Best Lens For Sony Alpha 7 Iii Facts 320

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320 Facts Best Lens For Sony Alpha 7 Iii | Best Sony lenses 2022: 16 top lenses for Sony mirrorless cameras

• Below are optical test results with the optional Sony FE 28-70mm f/3.5-5.6 OSS kit lens. Most test images shown on other pages of these test results were taken with very sharp references lenses, so we use this page to explore kit lens quality. - Source: Internet
• It’s also a bit faster with a lens speed of f/1.2 and the image quality is exceptional. And so is the price. The lens currently sells for about 1,350 euros. - Source: Internet
• Fast f/1.4 Manual focus lens ideal for low-light and shallow depth of field. Two high refractive index elements and one aspherical element reduce chromatic aberrations in order to produce greater sharpness and clarity. - Source: Internet
• Combining ultra-compact form factor with advanced optical design for high degree of sharpness and clarity. This classic normal focal length prime lens suits shooting everything from street, portraiture, and documentary photography. Its ultra-compact form factor and light weight won’t weigh you down. XD Linear Motor system that uses two separate focusing motors to deliver especially quiet, precise, and quick autofocus performance. (Full Review) - Source: Internet
• This full-frame E-Mount kit lens is available bundled as a kit with a7 & a7II. Provides good quality for it’s price and nearly silent focusing for video. Optical SteadyShot image stabilization lessens the appearance of camera shake when working in low-light conditions or with longer focal lengths. - Source: Internet
• The Sony FE 135mm F1.8 GM is the ultimate portrait lens to get if you want the most top-notch optics and image quality possible. In fact, expert Roger Cicala from LensRentals said that out of 300+ lenses, this is the sharpest lens he’s ever tested. - Source: Internet
• The sharpest wide angle zoom ever made according to DxO Mark, this G Master wide-angle constant f/2.8 maximum aperture zoom offers consistent performance throughout the zoom range ideal for shooting in low-light. Optical design incorporates two extra-low dispersion elements to reduce chromatic aberrations along with two XA elements and three aspherical elements, which significantly control spherical aberrations for a high degree of image sharpness and clarity. Nano AR coating has been applied to limit ghosting and lens flare for increased contrast and color fidelity when working in harsh lighting. - Source: Internet
• Autofocus is fast and reliable on this lens, even with moving subjects. This lens is also impressively sharp in the center, even when shooting wide open at f/2.8. It delivers incredible performance in low light, too, and has minimal distortions. - Source: Internet
• If you haven’t bought a Sony Alpha 7 III yet, we recommend purchasing the camera in a kit. That way, you’ll spend a bit less on the lens than if bought separately. Sold individually, it’s currently available for about 300 to 400 euros. - Source: Internet
• This lens features a fast, reliable, and near-silent autofocus. Its sturdy build is also dust and moisture resistant. Plus, the 50mm field of view mimics our eye-level view, making this an amazing lens for street photography, too. - Source: Internet
• Macro photographers, listen up: The Sony FE 90mm f/2.8 Macro G OSS Lens is a stellar pairing with your Sony A7III. This powerful lens, a 90mm telephoto macro lens, boasts image stabilization for clear and crisp photos, even when shooting handheld. It also comes with the G Master line’s beloved nine-blade circular aperture for stunning bokeh, not to mention a nano AR coating for impressive and reliable image quality. - Source: Internet
• Celebrate the 100th anniversary of Trioplan lenses with the modern version of the ultimate historic art lens, the Meyer-Optik Trioplan 50mm f2.9 – known for its ‘Soap Bubble Bokeh’. It’s variable macro front lens creates even more options for the classic 50mm focal length. - Source: Internet
• Nearly every lens be used as a portrait lens. Lenses with focal lengths ranging from 12mm through 600mm can be used to capture the world’s most valuable (but not always the most cooperative) subject: people. Still, not all lenses are good choices for all portrait photography, while some lenses seem explicitly made for this purpose. - Source: Internet
• While the Sony FE 24-70mm F2.8 GM II is our top pick, there are many other fantastic Sony a7R IV everyday zoom lenses out there. Here are our other top choices. - Source: Internet
• This lens delivers spectacular optics. It shows excellent sharpness in the center of the frame even wide-open at f/1.2. Bokeh is simply fantastic thanks to the f/1.2 aperture, which also makes this an exceptional lens to work with under low light conditions. - Source: Internet
• Designed for street photographers, vloggers and Instagrammers looking for a high quality compact lens with a F1.8 maximum aperture. Its quiet autofocus and tenacious tracking performance make it a great choice for both stills and movie shooting. Optical design incorporates a two extra-low dispersion elements and a pair of aspherical elements to suppress both chromatic and spherical aberrations for improved sharpness, color accuracy, and clarity. - Source: Internet
• Fast and wide, this unique wide-angle prime designed to produce high-resolution, well-corrected imagery. As part of the Art line of lenses, this lens utilizes both FLD and SLD glass elements to control chromatic aberrations and color fringing for notable clarity. Four aspherical elements, including the front large-diameter precision-molded glass element, also contribute to reducing distortion and spherical aberrations for improved sharpness and accuracy. - Source: Internet
• 12. Sony FE 90mm f/2.8 Macro G OSS Big-up the little things in life with this macro lens Specifications Full-frame compatible: Yes Focal length: 90mm (135mm APS-C) Maximum aperture: f/2.8 Aperture blades: 9 Weather seals: Yes Filter thread: 62mm Dimensions: 79 x 131mm Weight: 602g specifications Storage Size 64GB Colour Black Condition New, Refurbished Today’s Best Deals View at Amazon (opens in new tab) View at Best Buy (opens in new tab) View at Walmart (opens in new tab) Reasons to buy + Super-sharp for extreme close-ups + Useful as a fast, short telephoto lens Reasons to avoid - Expensive for a macro lens - Distance scale inactive for autofocus - Source: Internet
• If you’re planning to shoot in dim lighting conditions, this lens won’t disappoint. You’ll get high-quality, noise-free shots even in low light. Autofocus is impressively fast and very silent, too. There are also minimal flares and great ghost control. - Source: Internet
• If you’re deciding between this lens and the Sony 100-400mm F4.5-5.6 GM, note that if you primarily shoot wildlife, then you’ll largely benefit from the 600mm focal length of this lens. On the other hand, the 100-400mm is a better lens for macro and landscapes. - Source: Internet
• This lens is prone to a bit of vignetting at f/2.8 and shows some barrel distortions, all of which can be fixed via in-camera corrections or post-processing. Image resolution also slightly drops at 24mm. All in all, though, you can’t find a better ultra-wide-angle zoom at this price. - Source: Internet
• This bright aperture super telephoto features lightweight design ideal for sports, news, wildlife, and nature photographers. The f/4 aperture and eleven-blade circular diaphragm provide great depth of field control for isolating subjects, as well as maximizing performance for low-light shooting situations. Three fluorite elements and one XA (extreme aspherical) element reduce chromatic aberration and color bleeding, while two ED (extra-low dispersion) elements and a Nano AR lens coating further increase performance and image quality by reducing flare, ghosting, and spherical aberations in harsh lighting. - Source: Internet
• 4. Sigma 24-70mm f/2.8 DG DN Art Cheap at half the price Specifications Focal length: 24-70mm Maximum aperture: f/2.8 Aperture blades: 11 Weather seals: Yes Filter thread: 82mm Dimensions: 88 x 125mm Weight: 950g Today’s Best Deals Check Amazon (opens in new tab) Reasons to buy + Exotic optical path and build quality + Half the price of Sony’s G Master lens Reasons to avoid - It’s no lightweight at 830g - Distortion/vignetting can be noticeable - Source: Internet
• Ultra-fast wide-angle lens with a bright f/0.95 maximum aperture for full-frame camears. The optical performance is maximized by incorporating one ED glass element, one aspherical lens element and four high-refractive-index glass elements. Shallow depth of field and dreamy bokeh created by the combination of the f/0.95 aperture and 15-blade diaphragm. - Source: Internet
• What’s considered budget-friendly is quite subjective. Some of these lenses are cheaper than others. Regardless, they’re the most affordable high-quality lenses for their categories. - Source: Internet
• Versatile telephoto zoom lens that takes over right where the FE 24-70mm leaves off. Nicely balanced in size and weight for Sony a7 Series cameras to give you telephoto reach without weighing you down. The OSS settings on this lens are designed to work with Sony a7 Mark II IBIS. - Source: Internet
• We have nothing bad to say about third-party lenses in general. We actually use Tamron lenses ourselves and are very happy with them. So you might also want to consider going third party to take advantage of a wider range of options or better value for money. - Source: Internet
• Of course with a lens that compact, there are some trade-offs in performance. For example, the lens only has an initial aperture of f/4-5.6. It isn’t protected against dust and splash water, and there are certainly better lenses in terms of image quality. - Source: Internet
• It’s a versatile lens, most suitable for travel photography and videos. The 24-105mm range is perfect for capturing landscapes and close-up portraits. You can also use it for wildlife photography, to some extent. However, it is more suitable for event photography, street photography, and portrait photography. This lens is available to buy online for just over a thousand dollars. - Source: Internet
• Is the above-mentioned Sony FE 24-70mm F2.8 GM II out of your budget? Enter the Sigma 24-70mm F2.8 DG DN Art – the next best option. This lens is much more affordable than its Sony competitor, and yet still delivers spectacular results – offering excellent value. - Source: Internet
• Autofocus is very fast, silent, and reliable. Chromatic aberrations are very well-controlled, and despite its wide focal length, this lens can create some fairly nice bokeh at f/2.8 thanks to its 9-blade aperture. Moreover, the build quality is outstanding. - Source: Internet
• The most fabulous telephoto lens for the Sony A7S III, the Sony FE 100-400mm f/4.5-5.6, has changed travel photography worldwide. - Source: Internet
• Joining the FE 28mm f/2 and FE 50mm f/1.8 in creating a more affordable and accessible system while still providing excellent optical performance. It uses an ED element to reduce aberrations, as well as a nine-blade circular aperture for smooth bokeh. It features a double linear motor system for fast, quiet autofocus. The lens is designed for manual focus, as well, and it has a programmable focus hold button. - Source: Internet
• This lens is ultra-sharp edge-to-edge throughout the zoom range, even at f/2.8. In fact, it delivers the utmost image quality. Moreover, autofocus is quick and accurate without making any noise, which is especially handy for shooting wildlife without scaring them away. - Source: Internet
• The only significant problem is the excessive bokeh fringing at f/1.8, which doesn’t honestly go away until the lens is stopped down to f/5.6. - Source: Internet
• With a 24MP sensor and 4K video, few cameras can match the power and practicality of the Sony A7III. This mirrorless camera is a must-have for everyone from travel and landscape photographers to wedding and event videographers. It’s the best of all creative worlds, made even better by the vast array of lens options available. No matter your creative endeavors, here are 10 of the best lenses for the Sony A7III. - Source: Internet
• Sony calls the lens “The ultimate portrait prime,” and it is hard to argue against that statement. I’ve used wide-aperture 85mm prime lenses for entire senior portrait shoots, and the results this combination provides are outstanding. There seems always to be enough ambient light to use this lens handheld. - Source: Internet
• The Sony FE 100-400mm F4.5-5.6 GM OSS is hands-down the best super-telephoto zoom lens when it comes to performance, versatility, and image quality. It also has a maximum magnification ratio of 0.35x, allowing it to double as a powerful macro lens. - Source: Internet
• Primoplan 75/f1.9 is Meyer-Optik Gorlitz’s legendary portrait lens. Its f1.9 max aperture allows a great deal of creative freedom, even with very little light. The bokeh is fine and creamy as soft serve ice cream. - Source: Internet
• This Zeiss Planar-design normal lens features one Advanced Aspherical, one aspherical, and one extra-low dispersion element for ultimate corner-to-corner sharpness along with pleasing bokeh. It joins the FE 35mm 1.4 ZA and 85mm 1.4 GM in a trio of lenses offering a manual de-clickable aperture ring ideal for video. - Source: Internet
• Manual focus 35mm F1.2 wide angle prime lens from Chinese lens maker Kerlee offers 1/2 stop wider aperture than 35mm F1.4 lenses. I can’t comment on sharpness – just that it goes to one-point-two. - Source: Internet
• More importantly, this lens should have a wide maximum aperture — at least f/2.8 or wider. Otherwise, your shots are likely to come out grainy. Make sure that this lens is also sharp — preferably edge-to-edge — when shooting wide-open. - Source: Internet
• 🔮 Do you like this lens but don’t need the f/2.8 aperture? Consider the much more affordable Sony FE 12-24mm F4 G – it’s 282 g (10 oz.) lighter, just as sharp, but obviously lacks the low-light and bokeh capabilities of the f/2.8. - Source: Internet
• 5. Sigma 14-24mm f/2.8 DG DN Art Ultra-wide viewing angles with top-notch quality Specifications Focal length: 14-24mm (21-36mm APS-C) Maximum aperture: f/2.8 Aperture blades: 11 Weather seals: Yes Filter thread: N/A Dimensions: 85 x 131mm Weight: 795g specifications Colour Black Condition New, Refurbished Today’s Best Deals View at Amazon (opens in new tab) View at Walmart (opens in new tab) View at Best Buy (opens in new tab) Reasons to buy + Great image quality + Robust, weather-sealed construction Reasons to avoid - Less ‘ultra-wide’ than Sony 12-24mm - Not a ‘zero distortion’ lens - Source: Internet
• Fast f/1.4 maximum aperture manual focus prime lens for effective low light capture, fast shutter speed shooting and shallow depth of field control. Optical design consists of 9 elements in 6 groups including one hybrid aspherical element and one aspherical element to reduce chromatic aberrations. - Source: Internet
• Sony’s “Nifty-Fifty” is just the lens for everyone asking for affordable FE glass! It’s double-gauss optical design incorporates one aspherical element to control spherical aberrations. While it won’t match the sharpness of the legendary Sony FE 55 F1.8 ZA or FE 50 F1.4 ZA, it offers great performance for just $248. - Source: Internet
• Quality-wise, it’s a great lens. We definitely recommend it over the Sony 12-24 and if you can live without 35 mm, also over the Zeiss 16-35 or the Sony G Master. And last but not least, the lens is also comparatively affordable at around 1,450 euros. - Source: Internet
• The only downside to this lens is that it’s in the pricier range. However, it’s still the least expensive, lightest, sharpest, and best 24mm f/1.4 ever made — it’s worth every penny of its price tag, especially if you’re serious about low-light wide-angle photography. - Source: Internet
• Sony Artisan and YouTube content creator Miguel Quiles has also used the new Sony 24-70mm f/2.8 G Master II and notes how it, combined with your Sony camera, makes an unstoppable combination. “What stands out to me about this lens is the overall package and how they play off of one another,” he says. “For a lens to be small and fast is fine, but if it’s not sharp and the AF performance doesn’t keep up then it doesn’t matter. In this case, this lens really gives you the best blend of ergonomics, IQ, AF performance, bokeh and everything else!” Watch the video below as Quiles goes through more of the improved features for the new lens: - Source: Internet
• While superzoom lenses of this kind typically show mediocre image quality, this lens is an exception. It displays very impressive sharpness throughout the zoom range and overall incredible image quality. It also has a really attractive price. - Source: Internet
• Third-party lens makers Samyang/Rokinon also offer a wide range of Manual Focus E-mount lenses. These are by far the LARGEST of all E-mount lenses since they’re designed for DSLR cameras. Yet they offer good optical performance for the price. The cine versions feature T-stops, clickless aperture and focus gearing. - Source: Internet
• The picture quality is impressive. The images are sharp not just in the center but throughout the frame. It is one of the finest and fastest lenses available for Sony’s full-frame cameras for under two thousand dollars. - Source: Internet
• Sigma’s Art lenses have an uncompromising design ethic that goes all out for enabling artistic flair and creativity, no matter if they end up being quite large and weighty. The 24-70mm f/2.8 standard zoom for Canon and Nikon SLRs is typical of the breed but the new ‘DN’ version for Sony mirrorless cameras is more of a complete redesign than a simple tweak with a different mounting plate. It’s also about 200g lighter, making it more manageable on a svelte Sony mirrorless body, but is still pretty weighty at 830g. - Source: Internet
• Budget pick Tamron 28-75mm f/2.8 The best Sony a7S III lens for beginners Tamron has improved their standard zoom lens for mirrorless cameras with their new 28-75mm f2.8 Di III G2. This lens offers optically superior performance compared to other manufacturers, especially at the short end. $899 at Amazon $899 at Adorama - Source: Internet
• It’s quite bulky for a 50 mm lens, but the photo quality is excellent all around. The price isn’t exactly low at just under 1,400 euros. But then again, it’s certainly justified for a high-quality lens with Zeiss technology. - Source: Internet
• Kit deals are also available for professional cameras. Who would have thought? Since it was barely more expensive than just buying the body, we also bought our cameras in a kit with the 28-70 mm, f/3.5-5.6 zoom lens included. - Source: Internet
• This lens reduces color fringing to negligible amounts and shows fewer distortions than the older model. Moreover, it displays exceptionally smooth bokeh and has even better macro capabilities than the original model. It’s also more comprehensively weather-sealed. - Source: Internet
• Macro lenses have a 1:1 magnification ratio and typically, a minimum focusing distance of around 0.30 m (0.98 ft) or less. This will allow you to get extremely sharp and detailed close-ups of microscopic subjects. - Source: Internet
• Our pick Sony 24–105mm f/4 G OSS The best Sony a7S III lens The Sony 24–105mm f/4 G OSS is a great versatile lens for photographers using Sony’s full-frame a-series cameras. With a focal length range of 24-105mm, OSS (Optical SteadyShot), and modest size, weight, and price, this lens is a great option for photographers who want a versatile lens for their camera. $1,398 at Amazon $1,398 at Adorama - Source: Internet
• The Sony 24-105mm f/4 G OSS is another premium yet more practical lens than the Sony 16-35mm. The lens creates sharp images at any focal length with a constant f/4 aperture throughout the zoom range. It’s made of high-quality and durable plastic, while the weather seal is metallic and ensures the lens clicks tightly onto the camera. - Source: Internet
• With a full-frame sensor, and a portrait lens, such as the 85mm f/1.8, it’s quite easy to produce smooth blurred backgrounds, and a shallow depth-of-field. Because of this it’s important to ensure correct focus, and with face and eye-detection focus the success rate for portrait photos is very high. Skin tones are pleasing, and levels of detail can be very impressive. Like the Sony A9, the A7R Mark III does not feature a panoramic shooting mode. - Source: Internet
• Offering the extremely popular 35mm focal length and ultra-wide aperture combination in the flagship GM professional-grade lineup seemed a no-brainer. The other no-brainer, at least to many, is the decision to purchase this extremely high performing, relatively compact, lightweight, and affordable lens. Its review-time best seller ranking attests to that statement. Just get this lens. - Source: Internet
• The older version of the same lens is a good alternative—Sony FE 70-200mm f/2.8 GM OSS. It’s around $500 cheaper than the v2, but it has a longer minimum focus distance and suffers from more corner softness. - Source: Internet
• We’d say that the Sony 135 mm is the better alternative to the Zeiss 135 mm. The main difference is the higher lens speed of f/1.8, which makes it much easier to create a bokeh effect. - Source: Internet
• The lens is ideal for landscape photography. The image quality is outstanding, even with an open aperture. The lens is also protected against dust and splash water. - Source: Internet
• In terms of focal length range, this lens is a direct competitor to the Sony 12-24 mm f/4. However, the Sigma is significantly faster with an aperture of f/2.8 and still only slightly heavier at around 795 grams. - Source: Internet
• This telephoto macro lens offers life-size 1:1 maximum magnification along with an 11.8” minimum focusing distance. This lens uses a flat-field optical design to yield realistic rendering, void of field curvature, as well as high sharpness and clarity throughout the focusing range. Multi-layer coating is applied to reduce lens flare and ghosting for increased contrast and improved color fidelity. - Source: Internet
• The Sony 16-35mm F4 lens is the top wide-angle lens choice for photo and video. If you’re looking for something even wider to get nice close-focus wide-angle (CFWA) shots of reefs there are a couple of options for shooting fish-eye. The 28mm prime lens with a fisheye conversion lens will give the widest possible angle of view. The fisheye conversion lens can be used behind a large or small dome port, while the Sony 16-35 mm F4 les is recommended for use with an 8-inch dome or larger. - Source: Internet
• With the Sony FE 16-35mm f/2.8 G Master lens, you can have your cake and eat it too when it comes to focal range. This high-quality lens alternates between super wide at 16mm—perfect for astrophotography—with up to 35mm also available for those wider landscape shots. An f/2.8 aperture guarantees low-light capability, while the high-resolution lens means photo details are impressively crisp. - Source: Internet
• Full-frame E-Mount telephoto zoom lens with the versatility to stretch from true wide-angle to super telephoto perspectives. Its advanced optical design includes 5 aspherical elements and 1 ED glass element for reduced chromatic and spherical aberrations in a compact design. Optical SteadyShot image stabilization facilitates sharper imaging in low light situations and when shooting at long telephoto lengths. - Source: Internet
• This fast wide-angle prime features updated, sleek design and compact form factor. Ideal for street shooting, landscape and documentary photography, the fast maximum aperture excels in low light and for controlling depth of field. G Master lens design features an advanced optical design for well-corrected imagery with a high degree of sharpness and clarity.Two XA (eXtreme Aspherical) elements and one extra-low dispersion element reduce a variety of aberrations, color fringing, and distortion, and the optics are complemented by a Nano AR II coating that also suppresses flare and ghosting for improved contrast. XD Linear Motor system that uses two separate focusing motors to deliver especially quiet, precise, and quick autofocus performance. - Source: Internet
• The ultimate telephoto lens for image quality, bokeh, and low-light performance. This lens is ultra-sharp and perfect for shooting indoor events like sports and stage performances. CHECK PRICE ON AMAZON - Source: Internet
• An incredibly sharp super-wide-angle lens that’s perfect for both landscape shots and astrophotography. It boasts spectacular image quality and a weather-sealed build. CHECK PRICE ON AMAZON - Source: Internet
• Non-Designated Sony lenses are aimed to deliver quality optical performance at an affordable price. In some cases, such as the Sony FE 85mm F1.8 these non-designated Sony FE lenses might even exceed premium lenses from other camera brands. - Source: Internet
• The Sony FE 24mm F1.4 GM is hands down one of the best prime lenses for Sony a7R IV simply because it’s rare to find a wide-angle lens with a maximum aperture of f/1.4. - Source: Internet
• This superb telephoto lens provides me with the mobility, dependability, and operability that professional applications expect and world-class image quality thanks to large f-stops spanning 4.5-to 5.6. - Source: Internet
• Ultra-compact and ultra-wide prime lens with distinctly low distortion and rectilinear rendering to suit interior, architecture, astrophotography, nature, and landscape applications. The 114° angle of view is aided by an advanced optical design, which includes aspherical, high refractive index, and low dispersion elements for well-corrected, sharp, and color-accurate images. Manual focus design permits working with subjects as close as 10.6″ away and built-in petal-shaped hood helps to block stray light from causing unwanted lens flare. - Source: Internet
• This specialized macro lens is super user-friendly, versatile, and one of the sharpest Sony lenses out there. It’s perfect for close-ups of tiny subjects and doubles as a portrait lens, too. CHECK PRICE ON AMAZON - Source: Internet
• Fast and bright wide-angle prime incorporates sophisticated rectilinear optical design to effectively limit distortion across 110° Angle of View. The ultra-fast f/2 maximum aperture makes this lens especially useful for astrophotography and low-light use. When paired with the 5.9″ minimum focusing distance, distinct shallow depth of field images. - Source: Internet
• This lens is really lightweight and compact, making it perfect to travel with. Plus, its versatile zoom range allows you to shoot everything from landscapes, portraits, and close-ups to a sky full of stars. It’s an incredibly multi-purposeful lens. - Source: Internet
• Price-wise, this lens offers incredible value for money as it’s even cheaper than the shorter Sony 100-400mm F4.5-5.6 GM (mentioned above). - Source: Internet
• If you can only afford one lens – this would be my choice. 24-70mm is a great range for portrait photography because it allows you to shoot everything from wide environmental portraits to a tight intimate portrait and this flagship Sony lens is by far the best 24-70 on the market. Optical design incorporates three aspherical elements including one XA (extreme aspherical) and two extra-low dispersion elements for both excellent sharpness and exceptional bokeh. - Source: Internet
• OUR TOP PICK Sony FE 24-70mm F2.8 GM II The best all-around standard zoom lens for the Sony A7R series. It’s lightweight, incredibly sharp throughout the range, creates stunning bokeh, and delivers optimal performance. CHECK PRICE ON AMAZON - Source: Internet
• This compact ultra-wide prime features an ultra-wide 126° angle of view and weighs just 8.9 ounces (254g). It’s designed with a 62mm filter thread – making it currently the world’s widest fullframe rectilinear lens with a front filter thread. Lens design features 14 elements in 10 groups with two aspherical elements and three extra-low dispersion elements to suppress the distortion and keep chromatic aberrations to the minimum. - Source: Internet
• While this lens is not as sharp as the much more expensive Sony 100-400mm F4.5-5.6 GM, it still shows impressive image quality. It delivers excellent central sharpness throughout the zoom range, although at 300mm, edge sharpness is quite poor. - Source: Internet
• 📸 Good to know: Why opt for a prime wide-angle lens? For starters, prime lenses are significantly sharper than zoom lenses. They’re also more compact and easier to travel with. Plus, their wide aperture allows you to achieve incredible low light photography. - Source: Internet
• Autofocus is very accurate, fast, and silent. The weather-sealed build is excellent, too. This lens produces some pretty nice sunstars when stopped-down to f/16 and f/22, although there are some unwanted flare effects when shooting directly into the sun. - Source: Internet
• The Sony FE 24-105mm F4 G OSS is a very versatile lens with generous wide-angle coverage and a mighty telephoto reach. It’s a fantastic lens to travel with as it takes away the need to carry and switch between different lenses. It’s also pretty lightweight given its focal range. - Source: Internet
• The Sony FE 24-70mm F2.8 GM II is the best all-around standard zoom lens for the Sony a7R IV. It’s the newer version of an already incredible lens; except this update is an improvement in virtually every way – from its autofocus speed to its size, weight, and close-up performance. - Source: Internet
• This ultra wide prime lens combines F1.8 max aperture with excellent corner-to-corner optical quality. Dual XD Linear Motor system is quick and quiet, and also provides more responsive control for manual focus operation. The lens also has a dust- and moisture-sealed design, along with a fluorine coating, to support shooting in inclement conditions. - Source: Internet
• This lens can also tackle low-light situations really well. While the bokeh it produces isn’t quite as smooth as what you’d get with the Sony 70-200mm F2.8, it’s still beautiful. Unless you’re a professional, you likely won’t even spot the difference. - Source: Internet
• Designed to appeal to those shooting sports, wildlife and action with fast cameras like the Sony a6600, the 70-350mm f/4.5-6.3G OSS super-telephoto lens is an exciting new addition to Sony’s APS-C range. It promises high optical performance, with built-in optical image stabilisation, plus typical G master lens sharpness from corner to corner. Offering 5x optical zoom, the lens is still relatively lightweight and would be a great addition to any kit bag. - Source: Internet
• Rokinon’s first AF zoom lens, offers a bright f/2.8 aperture, premium optical design, fast and accurate autofocus, solid build quality and weather-sealed body. It features a parfocal design, enabling it to maintain its focus point as it zooms in or out. This premium feature, often only seen in high grade cinema lenses allows you to compose a shot more quickly while keeping your subject in focus as framing changes. - Source: Internet
• We’re proud owners of a Sony Alpha 7II and we would never want to part without this great camera. In this guide we’ll show you which lenses are available for the Alpha 7 series. If you’re looking for the perfect full-frame lens for E-mount cameras, you’ve come to the right place! - Source: Internet
• As a part of the APO-LANTHAR line, this optically refined, apochromatic lens features a series of anomalous partial dispersion and aspherical elements help to suppress virtually all aberrations for especially high sharpness and color accuracy. Floating elements maintain consistent performance throughout the focusing range. Manual focus design features high precision helicoid for refined focusing control. Its 12-blade diaphragm contributes to pleasing bokeh. - Source: Internet
• Characterized by its swirly bokeh, Lensbaby Burnside 35mm f/2.8 prime for Sony E-mount cameras features two separate diaphragms, an extensive amount of control over selective focus and bokeh with a distinct out-of-focus swirl. The six elements, four groups optical design also contributes to the unique look, and each of the glass elements have been multi-coated to control flare and ghosting fore high contrast and accurate color rendering. In addition to fully manual exposure control, the lens also requires manual focus operation and has a minimum focusing distance of 6 inches. - Source: Internet
• Meyer Optik’s brings back the ‘Wonder Bokeh’ Primoplan 58 f1.9 Lens known for its ability to create different bokeh effects all with one lens. This lens gives photographers a tool which truly enables them to express themselves in different ways with this single lens. - Source: Internet
• The Sony FE 85mm F1.4 GM is an amazingly sharp and powerful lens with a premium build and stunning image quality. It’s also quite simply put – a bokeh monster. If you want the smoothest, most beautiful bokeh and are happy to shell out for it, then this is the lens for you. - Source: Internet
• Photojournalists, sports and wedding photographers rejoice! If you’ve been patiently waiting for a 70-200 F2.8 for E-mount, this lens is worth the wait. Like the other lenses in this series it’s incredibly sharp with nice balance for E-mount cameras. - Source: Internet
• Classic wide-angle prime designed for full-frame Sony E mirrorless cameras with a bright f/1.4 maximum aperture for control of depth of field for producing shallow depth of field and low-light shooting. Symmetrical optical design is used, along with high refractive index glass, to produce sharp, clear imagery but with some intentional aberrations left to realize a smooth and vintage character. The lens’s manual focus design permits working with subjects as close as 11.8″ - Source: Internet
• It features a double linear motor system for precise, quiet operations that is ideal for film-making. The lens has a circular 9-blade aperture that creates a beautiful defocus effect. Like other lenses from Sony, it has a customizable focus hold button and an AF/MF switch. However, this lens does not offer built-in optical image stabilization. Most recent cameras from Sony now come with an image stabilization feature embedded in the body itself. - Source: Internet
• This lens is outstandingly sharp in the center of the frame throughout the full aperture and zoom range. It also performs really well at the edges of the frame, too – it’s completely sharp edge-to-edge at f/4, and almost so at f/2.8. - Source: Internet
• When I want to carry a lens with me, the lens’ unusual soft-focusing effect up to a minimum focusing distance of 0.98ft. has astounded me by transforming everyday scenes into a gorgeous spectrum of versatility. - Source: Internet
• Sony Artisan Bob Krist has used all three of the above new lenses and says,“These three lenses have breathed new life into the APS-C format. They are precisely what serious APS-C shooters have needed. And the usefulness of these lenses to video shooters with full frame cameras cannot be underestimated because the APS-C crop on full frame video looks so great. This will make the zoom, especially useful for outdoor work where you usually have plenty of light and don’t need the super low light capabilities of Sony full-frame.” Learn more about the lenses in the video below. - Source: Internet
• One of the sharpest lenses Sony has ever made. With this prime lens, you’ll never have to sharpen photos in post-processing again. Bokeh is also super smooth and creamy. CHECK PRICE ON AMAZON - Source: Internet
• The lens is impressive mechanically as well as optically. Its stepping motor autofocus system is very fast and virtually silent in operation, and comes complete with the usual electronically coupled focus ring, which enables very precise manual adjustments. Meanwhile, aperture control is based on an 11-blade diaphragm which remains very well-rounded when stopping down, helping to retain attractive bokeh. - Source: Internet
• This lens is exquisitely sharp from edge to edge, even at f/1.4, which is truly impressive. The quality of bokeh is also wonderfully soft and dreamy. Overall, it’s a spectacular portrait lens that does a fantastic job of isolating the main subject against a blurred background. - Source: Internet
• Like Sigma’s 24-70mm Art standard zoom for Sony mirrorless cameras, this one has evolved from a very popular lens that was designed for Canon and Nikon SLRs. Again, there are considerable differences in the construction of the E-mount version, starting with the optical path. The veritable feast of glass includes three aspherical elements, complete with a large-diameter, ultra-high-precision one at the front. Further back, there’s an FLD (‘Fluorite’ Low Dispersion) element and no less than five SLD (Special Low Dispersion) elements. Also like the standard zoom, the ultra-wide lens uses both Super Multi-Layer Coating and Nano Porous Coating, which give a noticeable reduction in ghosting and flare, compared with the older SLR lens. - Source: Internet
• Another wide-angle lens from Sony. This one has very high-quality build, the product of excellent optical and technical workmanship. And the image quality is impeccable. - Source: Internet
• Quick final note: We receive several emails every day with questions about which lens is best for a specific purpose. We hope you understand that we just can’t answer them all. As a small company, we simply don’t have the time. If you have any questions, please leave us a comment below the post and we’ll try to get back to you as soon as possible. Deal? - Source: Internet
• Featuring a 135° angle of view, the new Laowa 9mm f/5.6 is currently the widest non-fisheye lens ever developed for fullframe mirrorless cameras. Landscape photographers can now experience an ultimate wide-angle photography with beautiful scenery captured in one shot. The ultra-wide angle of view is particularly helpful for interior shooting as it helps exaggerated the sense of space. - Source: Internet
• It has a very compact build, is sealed against dust and splash water, and even comes with a filter thread. What’s more, it has a practical zoom range of 17-28 mm and a very good lens speed of f/2.8. - Source: Internet
• Sigma has certainly thrown the full weight of its technological expertise into the lens. It has a complex optical path of 19 elements. Of these, there are three aspherical elements, six top-performance FLD (‘Fluorite’ Low Dispersion) elements and two SLD (Special Low Dispersion) elements. In addition to Sigma’s usual Super Multi-Layer Coating, there’s a brand new Nano Porous Coating, to further reduce ghosting and flare. - Source: Internet
• The lens YOU readers asked for – Sony FE 135mm F1.8 GM which may be Sony’s best lens to date thanks to fast responsive AF from Twin XD Linear Floating Focus Groups, XA Extreme and Super ED Glass for extreme sharpness and beautiful bokeh! This is a great lens for portraits, weddings, sports and pretty much any time you want a razor sharp medium telephoto. (Full Review) - Source: Internet
• To put it simply, this lens is currently the best 50mm lens for Sony Alpha cameras out there. It’s pretty pricey, but everything from its premium build to its outstanding image quality justifies that price. Plus, for a GM lens, it’s relatively lightweight and compact. - Source: Internet
• Street, wedding, and portrait photographers rave about this 50mm G Master prime lens from Sony, starting first and foremost with that f/1.2 aperture. This speed guarantees crisp images, even in low-lit situations. Plus, the dazzling G Master bokeh strikes again, making subjects stunningly pop against a softly blurred background. Fast and accurate autofocus further add to the array of features, making this a must-have lens for the Sony A7III. - Source: Internet
• Produces a uniquely soft, glowing image quality that is well-suited to making expressive and ethereal portraits. The overall softness can be controlled by stopping down the lens while still retaining the smooth tonality of a soft focus lens. Compatible with full-frame sensors, this slightly longer-than-normal focal length pairs with the fast f/1.6 maximum aperture to excel in difficult lighting and achieve a shallow depth of field with controllable sharpness - Source: Internet
• This lens is also nearly optically flawless. Distortions are very well controlled, and chromatic aberrations are barely visible. The wide aperture allows you to create stunning bokeh and beautiful low-light shots – making it a fantastic choice for astrophotography. - Source: Internet
• Designed to create soulful, striking portraits and macro photos with lovely bokeh, this unique short telephoto with distinct classic appeal, produces a mid-20th century-inspired image quality that is well-suited to portraiture. This lens’s softness can be controlled by stopping down in order to produce a range of effects from soft and dreamy to sharper and crunchier at smaller apertures. A 12-blade diaphragm also contributes to the lens’s aesthetic, and helps to produce a smooth bokeh and shallow depth of field. - Source: Internet
• Looking for a lens that can “do it all”? The Tamron 28-200mm f/2.8-5.6 Di III RXD is a powerful multipurpose lens that’s basically a standard zoom, wide-angle, and telephoto lens all in one. It’s also very lightweight and compact. - Source: Internet
• On top of all that, this lens is also very travel-friendly as it is lightweight and compact. With its f/1.4 aperture, there’s also no better wide-angle lens for creating beautiful bokeh. - Source: Internet
• The Tamron 70 to 180 mm is a real insider tip. The lens has a speed of f/2.8 in combination with a focal length of 70 to 180 mm. It’s very compact for this type of lens and only weighs 815 grams. - Source: Internet
• Wet wide-angle lenses are a great option with this camera. We recommend the Nauticam wet wide-angle lens or the Kraken KRL-01 wet wide-angle lens with the 28mm prime lens. All of these options are very sharp and will result in stunning wide-angle photos. - Source: Internet
• The Sigma 70mm F2.8 DG Macro Art is an affordable and lightweight macro lens that delivers razor-sharp results and outstanding image quality. If you plan to take detailed close-ups of flowers, food, and other medium-sized subjects, then this lens will offer fantastic value. - Source: Internet
• Looking for the best portable Sony a7R IV wide angle zoom lens? The Tamron 17-28mm F2.8 Di III RXD can’t be beat. This lens is the perfect travel-friendly gear, coming at almost half the weight of the previous two wide-angle zoom lenses. - Source: Internet
• In fact, this lens delivers fantastic sharpness in the center of the frame throughout the whole zoom range — even when shooting wide open at f/2.8. It’s also great for portraits, and focuses quickly, quietly, and accurately. - Source: Internet
• With DXOMARK you can display the lenses with three different views - Grid, List or Graph in order for you to have the best solution to compare the filtered results. Choose the lenses you want to compare from the results below. Then in the selection box, you can check up to three lenses at a time to compare their measurements. - Source: Internet
• If you’re looking for a new lens for your Sony A7III, then this list is perfect for you. With the help of professional photographers and camera experts, we have compiled a list of what they believe to be some of the best lenses out there today. These lenses are available in various price ranges, so no matter how much money you have to spend on one, there’s something here that will work well with your needs. Whether it’s specifically geared towards portraits or if it has an aperture range suitable for landscapes, these lenses have everything that any photographer could ever want! - Source: Internet
• On the downside, aside from being expensive, this lens suffers from some vignetting at f/2.8 and some barrel distortion at 12mm, which is pretty typical of all ultra-wide lenses. You can easily remove these via in-camera corrections or post-processing, though. - Source: Internet
• Helped by the inclusion of one aspherical element and five ED (Extra-low Dispersion) elements, sharpness and contrast are outstanding for a super-telephoto zoom and amazingly consistent throughout the entire zoom range, right up to 600mm. Color fringing and pincushion distortion are also very negligible at all focal lengths. Autofocus is super-fast and, unusually for a super-telephoto zoom, the physical length remains constant at all focal lengths. All in all, this is a fabulous lens for both full-frame and APS-C format Sony cameras. - Source: Internet
• Its built-in optical image stabilization substantially reduces the visible camera shake while recording videos or taking photos. Sony’s 24-105mm f/4 also features an auto/manual focus switch, a focus hold button, and an optical steady shot button, and it comes with Sony’s Direct Drive SSM (DDSSM) Auto Focus that is quick, precise, and silent. Therefore, the autofocus works as expected for a professional lens, making it suitable for recording films and capturing photos. - Source: Internet
• The fixed aperture of this lens will also allow you to create smooth and natural transitions as you zoom in or out while filming. Autofocus is very fast, accurate, and essentially silent. Build quality is professional-grade, with several weather-seals fitted throughout. - Source: Internet
• The Sony FE 70-200mm F2.8 GM OSS is the absolute best telephoto zoom lens for image quality, top-notch performance, and bokeh. It delivers extremely detailed photos and videos. - Source: Internet
• The first portrait photography concept that needs to be understood is perspective. If the camera is too close to the subject, the part of the body closest to the lens, usually the nose, is going to appear too large relative to the rest of the body. This effect is due to perspective distortion. Move in too close, and the subject may become uncomfortable with you in their personal space, creating a tension that does not photograph well. - Source: Internet
• Being too far away from a subject brings other problems. Facial features may become too compressed in appearance, and being too far away complicates communication. Longer focal length lenses require more working distance than their wider counterparts, and physical obstacles can inhibit the necessary line of sight. - Source: Internet
• The Sigma 100-400mm f/5.0-6.3 has a complicated optical formula, expected when considering a telephoto zoom lens. - Source: Internet
• With such a lengthy head start, Sony put those five years to good use. It designed and brought to the market a succession of impressive full-frame compatible lenses, while also ramping up its range of APS-C format lenses for its popular line of A6000 series camera bodies. Whatever type of prime or zoom lens you need for your Sony full-frame or APS-C format body, you’ll be able to find an own-brand Sony lens to fit the bill. The only catch is that sometimes the bill can be a little steep, so we’ve taken value into consideration as well in this in-depth guide to the best Sony lenses. - Source: Internet
• This F2.8 Super wide-angle prime is the perfect fast wide angle lens for astrophotography shots of the Milky Way. Featuring a rectilinear optical design, specifically meant to limit distortion, optical construction also incorporates a pair of aspherical elements and three extra-low dispersion elements to control both spherical and chromatic aberrations for improved sharpness and reduced color fringing. This lens features a precise manual focus design along with a floating optical system to maintain accurate rendering throughout the focus range from 7.09″ to infinity. - Source: Internet
• Sigma 90mm f/2.8 DG DN Contemporary Lens is a short-telephoto prime well-suited for portraiture and selective everyday shooting and offers a fast f/2.8 aperture for controlling depth of field and working in less-than-ideal light. This lens includes an aspherical element and five special low dispersion elements to control a variety of aberrations and achieve notable sharpness and clarity - Source: Internet
• Unlike most up-market zoom lenses for DSLRs, this one has a widest available aperture of f/4 rather than f/2.8, which helps to make its size and weight a better match for the comparatively small A7 series bodies. As with most Zeiss-badged optics, the physical design looks minimalist, without any switches for auto/manual focus modes or on/off for the OSS (Optical SteadyShot) stabilizer. Even so, the metal lens barrels feel beautifully engineered and the build is dust/moisture resistant. Sharpness is good and very consistent throughout the zoom and aperture ranges although the corners become a little soft at longer zoom settings. - Source: Internet
• Specifically designed for full frame Sony E-mount mirrorless cameras. Samyang’s first autofocus lenses are compatible with both phase detect and contrast detect sensors to operate fast and accurate focus detection. Based on Samyang Optics’ optical technology, aspherical lenses have been included to minimize aberration and unnecessary light dispersion, delivering high resolution from center to corners of the image. - Source: Internet
• On the downside, autofocus is a bit slow, and even more so in dim lighting. That’s another reason why this is not the best lens for insects and bugs; these fast-moving subjects may fly away before this lens has had a chance to focus. This lens also isn’t weather-sealed. - Source: Internet
• The Sony FE 85mm F1.8 offers exceptional value for money. It’s amazingly sharp, produces stunning bokeh, and focuses fast. On top of that, unlike the two portrait lenses mentioned above, it’s also very small, lightweight, and portable. What more could you want? - Source: Internet
• Good video lenses should have a fixed aperture for smooth transitions and a wide max aperture (f/2.8 or wider) for beautiful bokeh and low-light performance. If you’re planning to vlog, go for a wide-angle lens with a minimum focus distance of around 0.30 m (1 ft) or less. - Source: Internet
• This completely professional-grade lens has impressive image quality, fast and accurate AF, and Optical SteadyShot in a solid, weather-sealed, fixed-size body. The wide f/2.8 max aperture allows action to be captured in low light and, combined with the telephoto focal lengths, allows the background to be blurred away. An added benefit is that this lens performs well with teleconverters, a great option for when you need even more focal length. This lens is not inexpensive, butthe version II lens is impressively lightweight. - Source: Internet
• This fast and flexible wide-angle cine zoom is designed for full-frame E-mount cinema cameras. Distinguished by its constant T3.1 aperture, this lens offers consistent performance throughout the zoom range and benefits working in low-light. The lens can zoom manually or it includes a detachable servo unit which can help create dramatic fast or slow zooms with ease, or it can be controlled by the camera’s handle or an external grip zoom. - Source: Internet
• Sony’s FE 100-400mm f/4.5-5.6 G Master OSS is undeniably a cracking lens, but if you want even more telephoto reach, the new 200-600mm delivers it in fine style and is better value. - Source: Internet
• Here’s what to look for when choosing the best video lens for Sony a7R IV. First, look for a lens with a fixed aperture. This will allow the exposure level of your video to stay constant even as you zoom in or out — making these transitions smooth and natural. - Source: Internet
• When there isn’t time for switching from one prime to the next, the adaptable and powerful Sony FE 24-105mm f/4 G OSS E-Mount lens comes into play. This renowned zoom lens boasts an f/4 aperture throughout the zoom, ensuring low-light capability and speed, not to mention high image quality. This E-mount lens is also speedy when it comes to autofocus, meaning everyone from travelers to street photographers will enjoy this Sony A7III lens. - Source: Internet
• This lens is razor-sharp edge to edge even when shooting wide open – and very few lenses can rival this at f/1.4. There are also no visible distortions. Its premium build quality is incredibly sturdy and weather-sealed. Autofocus is also very fast and reliable. - Source: Internet
• This budget-priced fullframe wide-angle prime lens features 7 Elements in 5 Groups with an Aperture Range of F/2-F/16 and a rounded 10-blade diaphragm produces a pleasing bokeh. Compact and Lightweight 0.7oz/320g with Aluminum Body and Copper Core construction. Multi-layer coatings suppresses flare and ghosting for improved contrast and color fidelity when working in strong lighting. - Source: Internet
• The Tamron 28-75mm F2.8 Di RXD III (Model A036) lens is only compatible with Sony Alpha-E mount cameras. This lens has always been in great demand due to its convenient focal length range and constant F2.8 aperture. - Source: Internet
• Designed for Sony E-mount mirrorless cameras, offering a magnification range of 4.5x to 4x, and a minimum working distance of 0.8″, this lens is solely designed for producing greater-than-life-size images of small objects without the need of extension tubes or other accessories. Its compact form-factor makes it ideal for placing into tight or awkward shooting angles and a metal lens barrel offers durability and rigidity. - Source: Internet
• The Sony 24mm f/2.8 G compact prime lens is so small and lightweight it gives creatives the chance to work in a nimble, quick and quiet way while producing incredible footage. The 24mm focal length is a favorite among many video shooters because you can include more of the environment in your shots, allowing you to tell a broader story in scenes while keeping all of that sweet sharpness. The sheer size and weight of the lens makes it a versatile option and when paired with a small camera like the Sony ZV-E10 or Sony Alpha 7C, you have a travel-friendly content creation machine ready to crank out impressively clear video results. - Source: Internet
• To take the best portraits, look for a prime lens with a focal length of 85mm or longer. Prime lenses have very wide apertures, allowing you to create stunning bokeh, a shallow depth of field, and better subject-background separation — all of which would enhance your portraits. Here are the best Sony a7R IV prime lenses for portraits. - Source: Internet
• This massive all-in-one zoom spans the range from wide to telephoto range with a bright maximum aperture of f/2-2.8 allowing you to shoot comfortably in available light while also controlling depth of field and isolating your subject matter with selective focus. Designed for Sony E-mount mirrorless cameras, this fast, versatile lens is it an ideal choice for photographing beautiful landscape, architecture and travel photography. - Source: Internet
• The Tamron 70-180mm F2.8 Di III VXD is the best lower-priced alternative to the previously mentioned Sony 70-200mm F2.8 and the top value f/2.8 telephoto zoom lens in the market. - Source: Internet
• The Tamron 28-75mm F2.8 Di III VXD G2 is the perfect entry-level, beginner-friendly standard zoom lens for the Sony A7R IV. It’s also one of the most budget-friendly standard zoom lenses for this camera. Yet, it delivers far beyond the budget-level norm. - Source: Internet
• On the downside, do not expect reliable low-light performance from this lens. Under dim lighting, it’s unable to consistently lock focus. For a relatively slow lens, it’s also not exactly cheap, despite its somewhat approachable price. - Source: Internet
• 🔮 Want a 50mm portrait lens but don’t want to spend a fortune? Consider the Sony FE 55mm F1.8 ZA. It’s half the price, 64% lighter, and one of the sharpest lenses Sony’s ever made; the best choice if you don’t need an f/1.2. - Source: Internet
• If you prefer the touch and feel of a manual lenses for Sony E-mount cameras, Zeiss Loxia are a great choice. Not only are Loxia designed for digital sensors – they offer features not found on other manual focus glass including full electronic communication with Sony E-mount bodies. Metadata is recorded and focus magnification works as seamlessly as with a native lens. Zeiss Loxia manual focus lenses are designed for Sony E-mount sensors featuring a manual aperture ring that can be ‘de-clicked’ for silent operation best-suited for filmmakers. - Source: Internet
• This bright maximum aperture wide-angle prime lens for full-frame Sony E-mount mirrorless cameras is ideal for working in low-light and with shallow depth of field. The optical design incorporates a pair of aspherical elements and two high refractive index elements to suppress spherical aberrations in order to achieve a high degree of sharpness and clarity throughout the aperture range. Ultra Multi-Coating has also been applied to control flare and ghosting for increased contrast when working in strong lighting conditions. The lens’s autofocus motor works in conjunction with Sony cameras’ AF systems for quick and precise focusing performance, and manual focus override is also available for more refined control. - Source: Internet
• In fact, this lens is ultra-sharp edge-to-edge even when shooting wide open at f/2.8. Bokeh is absolutely beautiful too, and you’ll be able to create super creamy backgrounds. - Source: Internet
• This lens is razor-sharp edge-to-edge. Its wide f/2.8 aperture also helps deliver super creamy and smooth bokeh as well as excellent low-light performance. - Source: Internet
• Both lenses have amazingly fast and accurate autofocus. While the 85mm F1.8 has a great build quality, the F1.4 GM is equipped with a much more premium and sturdy build, which makes sense given that it’s 3x more expensive. - Source: Internet
• And yet another 35 mm prime lens from Sony. This lens excels with its incredible lens speed of f/1.4. However, that also means it’s very bulky and heavy. - Source: Internet
• And this lens certainly lives up to those demands. It can easily go toe to toe with the Sony 24 to 70 mm. Top image quality, fast, quiet, and slightly more compact and lighter than the Sony G Master. - Source: Internet
• This versatile wide-angle to tele zoom with a f/2.8 constant maximum aperture ideal for shooting in available light and allowing control over depth of field. More lightweight and compact than similar 24-70mm lenses, it’s optical design incorporates two FLD and two SLD low-dispersion elements plus three aspherical elements that reduce a variety of aberrations to achieve high sharpness, enhanced clarity, and improved color accuracy. - Source: Internet
• Pancake lenses sadly have nothing to do with delicious breakfast carbs or maple syrup. They’re simply incredibly small and lightweight lenses — so light that you’ll barely feel their weight at all. These lenses are great for travel and street photography in particular, especially if you’re a minimalist and prefer packing light. - Source: Internet
• This manual focus portrait-length lens provides life-size 1:1 magnification along with a minimum focusing distance of 1′. It incorporates one high refractive index element and one extra-low dispersion element into its design to reduce chromatic aberrations and distortions throughout the focusing range. An Ultra Multi-Coating has also been applied to minimize flare and ghosting for increase contrast and neutral color. - Source: Internet
• Despite its small size, there’s very little compromise on image quality. This lens is ultra-sharp even at f/2.8 across the whole frame. Bokeh is beautifully smooth especially if you shoot wide open, although you might see some onion rings from time to time. - Source: Internet
• It has an aperture of f/1.8 and a surprisingly good image quality. At 500 euros, this portrait lens definitely offers the best value for money in the market. - Source: Internet
• Ultra-wide angle rectilinear compact and lightweight primelens is well-suited for landscape, architecture interiors, and astrophotography. Optical design includes a series of aspherical, high refractive index, and extra-low dispersion elements, which reduce a variety of aberrations. Ultra Multi-Coating is applied to individual elements to suppress flare and ghosting for improved contrast and color accuracy. Linear STM autofocus motor works in conjunction with Sony cameras’ AF systems for quick, quiet, and precise focusing performance. - Source: Internet
• First of all, this lens is the smallest and lightest 14mm in the market – perfect to bring on your next trip. It’s also sharper than any other 14mm out there; it’s ultra-sharp from edge to edge, even wide-open at f/1.8. Autofocus is very quick and accurate, too. - Source: Internet
• The Sony FE 2.0x Teleconverter extends the reach of some of the best Sony a7R IV telephoto lenses to the following lengths. Keep in mind, though, that it’ll do so by sacrificing two full aperture stops. - Source: Internet
• Compact wide-angle to long-normal zoom features retractable design ideal as a walkaround lens for street & travel photography. Optical design incorporates three aspherical elements to reduce distortion and spherical aberrations for greater sharpness and accurate rendering. Linear motor and internal focusing provide quick and quiet autofocus for stills and video. - Source: Internet
• A brand new G Master version of the 16-35 mm has just been released. With an aperture of f/2.8 and the image quality the G Master lenses are famous for, this lens is the absolute cream of the crop when it comes to wide-angle lenses for the Sony Alpha 7 series. - Source: Internet
• Offering ultra close focus for shooting at magnifications up to 5X with working distance is a mere 1.6 inches at 5X magnification. This ultra macro optic utilizes eight elements in six groups and features an ultra low dispersion (UD) lens and multi-coating to maintain high image quality at very close focus distances. - Source: Internet
• This lens from Samyang also has an unusual focal length with its 75 mm. 85 mm is more common for portrait lenses, but the 75 mm in combination with its aperture of f/1.8 is just as capable of producing a great background blur, so you can really make your subject stand out. - Source: Internet
• Impressively, this lens shows no visible distortions, even without in-camera corrections turned on. Chromatic aberrations are also very well controlled. Autofocus is fast and accurate, and the top-quality build of this lens is both dust and splash resistant. - Source: Internet
• Incorporating an apodization lens element to create exceptionally smooth, rounded bokeh while maintaining tack-sharp focus on the subject. This newly designed element nearly eliminates peripheral highlight distortion from vignetting and works with the 11-blade circular aperture to produce pleasing out-of-focus areas. The apodization lens element reduces light transmission to T5.6 when set to the lens’s maximum f/2.8 aperture. - Source: Internet
• Price is the only hurdle keeping the FE 50mm f/1.2 GM out of lens kits. However, because this focal length and extreme-wide aperture are so useful, it makes sense to ensure the best quality lens providing such is in the kit. The Sony FE 50mm f/1.2 GM Lens is that lens. - Source: Internet
• More common in the FE zoom range, however, are “slower” f/4 or variable-aperture zoom lenses that have the advantage of less weight and bulk, as well as generally cheaper price points. DxOMark scores for such lenses are lower (as you’d expect), such as 26 points for the Sony FE 24-240mm f/3.5-6.3 OSS super zoom, which is the trade-off for versatility. - Source: Internet
• A blurred background will make your portrait subjects pop. Longer focal length lenses will make blurring away a distracting background easier, as will wide apertures. The wide apertures will provide a reduced depth of field, so the depth of field vs. background blur must be considered. I like the mouth and both eyes to be in focus minimally. - Source: Internet
• Based on the Zeiss Sonnar optical concept, this is one of the sharpest lenses I’ve ever owned – virtually on par with the optical performance of the legendary $4,000 Zeiss 55mm f/1.4 Otus lens yet at a perfect size for Sony E-mount cameras. Great look when used wide open for shallow depth-of-field portraits. (Full Review) - Source: Internet
• The Sony FE 100-400mm f/4.5-5.6, the most fabulous telephoto lens for the Sony A7S III, was my pick. - Source: Internet
• The Sony FE 1.4x Teleconverter extends the reach of some of the best Sony a7R IV telephoto lenses to the following lengths. Keep in mind, though, that it’ll do so by sacrificing one full aperture stop. - Source: Internet
• Any video shooter’s wishlist of requirements for their kit of lenses can really be boiled down to three things: they create high-quality footage, they cover the focal range you need, and they don’t weigh you down. It can seem difficult to put together a kit filled with lenses that don’t sacrifice at least one of these requirements, but you can have it all in each of these Sony lenses built with video creation in mind. Sony isn’t messing around with these compact masterpieces – they’re built well, they perform well and they won’t overwhelm your kit – especially paired with cameras like the Sony ZV-E10 and Sony Alpha 7C. Video shooters and vloggers check out the list of lenses below for a closer look at why they each check the boxes for evolved video quality, complete versatility and unmatched mobility. - Source: Internet
• Ultra-wide zoom lens for full-frame Sony E-mount features constant f/4 maximum aperture. Sophisticated optical design incorporates aspherical and low dispersion glass elements to control both spherical and chromatic aberrations for improved sharpness and clarity. Nano AR Coating is applied to individual elements to reduce surface reflections, flare, and ghosting for greater contrast and color fidelity in bright, backlit situations. - Source: Internet
• 🔮 The Sony FE 16-35mm F2.8 GM (the top overall Sony a7R IV wide-angle lens) is another amazing lens for astrophotography. It’s sharp edge-to-edge even wide-open and has minimal chromatic aberrations. - Source: Internet
• On the downside, when shooting wide-open, there’s some vignetting (however, this can be easily fixed on Lightroom). Also keep in mind that the f/4 aperture of this lens makes it less of a bokeh and low-light performer than the previously mentioned f/2.8 zoom lenses. - Source: Internet
• This lens, too, does not feature in-built image stabilization. Instead, the surface of the lens has Tamron’s BBAR (Broad-band anti-reflection) coating that reduces ghosting and flaring and preserves crisp image quality. In addition, this Tamron lens has an integrated new high-speed precision AF drive system with an RXD (Rapid extra-silent stepping drive) motor unit. The AF motor is fast, precise, and surprisingly silent. - Source: Internet
• Sigma 24mm f/2 DG DN Contemporary Lens provides excellent edge-to-edge sharpness in a stylish all-metal design. An ideal lens for landscape, nature, interior, and architectural photography, the lens provides a modestly bright f/2 maximum aperture for low-light performance and shallow depth of field control. Additionally, its fast maximum aperture makes it a natural choice for night sky and astrophotography. Optical Design includes two SLD glass elements and one FLD glass element and two high-precision glass-molded aspherical elements. - Source: Internet
• The Sony FE 28mm F2.0 is a spectacular vlogging lens thanks to its wide 28mm focal length, close minimum focusing distance of 0.29 m (0.96 ft), and bright f/2.0 aperture. - Source: Internet
• Note that this lens is quite expensive. The Sony 200-600mm F5.6-6.3 comes at a lower price with 200mm more zoom reach, though it isn’t very good for macro shots. - Source: Internet
• This full-frame Sony E-mount lens offers +/- 8.5° tilt and +/- 12mm shift that allows you to change the perspective of an image or correct for certain optical effects such as keystoning. The lens is quite capable in its own right, featuring a maximum aperture of f/3.5 and utilizing two aspherical and two extra-low dispersion glass elements to correct aberrations. - Source: Internet
• The image quality is very good and the lens is extremely fast with a maximum aperture of f/1.4. Only the autofocus leaves something to be desired with this lens. - Source: Internet
• This new lens from Tamron is an excellent upgrade from the original A036 and is very similar in price. Everything from the build quality to the autofocus to the optics has been improved, making the A063 an excellent choice for professionals. Although it doesn’t have all the features of the G Master lens, it’s still a great lens. - Source: Internet
• The Sony FE 70-200mm F2.8 GM II OSS is a high-performance telephoto zoom lens. The constant F2.8 aperture throughout the focal length range is an outstanding feat. Its large aperture and maximum focal length enable you to shoot distant objects even in low light conditions while simultaneously creating decent bokeh. - Source: Internet
• Extremely fast normal prime lens offers distinct and bright f/1.05 maximum aperture ideal for working in low-light conditions and increased control over depth of field for isolating subject matter and using selective focus techniques. Featuring a pair of ultra-low dispersion elements to control chromatic aberrations and color fringing in order to produce high clarity and color accuracy. Manual aperture ring has also been de-clicked for silent adjustments that suit video applications. A 13-blade diaphragm contributes to a pleasing bokeh quality. - Source: Internet
• The 70-200 f/2.8 image stabilized lens is one of the most critical zoom lenses in most photographers’ kits. Professionals and amateurs alike typically have this lens in their hands with high frequency. Professionals use it because there is no better lens available for many jobs, and amateurs use it additionally because this is the longest focal length available in an affordable, conveniently-sized f/2.8 lens. - Source: Internet
• The Sigma 24-70mm F2.8 DG DN Art is a very sharp, versatile, and reasonably priced choice for shooting high-quality 4K videos. It outperforms most standard zoom lenses in the market, is very easy to use, and provides incredible value. - Source: Internet
• As usual in ultra-wide lenses, the lens hood is an integral part of the barrel and protects the bulbous, protruding front element. As such, there’s no attachment thread for the direct mounting of filters. However, the new E-mount version of the lens adds a gel filter slot in its mounting plate, complete with a locking device, and comes with a template for cutting gel filter material to size. - Source: Internet
• This lens also has faster autofocus than many specialized macro lenses. Plus, its long focal length allows you to stand far away from small subjects like insects so as to not scare them away. It truly replaces the need for a macro lens. - Source: Internet
• Because I had my a7siii with me on my vacation to France, I kept these lenses with me. My family and I were there to explore Disneyland. The Disney Parks consistently rank at the top of lists of the most Instagrammed locations in the world, and for a good reason—they are stunning! The photos I posted there amazed my Instagram friends. - Source: Internet
• For vlogging, look for a wide-angle lens (max 35mm focal length) with a minimum focus distance of around 0.30 m (1 ft) or less so that you can easily stay in focus while talking to the camera. Here are the best Sony a7R IV lenses for videos. - Source: Internet
• Pixel Shift Multi-shot mode - Using this mode, the camera takes 4 photos using the electronic shutter, and each picture taken with the sensor moved by 1 pixel. You then need to stitch these images on your computer using Sony’s Imaging Edge software. You can use the full aperture range of the lens you’re using, and ISO can range from ISO100 to ISO102400. You’ll need to use a sturdy tripod along with a remote release or the camera’s self-timer, as it’s essential that the camera is completely still when shooting. This means you can’t use it on a monopod for example, unless you’re very lucky, and the weather is on your side. - Source: Internet
• To capture subjects far away from you, you’ll need a telephoto lens, which typically has a minimum focal length of 70mm. You can also get a super-telephoto lens, which typically has a focal length of 300mm or more. Here are the best Sony a7R IV telephoto lenses. - Source: Internet
• Bear in mind, though, that not all lenses are compatible with the best teleconverters. By using them, you’ll also be reducing the maximum aperture of your lens, and sometimes, the general image quality of your shots. Here are the best two teleconverters for the Sony a7R IV. - Source: Internet
• This fairly chunky optic nonetheless only weighs in at a pretty modest 371g thanks to a predominantly plastic construction, but balanced really nicely on the Alpha A7R II we tested it with. The design is very clean - so much so that there’s no distance or DOF scales, but those niggles aside, it’s a cracking portrait lens. Focusing is nice and brisk while the nine-blade diaphragm delivers to really beautiful bokeh. Optically, there’s little to fault it on either - it’s incredibly sharp at the centre of the frame through the aperture range. If you can’t justify one of the more exotic Sony portrait lenses, this is a great option. - Source: Internet
• Short-telephoto, portrait prime with bright maximum aperture and advanced optical layout. Fast f/1.4 design is ideal for working in low-light and selective control over depth of field for isolating subjects and working with selective focus. As part of the Art line of lenses, this lens is also designed for high-resolution rendering, and utilizes FLD and SLD glass to control chromatic aberrations and color fringing for notable clarity. - Source: Internet
• Featuring a compact form factor 2.9″ in length, the Zeiss Loxia 25mm f/2.4 Lens is a wide-angle prime is based on the Distagon optical concep that’s sharp and free of distortion from edge to edge. Optical construction incorporates two anomalous partial dispersion elements and one aspherical lens to control chromatic aberrations and increase clarity and color accuracy. Zeiss T* anti-reflective coating minimizes lens flare and ghosting. - Source: Internet
• The top-requested lens by our readers offers outstanding resolution and sharpness with minimal aberrations features five ED elements and one aspherical element, plus Nano AR and fluorine coatings. It also features a relatively compact size through the use of an f/5.6-6.3 maximum aperture range, and it is equipped with both a Direct Drive SSM autofocus system and Optical SteadyShot image stabilization for performance at all focal lengths. - Source: Internet
• Sony G Master lenses are designed to combine both the ultimate in sharpness with spectacular bokeh. Their XA Extreme Asperical Lens Elements are designed to resolve an industry-best 50 line pairs per mm and with surface polished within tolerances of 0.01 microns for extremely smooth falloff in out-of-focus areas. They are quite simply the best lenses I’ve ever used. - Source: Internet
• The focal length of 28–75 mm is handy for everyday photography, but it’s ideal for portrait, street, and event photography. This lens is a good option for photojournalists and other media personnel. But you could use it to capture landscapes and cityscapes, too. It is available for purchase for under a thousand dollars. - Source: Internet
• The Sony FE 50mm F1.2 GM is a great choice if you prefer a portrait lens with a focal length that’s more multi-purposeful. Unlike an 85mm or 135mm, a 50mm prime lens can allow you to easily capture landscapes and other everyday elements in addition to portraits. - Source: Internet
• Nevertheless, the lens is an affordable starting point for getting into photography, especially when purchased in a kit. And its compact size really comes in handy when you’re traveling. The lens currently costs 380 euros on its own. That’s an okay price, but you can save even more money buying it in a kit. - Source: Internet
• Just as with conventional SLRs, independent manufacturers have kept an eye on Sony’s progress and started designing prime and zoom lenses that compete with own-brand optics. Some of the latest from the likes of Sigma and Tamron deliver similar or even better performance than Sony’s own lenses, while undercutting them for price. Let’s take a closer look at the best buys to suit a range different requirements. - Source: Internet
• This ultra-fast f/1.2 manual focus portrait lens is ideal for shooting without flash in low light. The extremely large aperture also provides shallow depth of field for portrait photography. Optical design incorporates two extra-low dispersion elements with four high refractive index elements to reduce chromatic aberrations and distortion even at wide apertures. - Source: Internet
• Specifically designed for full frame Sony E-mount mirrorless cameras. Samyang’s first autofocus lenses are compatible with both phase detect and contrast detect sensors to operate fast and accurate focus detection. Based on Samyang Optics’ optical technology, aspherical lenses have been included to minimize aberration and unnecessary light dispersion, delivering high resolution from the center to the corners of the image. - Source: Internet
• Compact and lightweight ultra-wide-angle zoom combines sleek size and versatile range of wide-angle focal lengths make it ideal for landscape, nature, and architectural shooting as well as astrophotography applications. Optical design incorporates both extra-low dispersion and aspherical elements in order to correct a variety of aberrations and distortions for sharper, clearer image quality and accurate color rendering. Rear of the lens is threaded to accept 37mm screw-in filters. - Source: Internet
• When it comes to wide angle zoom lenses, the selection is fairly limited. Sony has a total of three lenses on offer, which are very good but unfortunately also very pricey. Then there’s also one from Tamron and another from Sigma. - Source: Internet
• Sigma’s first prime lens with a f/1.2 maximum aperture which helps to achieve shallow depth of field as well as extremely selective focus effects and is also suited for working in very difficult lighting conditions. Three low dispersion glass elements and three aspherical elements, including a double-sided element, effectively control spherical aberrations and distortion for increased sharpness and accurate rendering. - Source: Internet
• The portrait lens focal length decision should be based on the perspective you want, the subject framing desired, and the working space available. A wide-angle lens is best used for environmental portraits where your subject is shown along with their surroundings. Conversely, a long telephoto lens should be used for tight headshots. - Source: Internet
• With its focal length of 14 mm, the lens falls into the wide-angle category. It offers incredible image quality, but at a very high price. You should expect to pay about 1,500 euros. - Source: Internet
• This lens shows impeccable image quality. It delivers edge-to-edge sharpness throughout the aperture range, especially wide-open at f/1.4. It also autofocuses quickly, accurately, and pretty much silently. - Source: Internet
• Voigtlander’s widest rectilinear full frame lens offers a whopping 130 degree angle of view featuring an updated Heliar design to limit distortion and maintain consistent sharpness and illumination to suit mirrorless camera designs. One aspherical element is employed in the 13 elements, 10 groups optical design to control spherical aberrations and distortions throughout the aperture range. The lens also uses a manual focus design to permit fine-tuned control over focus placement, with a minimum focusing distance of 11.8″ - Source: Internet
• With its f/1.4 aperture, this lens is amazing for low light situations. It also delivers smooth bokeh, although there are some signs of onion ring bokeh. For a lens of its kind, it’s fairly lightweight. It’s also highly resistant to flare and creates really nice 22-pointed sunstars. - Source: Internet
• The Sony 24-70mm F 4 or the Sony 28-70mm F3.5-F5.6 are good choices along with the 35mm F2.8 portrait lens. - Source: Internet
• I’ve used the Sony FE 135mm f/1.8 lens with the Sony A7S III. It has included the ability to take spontaneous portraits without a camera in public places. - Source: Internet
• This wide-angle Sony G Master FE 24mm f/1.4 lens is the perfect kit addition for everyone from astro and landscape photographers to documentary filmmakers and wedding videographers. The f/1.4 aperture guarantees low-light capabilities with stunning corner-to-corner clarity. And, with a compact and lightweight body, this handy wide-angle lens travels easily, too. - Source: Internet
• Telephoto lenses are typically used to shoot wildlife, sports, and other far-away subjects. They also allow you to zoom in on landscapes to capture creative perspectives. Telephoto lenses typically have a minimum focal length of 70mm and can go up to 600mm or more. - Source: Internet
• Wide-angle prime designed specifically for full-frame E-mount mirrorless cameras. The innovative design of this lens makes it a great fit for anyone looking for a premium quality wide prime lens for Sony a7-series cameras. Optical design uses a series of aspherical and anomalous partial dispersion elements to reduce color fringing, distortion and aberrations for sharp, clear, and color-accurate imagery. A floating elements system is also employed for consistent performance throughout the focusing range, - Source: Internet
• If shooting in a studio with a background such as rolled paper and lighting with studio strobes, narrow apertures such as f/8 or f/11 will likely be in use, and all lenses have these options available. The sample portrait included at the top of this page was captured with a 135mm focal length and an f/1.4 aperture. The background is melting away, while a pleasing head and shoulders perspective has been captured. - Source: Internet
• Super Macro telephoto lens designed for high-magnification close-up shooting within a 1:1 to 5:1-magnification range, this lens affords an impressively long working distance range of 3.9 to 10.7″. This extended working distance aids in adding light to close-up subjects and also helps keep a safe distant so not to disturb sensitive subjects. - Source: Internet
• Fast f/2.8 constant maximum aperture wide-angle zoom is ideal for shooting in low light. Optical design features low dispersion and aspherical elements to minimize both chromatic and spherical aberrations throughout the zoom range to achieve high sharpness, clarity, and color accuracy. Super Multi-Layer Coating combined with a Nano Porous Coating help to suppress lens flare and ghosting for improved contrast and color-accuracy in harsh light. - Source: Internet
• Pairing an exceptionally wide field of view with the ability to correct for perspective distortion makes this an ideal lens for architecture and interior applications. The broad 110° angle of view is complemented by an impressive +/- 11mm shift range to compensate for unwanted converging lines and keystone distortion. Shift control is further complemented by a 360° rotation mechanism applying the movements in various directions for to suit both horizontal and vertical orientation shooting. - Source: Internet
• A spectacularly sharp, fast, and portable prime lens that delivers stunning bokeh and premium image quality. A must-have for anyone serious about portraits. CHECK PRICE ON AMAZON - Source: Internet
• On the downside, this lens is typically big and heavy for an f/2.8 zoom. There are also some vignetting and barrel distortions, although they can be easily fixed in-camera. Overall, this is the best value standard zoom lens for its top-notch quality and attractive price. - Source: Internet
• The Sony 10-18mm f/4 ultra wide zoom is a unique lens that’s been in the Sony lineup for years and still holds firm as a favorite for video shooters today. It’s lightweight, it’s sharp and it adds that ultra-wide perspective video shooters often need to tell the whole story. Videographer and content creator Chris Brockhurst creates videos for his YouTube Channel where he explains how he uses different gear in real-world situations. He likes to shoot wide-angle and finds it especially useful when creating real estate videos, and he relies on the Sony 10-18mm f/4 lens to get the framing he needs. In his video below he shows the wider field of view provided by the Sony 10-18mm f/4 as he takes you on a real estate shoot with his video rig. - Source: Internet
• The ultimate wide-angle lens for the best image quality. It has a flexible focal range, is razor-sharp, performs well in low-light situations, and creates stunning bokeh. CHECK PRICE ON AMAZON - Source: Internet
• The A7R III also has a couple of 4K video modes; it can take 4K video in either full-frame mode or Super 35 mode. In Super 35 mode, an 18 megapixel crop of the sensor is used, resulting in sharper images and video with less aliasing and moiré. Lenses like the Canon 8-15mm fisheye are the equivalent of using a 12-22.5mm lens in Super 35 mode. Super 35 mode can also give better high ISO performance, particularly above ISO 3200. - Source: Internet
• Tamron continues to produce great mirrorless lenses, and the 70-180mm f/2.8 Di III VXD Lens is another big hit. Though this lens’s focal length range falls short of the competing 70-200mm models, the range provided is perfect for portraits. This lens delivers great image quality from a compact and affordable package. - Source: Internet
• The 45 mm is special because the focal length is rather unusual. The normal focal length for full-frame lenses is typically around 50 mm. In purely mathematical terms, however, 45 mm is closer to the field of vision of the human eye, making this lens an interesting alternative. - Source: Internet
• This super wide-angle 21mm F3.5 lens is added to the color series of high-performance compact and high performance series. Optical design includes one aspherical element and one low dispersion element, which help to minimize both spherical and chromatic aberrations in order to achieve a high degree of sharpness, clarity, and color accuracy. The incident ray angle to the sensor was optimized so as to eliminate the color coverage of the peripheral part peculiar to the digital cameras. - Source: Internet
• You’ll get details so rich that you don’t even have to sharpen your photos at all in post-processing. In fact, this lens is ultrasharp edge-to-edge even when shooting at f/1.8. Moreover, bokeh is super smooth and creamy, and subject-background separation is superb. - Source: Internet
• Meyer-Optik Gorlitz has announced a modern remake of their cult classic Trioplan 100mm f2.8 known for its dream-like soap bubble ‘bokeh’ effect. The modern remake of the famous lens uses experience and modern technology to emulate this stunning effect more authentically than ever before. - Source: Internet
• While this lens is relatively large, heavy, and expensive, it makes up for those shortcomings by covering an ideal-for-portraits focal length range typically requiring two lenses. The speed of focal length access is an image quality factor. Having instant access to disparate focal lengths enables fleeting opportunities to be capitalized on. Thus, by its focal length range alone, this lens has the potential to capture a superior set of images from an event. - Source: Internet
• 💡 Comparison: The previously mentioned Sony FE 135mm F1.8 GM is even sharper, more contrasty, and offers even better subject-background separation than this lens. The 135mm also delivers faster and quieter autofocus. In general, it’s a more advanced lens. - Source: Internet
• This fast normal-length lens for full-frame Sony E-mount mirrorless cameras with a bright f/1.2 maximum aperture, excels in low-light conditions and also offers enhanced control over depth of field. Advanced optical design incorporates a pair of aspherical elements and one partial dispersion elements, which, together, help to suppress both spherical and chromatic aberrations for greater sharpness, clarity and color rendering. Manual focus design permits focus as close as 1.5′ - Source: Internet
• Classic wide-angle focal length, this fast f/1.4 lens provides low light capability and shallow depth of field control. Its advanced optical design includes aspherical and advanced aspherical (AA) lens elements combined with Zeiss T* coating to deliver outstanding image resolution and suppresses reflections for excellent contrast and clarity. Responsive aperture ring can be clicked or de-clicked with the flip of a switch on the lens barrel. - Source: Internet
• For a small and handy wide-angle lens, it’s hard to beat the ultra-compact Sony FE 24mm f/2.8 G Full-Frame lens. This speedy prime comes with the G Master line’s high-quality promise, meaning corner-to-corner resolution and a seven-blade circular aperture for stunning bokeh. And, at a weight of only 162 grams (less than half a pound), it’s easy to carry this wide-angle lens around the world. - Source: Internet
• Compact wide-angle prime designed for full-frame Sony E-mount mirrorless cameras is ideal for landscape and street photography. Lightweight design is well-suited to its use as a travel or everyday lens. Optical design incorporates three aspherical elements and a pair of high refractive index elements to suppress spherical aberrations and achieve a high degree of sharpness and clarity throughout the aperture range. Ultra Multi-Coating has also been applied to control flare and ghosting for increased contrast when working in strong lighting. - Source: Internet
• Ideal for wildlife, sports, landscapes, motorsports, and countless other photographic endeavors, offering features and image quality that professionals demand. This lens provides high rendering throughout the entire zoom range at all apertures, and ghosting, flare, and various types of aberrations are all well controlled. An updated and redesigned autofocus system offers both speed and precision using both an AF actuator driven by a stepping motor and a high-precision magnetic sensor. - Source: Internet
• Image quality is simply impeccable. In fact, this lens is razor-sharp edge-to-edge, even wide-open at f/1.8, which is exactly what you need in an ideal astrophotography lens. - Source: Internet
• One of the best things about this lens is that it stays sharp throughout the range. Even at 70mm f/2.8, it captures outstanding details and contrast. This is also a clear upgrade from the older lens, which wasn’t as sharp when zoomed in. - Source: Internet
• Featuring Zeiss Sonnar design with three double-sided aspherical to provide the relatively fast f/2.8 aperture with minimal aberrations, this compact prime lens is my favorite wide angle walk-around lens for street photography on Sony a7 Series cameras. Despite being the smallest Sony FE lens, this baby is deceptively sharp. (Full Review) - Source: Internet
• This lightweight and travel-friendly lens combines wide-angle and telephoto reach, taking away the need to switch between multiple lenses. It’s also incredibly sharp and weather-resistant. CHECK PRICE ON AMAZON - Source: Internet
• The most-requested lens by our readers features a constant f/4 maximum aperture, maintains consistent performance throughout the wide-angle to short-telephoto zoom range. Designed for corner-to-corner sharpness at all focal lengths, its advanced optical design employs aspherical and extra-low dispersion glass elements to control color fringing, distortion, and a variety of aberrations for greater sharpness and clarity. Nano AR Coating suppresses lens flare and ghosting for high contrast and color accuracy when working in harsh light. - Source: Internet
• Full-frame compatible wide-angle prime lens for E-Mount mirrorless cameras. Its wide focal length and fast aperture make it a practical and versatile lens. Its optical design features Extra-low Dispersion glass elements which reduce chromatic aberrations and provide improved contrast. Also, aspherical and advanced aspherical elements minimize spherical aberrations and help to maintain the lens’ compact, lightweight form. - Source: Internet
• Fast portrait lens features updated optical design and bright f/1.4 maximum aperture which enables working in low-light conditions and increased control of depth of field. Optical design incorporates a series of low dispersion, aspherical, and high refractive index elements for clarity and sharpness with well-controlled distortion and aberrations. - Source: Internet
• An ultra-fast, budget-friendly, and portable lens that takes incredible videos and vlogs. It delivers super sharp results, stunning bokeh, and great low-light performance. CHECK PRICE ON AMAZON - Source: Internet
• 💡 Comparison: While it can’t beat the Sony FE 24-70mm F2.8 GM II, this Sigma lens outperforms all the other standard zoom lenses, including the Sony FE 24-70mm F2.8 GM, the Tamron 28-75mm F2.8 Di III VXD G2, and the Sony FE 24-105mm F4 G OSS. - Source: Internet
• If you’re looking to travel with your Sony a7R IV, you’ll want a small and lightweight lens that’s easy to carry. A good, versatile zoom range might also come in handy if you want to shoot a variety of things. Here are the best Sony a7R IV lenses to bring on your trips. - Source: Internet
• Compact, fast telephoto zoom lens offers a f/2.8 maximum aperture ideal for shooting in low light and controlling depth of field. Optical design includes low dispersion and aspherical elements to correct a variety of aberrations and a BBAR-G2 coating to reduce flare and ghosting. Autofocus features a pair of VXD linear motor units for fast, accurate, and quiet autofocus. - Source: Internet
• Designed for 4K video resolution, this lens covers wide-angle to telephoto on full-frame or APS-C E-mount camcorders or still cameras. Featuring power-zoom control with SSM (Super Sonic wave Motor) for precise, quiet operation with a variable speed and zoom rotation direction reversal capability. Three control rings offer manual control of zoom, focus and iris. - Source: Internet
• 2. Sony FE 16-35mm f/2.8 GM The ultimate wide-angle zoom lens for Sony photographers Specifications Focal length: 16-35mm (24-52.5mm APS-C) Maximum aperture: f/2.8 Aperture blades: 11 Weather seals: Yes Filter thread: 82mm Dimensions: 89 x 122mm Weight: 680g specifications Storage Size 32GB - 64GB Colour Black Condition New, Refurbished Today’s Best Deals View at Walmart (opens in new tab) View at Amazon (opens in new tab) View at Best Buy (opens in new tab) Reasons to buy + Stunning optics + Fast and silent AF Reasons to avoid - Expensive - Heavy - Source: Internet
• Why the new Sony 24-70mm f/2.8 G Master II for video and vlogging? Not only was the newest iteration of the beloved G Master designed for all types of video applications, it’s as mobile as it comes in this class of zooms. When you use this lens you will find it to be smaller, lighter and faster, so it won’t bog you down on a long day of shooting. It’s also packed with a number of features for advanced video creation like its Linear Response Manual Focus and extremely quiet AF operation. All-in-all, it’s one of the most versatile lenses in the lineup and one any content creator will find useful for video. - Source: Internet
• The second Sigma Art lens is a top-notch portrait lens. With a focal length of 105 mm and an aperture of f/1.4 it allows for wonderful bokeh and leaves nothing to be desired. - Source: Internet
• The prime lens’ unwavering performance inspires me to create a wide range of photographs, films, or a combination of the two. It’s an eclectic mix of superb qualities that work together to provide a powerful impression, from the quicker f/1.2 aperture to the profound influence OF the Sony A7S III. - Source: Internet
• This lens offers a larger zoom range with a focal length of 70-300 mm. The downside is the underwhelming aperture between f/4.5 and 5.6. - Source: Internet
• Apochromatic lens design delivers crisp, aberration-free imagery and finest details. This lens designed to work with full-frame Sony E-mount cameras offers users the ability to get close to their subjects thanks to the 1:2 magnification ratio afforded by the 12.2″ minimum focus distance. Its relatively fast f/2 aperture, allows shooting with shallow depth of field and in low-light. - Source: Internet
• Sigma 20mm f/2 DG DN Contemporary Lens provides excellent edge-to-edge sharpness ideal lens for landscapes, cityscapes, handheld vlogging, and video streaming, the lens provides a modestly bright f/2 maximum aperture for low-light performance and shallow depth of field control.Its fast maximum aperture makes it a natural choice for night sky and astrophotography. Optical design features one SLD glass element and one FLD glass element to correct chromatic aberration and three high-precision aspherical elements. - Source: Internet
• This lens has an ultra-wide f/1.8 aperture, and it produces wide-open aperture image quality that is better than most lenses can produce at any aperture. The results are simply outstanding. This focal length requires a moderate amount of working distance for full body portraits, but this angle of view provides a great perspective for even tight headshots. That background blur this lens can produce is awesome — ideal for portraiture. - Source: Internet
• In addition, this lens has amazing macro capabilities. Its minimum focusing distance of 0.70 m (2.3 ft) and maximum magnification of 0.25x allows you to get twice as close to small subjects as most other 135mm lenses! - Source: Internet
• Tokina manual focus 20mm wide angle fullframe E-mount lens features two precision molded aspherical elements and 3 Super-Low Dispersion (SD) glass lens elements greatly reducing aberrations while providing higher resolution and contrast. The aperture ring can be “clicked” for stills photography and “de-clicked” for smoother operation when shooting video. Electronic contacts allow for EXIF transfer and communication with the camera. - Source: Internet
• Despite the long focal length range, the Tamron 35-150mm f/2-2.8 Di III VXD Lens avails an ultra-wide aperture that is the widest or nearly so among zoom lenses at all focal lengths. The image sharpness produced by this lens will seal the deal for many portrait photographers. - Source: Internet
• Versatile f/2.8 mid-range zoom is ideal for shooting in available light with increased control over depth of field. Optical design incorporates a series of low dispersion and aspherical elements that greatly reduce aberrations to achieve high sharpness, enhanced clarity, and improved color accuracy. Both Super Multi-Layer and Nano Porous Coatings improve contrast and color rendering by suppressing lens flare and ghosting under harsh lighting. - Source: Internet
• While an f/2.8 aperture is not particularly large for prime lenses of this focal length, it is highly typical to macro prime lenses, and f/2.8 is a relatively wide (quick) aperture. - Source: Internet
• With that said, this lens has fairly noticeable blue fringing and slightly less contrast than the 85mm F1.4 GM. At the corners of the frame, the F1.4 GM lens is also noticeably sharper than this lens. At the end of the day, though, these differences are barely noticeable. - Source: Internet
• Ultra-wide prime lens for Sony E-mount mirrorless cameras. The wide-angle design and fast f/1.8 maximum aperture make it well suited to astrophotography use, as well as landscape, interior, and architectural shooting. Its optical design incorporates a series of aspherical and low dispersion elements, which reduce spherical and chromatic aberrations for sharp, well-corrected imagery with accurate color rendering. - Source: Internet
• Handling is excellent, with well thought-out controls that have effectively the same layout to those of the smaller 100-400mm lens. Three customisable focus-hold buttons are fitted around the lens barrel and there’s an autofocus range limiter. It’s enhanced in the 200-600mm lens, however, enabling you to lock out either short or long focus range and the optical stabilizer gains a third switchable mode. - Source: Internet
• Below, I differentiate different types of lenses by the size of their aperture, which is the hole that allows in light as measured by the f-stop. With a wider aperture, more light will come in for a better chance at getting great video indoors in dim lighting. The big trade-off with a wide aperture is you can’t focus on as many objects at different distances because the lens has a shallow depth of field. This will keep your subject very clear but the background will become blurry. - Source: Internet
• I’m Photutorial’s founder and editor of the camera, graphic design, and photography coverage. I have owned cameras and used cameras for over 20 years, during which I got used DSLRs, mirrorless (now), and even film cameras. I researched Sony lenses when I was choosing between buying a Nikon or Sony camera. In my years as a promoter in tech stores, I’ve got to test loads of cameras and lenses. - Source: Internet
• Time to get technical: put simply, a mirrorless camera’s sensor is directly exposed to the light, with the image appearing on an electronic viewfinder (EVF). By contrast, a DSLR has an integrated mirror that bounces the light into the sensor and the viewfinder. The benefits of mirrorless are multiple: for starters, the EVF presents a “live” view of what the lens is seeing, so you can make rapid adjustments to the settings. It’s also more stable, making the image quality clearer. Lastly, it offers a higher shooting speed, and is more compact and lightweight overall—good for your back if you’re carrying it around with you. - Source: Internet
• While not an f/1.4 lens, the f/1.8 aperture of this lens is still quite large, and the reasonably large aperture size allows for a compact, lightweight design, which has its own set of benefits. - Source: Internet
• Lightweight wide-angle prime designed for full-frame Sony E-mount cameras is ideal as walkaround travel lens. Offers half life-size 1:2 maximum magnification ratio and 4.7″ minimum focusing distance for working with close-up subjects. OSD stepping motor achieves fast and near-silent autofocus along with full-time manual focus override. Features moisture-resistant design and fluorine coating for working in inclement conditions. - Source: Internet
• The 40mm F1.4 DG HSM Art is Sigma’s first lens developed originally to live up to the sought-after angle of view and performance standard for a benchmark cine lens. This lens effectively arranges three FLD (“F” Low Dispersion) glass elements and three SLD (Special Low Dispersion) glass elements to correct axial chromatic aberration and magnification chromatic aberration. - Source: Internet
• Fast telephoto prime pairs bright and sophisticated optics with intuitive handling and design. As part of the Art line of lenses, this 135mm f/1.8 is designed for high-resolution rendering, and utilizes FLD and SLD glass to control chromatic aberrations and color fringing for notable clarity. - Source: Internet
• Featuring a compact form factor well-suited for full-frame Sony E mount mirrorless cameras, based on the Distagon optical concept for reduced distortion as well as consistent, even illumination and sharpness from edge to edge. The optical design also incorporates four anomalous partial dispersion elements and one aspherical element to control chromatic aberrations and increase overall clarity and color accuracy. Zeiss T* anti-reflective coating minimizes lens flare and ghosting for greater contrast. - Source: Internet
• All in all, if you’re looking for the best-performing standard zoom lens for the Sony a7R IV, this lens is it. It packs incredible new features and optimal performance into a small, lightweight build. It’s got a hefty price tag, but it’s well worth the investment if you can afford it. - Source: Internet
• The lens focuses from infinity to 0.38m in roughly 0.5 seconds at 28mm focal length (1:10 magnification). - Source: Internet
• The Sony FE 200-600mm F5.6-6.3 G OSS is the best value Sony a7R IV lens to get if you want to maximize focal reach and shoot very faraway subjects, such as wildlife. Despite the mighty telephoto reach of this lens, there’s barely any compromise on image quality. - Source: Internet
• 📸 A worthy upgrade: This lens is the newer version of the Sony FE 24-70mm F2.8 GM, which was launched in 2016. This new lens is 22% lighter to carry, has more useful on-lens controls, and is notably sharper when zoomed in – well worth the upgrade. - Source: Internet
• With the new Sony 10-20mm f/4 G PZ lens, you can expect a clean and clear image from corner to corner at all zoom settings. The lens is the smallest and lightest in its class, making it nice and mobile for those long video shoots. While filming you’ll be amazed by how well the autofocus smoothly tracks your subjects in the frame. The electronic power zoom is also a game changer – it gives excellent responsive control and an adjustable zoom speed so you can set it for the specific shot you’re taking. See what creatives are saying about the lens in Hands On With The New Sony 10-20mm f/4 G PZ Power Zoom For APS-C Cameras. - Source: Internet
• This lens is razor-sharp edge-to-edge, even when shooting wide-open at 400mm. It can track moving subjects with ease, making it a valuable asset for sports and wildlife shots. What’s more, autofocus is very accurate, silent, and fast. - Source: Internet
• One of them is the 20 mm with an aperture of f/1.4. The lens is perfect for landscape and architecture photographs. It costs about 800 euros. - Source: Internet
• I am not a photographer at all. I was just doing research and read that the A7R III is a great camera so i got one. But the question now is what lens should I get for it? Price is not an issue for me I simply want the best for me, I am new to taking pictures but I want great pictures for Instagram. I live in the Chicago area so I will take pics in downtown, I will also take portraits and family pics sometimes. - Source: Internet
• The lens is very sharp, but the autofocus could be a bit faster. Still, you get a very good lens for your money. It currently costs about 500 euros. - Source: Internet
• This pancake-style lens incorporates a rotating front that holds Twist, Velvet, and Sweet optics for selecting different effects at a moment’s notice. The Twist uses a true Petzval design for a sharp center area surrounded by a swirl of twisty bokeh. Velvet has a dreamy central area with a soft focus look along with a soft glow. Sweet creates a sharp spot of focus in the center with a gradual fall-off to blur. - Source: Internet
• On a full-frame camera, an 85mm lens hits the bottom of the classic range figure, and with a 127.5mm angle of view equivalent on an APS-C 1.5x body, it stays in the ideal portrait range on this format well. - Source: Internet
• 🔮 As you may remember from earlier, the Sony FE 100-400mm F4.5-5.6 GM is an amazing telephoto lens that also doubles as a macro lens. It’s another great option to consider if you’re planning to shoot wildlife or sports too! - Source: Internet
• The Sony FE 16-35mm F2.8 GM is the absolute best wide angle lens for Sony a7R IV. It’s razor-sharp at every setting, focuses super fast, and has a practical zoom range that’s suitable for a large variety of wide-angle settings. - Source: Internet
• The Sony FE 90mm F2.8 Macro G OSS is the absolute best Sony a7R IV macro lens for shooting very tiny subjects such as insects, bugs, and water droplets. Moreover, this lens doubles as a fantastically sharp portrait lens, too. - Source: Internet
• If you’d prefer a wide angle prime lens (instead of a zoom lens) for your Sony a7R IV, then look no further than the Sony FE 14mm F1.8 GM. Travel-friendly, extremely fast, and ultra-sharp, this is arguably the best 14mm prime lens in the world. - Source: Internet
• Standard prime 55mm lens with a large F1.2 maximum aperture offers great contrast and resolution for full-frame E-mount Cameras. It can also create smooth and gorgeous background bokeh to set off your subject when needed. Large maximum aperture means you can shoot handheld in low-light conditions while also getting outstanding sharpness and clarity. - Source: Internet
• The FE 24-240mm at 240mm f/6.3 is softer in the center of the frame with noticeable drop-off in the corners. This super zoom offers the greatest resolution at its wider focal lengths, so is sharpest between 24 and 100mm using apertures up to f/8. So if you want a multi-purpose lens for use predominantly at focal lengths up to 100mm, with the option of long zoom that’s of lower quality, maybe it’s a trade-off you can live with. The FE 24-240mm also displays fairly heavy barrel distortion of nearly 2% at 24mm, but lines are much straighter between 35 and 240mm, with only slight pincushion distortion evident. - Source: Internet
• Fast f/1.4 manual focus fullframe wide angle lens is ideal for low-light conditions. It also offers greater control over selective focus and shallow depth of field effects. Four extra-low dispersion elements and two aspherical elements reduce chromatic aberrations in order to produce greater sharpness and clarity. - Source: Internet
• Versatile compact zoom lens for travel, landscapes and wildlife. Complementing the reach, this lens’ optical design incorporates four aspherical elements and two extra-low dispersion glass elements to control spherical and chromatic aberrations throughout the zoom range for increased clarity, sharpness, and color accuracy. Also an ideal choice for Sony APS-C mirrorless cameras where it offers the reach of a 450mm on fullframe. - Source: Internet
• Ultra-fast standard lens with a maximum aperture of f/0.95. The shallow depth of field, close to human eyes perspective and romantic rendering adds character to the image which makes the ordinary image extraordinary while inspiring people to enjoy photography in both sufficient and low light conditions.. - Source: Internet
• We were lucky enough to snatch up a bargain at a clearance sale, but even at full price, it’s a very affordable lens. The image quality is simply outstanding for the price, but unfortunately the autofocus is very loud and slow. If you can live with that, this lens is definitely a good investment at less than 200 euros. - Source: Internet
• For underwater photography, the Sony 90mm macro prime lens is the best choice for small fish and macro subjects. It is exceptionally sharp and produces high quality images. A 50mm macro lens is available, but probably not the best option for underwater photography. - Source: Internet
• Manual focus telephoto prime lens with fast f/2.0 maximum aperture for low light and shallow depth of field control. With a rounded 9-blade diaphragm, shallow depth of field imaging will be rendered with pleasing out-of-focus highlights. Compatible with both full frame and APS-C format mirrorless E mount cameras. - Source: Internet
• If you’re looking to travel with your Sony a7R IV, you’ll want a small and lightweight lens that’s easy to carry. A versatile zoom range will also come in handy if you want to shoot a variety of things. If you want to capture starry nights or architecture, consider a low-light lens too. - Source: Internet
• On the downside, this lens is pretty big and heavy. There are also some vignetting and barrel distortions, although they can be easily fixed in-camera. With that said, given its reasonable price, this is truly a top-value everyday video lens that’s worth every penny. - Source: Internet
• Is your DSLR feeling a little bulky? Have you been thinking about looking for a new camera that shoots 4K? Consider the A7R III. The body and housing are smaller, although some of the lenses and dome ports are not necessarily smaller than the DSLR equivalents. The Sony setup will not necessarily be much less expensive either. I would consider the A7R III if: - Source: Internet
• The Sigma 85mm f/1.4 DG DN Art Lens is an aesthetically-beautiful, optically and physically high-performing lens in an ideal portrait focal length and aperture combination with a relatively small size, light weight, and low price. This lens delivers very sharp imagery, potentially with a strong background blur, without the burdensome size and weight of its predecessor and competitors, and with an affordable price. - Source: Internet
• The Sony FE 14mm F1.8 GM truly has everything you’d dream of in an astrophotography lens and more. First off, it’s very lightweight and travel-friendly. In fact, it’s the smallest, lightest, and sharpest 14mm in the world. - Source: Internet
• You can get this lens with an aperture of f/1.4 for less than 500 euros. The quality may not be on par wih the Sony lens, but it only costs a third of the price. - Source: Internet
• On the downside, this lens is pretty big, heavy, and pricey for such a short telephoto lens. Autofocus is also not the quietest, which can be an inconvenience when shooting videos or working in quiet environments. In dim lighting, it can also take a while to focus. - Source: Internet

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