shooting microscopic subjects such as insects, bugs, and water droplets. Moreover, this lens also doubles as a fantastically sharp portrait lens. - Source: Internet
• If you want an even more powerful telephoto lens, the Sony FE 200-600mm f/5.6-6.3 G OSS is the lens to go for. - Source: Internet
• The Sony 50mm F1.2 FE GM lens is a compact wide-angle, large-aperture prime lens, and 50mm is perhaps the most sought-after focal length in prime lenses. Most photographers would choose a 50mm lens if they could only have one prime; it’s an excellent all-rounder that can be used to shoot portraits, street scenes, products, and underwater subjects. Overall, a strong contestant for best Sony lens. - Source: Internet
• The best portrait lens for Sony a7iii has to be the Sony FE 85mm f/1.8, which is portable and sharp, offering a surprising quality for its relatively lower price. This is for those who want both a high performance portrait lens and the best value for their money. - Source: Internet
• The Sony FE 28mm f/2.0 is a spectacular vlogging lens thanks to its wide 28mm focal length, close minimum focusing distance, and bright f/2.0 aperture. - Source: Internet
• For us, the best wide-angle lens for Sony a7iii has to be the Sony FE 16-35mm f/2.8 GM. Even with the maximum aperture, you will get sharp images on all edges. - Source: Internet
• Overall, image quality is very impressive. You won’t notice much difference between this lens and the above-mentioned Sony 70-200mm f/2.8 unless you’re a professional. - Source: Internet
• The second Sigma Art lens is a top-notch portrait lens. With a focal length of 105 mm and an aperture of f/1.4 it allows for wonderful bokeh and leaves nothing to be desired. - Source: Internet
• The Sony 12-24mm F4 G gives you basically an ultra wide lens for your sony a7iii. The image quality is good overall. It has a great sharpness in the centre, with a small but significant drop towards the corner of the image. This is a small disadvantage when compared to the superb sharpness that the Sony 16-35mm F2.8 GM provides, but I’d say it’s a good trade-off. - Source: Internet
• The list of Samyang and Rokinon lenses is quite massive. There are a lot of older lenses on this list that aren’t as good as what they’ve been recently putting out. I’ve owned many Samyang lenses and today they are very good. Autofocus can be hit or miss but for the most part these lenses are a great value. - Source: Internet
• Any type of lens can be used to capture people, which means they are technically portrait lenses. But specific focal lengths can produce more flattering images. Shorter ones (35-55mm) are great if the backdrop is important to the story you’re telling, while longer focal lengths of 85 to 135mm can be great for general portraits. - Source: Internet
• World’s First 2:1 Macro Lens with infinity focus, this lens ideally suited for rapidly changing macro photography scenarios without using any extension tube. The wide magnification range is very useful for shooting macro objects (e.g. insects) with different sizes. The lens is also designed for normal shooting purposes with a 60mm focal length, providing an all-in-one solution for normal portrait shooting as well as ultra-macro photography. - Source: Internet
• Zenit as an FE 50mm f0.95. It’s supposedly not a rebranded Mitakon lens but has an improved lens barrel and is designed by Bogdankov. - Source: Internet
• The ultimate telephoto lens for image quality, bokeh, and low-light performance. This lens is ultra-sharp and perfect for shooting indoor events like sports and stage performances. CHECK PRICE ON AMAZON - Source: Internet
• “Wide open, this lens will give you desirable results, and that only gets better as you stop down. For the bokeh connoisseurs out there, this is the lens to get.” - Source: Internet
• Sony FE 100mm STF G OSS covers full-frame and APS-C, 72mm filters, 24.7 oz./700g, 1.9’/0.57m close focus 2017- 23 December 2017 - Source: Internet
• Fourth, the Sigma DG DN incarnation of 85mm f/1.4 Art lens cuts down the previous’ versions beastly dimensions, resulting in about 200 grams and half an inch of weight and size difference compared to the Sony. Did I mention that the Sigma also has pro-level weather sealing, just like the 85mm GM? - Source: Internet
• Ted Forbes loved the 50mm f/1.2 GM so much that he thinks the newest f/1.2 glass on the block warrants an upgrade over the already excellent Planar T* FE 50mm F1.4 ZEISS. Check out Forbes’ lovely video on this lens, which includes a helpful comparison with the 50mm ZEISS. - Source: Internet
• The “Sony 55-210mm f/4.5-6.3” lens was gifted to me by my very dear uncle, a brilliant photographer and all-around editor. - Source: Internet
• The Sony FE 35mm F1.8 lens is the best lens if you want to practice your street photography skills. There’s a lot to love in this lens: small, lightweight, fast, sharp, affordable… - Source: Internet
• Sony’s widest prime lens combines F1.8 max aperture with excellent corner-to-corner optical quality. Dual XD Linear Motor system that is quick and quiet, and also lends more responsive control for manual focus operation. The lens also has a dust- and moisture-sealed design, along with a fluorine coating, to support shooting in inclement conditions. - Source: Internet
• The 40mm F1.4 DG HSM Art is Sigma’s first lens developed originally to live up to the sought-after angle of view and performance standard for a benchmark cine lens. This lens effectively arranges three FLD (“F” Low Dispersion) glass elements and three SLD (Special Low Dispersion) glass elements to correct axial chromatic aberration and magnification chromatic aberration. - Source: Internet
• The autofocus could be faster, but the images turn out sharp, and the stabilization — which is an important factor for a telephoto lens when used without a tripod — is great. However, you may not be able to shoot handheld a lot with this lens because of its weight. That’s something to keep in mind with all long-range telephoto cameras, though. - Source: Internet
• The Sony FE 55mm f/1.8 ZA is a ridiculously sharp lens that will take your videos and photos to the next level. In fact, it’s one of the sharpest Sony lenses out there and delivers impeccable image/video quality. - Source: Internet
• The professional photographer who wants more utility should pick up this lens. For the price point, this could really be the only lens you need. It’s that sweet spot between a 24-70mm and a 70-200mm and integrates an f2 aperture on the wider end. Professional photographers will also find the build-quality and other features of the lens outstanding. - Source: Internet
• The Sony 100-400mm f/4.5-5.6 is also not the best lens for shooting in low light. Because of its narrow max aperture, focusing on small subjects in low light can be difficult and slow. - Source: Internet
• Sony FE 35mm F1.8 lens: An excellent lens for a classic focal length. 35mm and 50mm are probably the most popular out there, and for a good reason! A 35mm lens is an excellent compromise between a wider lens and one that gets a bit more personal. - Source: Internet
• Not every option will be suitable for everyone. Some people might care more about a lens’s low light performance; some more care more about the versatility in its focal range. We’ve put together a list of the best Sony lenses to hopefully meet almost anybody’s needs based on things like maximum aperture, minimum focusing distances, optical clarity and other important features. Whether you’re a portrait, landscape, street, underwater or any other kind of photographer, you should be able to find a Sony FE lens on this list that ticks all of the right boxes. - Source: Internet
• If you’re looking for the best value portrait lens, the Sony FE 85mm f/1.8 takes the cake. This lens is ultra-sharp, produces beautiful bokeh for blurry backgrounds, and has the perfect focal length for portraits. On top of that, it’s also very small and lightweight. - Source: Internet
• Bokeh is very important for good portraits, and this lens is a bokeh king. It’ll allow you to create beautifully smooth out-of-focus backgrounds for your subjects. This lens also shows fantastic low-light performance. - Source: Internet
• We hope you enjoyed reading about what we consider to be the best Sony lenses. This list was put together based a combination of our own experience and feedback from our customers. Please don’t hesitate to reach out to us with any questions or comments. - The Bluewater Photo team. - Source: Internet
• So, without hesitation, I seized the opportunity and set off for my objective, armed with my Sony e-mount camera and a tiny hero in the form of my “Tamron 17-70mm F2.8” lens. It’s the best zoom lens sony e mount camera. - Source: Internet
• On the downside, autofocus is a bit slow, and even more so in dim lighting. That’s another reason why this is not the best lens for insects and bugs; these fast-moving subjects may fly away before this lens has had a chance to focus. This lens also isn’t weather-sealed. - Source: Internet
• BEST ZOOM LENS Tamron 28-200mm F2.8-5.6 This powerful superzoom is a wide-angle, standard zoom, and telephoto lens all at once. It’s the most travel-friendly and affordable all-in-one lens for Sony a7 cameras. CHECK PRICE ON AMAZON - Source: Internet
• Want the best telephoto lens for your Sony a7iii? Look no further than the Sony FE 70-200mm F2.8 GM OSS. It flaunts edge-to-edge sharpness, fast and accurate autofocus, stunning bokeh, and incredible versatility. - Source: Internet
• The Phoblographer’s staff has reviewed nearly every single lens available for the Sony E mount. All the images in this roundup were shot by our staff. And each section has a link to our fuller review for you to peruse and make your decisions. - Source: Internet
• Ideal for wildlife, sports, landscapes, motorsports, and countless other photographic endeavors, offering features and image quality that professionals demand. This lens provides high rendering throughout the entire zoom range at all apertures, and ghosting, flare, and various types of aberrations are all well controlled. An updated and redesigned autofocus system offers both speed and precision using both an AF actuator driven by a stepping motor and a high-precision magnetic sensor. - Source: Internet
• It’s difficult to find a good macro lens that also works well for portrait photography. If this combination is something that interests you, you can’t go wrong with this 90mm F2.8 from Sony. - Source: Internet
• This lens is also very lightweight, compact, and travel-friendly. Its mighty zoom range takes away the need to carry and swap between multiple lenses. Moreover, it has a tough and weather-resistant build. - Source: Internet
• T* – This is the code for Zeiss’ unmatched multi-layer lens coating. Often referred to as T coating. If you’re a Canon shooter this would be like their L lenses. - Source: Internet
• Macro lenses have a 1:1 magnification ratio and typically, a minimum focusing distance of around 0.30 m (0.98 ft) or less. This will allow you to get extremely sharp and detailed close-ups of microscopic subjects. - Source: Internet
• The ZEISS Batis 2.8/18 is an extremely lightweight and compact lens with excellent optical performance. Its ultra-wide field of view makes it perfect for landscape and architectural photography. - Source: Internet
• The Sony FE 24mm f/1.4 GM is hands down one of the best prime lenses for Sony a7 IV simply because it’s rare to find a wide-angle lens with a maximum aperture of f/1.4. - Source: Internet
• Image stabilization. Good low-budget telephoto zoom lens. Cons No weather sealing. View on Amazon - Source: Internet
• This lens is very user-friendly. To switch between autofocus and manual focus, all you need to do is push the focus ring out or pull it back in. There’s no need to flip an AF/MF switch like you’d have to do on most lenses. It’s very intuitive. - Source: Internet
• After a long search, I finally discovered a suitable candidate for my camera, the “Sony E 55-210mm f/4.5-6.3”, the best budget lens for the sony e mount. - Source: Internet
• We’ve now moved past the lenses that you can use for multiple purposes or are handy to carry around daily. This 150-500mm lens from Tamron is large in terms of its physical size and zoom range. This level of zoom is generally extremely useful when shooting animals and birds from a distance without scaring them away. - Source: Internet
• Each photo in this Sony FE lens gudie was shot by us. And the quotes are from our reviews. If something catches your interest, please click in and take a look before making a purchase. - Source: Internet
• best wide-angle lens Sony 16-35mm F2.8 If you plan on shooting landscapes with your Sony a7iii, then this is the perfect lens for you. silent, accurate and super fast autofocus is coupled here with stunning edge-to-edge quality. Leading to stunning landscape photos all day long. $1,998 at Amazon$1,998 at B&H Photo - Source: Internet
• This lens offers a useful zoom range from 24mm to 105mm, with the f/4 aperture helping to keep the size down. Optical steady shot (OSS) means you can use it with E-Mount cameras that don’t feature in-body image stabilisation, and still benefit from optical image stabilisation. When we reviewed this lens we could that it was consistently sharp at all focal lengths, with fast, and silent autofocus. The Sony FE 24-105mm F4 G OSS lens is also relatively compact and lightweight, with an impressively resistant to flare, and for an all-in-one zoom lens, this one certainly impresses. - Source: Internet
• Sigma’s first prime lens with a f/1.2 maximum aperture which helps to achieve shallow depth of field as well as extremely selective focus effects and is also suited for working in very difficult lighting conditions. Three low dispersion glass elements and three aspherical elements, including a double-sided element, effectively control spherical aberrations and distortion for increased sharpness and accurate rendering. - Source: Internet
• Reviews of this lens are all overwhelmingly positive, with users noting the lens’s excellent sharpness, color rendition and it’s versatility – not only due to its zoom design but also by the fact that it readily accepts teleconverters for even more reach. The lens is a bit heavy and expensive, but if you can look past those factors, the Sony FE 70-200mm f/2.8 GM is an absolute stunner. - Source: Internet
• This is also a great low-light lens. You can expect high-quality results even when shooting indoors or at dusk. Its zoom range and wide aperture make it perfect for videos too. - Source: Internet
• Choosing an upgrade option here is quite tricky because, at the time of publishing this article, Sony has just recently announced an FE 14mm f/1.8 GM lens that appears to be an all-out stunning lens, particularly for astrophotography. However, as it’s so new, we’ve not yet had any chance to get hands-on with the lens, and reviews around the web are also few and far between – particularly from other owners since the lens is not yet in stock. - Source: Internet
• “This lens renders images to be super sharp; originally I thought that the images weren’t so when viewing them on the back of the A7, but when imported I was completely shocked. The bokeh? Same thing. And the colors? Yup…it’s all incredible.” - Source: Internet
• When it comes down to choosing the best Sony lenses, you’ll undoubtedly be left selecting from their FE range. Designed for professionals and keen amateurs alike, Sony pushes the boundaries of what’s possible with their FE lineup, and it’s where you will find their top-of-the-line flagship products. It’s no coincidence that the renowned G Master range are all FE lenses. - Source: Internet
• Much like a lens for sports, you’re going to want a lens that offers a nice, longer telephoto focal length. In fact, in some cases, your “sports photography” telephoto lens can do double-duty as a wildlife photography lens. That said, a 70-200mm-style lens may not be telephoto enough for wildlife photography, especially if you want to photograph birds. When choosing a proper wildlife-focused telephoto lens, finding something that reaches out to a least 300mm to 400mm is a good starting point. When photographing wildlife, you probably won’t be able to get very close to your subject, and so having a long telephoto lens will allow you bring that far-off subject up close. - Source: Internet
• This lens is ultrasharp edge-to-edge even when shooting wide open (at f/1.8). You’ll get details so rich that you don’t even have to sharpen your photos at all in post-processing! - Source: Internet
• The top-requested lens by our readers offers outstanding resolution and sharpness with minimal aberrations features five ED elements and one aspherical element, plus Nano AR and fluorine coatings. It also features a relatively compact size through the use of an f/5.6-6.3 maximum aperture range, and it is equipped with both a Direct Drive SSM autofocus system and Optical SteadyShot image stabilization for performance at all focal lengths. - Source: Internet
• “During the review process, I was absolutely amazed at this kit lens. Many times I didn’t think that I was using one but instead something targeted at the middle of the road user. Indeed, there is very little to complain about with this lens if you’re using it for general shooting purposes.” - Source: Internet
• Sony’s range of full-frame cameras and APS-C sensors has come a long way. They’re regarded as some of the best in the industry, and the image output from the cameras often pushes the envelope. Since Sony’s full-frame cameras support interchangeable lenses, you can use them for pretty much any photography or videography. Whether you’re shooting wide landscapes or close-ups of wildlife, you’re pretty much covered. - Source: Internet
• When most people picture the stereotypical photographer with their massive lenses, they are picturing a telephoto lens. With a range between 100mm and 600mm or more, this type of lens can zoom in extremely far. It’s usually used in professional sports and wildlife photography. - Source: Internet
• 35mm is an excellent focal lenght for a mixture of different types of photography, it is the wider cousin of a generalist lens like a 50mm. At f2.8, you get less bokeh, but you also get a wider lens that is somewhat better suited for stuff like landscapes, while still being perfectly usable for portraits and general photography. It’s also the favorite focal length of many street photographers out there. - Source: Internet
• The Sony FE 50mm f/1.8 is a very small budget-friendly lens that’s perfect for casual everyday shots. Weighing only 186 g (6.6 oz.), it’s also super portable and travel-friendly. - Source: Internet
• You can also save money by doing without certain features that you won’t use. For example, a f/2.8 version of the same lens will be much cheaper than its f/1.4 counterpart. - Source: Internet
• Vintage lenses are usually not optically perfect, but they have characteristics that give them certain charm. The aforementioned Helios 44-2 for example is famous for it’s swirly bokeh. It is not sharp, but it is quite unique and fun. But for peak performance or sharpness, better to go for one of the lenses listed above! - Source: Internet
• Finally the most-requested lens by our readers is here. Designed for corner-to-corner sharpness at all focal lengths, this wide-angle to short-telephoto zoom with a constant f/4 maximum aperture, maintains consistent performance throughout the zoom range. Its advanced optical design, which employs aspherical and extra-low dispersion glass elements to control color fringing, distortion, and a variety of aberrations for greater sharpness and clarity. A Nano AR Coating has also been applied to suppress lens flare and ghosting for high contrast and color accuracy when working in harsh light. - Source: Internet
• With its focal length of 14 mm, the lens falls into the wide-angle category. It offers incredible image quality, but at a very high price. You should expect to pay about 1,500 euros. - Source: Internet
• A telephoto lens can help you get closer to your subject from a distance which is extremely important if you’re a nature enthusiast. It’s also great if you’re at a football game and want to capture your favorite player scoring a goal. Of course, the use cases are endless, so pick the lens that suits your style of photography. - Source: Internet
• We’re proud owners of a Sony Alpha 7II and we would never want to part without this great camera. In this guide we’ll show you which lenses are available for the Alpha 7 series. If you’re looking for the perfect full-frame lens for E-mount cameras, you’ve come to the right place! - Source: Internet
• Sony’s G series of lens pack excellent optics. That’s exactly the case with this 200-600mm lens from the camera maker. The zoom range is ideal for clicking birds and other animals from a distance while locking focus quickly and quietly. The OSS on the lens also helps stabilize the shot so that you don’t end up with a blurred photo. - Source: Internet
• Quick final note: We receive several emails every day with questions about which lens is best for a specific purpose. We hope you understand that we just can’t answer them all. As a small company, we simply don’t have the time. If you have any questions, please leave us a comment below the post and we’ll try to get back to you as soon as possible. Deal? - Source: Internet
• Meyer-Optik Gorlitz has announced a modern remake of their cult classic Trioplan 100mm f2.8 known for its dream-like soap bubble ‘bokeh’ effect. The modern remake of the famous lens uses experience and modern technology to emulate this stunning effect more authentically than ever before. - Source: Internet
• 📸 Which lens to choose: If you shoot for fun and value travel-friendliness, then go for the Tamron 28-75mm f/2.8. But if you’re looking for a more professional option and want the utmost image sharpness and the smoothest bokeh, then go for this heavier Sigma lens. - Source: Internet
• As a travel blogger, I take seriously my photography gear. Almost all photos on the blog are taken either by me or my partner, so we are very picky when it comes to our lenses. I am the happy owner of a Sony a7iii, one of the best travel cameras out there. This camera has been my companion for many of my trips. I also happen to have a full array of sony full-frame lenses that I have used while travelling, and I’m happy to share my experience and recommendations with you. - Source: Internet
• When it comes to the drawbacks, we really can’t think of any major red flags. This Sony lens is quite expensive compared to the other options, but it’s still the sharpest and most lightweight 24mm f/1.4 you can find. - Source: Internet
• The Sony 14mm F1.8 FE GM lens is a compact wide-angle prime lens, but don’t be fooled by its size; being a G Master lens, it produces tack sharp results. The lens performs excellently even in low light condition thanks to its fast F1.8 maximum aperture and is a popular option for landscape, architectural, underwater and astrophotographers. - Source: Internet
• Though we’ve not yet reviewed the FE 85mm f/1.8 in-house, user reviews, as well as other reviews from industry colleagues, are overwhelmingly positive for this compact full-frame prime lens. Reviewers praise the lens’ sharpness, size and bokeh as well as its overall value, with a price right at or a little under just $600, depending on sales or discounts. Overall, on a budget or not, the little Sony FE 85mm f/1.8 hits all the high marks for a solid portrait prime for Sony photographers. - Source: Internet
• Of course with a lens that compact, there are some trade-offs in performance. For example, the lens only has an initial aperture of f/4-5.6. It isn’t protected against dust and splash water, and there are certainly better lenses in terms of image quality. - Source: Internet
• The Sony Sonnar T* 55mm F1.8 ZA has a fast f/1.8 aperture, which performs well in low-light conditions. While it can be quite large for a 55m lens, pairing it with the Sony a7iii still makes a relatively compact camera. - Source: Internet
• “The 24-70mm f4 FE OSS gives us beautiful colors and some of the best skin tones that we’ve seen in a zoom lens of this type. For that reason, we once again think that event photographers will want to reach for this lens and otherwise work with the uber versatile Sony RAW files to get more out of their images.“ - Source: Internet
• This Zeiss Planar-design normal lens features one Advanced Aspherical, one aspherical, and one extra-low dispersion element for ultimate corner-to-corner sharpness along with pleasing bokeh. It joins the FE 35mm 1.4 ZA and 85mm 1.4 GM in a trio of lenses offering a manual de-clickable aperture ring ideal for video. - Source: Internet
• The Sony 70-200mm f2.8 GM OSS II has quite a few upgrades from the original. The autofocus is faster, and also works much better on close-up subjects. The sharpness has improved and the lens significantly lighter, yet Sony still managed to add a dedicated aperture ring. It’s a lens with a lot of technical greatness. - Source: Internet
• However, what’s most brilliant about this lens is its stunning bokeh and excellent autofocus. It’s fast, reliable, and silent. You can also use this in low light situations and get breathtaking results. - Source: Internet
• It’s great if you like to shoot a wide range of subjects but don’t want to carry around many lenses. This Tamron lens is a go-to lens for most beginners or casual photographers. Thanks to its focal range, you can capture portraits, detailed close-ups, landscapes, and even the night sky. This is a perfect lens to capture the varied landscapes and huge diversity of people in places like India. - Source: Internet
• When it comes to photographing the night sky, astrophotography isn’t really tied to any one focal length lens, technically, but oftentimes you want to capture a broad, expansive view of the night sky, stars, galaxies and the like. To do that, one needs a wide-angle or ultra-wide-angle lens, something very short, often less than 24mm, in order to capture a wide perspective. Additionally, another key factor for a good astrophotography lens is a wide or bright maximum aperture – the brighter, the better in order to gather as much light as possible and keep the ISO levels down as much as possible. So while astrophotography compositions can come in all sorts of framing and perspectives, we’re going to recommend a couple more common types of lenses: ultra-wide-angle lenses with bright apertures. - Source: Internet
• Though Sigma already released an 85mm f/1.4 HSM Art DSLR lens some years back, this “DG DN” version has been redesigned for mirrorless cameras, namely Sony E-mount and L-mount cameras. The lens has been redesigned for mirrorless, utilizing a new optical formula and a new AF system powered by a stepper motor. All in all, the updated 85mm f/1.4 DG DN Art is a stunning portrait prime for Sony (or L-mount) mirrorless cameras. - Source: Internet
• There is a new full manual lens coming from Yasuhara called the Anthy35. I’ve been testing this and it’s actually quite nice. Keep an eye out for this one. - Source: Internet
• Apochromatic lens design delivers crisp, aberration-free imagery and finest details. This lens designed to work with full-frame Sony E-mount cameras offers users the ability to get close to their subjects thanks to the 1:2 magnification ratio afforded by the 12.2″ minimum focus distance. Its relatively fast f/2 aperture, allows shooting with shallow depth of field and in low-light. - Source: Internet
• It’s also quite light for this focal range. Complete with the dust and moisture-resistant feature, you can easily use this on any outdoor trips. Plus, it’s great for capturing landscapes and architecture shots. This is an ideal lens for taking snapshots of places like Thailand where you’ll find incredible landscapes and interesting architectural landmarks! - Source: Internet
• Versatile telephoto zoom lens that takes over right where the FE 24-70mm leaves off. Nicely balanced in size and weight for Sony a7 Series cameras to give you telephoto reach without weighing you down. The OSS settings on this lens are designed to work with Sony a7 Mark II IBIS. - Source: Internet
• However, you should be covered in most situations and shouldn’t have a problem if you’re shooting with a tripod or a good amount of lighting. This lens is mainly used for street photography since it’s sharp across the focal length and is easy to carry around. For this price, the quality and versatility you’re getting with this lens are commendable. - Source: Internet
• When you enable in-camera corrections, you will barely notice the chromatic aberrations from this lens. Still, they can be visible at wide apertures. The same goes with vignetting. - Source: Internet
• The image quality is very good and the lens is extremely fast with a maximum aperture of f/1.4. Only the autofocus leaves something to be desired with this lens. - Source: Internet
• For sports photography, you’ll most likely want a telephoto lens, something with reach to help bring the action up close. You’ll most likely not be able to get right up next to the sidelines, so a longer telephoto lens will be critical to getting pleasing, action-packed sports photos. Now, depending on the particular sport you’re photography, how much telephoto reach you’ll need can vary dramatically, but a classic go-to for many different popular sports, such as football, soccer, basketball and tennis, is a 70-200mm lens – and a 70-200mm f/2.8 variety, if possible. - Source: Internet
• It has an aperture of f/1.8 and a surprisingly good image quality. At 500 euros, this portrait lens definitely offers the best value for money in the market. - Source: Internet
• A brand new G Master version of the 16-35 mm has just been released. With an aperture of f/2.8 and the image quality the G Master lenses are famous for, this lens is the absolute cream of the crop when it comes to wide-angle lenses for the Sony Alpha 7 series. - Source: Internet
• If you want a lens that can “do it all”, then look no further than the Tamron 28-200mm f/2.8-5.6 Di III RXD. This powerful multipurpose lens is essentially a wide-angle, standard zoom, and telephoto lens all at once. It truly offers spectacular value. - Source: Internet
• “If you’re shooting street photography, you’ll like the Sony 28-60mm f4-5.6. But if you’re also just photo walking around town, it’s an excellent lens to use.” - Source: Internet
• Some of the cheaper lenses may use more plastic, which although is lighter can be less durable. When looking for the best build quality in a lens, pay attention to its weather sealing features too. Especially if you’re looking to shoot outdoors! - Source: Internet
• Sigma 85mm F1.4 Lens Buy If your budget is around the same as the Tamron lens and you don’t want variable focal length, this is the best option you can get for a telephoto lens. This is a prime lens from Sigma has a focal length of 85mm, making it perfect for close-up shots and even for portraits with that excellent F1.4 aperture. - Source: Internet
• This lens isn’t cheap, though. There’s also some vignetting when shooting wide-open, although that can be easily fixed on Lightroom. Its f/4 aperture also makes it less of a low-light performer than the previously mentioned f/2.8 zoom lenses. Bokeh also isn’t as smooth. - Source: Internet
• The Sony FE 85mm F1.4 G Master lens is a bright 85mm lens, that could be the ideal portrait lens, with impressive sharpness in the centre, even when shooting wide-open. There’s also the excellent build quality that you expect from a G Master lens, as well as dust and moisture resistance. Like other G Master lenses, you get an aperture ring with with clickless option. However, there are some downsides, as it is quite weighty at 820g, and it’s also rather expensive. - Source: Internet
• We were lucky enough to snatch up a bargain at a clearance sale, but even at full price, it’s a very affordable lens. The image quality is simply outstanding for the price, but unfortunately the autofocus is very loud and slow. If you can live with that, this lens is definitely a good investment at less than 200 euros. - Source: Internet
• We’ve first talked about this premium telephoto lens in our round up of the sharpest lenses from Canon, Nikon and Sony. On there, we found that DXOMARK gave it a whopping 38 points for its sharpness rating. For context, Sony’s very own ZEISS FE 50mm f/1.4 scored 41 points, and that only means that the quality you can get out of this classic telephoto zoom range is approaching prime lens levels. - Source: Internet
• You don’t necessarily need variable focal length for a lens to be versatile, and this lens from Sigma proves that point. The 85mm focal length can be used for multiple purposes like portrait photography, close-up macro shots, and even for shooting wildlife, albeit from a slightly closer distance. The wide F1.4 aperture means the lens lets in a lot of light at night. - Source: Internet
• You can use this lens for indoor events and stage performances, or wildlife photography. The 200mm focal length will give you excellent close-ups of faraway subjects. Not only that, the long focal range makes it ideal for shooting portraits too. - Source: Internet
• Ultra-wide angle rectilinear compact and lightweight primelens is well-suited for landscape, architecture interiors, and astrophotography. Optical design includes a series of aspherical, high refractive index, and extra-low dispersion elements, which reduce a variety of aberrations. Ultra Multi-Coating is applied to individual elements to suppress flare and ghosting for improved contrast and color accuracy. Linear STM autofocus motor works in conjunction with Sony cameras’ AF systems for quick, quiet, and precise focusing performance. - Source: Internet
• If price is no object and you want the top-of-the-line telephoto zoom lens for sports photography, the Sony FE 70-200mm f/2.8 GM lens is the go-to lens. Sony’s flagship mid-telephoto zoom lens, the 70-200mm G Master lens, features fantastic image quality, swift autofocus and rugged, durable construction. It’s also quite pricey, as one might imagine, at around $2,600. - Source: Internet
• While this lens is not as sharp as the much more expensive Sony 100-400mm f/4.5-5.6 GM, it still shows impressive image quality. It delivers excellent central sharpness throughout the zoom range, although at 300mm, edge sharpness is quite poor. - Source: Internet
• The Sony 24-105mm F4 G OSS lens is a fantastic zoom lens designed for Sony E-mount mirrorless cameras. It provides a constant F4 maximum aperture and quick and accurate autofocus, making it an excellent choice in low-light conditions or when shooting fast-moving subjects. Perfect for both topside and underwater shooting. - Source: Internet
• “The Sony 50mm f1.8 for the full-frame E mount system is a beautiful lens when it comes to image quality. Like other 50mm f1.8 lenses, that’s its strongest feature.” - Source: Internet
• “This lens is small, lightweight, weather-sealed, fast to focus, and can deliver excellent image quality. For the photographers who need speed like street photographers, event photographers, and documentary shooters–it’s there. For those who want details and beautiful bokeh like portrait shooters, it’s also there.” - Source: Internet
• In terms of focal length range, this lens is a direct competitor to the Sony 12-24 mm f/4. However, the Sigma is significantly faster with an aperture of f/2.8 and still only slightly heavier at around 795 grams. - Source: Internet
• The great thing about all Sony lenses is that they are excellent for shooting both stills and video footage. In recent years, Sony has transformed the mirrorless camera market, their systems are equally capable in the hands of both photographers and videographers, and their range of lenses represent that. Many of the lenses on this list have Sony’s proprietary Optical SteadyShot (OSS) built-in making shooting photographs handheld a breeze and shooting smooth video without an external stabilizer possible. Combine this with their IBIS-capable bodies, and you’ve got a system that can produce pin-sharp results no matter how challenging the conditions are. - Source: Internet
• So, I felt motivated to purchase it. I used it with an a7iv and took many photos of various things when I bought it. And I must add that the focal length range of this lens appealed to me. - Source: Internet
• One of the key aspects of wildlife photography is getting a close-up shot with a good telephoto lens. A telephoto or zoom lens allows you to stay farther away from your subject while capturing it. This is useful to capture wildlife and handy if you’re shooting products, portraits, or even heavenly bodies in the night sky. If that interests you, here are some of the best telephoto lenses for Sony full-frame cameras that you can buy. - Source: Internet
• As such, our other top recommendation for an upgrade pick is the Sigma 14mm f/1.8 DG HSM Art lens, the only other full-frame format lens with a 14mm focal length and an f/1.8 aperture. As an Art-series lens, the Sigma 14mm f/1.8 offers excellent and robust build quality as well as fantastic image quality performance, just like we’ve seen from most, if not all other Sigma Art-series lenses. - Source: Internet
• “If I could describe this lens in a word, it would be “easy.” It’s brilliant, it’s effortless, and whatever you point it at, whether you’re shooting stills or video, you’re gonna get beautiful results.” - Source: Internet
• This one is a great alternative to the slightly more expensive Sony 85mm F1.4 G Master. While it’s not as sharp, this 85mm F1.8 lens is much smaller and lighter. In fact, it even has a faster autofocus. - Source: Internet
• best portrait lens Sony 85mm F1.8 In terms of value-for-money, it’s hard to go wrong here with this lens.It offers super high quality shots as well as surprisingly fast and accurate autofocus. $548 at Amazon$548 at B&H Photo - Source: Internet
• In contrast, a prime lens features only a single focal length and doesn’t let you zoom in or out. This means each prime lens caters only to a specific type of use and is not as versatile as a zoom lens. Yet the images it produces are much more high-quality. - Source: Internet
• This fast wide-angle prime features updated, sleek design and compact form factor. Ideal for street shooting, landscape and documentary photography, the fast maximum aperture excels in low light and for controlling depth of field. G Master lens design features an advanced optical design for well-corrected imagery with a high degree of sharpness and clarity.Two XA (eXtreme Aspherical) elements and one extra-low dispersion element reduce a variety of aberrations, color fringing, and distortion, and the optics are complemented by a Nano AR II coating that also suppresses flare and ghosting for improved contrast. XD Linear Motor system that uses two separate focusing motors to deliver especially quiet, precise, and quick autofocus performance. - Source: Internet
• As a result, you can easily operate your camera handheld with this lens without worrying too much about the shutter speed when shooting in low light. The lens is also fairly compact, which allows you to do this. The materials used to construct this lens make it both dust and splash proof which is nice if you’re shooting in extreme environments. - Source: Internet
• Finally, think about how much you’re willing to spend for a camera lens and what you really need. If an f/2.8 can work well for your photography as an f/2.0 version, there’s no reason to waste the extra money. - Source: Internet
• You can shoot flowers, insects, and other tiny subjects with this lens and capture the finest details. Even at the maximum aperture, the Sony 90mm F2.8 is incredibly sharp. - Source: Internet
• The Sony FE 100-400mm F4.5–5.6 GM OSS lens is fantastic for wildlife photography. It offers great image quality and a great range for not much weight. - Source: Internet
• If you haven’t bought a Sony Alpha 7 III yet, we recommend purchasing the camera in a kit. That way, you’ll spend a bit less on the lens than if bought separately. Sold individually, it’s currently available for about 300 to 400 euros. - Source: Internet
• If you must have the widest lens you can get for your astrophotography, landscape, architectural and interior work, then there’s only one real ultra wide angle choice for your Sony. The Sony FE 12-24mm f/2.8 GM is a flagship lens that delivers extraordinary image quality even at the widest end of the range — a pretty insane feat for UWA lenses. - Source: Internet
• If you don’t want a prime lens and prefer the flexibility of a zoom one, then a good option is the Sony 24-70mm F4 Vario-Tessar T FE OSS. It’s my pick as the best budget lens, and I think it works well as a street photography lens too. It’s also light and has a good range for street photography. It won’t perform as well as the prime lenses at night, but you won’t find anything better in that regard. Not without spending a small fortune for a much heavier lens. - Source: Internet
• Optically, it gets a little crazy. Not only it is sharper than any 35mm prime for the FE mount, Dustin Abbott notes how the 35mm GM is “almost as sharp and contrasty at f/1.4 as it is in landscape apertures like f/5.6.” Check out Dustin’s written review of this phenomenal lens for more samples and crops. - Source: Internet
• The FE mount has been around for quite some time now and therefore encouraged the growth of the third party lens market that offer competitive performance in a more affordable package. We’ve considered many third party lenses for our tele-zoom pick, but, at least for now, the Sony FE 70-200mm F2.8 GM OSS is still king when it comes to telephoto zoom lenses for Sony cameras. - Source: Internet
• Here’s another great telephoto lens for Sony a7iii, which we’d say is best reserved for wildlife or sports photography and shooting objects that are extremely far away. If you want the best focal reach, the Sony FE 200-600mm f/5.6-6.3 G OSS is your answer. - Source: Internet
• This is one of the sharpest lenses I’ve ever owned – virtually on par with the performance of the legendary $4,000 Zeiss 55mm/1.4 Otus lens yet at a perfect size for Sony E-mount cameras. Great look when used wide open for shallow depth-of-field portraits. - Source: Internet
• “Sharpness is top-notch — though maybe a little too sharp — and the colors are great. The autofocus is excellent and even a little better than the sister 50mm lens. The smaller aperture also allows the lens to seriously slim down. You could easily shoot with this lens all day without being weighed down.” - Source: Internet
• Despite being large and bulky, this lens is still lighter than some other lenses from Sony, which is an advantage while traveling. As for the performance, you can expect great levels of sharpness until about 400mm, after which the images tend to get slightly soft. Despite being quite expensive, this is still a beginner to the semi-pro lens. The images tend to get softer at the max focal length. - Source: Internet
• When it comes to wide angle zoom lenses, the selection is fairly limited. Sony has a total of three lenses on offer, which are very good but unfortunately also very pricey. Then there’s also one from Tamron and another from Sigma. - Source: Internet
• Image quality from this super-zoom lens is outstanding, offering very sharp performance across the zoom range. The narrower and variable aperture design helps maintain the lens’s smaller size but at the expense of low-light performance. That said, modern Sony cameras do very well with high ISOs, so the dimmer aperture it probably a tradeoff that most will overlook. The build quality is also excellent, with rugged, weather-sealed construction, and the internal-zooming design keeps the lens balanced and avoids lens creep that we often see with long-zoom lenses that extend. All in all, one of our favorite Sony lenses for wildlife photography! - Source: Internet
• Adding OSS (Optical Steady Shot) on this lens gives you additional stabilization, which is handy when shooting video. While the lens may not be very fast, you can maintain the F4 aperture constantly throughout the zoom range which is impressive. However, you may not get a lot of bokeh, so if your primary use case is clicking portraits, we suggest getting the Sigma 85mm instead. - Source: Internet
• Let’s take a look at the best Sony lenses. Sony FE lenses are the standard for all Sony full-frame mirrorless cameras, the “F” in FE lets us know that the lens is designed for their full-frame sensors, and the “E” tells us it’s compatible with their E-mount systems, as seen in lenses such as in Sony FE 16-35mm. While Sony FE lenses are primarily designed to work with Sony full-frame bodies, they can be used on E-mount APS-C bodies too, but more on that shortly. - Source: Internet
• Tamron 150-500mm F5-6.7 Lens Buy This is where the true telephoto game begins. If you’re looking for a large zoom range for wildlife photography or taking pictures of the moon in the night sky, this lens from Tamron is a good option to begin with. It’s cheaper than most Sony lenses with this zoom range while not compromising on the quality of photos. - Source: Internet
• A9 II 20 Silent FPS, 24MP stabilized full-frame, ISO 204,800, 4K Stereo, 24.0 oz./678g with battery and one card, 2 SD slots. Check price. 01 August 2020 - Source: Internet
• When it comes to recommending a landscape lens for a Sony mirrorless camera, there are several options to consider, ranging from the ultra-wide 12-24mm range to a more versatile 24-70mm. Our top pick for a Sony mirrorless landscape lens, one that offers a classic ultra-wide to wide zoom versatility, high image quality and a solid value, is the Sigma 14-24mm f/2.8 DG DN Art lens. - Source: Internet
• Sony’s black E 55-210mm f/4.5-6.3 OSS lens is an excellent match for many kit zooms. - Source: Internet
• The Sony FE 12-24mm lens is a great full-frame wide-angle lens designed for Sony E-mount mirrorless cameras. It provides a constant F4 maximum aperture and quick and accurate autofocus, making it an excellent choice in low-light conditions or when shooting fast-moving subjects. Having an ultra-wide zoom lens like the Sony 12-24mm F4 lens in your kit bag is invaluable for photographers who shoot landscapes, seascapes, marine life, interiors, and other scenes where getting as much in the frame as possible is the goal. - Source: Internet
• The Sony FE 70-300mm F4.5-5.6 G OSS is an excellent telephoto lens that comes with image stabilization, weather-sealing, and a linear actuator and an inner focus mechanism. - Source: Internet
• Classic wide-angle focal length, this fast f/1.4 lens provides low light capability and shallow depth of field control. Its advanced optical design includes aspherical and advanced aspherical (AA) lens elements combined with Zeiss T* coating to deliver outstanding image resolution and suppresses reflections for excellent contrast and clarity. Responsive aperture ring can be clicked or de-clicked with the flip of a switch on the lens barrel. - Source: Internet
• Something you should know right off the bat; the 85mm f/1.4 DG DN is sharper and has more contrast all around than Sony’s flagship lens. Have a look at LensVid’s very helpful head to head testing of both lenses to see how the Sigma outclasses the native Sony lens. Second, the Sigma has better light transmission, which means you’ll get a brighter image than the Sony with the same settings. Third, Many Ortiz found the Sigma to be a lot faster, more accurate, and better at focusing in low light than the Sony 85mm GM. - Source: Internet
• A7C 10 Silent FPS, 24MP stabilized full-frame, ISO 51,200/204,800 (H2), 4K Stereo, 17.9 oz./508 g with battery and card. Check price 28 January 2021 - Source: Internet
• You can get this lens with an aperture of f/1.4 for less than 500 euros. The quality may not be on par wih the Sony lens, but it only costs a third of the price. - Source: Internet
• The best zoom lenses for Sony FE cameras don’t have to cost tons of money. For a professional photographer, that means a lot! What’s more, you often don’t want something that’s going to weigh you down if you’re shooting for an entire day. That’s why we dove into our Reviews Index to find some of the best zoom lenses for Sony camera users just like you. If you’re a passionate photographer who does this as a hobby, you’ll be amazed at how great and affordable these lenses are. Check this out! - Source: Internet
• Specifically designed for full frame Sony E-mount mirrorless cameras. Samyang’s first autofocus lenses are compatible with both phase detect and contrast detect sensors to operate fast and accurate focus detection. Based on Samyang Optics’ optical technology, aspherical lenses have been included to minimize aberration and unnecessary light dispersion, delivering high resolution from the center to the corners of the image. - Source: Internet

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