319 Interesting Facts: Best Landscape Sony E Mount Lens

Today’s topic is Best Sony E Mount Lens For Landscape. Obviously, you can find a great deal of Best Budget Sony E Mount Lenses-related content online. The proliferation of online platforms has streamlined our access to information.

There is a connection between the Sony E Mount Astrophotography Lens and Best Lenses For Sony A7 Iii information. more searching has to be done for sony e mount lenses for portraits, which will also be related to best sony e mount lenses for portraits.

319 Fun Facts Best Sony E Mount Lens For Landscape | Best Sony Full-Frame Prime Lenses

• Wide-angle lenses make good choices for astrophotography because they have a larger field of view (FOV). This allows you to capture much more in one shot, such as the Milky Way and also some foreground interest. Also the wider the angle of your lens the longer you will be able to expose for before star trails become a concern. - Source: Internet
• User Characterization: You are always looking for the best image quality for your landscape shots: Sharpness, contrast, color correction. You want it all and you know such performance comes at a price. Still, you choose that E-mount camera for a reason: You don’t want lenses as big and heavy as Zeiss Otus or Sigma Art and you don’t always need the fastest maximum aperture. - Source: Internet
• E-mount lenses work on Sony full frame cameras like the Sony a1. They work equally well on a crop-sensor body like the Sony a6600. On crop-sensor cameras like the a6600, the focal lengths are 1.5 times those printed on the lens. - Source: Internet
• Both E-mount lens lines, E and FE, are compatible with Sony APS-C camera bodies. Sony E-mount lenses are designed specifically for use with Sony APS-C mirrorless cameras, such as the a6000 series. These lenses offer a smaller form factor and lighter weight than their full-frame counterparts. Sony FE lenses are designed with Sony full-frame mirrorless cameras and offer superior image quality and low-light performance. - Source: Internet
• Recently Sony has added features to the barrel on lenses designed for video. A lens may have a de-click button and an aperture ring. This lets the photographer change aperture and depth of field smoothly. - Source: Internet
• Our pick for crop-sensor photographers is the Sony E 10-18mm f/4 ED OSS. Offering the widest-angle zoom range in the Sony E-mount lens lineup, the 10-18mm lens offers a 15-27mm-equivalent field of view, which makes it a versatile and capable landscape photography lens. Though we have not reviewed this lens, user reviews and other reviews are by and large extremely positive, with praise going to its optical performance in most situations, its lightweight and compact design, built-in image stabilization and the ability to use front screw-on filters. With a price of around $800, it won’t set you back too much. - Source: Internet
• If you’re looking for a macro lens for your Sony camera, then the Sony FE 90mm f2.8 G OSS Macro lens hits the park running. That is to say, it’s excellent; it offers exceptional image quality, being difficult to beat in terms of sheer resolving power. You also benefit from built-in Optical Steady Shot (OSS), helping you keep shots steady and free from blur. Plus, it doubles as a great portrait lens, and can take detailed photographs of any subject. - Source: Internet
• 5. Sigma 14-24mm f/2.8 DG DN Art Ultra-wide viewing angles with top-notch quality Specifications Focal length: 14-24mm (21-36mm APS-C) Maximum aperture: f/2.8 Aperture blades: 11 Weather seals: Yes Filter thread: N/A Dimensions: 85 x 131mm Weight: 795g specifications Colour Black Condition New, Refurbished Today’s Best Deals View at Amazon (opens in new tab) View at Walmart (opens in new tab) View at Best Buy (opens in new tab) Reasons to buy + Great image quality + Robust, weather-sealed construction Reasons to avoid - Less ‘ultra-wide’ than Sony 12-24mm - Not a ‘zero distortion’ lens - Source: Internet
• Sale NIKON NIKKOR Z 85mm f/1.8 S Portrait Fast Prime Lens for Nikon Z Mirrorless Cameras 85mm f/1.8 lens with nine blade diaphragm for soft rounded book - Source: Internet
• The Sony FE 24-70mm F2.8 GM II lens is part of the Sony G Master range, and if you don’t know, this is their premium line of lenses, with the aim to provide ultimate image quality, as well as beautiful background blur (or bokeh). This new lens is relatively small and lightweight, with an aperture ring, making it a great match if you’re looking for a small(er) lens without compromising on image quality. There’s an 82mm filter thread, and a relatively close focus distance of 21-30cm. With weather-sealing it’s a perfect match for Sony’s weather sealed mirrorless cameras. - Source: Internet
• The Sony FE 70-200mm F2.8 GM OSS lens has a maximum focus range of 200mm, so your subject will need to be reasonably close if you want them to fill the frame. However, with a constant wide-open aperture of f/2.8, this is a great lens to use in low light situations or when you want the smoothest bokeh. - Source: Internet
• The first section of our list is dedicated to the best APS-C lenses for Sony cameras. Sony APS-C (crop-sensor) mirrorless cameras have the Sony E lens mount. This section includes prime and zoom lenses. - Source: Internet
• The Sigma 19mm f/2.8 DN lens is great optically and very affordable for those looking for that range. My 19mm Sigma DN Lens review is this way » - Source: Internet
• The Zeiss branded Sony Zeiss Planar T* FE 50mm F1.4 ZA lens has a metal build-quality that impresses, as well as an aperture ring that can be declicked, which will benefit videographers. Focus is quiet, though not the fastest, and the high price is something to be aware of. But most importantly, the image quality on offer is “barely believable” as we said in our review, thanks to an impressive level of sharpness, as well as gorgeous-looking out-of-focus blur, even when shooting wide-open. - Source: Internet
• The lens is hefty and built like a tank. But for the build, it is surprisingly light. The lens has a customizable Focus Hold button and an AF/MF switch. - Source: Internet
• Sony has quickly become one of the most popular brands for mirrorless interchangeable lens cameras. Their e-mount format covers both APS-C (crop) and full-frame sensor sizes, both of which are great for shooting landscape photography. This article covers the best Sony e-mount lenses for landscape photography in both crop and full-frame formats. - Source: Internet
• This lens is not designed to go toe-to-toe with the higher-end telephotos. But the lens has 13 elements in nine groups, with two ED and two aspherical elements. So you experience very little lens distortion or aberration. And it creates good-quality images. - Source: Internet
• We test lenses using both real world sample images and lab tests. Our lab tests are carried out scientifically in controlled conditions using the Imatest testing suite, which consists of custom charts and analysis software that measures resolution in line widths/picture height, a measurement widely used in lens and camera testing. We find the combination of lab and real-word testing works best, as each reveals different qualities and characteristics, and avoids the results being too biased by the reviewer – who may or may not like the “look” of a certain lens. - Source: Internet
• Sigma has certainly thrown the full weight of its technological expertise into the lens. It has a complex optical path of 19 elements. Of these, there are three aspherical elements, six top-performance FLD (‘Fluorite’ Low Dispersion) elements and two SLD (Special Low Dispersion) elements. In addition to Sigma’s usual Super Multi-Layer Coating, there’s a brand new Nano Porous Coating, to further reduce ghosting and flare. - Source: Internet
• The Carl Zeiss branded Vario-Tessar T* FE 24-70mm f/4 ZA OSS lens offers a “standard” zoom range of 24-70mm, with an f/4 constant aperture, that allows the lens to be relatively compact. Optical SteadyShot (OSS) gives the lens useful optical image stabilisation, and this lens was released when Sony’s full-frame mirrorless cameras didn’t feature in-body image stabilisation. Build quality is good, and the lens delivers good optical image quality. - Source: Internet
• Quick final note: We receive several emails every day with questions about which lens is best for a specific purpose. We hope you understand that we just can’t answer them all. As a small company, we simply don’t have the time. If you have any questions, please leave us a comment below the post and we’ll try to get back to you as soon as possible. Deal? - Source: Internet
• Let’s start with the obvious: it’s an incredibly fast lens. With a max aperture of f/1.4, it’s one of the only 3 lenses for Sony E-mount that open this wide. It will help you always get tack sharp portraits, and it’s great to shoot low-light portraits. - Source: Internet
• One of the key characteristics of a typical landscape lens is a wide-angle or ultra-wide-angle focal length, which for full-frame cameras is generally 24mm or shorter. These types of lenses let you capture more of the scene, which makes them ideal for landscape photography. Imagine a dramatic mountain vista, a wide-open field or a massive waterfall: A wide-angle lens is a good choice for all of these shooting scenarios. Wide-angle lenses are also great for emphasizing a foreground subject. Shoot wide and get in close, and your subject will dominate the frame. - Source: Internet
• The images it produces have excellent color, contrast and impressive sharpness across the frame. Sadly the lens is not weather sealed like its larger GM brother, so you need to be a little more careful when the rain comes down. I also own this lens myself although it is collecting dust since I picked up the GM version. - Source: Internet
• If price is no object and you want the top-of-the-line telephoto zoom lens for sports photography, the Sony FE 70-200mm f/2.8 GM lens is the go-to lens. Sony’s flagship mid-telephoto zoom lens, the 70-200mm G Master lens, features fantastic image quality, swift autofocus and rugged, durable construction. It’s also quite pricey, as one might imagine, at around $2,600. - Source: Internet
• In terms of focal length range, this lens is a direct competitor to the Sony 12-24 mm f/4. However, the Sigma is significantly faster with an aperture of f/2.8 and still only slightly heavier at around 795 grams. - Source: Internet
• The Zeiss Touit 32mm f/1.8 lens is also a killer option for the ~50mm field of view equivalent. I reviewed the Touit 32mm lens here » - Source: Internet
• Minolta MD 2.5/100: This is my favorite general purpose short tele. It is a little heavier, doesn’t have the high contrast of the Zeiss and is a little less sharp but usually good enough for landscapes. I like it because it is more pleasant to handle and offers smoother bokeh. - Source: Internet
• I would recommend first the prime Sony Sonnar T* FE 55mm f/1.8 ZA Lens. It’s an excellent focal length for outdoor and indoor portraits plus a fast aperture for great background separation, 3D pop, and low light capabilities. Especially when using the new Sony A7 II via built in SteadyShot as the lens does not have any OSS built in. - Source: Internet
• Wide-angle lenses typically have a focal length of 35mm or smaller (20mm on an APS-c camera body). This lens captures a wider view than you can normally see without turning your head. This is important because it gives the viewer of the photo a sense of the scale and scope of the landscape. Wide-angle lenses are also great for emphasizing depth in a photograph. - Source: Internet
• When it comes to photographing the night sky, astrophotography isn’t really tied to any one focal length lens, technically, but oftentimes you want to capture a broad, expansive view of the night sky, stars, galaxies and the like. To do that, one needs a wide-angle or ultra-wide-angle lens, something very short, often less than 24mm, in order to capture a wide perspective. Additionally, another key factor for a good astrophotography lens is a wide or bright maximum aperture – the brighter, the better in order to gather as much light as possible and keep the ISO levels down as much as possible. So while astrophotography compositions can come in all sorts of framing and perspectives, we’re going to recommend a couple more common types of lenses: ultra-wide-angle lenses with bright apertures. - Source: Internet
• The Sony FE 12-24 F2.8 GM has not long been announced. As soon as reliable information about this lens is available this section will be updated. - Source: Internet
• GM stands for “G Master.” These are Sony’s top lenses. They have a beautiful image quality. But are often heavy and expensive. - Source: Internet
• This review is based on a loan sample of the Samyang AF 85mm f/1.4 F lens, provided to me by B&H. You can purchase it here or check for availability at Adorama and Amazon. - Source: Internet
• The high aperture of f/1.4 makes this lens great for taking portraits in low light conditions without having to use a flash. The bokeh (the out-of-focus area) is also very smooth and creamy which makes it perfect for creating unique looking images. - Source: Internet
• The “obvious” choice, Sony’s Vario-Tessar 24-70mm f/4 is another lens that is amazingly sharp and built for weather. It solidly fits the classic wide-angle to short telephoto zoom range, and makes a great complement to the 16-35mm f/4. If you’re also looking at the Sony 70-200mm f/4, you might as well just get this one because those three lenses are made to be bought as a set and function together in near harmony. I do recommend at least taking a glimpse at the other two lenses in this section in case they should better fit your style or budget. However, the Sony Vario-Tessar 24-70mm F/4 is a fantastic mid-range zoom that comes with the highest of recommendations. - Source: Internet
• Sony has been building up its lens collection for years. Now, they have one of the most diverse lineups on offer. And the build quality makes them one of the top lens manufacturers right now. - Source: Internet
• Top-end zooms will generally have a maximum aperture of f/2.8 through the zoom range – while this is good to have, especially when light gets low, it’s less important in landscape than it is in other disciplines, as you’ll likely be stopping down to get a large depth of field. Therefore, you may want to opt for an f/4 lens, which will be both cheaper and more lightweight to carry. - Source: Internet
• The sharp lens has 17 elements in 14 groups. And there are four aspherical and three ED elements to ensure clear, nice-contrast photos. It has a precise DDSSM autofocusing system. And it features nine rounded aperture blades for nice bokeh. - Source: Internet
• The Sigma 70mm F2.8 DG Macro lens for Sony E-mount (full-frame) is the first macro lens from Sigma that has been adapted to Sony E-mount. However, the word adapted here is very important since the E-mount version of this lens has been adapted from their Canon and Sigma versions that were originally designed for SLR cameras and not mirrorless. - Source: Internet
• The Sony FE 90 mm f/2.8-22 is one of the best macro lenses on the market. At this focal length, it is also useful for close-up portraiture. The wide aperture with nine rounded diaphragm blades gives you a sharp look with terrific background bokeh. - Source: Internet
• Reviews of this lens are all overwhelmingly positive, with users noting the lens’s excellent sharpness, color rendition and it’s versatility – not only due to its zoom design but also by the fact that it readily accepts teleconverters for even more reach. The lens is a bit heavy and expensive, but if you can look past those factors, the Sony FE 70-200mm f/2.8 GM is an absolute stunner. - Source: Internet
• The 85mm F1.2L is a unique lens because it’s the only one in this series designated as a “L” lens. All the other RF lenses are considered “new standard zoom” or “wide angle zoom” lenses. - Source: Internet
• If you want more information about Sony lenses, we have an extensive section at the end of the article. We go into detail about them and what features to look for. And there’s an FAQ section if you need quick answers. - Source: Internet
• Many of the high-end lenses have a Focus Hold button. This button is not labeled. You can customize the button’s function in the camera’s menu system for what you want it to do. - Source: Internet
• But if you really want to get up close, there’s nothing like a long telephoto zoom lens in your arsenal. This is where the new Nikon Z 85mm f/1.8 S comes in It offers an equivalent focal length of 127 millimeters. - Source: Internet
• When it comes to wide angle zoom lenses, the selection is fairly limited. Sony has a total of three lenses on offer, which are very good but unfortunately also very pricey. Then there’s also one from Tamron and another from Sigma. - Source: Internet
• Image quality is excellent, even wide-open, at both ends of the zoom range, and the weight savings really go a long way at making the Tamron zoom a pleasure to use for long periods of time. Plus, if you’re an APS-C Sony shooter, the lens also works very well with these smaller cameras compared to longer, heavier telephoto options. All in all, with excellent image quality, fast AF performance, compact construction and a fantastic price point, it’s no surprise that the Tamron 70-180mm f/2.8 Di III VXD got the nod onto our Lens of the Year picks for 2020 as a Telephoto Zoom Lens of Distinction. It’s an excellent telephoto zoom for Sony sports photographers. - Source: Internet
• It is very hard to find fault with this lens but if I’m being very picky then AF performance could be faster and the manual focus ring adjustments could be finer for more precision. That said, for macro work I’ll normally adjust the focus by moving the camera back and forth and whilst making use of focus peaking to let me know when the focus is where I’d like it to be. This lens also has optical stabilization built in, making it even easier to get tack sharp images with slower shutter speeds. - Source: Internet
• Time and again, this amazing lens is listed as one of the top portrait lenses on the market. The FE 135 f/1.8 G is sharp, with edge-to-edge clarity. And the AF motor is fast, smooth, and quiet. It’s a specialist portrait lens that delivers incredible results every time. - Source: Internet
• The Sony E 70-350 mm f/4.5-6.3 G OSS is the most expensive APS-C lens on this list. This G lens has many features of mid-level, full frame lenses. But it remains an affordable lens option for all photographers. - Source: Internet
• We were lucky enough to snatch up a bargain at a clearance sale, but even at full price, it’s a very affordable lens. The image quality is simply outstanding for the price, but unfortunately the autofocus is very loud and slow. If you can live with that, this lens is definitely a good investment at less than 200 euros. - Source: Internet
• This lens is unique to the FE system, offering a very fast f/2.0 maximum aperture at 15mm. Yet it’s weight is very manageable. It is a full stop faster than the fastest zoom available. The fast maximum aperture is also not a marketing gag: I wouldn’t hesitate to use this lens wide open and it makes single shot landscape astro photography quite an easy task. - Source: Internet
• Compared to our kit for the casual landscape photographer this kit’s main tradeoff is flexibility because that kit includes the very flexible 4/16-35 as well as a few AF lenses with good wide open performance which in this kit only the 2.8/90 offers. I see no real advantage in image quality for that kit and I would prefer the handling of the poor Student’s kit. - Source: Internet
• With a focal range of 200-600mm and a maximum aperture of f/6.3 at 600mm this lens will help you to get closer to wildlife than ever before. If 600mm is not long enough then you can also add the 1.4x or 2.0x teleconverters. - Source: Internet
• If you need a wider versatile quality lens, for larger groups or whatever, then the Sony Vario-Tessar T* FE 24-70mm f/4 ZA OSS Lens is very good and overall highly praised. The 50-70mm is a good range for separating the subject from backgrounds and below that is perfect for groups or vast landscape style portraits. I reviewed the 24-70mm lens here » - Source: Internet
• The Sony FE 85mm f/1.8 is a lens for those who want a longer focal length and faster aperture than the Sony FE 85mm f/1.4. - Source: Internet
• Sony’s current APS-C camera lineup includes the a5100, a6000, a6300, and a6500 cameras. These cameras work best with lenses designed for the APS-C format, especially when looking at ultra-wide angle lenses. Lenses designed specifically for APS-C are also smaller and lighter weight, making them better suited ergonomically for the smaller APS-C bodies. However, there are numerous glaring holes when it comes to lens options for Sony APS-C. As such, some photographers may be forced to look at Sony’s full frame lens options in order to fit their needs. - Source: Internet
• 12. Sony FE 90mm f/2.8 Macro G OSS Big-up the little things in life with this macro lens Specifications Full-frame compatible: Yes Focal length: 90mm (135mm APS-C) Maximum aperture: f/2.8 Aperture blades: 9 Weather seals: Yes Filter thread: 62mm Dimensions: 79 x 131mm Weight: 602g specifications Storage Size 64GB Colour Black Condition New, Refurbished Today’s Best Deals View at Amazon (opens in new tab) View at Walmart (opens in new tab) View at Best Buy (opens in new tab) Reasons to buy + Super-sharp for extreme close-ups + Useful as a fast, short telephoto lens Reasons to avoid - Expensive for a macro lens - Distance scale inactive for autofocus - Source: Internet
• The lens has 16 elements in 13 groups with two aspherical, two Special Low Dispersion (SLD), and three “F” Low Dispersion (FLD) elements to minimize chromatic aberration. It is a bit large and heavy. But it should not overbalance crop-sensor cameras too much. - Source: Internet
• Customizable Focus Hold feature for faster focusing from $2,298.00 Buy from Amazon Best Third-Party Sigma 24-70mm f/2.8 Art DG HSM Zoom Lens for Sony E-Mount A versatile lens with excellent optics - Source: Internet
• The 20mm f/2.8 pancake lens is a common lens choice for street because it’s extremely compact and lightweight. My review is here » - Source: Internet
• If you need more like a 50mm equivalent field of view, then the 35mm f/1.8 OSS lens is a good option. My review of the 35mm f/1.8 lens is this way » - Source: Internet
• For crop-frame shooters, with cameras such as the A6600, A6400, or A6100, using a native APS-C-format lens for landscape photography and other wide-angle shooting is important. You can, of course, use full-frame “FE” format lenses on a crop-frame Sony camera (they all use the same lens mount). The crop-factor introduced by the smaller sensor will reduce some of the wide-angle field of view if you use a full-frame lens. - Source: Internet
• If you’re using an APS-C Sony camera, you may want to consider a E-mount lens designed specifically for these models. They tend to be lighter than the full-frame optics, meaning they balance better with the lighter APS-C cameras, which can be particularly useful if you’re using something like the Sony ZV-E10 for run-and-gun vlogging. Below are a few of our favourite E-mount lenses for APS-C. - Source: Internet
• If you are looking for a dedicated macro lens, or a lens that can combine both macro and portrait photography roles, then look no further than the 90mm F2.8 Macro G OSS lens. I own this lens myself and love using it for macro work and the odd portrait. - Source: Internet
• When Tamron launched their 28-75mm F2.8 Di III RXD for Sony E-mount they really hit a home run. This lens has been sold out everywhere since launch and it’s really not surprising since it offers excellent sharpness and autofocus performance in a compact and lightweight body. - Source: Internet
• The lens is sharp across the frame even when wide-open at f/2.8. It’s well built and despite its heavy weight (1480g) it handles well on the Sony a7iii body. The autofocus is extremely fast and it will rarely miss the shot. - Source: Internet
• The lens is large for a prime. But it seems well-balanced and has amazing low-light performance. The lens is expensive, but it is Sony’s best 50mm lens. - Source: Internet
• Equipped with a powered zoom mechanism, the Sony E PZ 10-20mm F4 G is well-suited for video shooters using Sony’s APS-C cameras. The electronic mechanism near-eliminates focus breathing, and its mechanics are entirely internal, meaning it doesn’t extend or retract when zooming. This makes it easier to balance on a gimbal – another boon for video shooters. It holds focus on the subject when zooming, and in a welcome bonus for outdoor shooters, it also boasts comprehensive weather-sealing. While this is a video lens foremost, as we noted in our review, photographers should find a lot to like in its equivalent 15-30mm focal range as well. - Source: Internet
• A brand new G Master version of the 16-35 mm has just been released. With an aperture of f/2.8 and the image quality the G Master lenses are famous for, this lens is the absolute cream of the crop when it comes to wide-angle lenses for the Sony Alpha 7 series. - Source: Internet
• The high quality Zeiss 24mm f/1.8 lens is a very common street shooter I see used a lot also. Sample Photos via the Nex-7 - Source: Internet
• The first section looks at Sony lenses for APS-C cameras. We then move on to lenses for full frame cameras, with sections for prime and zoom lenses. We look at each set of lenses with various types of photography in mind. These include sports, macro, and portrait lenses. - Source: Internet
• Shooting on a Sony E-mount camera can mean a whole host of different things. For instance, someone shooting on the 33MP Sony Alpha A7 IV likely has a pretty different set of needs to someone using the high-speed Sony Alpha 1, who in turn probably has different priorities to someone sticking with the budget-friendly Sony A6000. If you’re not sure how to choose the right lens for you, let’s quickly run through the key points. - Source: Internet
• Another thing to pay attention to is the crop factor. Sony E-mount lenses come in two varieties – full-frame (Sony FE) and APS-C (Sony E). Full-frame lenses can be used with both the full-frame mirrorless cameras like the A7 series, and APS-C cameras like the A6000 series or the ZV series of vlogging camera. We’ve divided our guide up into sections, first dealing with full-frame lenses, then picking our favourite APS-C lenses (see the section intros below for an explainer of how the lenses and cameras work with each other). - Source: Internet
• Landscape photography is all about capturing the beauty of nature. One of my all-time favorite cameras is my Sony A6500. I take it everywhere with me, and it has proven to be an excellent camera for landscape photography. With its high resolution, outstanding focusing system, and built-in image stabilization, this camera reliably creates stunning landscape photos. But to get the most out of the scene, you need to pair it with the right lens. - Source: Internet
• Dust- and moisture-resistant body for outdoor photography from $998.00 Buy from Amazon Best Portrait Lens Sony FE 135mm f/1.8 ED G Prime Lens Precision lens craftsmanship produces crystal-clear results - Source: Internet
• The Sony FE 70-200mm f/4 OSS G Lens for extra reach and closeup versatility would be a good option also. If you want a faster f/2.8 lens the A-Mount version via electronic lens adapter is available. - Source: Internet
• If you are looking for the best native 100-400mm zoom lens for shooting wildlife (my Borneo adventure), sports and action, then look no further than the Sony FE 100-400mm f/4.5-5.6 GM OSS lens. I’ve owned this lens since it was released and it has rarely been off my camera since. - Source: Internet
• For sports photography, you’ll most likely want a telephoto lens, something with reach to help bring the action up close. You’ll most likely not be able to get right up next to the sidelines, so a longer telephoto lens will be critical to getting pleasing, action-packed sports photos. Now, depending on the particular sport you’re photography, how much telephoto reach you’ll need can vary dramatically, but a classic go-to for many different popular sports, such as football, soccer, basketball and tennis, is a 70-200mm lens – and a 70-200mm f/2.8 variety, if possible. - Source: Internet
• 4. Canon RF 14-35mm f/4L IS USM One of the best-value Canon L-series lenses you can buy Specifications Mount: Canon RF Autofocus: Ultrasonic Motor Optical stabilizer: 5.5-stop Minimum focusing distance: 0.20m Maximum magnification ratio: 0.38x Filter size: 77mm Dimensions: 84x100mm Weight: 540g Today’s Best Deals View at Walmart (opens in new tab) View at Amazon (opens in new tab) View at Best Buy (opens in new tab) Reasons to buy + Exceptional stabilizer + Useful close-focus distance + Wider field of view Reasons to avoid - A little pricey for f/4 - Plastic build, not metal - Source: Internet
• The bokeh is silky smooth and possibly the best of all the current 24mm f/1.4 lenses available. Autofocus is fast, quiet and super accurate. I own this lens myself and absolutely love it. I’ll be writing a review for it just as soon as I get a little free time. - Source: Internet
• The Sony 10-18mm F/4 is essentially the only wide-angle zoom available for Sony APS-C E-mount cameras. It is reasonably sharp, and is a little more versatile than the 12mm primes listed above. At it’s widest focal length of 10mm, it is even a bit of a wider angle compared to the others. It’s not as fast, but for landscape photographers, this might not be a deal breaker if you don’t do a lot of night photography. Overall, the Sony 10-18mm is a nice, versatile wide-angle zoom that will fit the needs of many landscape photographers out there. - Source: Internet
• The Sony 70-200mm f/4 is Sony’s sharpest telephoto zoom for the full-frame E-mount format. And it really is amazingly sharp. 70-200mm is a classic focal range for a landscape photog’s telephoto zoom. As such, this is the best option for those that strive for the best image quality and are good with a solid but not super long range. However, if you want something with a little more reach, have a look below. - Source: Internet
• This lens is similar to the EF 85mm f/1.2L II USM (MSRP $1,549.99), with a few minor differences: - Source: Internet
• Little aberration throughout the zoom range Buy from Amazon Sony E 55-210mm f/4.5-6.3 ED OSS Zoom Lens Best Standard Zoom Brilliant value for a versatile zoom lens - Source: Internet
• The build quality is as good as it gets for a Sony lens and it is weather sealed against dust and moisture. It is really only the autofocus performance that lets this lens down a little, as it’s most definitely not the fastest. However, eye auto focus works well and unless your subject is moving very fast you shouldn’t have any issues with nailing razor sharp images. - Source: Internet
• Third-party lenses are often a good bet when looking to expand your system, offering premium performance at a cut-down price. The Sigma 20mm F2 DG DN | C is a prime lens providing excellent value for money, and is a good budget-friendly alternative to Sony’s own FE 20mm f/1.8 G (featured a few entries down from this one). In testing, we found that this lens handled fantastically on the Sony A7R IV, creating a perfectly balanced setup, and its optical performance was superb. It’s sharp throughout the aperture range, only getting a little soft at f/22. - Source: Internet
• The lens has three Focus Hold buttons and an AF/MF switch. There is also a focus limiter, and you can control image stabilization. The lens comes with a removable and rotating tripod collar. And the barrel also has a zoom torque adjustment ring. - Source: Internet
• Comes with lens hood (LH-61C), lens cap, rear lens cap. Angle of view : 75° - 8.2°.Lens… - Source: Internet
• In the digital age of cameras, the mid-range zoom is likely the most popular, versatile, and usable category of lens. For Sony APS-C mirrorless cameras, this category is surprisingly thin. There are some options to consider, but before you spring for one of these lenses, do consider the mid-range prime category further down. - Source: Internet
• If you’re looking for an ultra-wide-angle zoom lens, then this could be a great choice, starting at an ultra-wide 16mm, zooming to 35mm. The Zeiss Vario-Tessar T* FE 16-35mm f/4 ZA OSS lens gives sharp images, and with a constant f/4 aperture, the lens is more compact than it would have been had the aperture been brighter. The lens has a solid all-metal construction, and takes a 72mm filter on the front of the lens. - Source: Internet
• Autofocus technology has changed and improved on the newest lenses. The Direct Drive Super Sonic (wave) Motor (DDSSM) is currently the best autofocus system in Sony lenses. It is precise, quick, and quiet. - Source: Internet
• You can also use the LA-EA4E-Mount to A-Mount Electronic lens adapter which will allow for using full frame A-Mount lenses on your E-Mount cameras. In this case the A-mount Sony 135mm f/1.8 Carl Zeiss Sonnar T* Lens would be one the “best lens” recommendations, reviewed here on A7r via LAE-A4 » - Source: Internet
• 3. Canon RF 15-35mm f/2.8L IS USM The best landscape lens for Canon EOS R/EOS RP, but pricey Specifications Mount: Canon RF Autofocus: Ultrasonic (nano) Optical stabilizer: 5-stop Minimum focusing distance: 0.28m Maximum magnification ratio: 0.21x Filter size: 82mm Dimensions: 89x127mm Weight: 840g Today’s Best Deals View at Walmart (opens in new tab) View at Amazon (opens in new tab) View at Best Buy (opens in new tab) Reasons to buy + Super-fast, silent autofocus + 5-stop optical stabilizer Reasons to avoid - Quite weighty - Expensive - Source: Internet
• Yes. Sony lenses labeled with a “G” are higher-quality lenses. G Master (GM) lenses are top-of-the-line flagship lenses. - Source: Internet
• The very affordable Pentax is as sharp as good modern lenses at f/8 or f/11 and it maintains high contrast with good flare resistance which is rare for a legacy wide angle lens. Stopped down to f/14 it even draws a pleasant sunstar. But of course there is a catch: the Pentax is pretty rare and not easy to find. The best alternative I see is the more expensive Zeiss Distagon 2.8/28 which isn’t better but more easily available. - Source: Internet
• Sale Nikon AF-S FX NIKKOR 85mm f/1.4G Lens with Auto Focus for Nikon DSLR Cameras Ultra-fast f1.4 classic portrait lens, Nano Crystal Coat - Source: Internet
• The Sigma is half the price of the Sony FE 24-70mm f/2.8 GM II but gives it stiff competition. The Sony version has an edge with image sharpness. But this lens is not far behind in quality. - Source: Internet
• The Sony FE 12-24 mm f/2.8 GM is a ridiculously sharp lens with the widest angle of view Sony makes. The edges are sharp with no coma or chromatic aberrations, even at 12mm. - Source: Internet
• The Pentax is a high contrast lens and veiling flare is controlled remarkably well. Build quality is very good and the Pentax is one of the smaller normal lenses. The only annoying aspect to me is that the focus ring turns the “wrong” way since I am used to Minolta, Canon or Zeiss lenses. Sharpness at typical landscape settings is very good to excellent with acceptable corner softening. - Source: Internet
• Kit deals are also available for professional cameras. Who would have thought? Since it was barely more expensive than just buying the body, we also bought our cameras in a kit with the 28-70 mm, f/3.5-5.6 zoom lens included. - Source: Internet
• This is the best telephoto lens Sony makes. But quality comes at a price. It is one of the more expensive on the list. - Source: Internet
• The second Sigma Art lens is a top-notch portrait lens. With a focal length of 105 mm and an aperture of f/1.4 it allows for wonderful bokeh and leaves nothing to be desired. - Source: Internet
• The most affordable option is the 16mm f/2.8 pancake lens with the VCL-ECU1 Wide-Angle lens converter. 16mm lens converter reviews this way » - Source: Internet
• This fairly chunky optic nonetheless only weighs in at a pretty modest 371g thanks to a predominantly plastic construction, but balanced really nicely on the Alpha A7R II we tested it with. The design is very clean - so much so that there’s no distance or DOF scales, but those niggles aside, it’s a cracking portrait lens. Focusing is nice and brisk while the nine-blade diaphragm delivers to really beautiful bokeh. Optically, there’s little to fault it on either - it’s incredibly sharp at the centre of the frame through the aperture range. If you can’t justify one of the more exotic Sony portrait lenses, this is a great option. - Source: Internet
• However, one thing that most street photographers will agree on is that wide-angle lenses below 35mm are generally more difficult to use for street. If you are shooting people with a lens under 35mm then you will literally need to be in their face to get the photo. That said, some street shooters like to use a 24mm to allow them to include more of the surrounding environment in their photo. - Source: Internet
• The Zeiss Touit 12mm f/2.8 is a great ultra-wide lens for Sony APS-C cameras. Definitely compare and contrast with the Rokinon 12mm offering and decide which one is best for you. - Source: Internet
• Though Sigma already released an 85mm f/1.4 HSM Art DSLR lens some years back, this “DG DN” version has been redesigned for mirrorless cameras, namely Sony E-mount and L-mount cameras. The lens has been redesigned for mirrorless, utilizing a new optical formula and a new AF system powered by a stepper motor. All in all, the updated 85mm f/1.4 DG DN Art is a stunning portrait prime for Sony (or L-mount) mirrorless cameras. - Source: Internet
• It has an aperture of f/1.8 and a surprisingly good image quality. At 500 euros, this portrait lens definitely offers the best value for money in the market. - Source: Internet
• The lens is ideal for landscape photography. The image quality is outstanding, even with an open aperture. The lens is also protected against dust and splash water. - Source: Internet
• The Sony FE 85mm F1.4 G Master lens is a bright 85mm lens, that could be the ideal portrait lens, with impressive sharpness in the centre, even when shooting wide-open. There’s also the excellent build quality that you expect from a G Master lens, as well as dust and moisture resistance. Like other G Master lenses, you get an aperture ring with with clickless option. However, there are some downsides, as it is quite weighty at 820g, and it’s also rather expensive. - Source: Internet
• In this series we will explore sets of landscape lenses for different user types and at different price points. We are starting with the best performing FE lenses money can buy. The other parts will be released soon. - Source: Internet
• Nevertheless, the lens is an affordable starting point for getting into photography, especially when purchased in a kit. And its compact size really comes in handy when you’re traveling. The lens currently costs 380 euros on its own. That’s an okay price, but you can save even more money buying it in a kit. - Source: Internet
• It’s quite bulky for a 50 mm lens, but the photo quality is excellent all around. The price isn’t exactly low at just under 1,400 euros. But then again, it’s certainly justified for a high-quality lens with Zeiss technology. - Source: Internet
• When stopping the lens down, the image will get sharper as you stop down to f/2.8 and will remain reasonably sharp for landscape photos at f/5.6 if you’re using an APS-C sensor camera. - Source: Internet
• Wide-open at f/2.5 and the lens is already incredibly sharp both centrally and even towards the edges of the frame. Bokeh is very smooth and free from onion rings, although you will see some cat’s eyes which don’t really improve as you step-down. CA is extremely well controlled. - Source: Internet
• The aperture has 11 rounded blades. That’s why this lens has a fast f/1.2 maximum aperture. It gives you more control in low light. Plus, the 11-blade aperture gives you a soft and smooth bokeh effect. - Source: Internet
• As it turns out, Sony is producing lenses pretty fast for the full frame E-mount line and also has a decent inventory for the original APS-C crop factor sized lenses as well. The crop factor lenses can be used on the full frame cameras in crop factor mode, and the full frame lenses can be used on the crop factor cameras with full coverage. I told you it can get confusing! - Source: Internet
• Double linear AF motors for fast and precise focusing from $499.95 Buy from Amazon Best Macro Lens Sony FE 90mm f/2.8-22 SSM ED G OSS Prime Lens Sony’s best lens for macro photography with super-sharp optics - Source: Internet
• The Sigma 24-70 mm f/2.8 DG DN Art lens is sharp, with 19 elements in 15 groups. There are six FLD and two SLD elements to prevent chromatic aberration. - Source: Internet
• The Sony FE 24-70mm f/2.8 ED GM is our favorite Sony lens. It’s a brilliant wide-to-standard angle zoom range for full frame cameras. It doesn’t come cheap. But the build quality, optical precision, and features make it a worthy investment for photographers. - Source: Internet
• Of course with a lens that compact, there are some trade-offs in performance. For example, the lens only has an initial aperture of f/4-5.6. It isn’t protected against dust and splash water, and there are certainly better lenses in terms of image quality. - Source: Internet
• To help you decide on the best lens for your intended use, I’ve categorized the lenses into the following groups. Please note that there is a little duplication between the groups but this should hopefully make it much easier for you to find the lens that you are looking for. You can click any of the below links to jump to the type of lens that interests you the most. - Source: Internet
• Image quality from this super-zoom lens is outstanding, offering very sharp performance across the zoom range. The narrower and variable aperture design helps maintain the lens’s smaller size but at the expense of low-light performance. That said, modern Sony cameras do very well with high ISOs, so the dimmer aperture it probably a tradeoff that most will overlook. The build quality is also excellent, with rugged, weather-sealed construction, and the internal-zooming design keeps the lens balanced and avoids lens creep that we often see with long-zoom lenses that extend. All in all, one of our favorite Sony lenses for wildlife photography! - Source: Internet
• When it comes to recommending a landscape lens for a Sony mirrorless camera, there are several options to consider, ranging from the ultra-wide 12-24mm range to a more versatile 24-70mm. Our top pick for a Sony mirrorless landscape lens, one that offers a classic ultra-wide to wide zoom versatility, high image quality and a solid value, is the Sigma 14-24mm f/2.8 DG DN Art lens. - Source: Internet
• Finding the best Sony lens can be difficult these days. Sony makes some of the best lenses on the market. But their lens catalog has grown, and it’s difficult to find what you need. But don’t worry. We’ve found and organized the best Sony lenses in 2022. - Source: Internet
• 13. Sony E 10-18mm f/4 OSS A compact, lightweight lens for Sony APS-C camera bodies Specifications Mount: Sony E Autofocus: Stepping motor Optical stabilizer: 3-stop Minimum focusing distance: 0.25m Maximum magnification ratio: 0.1x Filter size: 62mm Dimensions: 70x64mm Weight: 225g Today’s Best Deals View at Amazon (opens in new tab) View at Walmart (opens in new tab) View at Best Buy (opens in new tab) Reasons to buy + Very compact and lightweight + Optical SteadyShot included Reasons to avoid - Lacks sharpness at f/4 - Stabilizer only gives a 3-stop benefit - Source: Internet
• The Sony FE 35mm F1.4 G Master lens is another premium lens from Sony, offering superb sharpness even wide open, with excellent handling and operation, in a relatively small and light lens, with metal construction. The lens benefits from silent, and accurate autofocus, as well as a manual aperture ring with both click and clickless operation. As part of the G Master range, the lens is designed for both excellent levels of sharpness, with beautiful and attractive bokeh or background blur. - Source: Internet
• With the best lenses for landscapes, you can capture incredible sweeping scenes in pin-sharp detail. We’ve picked out the absolute best landscape lenses you can buy, but not just the pricey ones, as we know not everyone has an unlimited budget. So, on this list you’ll find a mix of top-shelf optics, mid-range choices and cheap but high-quality options. - Source: Internet
• 2. Sony FE 16-35mm f/4 G Buy from Amazon Maximum Aperture f/ 4.0 Focal Range 16-35 mm Weight 635 g Image Stabilization Best For Real estate interiors and exteriors, street, and landscape photography Top Selling Points A versatile wide angle of view with sharp optics and fast AF × Sony FE 16-35mm f/4.0 G Zoom Lens Amazon $1,198.00 Buy Now! - Source: Internet
• The f/2.8 aperture is used during landscape photography because it brings sharper pictures. When it comes to the focal length this lens works from the minimum which is 28mm and moves on to the maximum, which is 70mm. - Source: Internet
• Update: I wanted to add the 18-105mm f/4 OSS G power zoom lens to this list because it really is a great lens and good for portraits; especially on the longer focal length end. Better than the Zeiss as far as reach is concerned, but does suffer from pretty decent distortion and is not quite as sharp. Regardless, I should have mentioned it, but left it out due to the power zoom honestly. I figured it more for video than photography, but clearly it’s great for both! My highly detailed review of the 18-105mm OSS G lens is this way » - Source: Internet
• And this lens certainly lives up to those demands. It can easily go toe to toe with the Sony 24 to 70 mm. Top image quality, fast, quiet, and slightly more compact and lighter than the Sony G Master. - Source: Internet
• The Canon EF 85mm f/1.8 USM is a fast and high-quality telephoto prime lens. It has a medium build quality with a plastic lens mount and a metal lens barrel. - Source: Internet
• Best APS-C Landscape Lens Sigma 18-50mm f/2.8 DC DN Contemporary This lens is my top pick due to its excellent quality, wide aperture, and low weight. This is a great lens to bring wherever your feet take you. Buy at Amazon - Source: Internet
• Choosing an upgrade option here is quite tricky because, at the time of publishing this article, Sony has just recently announced an FE 14mm f/1.8 GM lens that appears to be an all-out stunning lens, particularly for astrophotography. However, as it’s so new, we’ve not yet had any chance to get hands-on with the lens, and reviews around the web are also few and far between – particularly from other owners since the lens is not yet in stock. - Source: Internet
• This lens offers a larger zoom range with a focal length of 70-300 mm. The downside is the underwhelming aperture between f/4.5 and 5.6. - Source: Internet
• Compared to our “Only the best is good enough”-Kit you will miss a super-wide-angle lens so you can’t create compositions with a strong emphasis of the foreground or astro-landscapes. While you will be fine on a 24 MP Sony a7II the much more expensive lenses get a bit more out of the 42 Mp sensor. Other advantages of the fancy lenses is that some of them have very nice sunstars, even higher contrast and you don’t need an adapter for them. Disadvantages of the set is that it is heavier and costs over $5000. - Source: Internet
• A top quality prime lens option is the Zeiss Touit 12mm f/2.8 lens which has extremely high end optics with very little distortion and chromatic aberrations. My review of the 12mm Touit lens is Here » - Source: Internet
• The ATX AF 85mm f/1.8 is a fast telephoto prime lens designed for portraits and low light shooting. It has a minimum focusing distance of 0.8 meters/2.6 feet and a maximum magnification ratio of 1:10. - Source: Internet
• This lens is also compatible with the Sony FE 1.4x and 2.0x teleconverters helping to extend its reach up to 280mm with the 1.4x and up to 400mm with the 2x. - Source: Internet
• Now, we go through our picks for the best Sony prime lenses for full frame cameras. While prime lenses might not have the versatility of zoom lenses, these primes are well-made with crystal-clear optics. And each one has been selected for its specialist qualities. - Source: Internet
• Samyang 2.8/14: A very sharp modern lens which can even be used for astro photography. Flare resistance and sunstars are no strengths of it though. It is also surprisingly cheap but there is a reason for that: Copy-to-copy variation is huge with this lens and even if you find a good copy it will not last for very long. So not the most attractive investment in the long run. - Source: Internet
• Many photographers buy mirrorless cameras to reduce the size and weight of their equipment. But they are then surprised by the heaviness of the lenses. Size and weight may be an issue if you are traveling or hiking. - Source: Internet
• This lens offers a useful zoom range from 24mm to 105mm, with the f/4 aperture helping to keep the size down. Optical steady shot (OSS) means you can use it with E-Mount cameras that don’t feature in-body image stabilisation, and still benefit from optical image stabilisation. When we reviewed this lens we could that it was consistently sharp at all focal lengths, with fast, and silent autofocus. The Sony FE 24-105mm F4 G OSS lens is also relatively compact and lightweight, with an impressively resistant to flare, and for an all-in-one zoom lens, this one certainly impresses. - Source: Internet
• The Zeiss Touit 32mm f/1.8 lens is also a killer option for the ~50mm field of view equivalent. I reviewed the touit 32mm lens here » - Source: Internet
• As you will have probably noticed that this lens has found its way into 3 different categories. It’s not only a great lens for landscape, interior, and environmental portrait photography, but with its wide-open aperture of f/1.4 it also excels at astrophotography. - Source: Internet
• You can use this lens for real estate, landscape, astrophotography, or as a walking-around lens. It is probably too wide for portraiture. But the bokeh is beautiful. - Source: Internet
• Starting this article with the amazing Sigma 28-70mm F2.8 DG DN lens, which as you can notice is listed as the best budget. It may be considered expensive, for someone, however, when compared to the other ones in this article it is cheaper. - Source: Internet
• Though we’ve not yet reviewed the FE 85mm f/1.8 in-house, user reviews, as well as other reviews from industry colleagues, are overwhelmingly positive for this compact full-frame prime lens. Reviewers praise the lens’ sharpness, size and bokeh as well as its overall value, with a price right at or a little under just $600, depending on sales or discounts. Overall, on a budget or not, the little Sony FE 85mm f/1.8 hits all the high marks for a solid portrait prime for Sony photographers. - Source: Internet
• 2. Sony FE 16-35mm f/2.8 GM The ultimate wide-angle zoom lens for Sony photographers Specifications Focal length: 16-35mm (24-52.5mm APS-C) Maximum aperture: f/2.8 Aperture blades: 11 Weather seals: Yes Filter thread: 82mm Dimensions: 89 x 122mm Weight: 680g specifications Storage Size 32GB - 64GB Colour Black Condition New, Refurbished Today’s Best Deals View at Walmart (opens in new tab) View at Amazon (opens in new tab) View at Best Buy (opens in new tab) Reasons to buy + Stunning optics + Fast and silent AF Reasons to avoid - Expensive - Heavy - Source: Internet
• Here are the 19 best Sony lenses. On our list, you will find a variety of focal lengths—wide-angle, mid-range, and telephoto lenses. We also have prime and zoom lenses. We’ve broken our list down so you can find exactly what you need. - Source: Internet
• 2. Sony E 18-105mm f/4 ED G Buy from Amazon Maximum Aperture f/ 4.0 Focal Range 18-105 mm Weight 427 g Image Stabilization Best For Portrait, self-portrait, landscape, real estate, nature, and travel photography Top Selling Points Built-in stabilization for sharper images, smooth AF motor, and a wide, versatile focal length range × Sony E 18-105mm f/4.0 ED G OSS Zoom Lens Amazon $648.00 Buy Now! - Source: Internet
• The Sony Sonnar T* FE 35mm F2.8 ZA is a small beautiful lens that really excels at environmental portraiture and street photography. This 35mm f/2.8 lens is very sharp even when wide-open at f/2.8, bokeh is very pleasing and distortion is very well controlled. - Source: Internet
• The range is perfect for many photographers. You can use it for food, landscapes, or portraits. It’s also great for indoor photography, astrophotography, or as a travel lens. - Source: Internet
• Still, despite this lens being adapted from their SLR versions, it is a beautiful lens that costs almost half the price of the Sony FE 90mm F2.8 G OSS macro lens. The images that it produces are razor sharp across the frame, chromatic aberration is well controlled as is distortion. The bokeh is silky smooth and the lens feels like all Sigma Art lenses do, extremely well built! - Source: Internet
• STF – Smooth Transition Focus. Lenses that employ special APD lens groups that get thicker towards the edges and, because of that, reduce the amount of light passing through. These lenses are designed to deliver extremely smooth, silky out of focus bokeh. - Source: Internet
• The lens is fast with quiet autofocus. It is small and portable. And it works for portraits, videos, and close indoor work. - Source: Internet
• With such a lengthy head start, Sony put those five years to good use. It designed and brought to the market a succession of impressive full-frame compatible lenses, while also ramping up its range of APS-C format lenses for its popular line of A6000 series camera bodies. Whatever type of prime or zoom lens you need for your Sony full-frame or APS-C format body, you’ll be able to find an own-brand Sony lens to fit the bill. The only catch is that sometimes the bill can be a little steep, so we’ve taken value into consideration as well in this in-depth guide to the best Sony lenses. - Source: Internet
• For a comparison with the Sony 24-70 F2.8 GM lens and the Tamron 28-75 F2.8 see this video from Gerald Undone. - Source: Internet
• If you haven’t bought a Sony Alpha 7 III yet, we recommend purchasing the camera in a kit. That way, you’ll spend a bit less on the lens than if bought separately. Sold individually, it’s currently available for about 300 to 400 euros. - Source: Internet
• If you are looking for the best possible wide-angle zoom lens then you don’t need to look any further than the Sony FE 16-35mm f/2.8 GM. This certainly isn’t a lightweight lens though, as it weighs in at a hefty 680g. - Source: Internet
• This lens came as quite the surprise: True apochromatic design with flawlessly corrected longitudinal CA, fast maximum aperture of f/2.0, extraordinarily high resolution at all distances. No matter whether you are using this lens for macro, portraiture or landscape, it most certainly won’t disappoint you. A bit bulky due to the long helicoid but still one of the finest lenses – if not the finest – available for the system. - Source: Internet
• Unless you do a lot of wildlife shooting, most landscape photographers don’t need more than 200-300mm on their long end. As such, I’m not covering anything longer than that. Fortunately, within these parameters, we’ve got a couple fantastic options. - Source: Internet
• Without doubt, the Sigma 14mm f/1.8 Art is one of the best ultra-wide angle lenses ever made to this date. This lens has been available in both Canon, Nikon and Sigma mounts for some time, but now Sigma has adapted this lens for Sony E-mount. So you are basically getting an SLR designed lens with an adapter bolted on, this means that it does retain its considerable size and weight. - Source: Internet
• Despite being called a macro lens, the Sony FE 90mm f/2.8 Macro G OSS lens is also an excellent portrait lens and one of the sharpest lenses that Sony has ever built. DxOMark reviewed this lens and said that its outstanding, scoring higher marks than both the Canon and Nikon equivalents. - Source: Internet
• If you are looking for a mid-range budget zoom lens, the Sony E 55-210 mm f/4.5-6.3 is the lens for you. It is small in dimension and weight, perfect for APS-C bodies. - Source: Internet
• Unfortunately like many ultra-wide lenses, the Sony 12-24 has a bulbous glass front element, meaning that it protrudes from the front of the lens. This makes it difficult to attach filters and there is no filter thread. However, thankfully there are now several companies making filter holders for this lens. - Source: Internet
• This is a big lens and it weighs 2115g without tripod mount and is 318mm in length. It’s also an internal focusing lens and the short zoom throw makes going from 200mm to 600mm a breeze. Because it doesn’t extend it also balances very well on a gimbal. - Source: Internet
• Now, much like the other categories on this list, you also have a choice of prime (single focus length) or a zoom lens. Prime wildlife lenses can often be quite large and expensive, with some of the benefits there being fantastic optical quality and brighter apertures, which let them perform in lower light and have gorgeous shallow depth of field. That said, it’s hard to look past the versatile of a zoom lens, which is why we’re focusing on zoom lenses here for our recommendations. - Source: Internet
• The crop-sensor 50 mm f/1.8 OSS is one of Sony’s lightest lenses. It is the perfect balance of focal distance and aperture. - Source: Internet
• Let’s go ahead and say that if you don’t already have a mid-range zoom, and are looking for a telephoto zoom as well, just get the Tamron 18-200mm listed above. It covers the same focal lengths plus more, and is sharper and better in every category compared to the 55-210mm listed below. I’d only look at the Sony 55-210mm if you already have the wide and mid-range covered and you still need a telephoto lens. Even then, you might need to look to Sony’s full frame telephoto offerings to meet your needs. - Source: Internet
• The Voigtlander 110mm F2.5 Macro APO Lanthar is an incredibly sharp macro lens that offers the Sony FE 90mm F2.8 G Macro lens a good run for its money. With a comfortable working distance of 17cm and superb build quality, this lens is most definitely on my wish list. - Source: Internet
• If you can use the 135mm f1.8, DO IT. This lens wins the battle for best portrait lens by Sony, hands down. If you can’t use it, the 85mm will still be able to get the job done! - Source: Internet
• The Sony 85mm f1.4 lens is a great standard lens for portrait photos. This lens is lightweight, small and compact so it’s super easy to pack in the gear bag and travel with. - Source: Internet
• Of all the lenses I have tested so far this is my favourite. It is quite a task finding anything wrong with this lens. Resolution, contrast, flare resistance, build quality, size and weight, pretty much the best you can find in any category. If you want to find fault with his lens maybe the above average vignetting is to name, but this is a small trade off considering all the benefits. - Source: Internet
• We have nothing bad to say about third-party lenses in general. We actually use Tamron lenses ourselves and are very happy with them. So you might also want to consider going third party to take advantage of a wider range of options or better value for money. - Source: Internet
• Landscape photography is all about capturing the beauty of nature, and with the right lens, you can create stunning images of scenery and landscapes. I’ve listed four great lenses perfect for landscape photography on Sony A6000 series cameras. Each of these lenses offers excellent value for the money and will help you capture beautiful photos of nature’s beauty. So if you’re looking for a new lens to take your landscape photography to the next level, check out one of these great options! - Source: Internet
• Sony’s longest focal length is now the Sony FE 600 mm f/4 GM OSS. It is a sports and wildlife photographer’s dream. But it comes with a hefty price tag. It is currently Sony’s most expensive lens, followed by the Sony FE 400 mm f/2.8. - Source: Internet
• The Sony 135mm f1.8 lens is more of a nice to have, luxury lens than it’s 85mm f1.4 counterpart. - Source: Internet
• Featuring a large maximum aperture of f/1.4,the Pentax HD PENTAX-D FA* 85mm f/1.4ED SDM AW is one of the brightest, fastest lenses in its class. - Source: Internet
• Quality-wise, it’s a great lens. We definitely recommend it over the Sony 12-24 and if you can live without 35 mm, also over the Zeiss 16-35 or the Sony G Master. And last but not least, the lens is also comparatively affordable at around 1,450 euros. - Source: Internet
• There are rumors of an 800 mm f/5.6 lens. Currently, the widest focal length is in the full frame FE 12-24 mm f/2.8 GM. - Source: Internet
• The A-Mount 50mm f/1.4 lenses are also a good option for portraits. I have not had a chance to review many A-Mount lenses yet unfortunately. - Source: Internet
• Now we’ll get into the best Sony full frame zoom lenses. There are some excellent choices here, with something for everyone. There’s a variety of prices. And we have a lens that suits every type of photography. - Source: Internet
• The lens is sharp from 24mm all the way up to 105mm even when you are shooting wide open at f/4. If you like MTF charts then Roger Cicala has some over at LensRentals.com. Sony has really gone to town on this lens and it certainly shows. I don’t own this lens myself, but if I had money to burn I would certainly pick one up. - Source: Internet
• There are many great lenses with a focal length of 135mm, but the Zeiss Batis 135mm 2.8 is not only your native option, but might also be the best corrected around. Personally I am not the greatest fan of focus by wire lenses for landscape shooting, so if you can tolerate some more weight and bulk it might be worthwhile taking a closer look at the bigger brother Zeiss 135mm 2.0 APO-Sonnar Milvus/Classic or even the Samyang 135mm 2.0. - Source: Internet
• Last but not least, plus the best overall, the Sony – FE 16-35mm F2.8 GM! This lens comes also from the Sony brand and by many photographers it is considered as one of the best, of course when it comes to landscape photography. It owns great features that could really help the Sony a7 III camera bring more than it does; Perfection! - Source: Internet
• These lenses are often faster, cheaper, and lighter than their zoom counterparts. The best prime lenses have a maximum aperture of at least f/1.8, whereas zoom lenses typically start at f/3.5. - Source: Internet
• As you can notice, this lens is listed as the best premium but why is that so? Well, the only manner to explain that is that the Sony FE 100-400mm F4.5–5.6 GM OSS comes with a super high-end price, but always consider that this lens also comes with high-end features, especially when used with the Sony a7 III camera! - Source: Internet
• Much like a lens for sports, you’re going to want a lens that offers a nice, longer telephoto focal length. In fact, in some cases, your “sports photography” telephoto lens can do double-duty as a wildlife photography lens. That said, a 70-200mm-style lens may not be telephoto enough for wildlife photography, especially if you want to photograph birds. When choosing a proper wildlife-focused telephoto lens, finding something that reaches out to a least 300mm to 400mm is a good starting point. When photographing wildlife, you probably won’t be able to get very close to your subject, and so having a long telephoto lens will allow you bring that far-off subject up close. - Source: Internet
• The Sony 1.4x teleconverter (SEL14TC) is currently only compatible with the Sony FE 70-200mm F2.8 GM, Sony 100-400mm GM, Sony FE 200-600 G, Sony FE 400mm F2.8 GM and Sony FE 600 F4 GM lenses. It will not physically fit any other Sony E-mount lenses. - Source: Internet
• Helped by the inclusion of one aspherical element and five ED (Extra-low Dispersion) elements, sharpness and contrast are outstanding for a super-telephoto zoom and amazingly consistent throughout the entire zoom range, right up to 600mm. Color fringing and pincushion distortion are also very negligible at all focal lengths. Autofocus is super-fast and, unusually for a super-telephoto zoom, the physical length remains constant at all focal lengths. All in all, this is a fabulous lens for both full-frame and APS-C format Sony cameras. - Source: Internet
• The Sony FE 70-200 mm f/2.8 GM II is Sony’s flagship telephoto lens. It ticks the boxes for wildlife, sports, concert, and portrait photography. - Source: Internet
• If you are looking for a dedicated macro lens, or a lens that can combine both macro and portrait photography roles, then look no further than the 90mm F2.8 Macro G OSS lens. I own this lens myself and have no plans to let it go anytime soon. - Source: Internet
• We’d say that the Sony 135 mm is the better alternative to the Zeiss 135 mm. The main difference is the higher lens speed of f/1.8, which makes it much easier to create a bokeh effect. - Source: Internet
• Canon EF 85mm f/1.8 USM Medium Telephoto Lens for Canon SLR Cameras - Fixed 85 millimetre standard lens with f 1.8 maximum aperture for Canon SLR cameras, Lens Type:Telephoto… - Source: Internet
• This lens does show signs of coma from f/1.8 to f/2.5 and you might even see traces of coma at f/2.8 if you have very bright stars at the edges of the frame. However, coma is still not as prominent as on many other wide-angle lenses, and also you are unlikely to have very bright stars at the edge of the frame, so I still think it’s a very good choice for astro shooters. - Source: Internet
• The 45 mm is special because the focal length is rather unusual. The normal focal length for full-frame lenses is typically around 50 mm. In purely mathematical terms, however, 45 mm is closer to the field of vision of the human eye, making this lens an interesting alternative. - Source: Internet
• This Sony lens is packed with two Extra-Low Dispersion Elements, three aspherical elements, and two XA elements. The blade of the aperture is really unbelievable, it is an 11-blade circular aperture which makes the lens work perfectly well with portraits as well, because of the amazing bokeh effect. The range of the aperture is quite normal, it works from f/22 and goes up to f/2.8, for sharper pictures and it keeps the exposure and the depth of field. - Source: Internet
• This lens is the latest upgrade of the Sony FE 16-35mm f/4 ZA (Zeiss) zoom lens. It’s a staple for many photographers. This newer version is faster and sharper and uses the upgraded, precise DDSSM autofocus system. But the improvements also increase weight and size. - Source: Internet
• The lens has nine elements in eight groups with one extra-low dispersion element. So portraits are super sharp, and the colors are amazing. The aperture has nine rounded blades that create a lovely bokeh. - Source: Internet
• 9. Fujifilm XF 10-24mm f/4 R OIS It’s still the best landscape lens for Fujifilm X-mount cameras Specifications Mount: Fujifilm X Autofocus: Stepping motor Optical stabilizer: 3-stop Minimum focusing distance: 0.24m Maximum magnification ratio: 0.16x Filter size: 72mm Dimensions: 78x87mm Weight: 410g Today’s Best Deals View at Walmart (opens in new tab) View at BHPhoto (opens in new tab) View at Adorama (opens in new tab) Reasons to buy + High-end design and build quality + Outstanding short-zoom sharpness Reasons to avoid - Expensive for an APS-C format lens - Stabilizer has a modest 3-stop rating - Source: Internet
• A few lenses in the regular lineup give these top-quality lenses a run for their money. ZA means the lens is made with Zeiss glass. Zeiss is a legendary German lens manufacturer. And Zeiss glass is considered some of the best in the world. - Source: Internet
• This fast nifty-fifty lens has Sony’s widest aperture. The Sony E 50mm f/1.2 GM is an all-around lens. You can use it for portraits, street photography, or landscapes. - Source: Internet
• The zoom design of a 70-200mm lens provides excellent versatility for a variety of sports subjects, and the 200mm reach at the long end is a really solid telephoto focal length for distant subjects. An f/2.8 aperture, though not absolutely critical for every sports photography endeavor, helps in several ways, including more pleasing subject isolation (out-of-focus backgrounds) and simply letting more light into the lens. The latter will let you shoot with faster shutter speeds, helping you get crisp, blur-free action shots; plus, it will help if you need to shoot indoors or in other lower-light situations, letting you also shoot with a lower ISO setting (and thus less noise and grain). - Source: Internet
• If the Sony 24-70mm F2.8 GM is out of budget or simply far too large and heavy for your style of photography, then the Sony 24-70mm F4 Vario-Tessar T* FE ZA OSS lens may be what you are looking for. The lens is very well built and weighs in at only 426 g which is half the weight of the GM version! - Source: Internet
• Build quality is excellent and it weighs just 565 g, which is 47 g more than the popular Sony 16-35 f/4 FE lens. The lens has very impressive corner sharpness even when wide-open at f/4, there’s minimal distortion and almost no COMA for night photography. However with a widest aperture of f/4 the 16-35 F2.8 GM lens or the 24mm F1.4 GM lens are more likely to be the first choice for astro shooters. - Source: Internet
• A great mid-range zoom is essential to any landscape photographer’s kit, and the E-mount full-frame format is bursting with great options in this range. Once again, this list is designed for landscape photographers, so I’m not even going into zooms with f/2.8 in this section because I think they’re probably not worthy of consideration if you should mostly landscapes. - Source: Internet
• The AF-S Nikkor 85mm f/1.4G is the second lens in Nikon’s range of professional f/1.4 lenses, complementing the excellent (and expensive) AF-S Nikkor 58mm f/1.4G in Nikon’s line up. - Source: Internet
• The Sony FE 100mm F2.8 STF GM OSS lens is a very unique lens in the Sony FE lenses line-up since it includes a built in apodization (APD) filter. This is a clear glass filter that progressively darkens similar to a neutral density filter as you get further away from the center of the lens. - Source: Internet
• Sony themselves do not (yet?) make macro lenses higher than 1:1 mag. ratio, and generally, most of these high-powered macro lenses are manual-focus only. For our recommendations, we will stick to the more common and more versatile lenses that offer autofocus. Not only can they be used for macro photography, but they also work for more general-purpose photography, even portraiture. - Source: Internet
• If you want to capture images of the sky at night then you will want a lens that works well for low light photography. Some of the most important characteristics of a good lens for astrophotography are a wide maximum aperture like f/1.4, but the lens should also be sharp at this wide-open aperture and offer decent corner resolution and coma correction. Low vignetting is important to, as is the ability to focus manually since autofocus is out of the question at night. - Source: Internet
• The Sony FE 16-35mm f/4 G is a power zoom lens (PZ). It is one of the best landscape lenses you can buy. It is also great for real estate and indoor photography. - Source: Internet
• The image quality of this lens is incredibly close to the Sony FE 24-70 F2.8 G Master lens, which is mind blowing considering the G Master costs double the price! This is Tamron’s first native lens for Sony E-mount and I most definitely hope that it’s the first of many. I don’t own this lens but would certainly like to. - Source: Internet
• The lens has 22 elements in 16 groups, with one super ED and two ED elements. So the lens produces exceptionally sharp images, and the color is excellent. And it has nine rounded aperture blades for nice bokeh. - Source: Internet
• When it comes to picking a lens for portraiture, you’ll most likely want something with some telephoto reach. Wide-angle lenses, on the other hand, can distort and accentuate facial features in an unflattering way, whereas a longer standard-focal length or short telephoto lens will capture a more natural, more pleasing representation of your subject. Traditionally, an 85mm prime lens has been a classic portrait go-to, offering a good focal length for natural-looking portraits and good subject isolation thanks to the wider aperture than what you typically find on a kit zoom lens. The wide aperture helps blur out the background of your shot and help your subject stand out more. - Source: Internet
• As such, our other top recommendation for an upgrade pick is the Sigma 14mm f/1.8 DG HSM Art lens, the only other full-frame format lens with a 14mm focal length and an f/1.8 aperture. As an Art-series lens, the Sigma 14mm f/1.8 offers excellent and robust build quality as well as fantastic image quality performance, just like we’ve seen from most, if not all other Sigma Art-series lenses. - Source: Internet
• The Canon RF 85mm F1.2L USM is a new addition to the Canon RF line of lenses, with an estimated MSRP (manufacturer’s suggested retail price) of $2,099.00. - Source: Internet
• It has 20 elements in 15 groups with XA and Super ED elements for clear, good-contrast photos. It uses the quick DDSSM autofocusing system. And the lens has 11 rounded blades for a smooth, creamy bokeh effect. - Source: Internet
• The Sony FE 90mm f/2.8 Macro G OSS lens is one of the sharpest lenses that Sony has ever built. DxOMark reviewed this lens and said that its outstanding, scoring higher marks than both the Canon and Nikon equivalents. - Source: Internet
• The upgrades also more than double the price of the lens. Many photographers prefer the older version. The older Zeiss lens may be the answer if you are on a budget. But if you can afford this one, it’s well worth the money. It’s an investment you won’t regret! - Source: Internet
• The lens has 13 elements in 10 groups. There are two XA (Extreme Aspherical) and three ED (Extra-low Dispersion) elements for high-resolution, precise images. And the aperture has 11 rounded blades for a smoother, creamier bokeh effect. - Source: Internet
• The full frame, wide-angle FE 24mm f/1.4 prime lens does it all. It works as a wide portrait lens. It is good for video or astrophotography. And it is light, bright, and tack sharp. - Source: Internet
• In our review, we praised the lens’s image quality performance, even when used wide open – which is very impressive. The super-wide aspect ratio is also very fun to use, offering a unique perspective for some very dramatic images. We also noted the lens performed very well in controlling comatic aberrations. Though originally designed as a DSLR lens, Sigma has since come out with a native Sony E-mount version of this lens, helping do away with the need to use a mount adapter. - Source: Internet
• The 10-18mm f/4 OSS lens would be my first choice and recommendation for landscape shooting, because it’s ultra wide angle and has OSS with some range to play with. It’s also very sharp all around and not crazy expensive although fairly large in size. My SEL1018 lens review is this way » - Source: Internet
• Another wide-angle lens from Sony. This one has very high-quality build, the product of excellent optical and technical workmanship. And the image quality is impeccable. - Source: Internet
• Sony’s A7 series of full-frame mirrorless cameras has made a splash in the digital camera world. Many landscape photographers are taking advantage of these cameras for their combination of high quality and relatively small size. While the lens options in the APS-C category were often puny, Sony is putting more focus on the full-frame lens line-up. For the most part, there are excellent options in every category for your Sony full-frame mirrorless camera. - Source: Internet
• Sony mirrorless cameras are wide-ranging both in price and features, generally offering something for every level of photographer, and are also capable for nearly every type of photographic pursuit, be it landscape photography, portraiture, sports and wildlife or astrophotography. But, the key to capturing stunning photos (or video) of your desired subject is getting the right lens for the job. While your kit lens may be pretty good, making a small investment in additional lenses can dramatically boost the creative flexibility of your camera – and the quality of your photos. - Source: Internet
• Sony’s FE 100-400mm f/4.5-5.6 G Master OSS is undeniably a cracking lens, but if you want even more telephoto reach, the new 200-600mm delivers it in fine style and is better value. - Source: Internet
• The lens has a variable aperture of F4.5-5.6, an extremely fast and silent autofocus motor, and the build quality would make some Ferrari’s blush. The lens is also weather sealed against dust and moisture so you won’t need to pull out your plastic bag when the rain comes down. - Source: Internet
• Sony labels lenses designed for full frame cameras “FE.” Sony labels APS-C lenses with an “E.” This can be confusing at first. One of the first lenses I purchased for my full frame Sony a7 II was an APS-C lens. I simply did not know the difference. - Source: Internet
• But still, it is good to know more about everything! It is better to search which are the best landscape lens for Sony a7 III because you are searching for a specific type of photography. In the article, you can notice that the aperture of f/2.8 is frequently mentioned; that’s because it is the one that brings sharper images, and we need sharp images of landscapes, right? - Source: Internet
• This is one of the Sony lenses that receives mixed reviews. Some people love it whilst others don’t rate is so favorably. I own this lens myself and although it’s certainly not as sharp as the GM version, the images it produces are sharp enough unless you really enjoy a good pixel peeping session. - Source: Internet
• Sony FE 16-35mm f/4.0 ZA OSS Zoom Lens An older but quality Zeiss lens. Buy from Amazon × Sony FE 16-35mm f/4.0 ZA OSS Zoom Lens Amazon $998.00 Buy Now! - Source: Internet
• The Sony FE 24-70mm F2.8 GM is one of the very few zoom lenses that can keep up optically with many of the best prime lenses. It’s extremely well built, weather sealed from dust and moisture, and the autofocus is fast and accurate. - Source: Internet
• The lens barrel has a Focus Hold button and AF/MF (autofocus and manual focus) switch. It gives you more options with your exposure settings. And you can control image stabilization. - Source: Internet
• The Sony FE 200-600mm F5.6-6.3 G OSS lens has not been out for very long but it’s already proving itself to be an exceptional telephoto lens for wildlife photographers. - Source: Internet
• The Samyang AF 85mm f/1.4 RF is a very large and heavy lens, but it’s also quite fast. It has a non-rotating front filter thread, so you can use slim filters or polarising filters without the need to rotate it during composition. - Source: Internet
• If you are on Facebook then I’d love for you to join one of the many Sony Alpha Shooters groups that I run. There are groups for Sony Alpha landscape, portrait, sports, wildlife, weddings, macro, street, and video shooters, as well as a generic group for everything else Alpha. You can find all of the links here. The groups are a great place to post your shots with your brand new lens! - Source: Internet
• Thankfully the build quality is excellent and it’s weather sealed against dust and moisture. The 11 circular aperture blades delivers ultra-smooth bokeh, focusing is fast and silent, and the sharpness is excellent across the frame. I own this lens myself and it very rarely leaves my gear bag. - Source: Internet
• The image quality is very good and the lens is extremely fast with a maximum aperture of f/1.4. Only the autofocus leaves something to be desired with this lens. - Source: Internet
• Sony offers lenses at a range of focal lengths. Some are prime lenses fixed at one focal length. Others zoom, letting you choose from a range of different focal lengths. - Source: Internet
• Just as with conventional SLRs, independent manufacturers have kept an eye on Sony’s progress and started designing prime and zoom lenses that compete with own-brand optics. Some of the latest from the likes of Sigma and Tamron deliver similar or even better performance than Sony’s own lenses, while undercutting them for price. Let’s take a closer look at the best buys to suit a range different requirements. - Source: Internet
• If the 85mm G Master is out of budget then you might want to look at the Sony FE 85mm F1.8 lens. This lens is not as large, heavy or as ridiculously sharp as its larger G Master brother, but it certainly does not disappoint. - Source: Internet
• Capturing a vast landscape scene is typically done using a wide-angle lens. A lens like this allows you to capture a wider view than you can normally see without turning your head. This is important because it gives the viewer of the photo a sense of the scale and scope of the landscape. Wide-angle lenses are also great for emphasizing depth in a photograph. - Source: Internet
• A telephoto lens typically has a focal length of 80mm or larger (50mm on an APS-c camera body). This lens allows you to make distant items appear larger in the image’s frame. Landscape photographers will use telephoto lenses to capture the details of a distant scene. - Source: Internet
• The HD PENTAX-D FA 85mm f/1.4ED SDM AW’s construction includes five elements in four groups, including aspherical elements that are featured in the fourth group to reduce spherical aberrations. This minimizes the number of lens components, reducing overall size and weight. - Source: Internet
• The Sony FE 85mm F1.4 G Master is an exceptional lens and one which every portrait photographer should own if they don’t already. Sharpness across the frame is already excellent from f/1.4, flare resistance is very good, as is control of chromatic aberration. - Source: Internet
• The Tamron 70 to 180 mm is a real insider tip. The lens has a speed of f/2.8 in combination with a focal length of 70 to 180 mm. It’s very compact for this type of lens and only weighs 815 grams. - Source: Internet
• You can get this lens with an aperture of f/1.4 for less than 500 euros. The quality may not be on par wih the Sony lens, but it only costs a third of the price. - Source: Internet
• The Samyang AF 85mm F1.4 is a lens designed for full frame cameras, but can be used on an APS-C camera providing a 127.5mm equivalent focal length. - Source: Internet
• There are several advantages to using a prime lens. A fixed focal length will allow you to get closer to your subject without having to move around as much. This helps you avoid the distortion of zooming in or out while taking pictures. - Source: Internet
• And yet another 35 mm prime lens from Sony. This lens excels with its incredible lens speed of f/1.4. However, that also means it’s very bulky and heavy. - Source: Internet
• It’s also a bit faster with a lens speed of f/1.2 and the image quality is exceptional. And so is the price. The lens currently sells for about 1,350 euros. - Source: Internet
• If you are looking for a crop-sensor, wide-angle prime, look to Sigma. Its 16mm f/1.4 lens works for video, landscapes, and street photography. It is sharp, fast, and works in low light. - Source: Internet
• The lens has very good sharpness in the center of the frame at f/1.8 and f/2. However, performance degrades significantly towards the edges of the frame until you stop down to f/5.6 or f/8 where performance is excellent.. - Source: Internet
• If money is not an issue then the Sony FE 400mm F2.8 GM OSS lens already has your name on it. This is the most expensive E-mount lens that you can currently buy and it is most definitely one of my dream lens. - Source: Internet
• Picking a lens for travel and street photography can be a difficult task. For street photography, you might lean towards something small, lightweight and discreet, whereas for travel purposes, you’ll likely do well with some zoom versatility. In both cases, though, you’ll probably want to keep your Sony camera kit as simple and as lightweight as possible; in other words, a single-lens setup. Think: walking around on vacation, exploring a new city or going on a hike. Having a light but versatile camera setup is key. - Source: Internet
• Sony makes faster lenses, but this lens has versatility. It’s a premium-quality Sony lens. And it could be your go-to lens! - Source: Internet
• It isn’t the cheapest lens. But it is fantastic value with this level of magnification. The image quality, AF motor, and image stabilization also increase the value for money. - Source: Internet
• Sale Canon RF 85mm F1.2 L USM Lens, Black High image quality and bright f/1.2 aperture L lens for EOS R System cameras. - Source: Internet
• We’re proud owners of a Sony Alpha 7II and we would never want to part without this great camera. In this guide we’ll show you which lenses are available for the Alpha 7 series. If you’re looking for the perfect full-frame lens for E-mount cameras, you’ve come to the right place! - Source: Internet
• It has a 1:1 magnification ratio and uses the precise DDSSM autofocus system. There are 15 elements in 10 groups, including Aspherical, ED, and Super ED elements. The precision-lens engineering gives you images free of glare and distortion. - Source: Internet
• Though we’ve not seen this lens in our lab, user reviews for the lens are largely positive, with owners noting the lens’s great sharpness, good close-focusing performance and affordable price point. Some criticize its slower AF performance, so keep that in mind if you shoot lots of moving subjects – however, the lens is designed for macro photography, so AF speed isn’t generally a priority. Overall, a sharp and affordable lens that serves as a great entry into the world of macro photography. - Source: Internet
• Sony cameras and lenses have some of the best auto-stabilization technology on the market. OSS indicates the lens has “Optical SteadyShot.” This is Sony’s image stabilization system. - Source: Internet
• However, I am very tempted to sell it so that I can afford the Tamron 28-75mm F2.8 Di III RXD lens. So my recommendation would be to buy the Tamron if you don’t want to spend the money on the GM 24-70 lens. - Source: Internet
• The lens barrel includes a sliding focus ring for AF/MF selection. There is also a Focus Hold button and a focus range limiter to set your capture distances for easier focus. You can also control image stabilization. - Source: Internet
• Many of Sony’s best lenses have a constant aperture. You can use the widest aperture at all focal lengths. If the lens has a range of apertures, the widest aperture becomes smaller as you zoom. - Source: Internet
• The bokeh is creamy, smooth, and beautiful. If you are looking for a macro lens, look no further. For the cost, you get a super-sharp lens for macro, portrait, and product photography. - Source: Internet
• Designed to appeal to those shooting sports, wildlife and action with fast cameras like the Sony a6600, the 70-350mm f/4.5-6.3G OSS super-telephoto lens is an exciting new addition to Sony’s APS-C range. It promises high optical performance, with built-in optical image stabilisation, plus typical G master lens sharpness from corner to corner. Offering 5x optical zoom, the lens is still relatively lightweight and would be a great addition to any kit bag. - Source: Internet
• Constant f/2.8 aperture gives you brilliant exposure control from $966.99 Buy from Amazon Best for Travel Sony FE 24-105mm f/4.0 ED G OSS Zoom Lens Compact lens with a wide focal length range - Source: Internet
• Tamron is a very famous and well-known name in the industry of lenses. It indeed has the best ones that you could ever look for, and the Tamron 28-75mm F/2.8 Di III VXD G2 is definitely one of them! Its ability to work with the Sony a7 III camera is more than great! However, it is a standard lens that works pretty normally. - Source: Internet
• With some lenses, you can get close to your subject. With other lenses, you have some distance for the focusing system to work. It is worth looking at a lens’s minimum focusing distance if you like to get close to your subject. - Source: Internet
• The lens has 17 elements in 14 groups with multiple aspheric elements and extra-low dispersion elements. This increases sharpness and reduces chromatic aberrations. The aperture ring has nine rounded blades for great bokeh. - Source: Internet
• It’s an incredibly fast lens, with a max aperture of f/1.4, scoring great all-around on all features. It’s a 30mm, which is close to a 50mm equivalent when mounted on the a6500. This is a shorter focal length than all other lenses in this review, but closest to the human eye. - Source: Internet
• This is not Sony’s sharpest lens. But it is versatile with good image quality. If you buy this lens, you are getting a good lens at an affordable price! - Source: Internet
• There are two Focus Hold buttons on the lens barrel and a focus range limiter. The lens has a physical aperture ring and a de-click switch. These make the lens attractive for videography. - Source: Internet
• Sony a7 III is one of the most famous and of the greatest cameras that Sony has ever created! It is a full-frame mirrorless camera that works perfectly with the staggering combination of the 24.2MP BSI full-frame sensor and the BIONZ X image processor. I would also like to mention that this camera is perfect when you use it for landscape photography. - Source: Internet
• Sigma’s Art lenses have an uncompromising design ethic that goes all out for enabling artistic flair and creativity, no matter if they end up being quite large and weighty. The 24-70mm f/2.8 standard zoom for Canon and Nikon SLRs is typical of the breed but the new ‘DN’ version for Sony mirrorless cameras is more of a complete redesign than a simple tweak with a different mounting plate. It’s also about 200g lighter, making it more manageable on a svelte Sony mirrorless body, but is still pretty weighty at 830g. - Source: Internet
• By creating the Sony FE 24mm F1.4 GM lens Sony has proven that you can build an excellent lens into a very small package. The lens is extremely well built, weather sealed against dust and moisture and weighs in at only 445 g. - Source: Internet
• The lens barrel has three Focus Hold buttons and an AF/MF switch for convenient focus. And there is also a focus limiter. Plus, you can control image stabilization. - Source: Internet
• The Sony 135mm f1.8 lens is incredible for portrait photos, but the 85mm 1.4 is a good lens too. - Source: Internet
• This Sigma lens features 16 elements in 12 groups, and it also owns two FLD elements, two SLD elements, as well as three aspherical elements. The aperture is a 9-blade rounded one and it works with a range from f/2.8 to f/22. - Source: Internet
• The lens is impressive mechanically as well as optically. Its stepping motor autofocus system is very fast and virtually silent in operation, and comes complete with the usual electronically coupled focus ring, which enables very precise manual adjustments. Meanwhile, aperture control is based on an 11-blade diaphragm which remains very well-rounded when stopping down, helping to retain attractive bokeh. - Source: Internet
• After Tamron’s success with their 28-75mm F2.8 Di III RXD lens they now bring us a wider alternative in the Tamron 17-28mm F2.8 Di III RXD. Similar to the 28-75mm this lens offers great sharpness wide-open in a compact lightweight body and at a very reasonable price point. - Source: Internet
• Handling is excellent, with well thought-out controls that have effectively the same layout to those of the smaller 100-400mm lens. Three customisable focus-hold buttons are fitted around the lens barrel and there’s an autofocus range limiter. It’s enhanced in the 200-600mm lens, however, enabling you to lock out either short or long focus range and the optical stabilizer gains a third switchable mode. - Source: Internet
• 4. Sigma 24-70mm f/2.8 DG DN Art Cheap at half the price Specifications Focal length: 24-70mm Maximum aperture: f/2.8 Aperture blades: 11 Weather seals: Yes Filter thread: 82mm Dimensions: 88 x 125mm Weight: 950g Today’s Best Deals Check Amazon (opens in new tab) Reasons to buy + Exotic optical path and build quality + Half the price of Sony’s G Master lens Reasons to avoid - It’s no lightweight at 830g - Distortion/vignetting can be noticeable - Source: Internet
• This lens is extremely sharp across the frame even when wide open at its maximum aperture of f/1.4. Distortion is well controlled as is the coma making this a great lens for astro photography. - Source: Internet
• One of them is the 20 mm with an aperture of f/1.4. The lens is perfect for landscape and architecture photographs. It costs about 800 euros. - Source: Internet
• Like Sigma’s 24-70mm Art standard zoom for Sony mirrorless cameras, this one has evolved from a very popular lens that was designed for Canon and Nikon SLRs. Again, there are considerable differences in the construction of the E-mount version, starting with the optical path. The veritable feast of glass includes three aspherical elements, complete with a large-diameter, ultra-high-precision one at the front. Further back, there’s an FLD (‘Fluorite’ Low Dispersion) element and no less than five SLD (Special Low Dispersion) elements. Also like the standard zoom, the ultra-wide lens uses both Super Multi-Layer Coating and Nano Porous Coating, which give a noticeable reduction in ghosting and flare, compared with the older SLR lens. - Source: Internet
• Also on the higher quality end is the prime Zeiss 24mm f/1.8 lens. It’s not the widest, but depending on your style it may be perfect for you. I put this more in the street category as a primary option though just so you know. - Source: Internet
• What is surpizing about this lens is that the autofocus is actually faster than the GM version. The bokeh isn’t quite as smooth as the GM, but it certainly comes very close. I own this lens myself and certainly have no plans to sell it anytime soon. - Source: Internet
• Many Sony lenses are sharp. The sharpest full frame (FE) lens may be the Sony FE 135 mm f/1.8 GM. - Source: Internet
• The lens has three Focus Hold buttons, an AF/MF switch, and a focus limiter. You can control image stabilization. And it also comes with a removable and rotating tripod collar. - Source: Internet
• The Sony FE 20mm f/1.8 is very new, debuting just this past year. We’ve not reviewed the lens ourselves yet, but user reviews across the web note the lens’s sharp image quality performance, fast AF, small size and good control over coma (or comatic aberration) – a type of optical distortion that can occur to point light sources, such as stars. A lens with low comatic aberration is an important quality to consider when looking for an astrophotography lens. - Source: Internet
• This M.ZUIKO Digital lens has an aperture ring that allows you to change its aperture from f/1.8 to f/22 with just a flick of your finger. It also has three ED elements that reduce chromatic aberration and increase sharpness and contrast for clear images. - Source: Internet
• This lens from Samyang also has an unusual focal length with its 75 mm. 85 mm is more common for portrait lenses, but the 75 mm in combination with its aperture of f/1.8 is just as capable of producing a great background blur, so you can really make your subject stand out. - Source: Internet
• Sony’s 24-105 mm f/4 G is the perfect travel lens. It covers a wide range of focal lengths and is small enough for everyday use. The images are sharp. And the autofocus is fast, smooth, and quiet. - Source: Internet
• It has a very compact build, is sealed against dust and splash water, and even comes with a filter thread. What’s more, it has a practical zoom range of 17-28 mm and a very good lens speed of f/2.8. - Source: Internet
• Fast f/1.4 max aperture for better exposure control and bokeh from $1,298.00 Buy from Amazon Best “Nift-Fifty” Prime Sony FE 50mm f/1.2 GM Prime Lens A versatile lens with outstanding built quality - Source: Internet
• The Canon EF 85mm f/1.2L USM II lens has a fast maximum aperture of f/1.2, allowing great control over depth of field. - Source: Internet
• The Sigma 105mm f/1.4 DG HSM Art Lens for Sony full-frame E-mount is an exceptionally sharp lens even when shooting wide-open at f/1.4. Autofocus works almost as fast as Sony native lenses in good lighting, but in poor light autofocus starts to struggle a little more. There is very little in the way of vignetting and almost nonexistent chromatic aberrations. - Source: Internet
• The lens is very sharp, but the autofocus could be a bit faster. Still, you get a very good lens for your money. It currently costs about 500 euros. - Source: Internet
• The Sony FE 16-35mm f/2.8 GM with very little coma and distortion is a great lens for astrophotography. This certainly isn’t a lightweight lens though as it weighs in at a hefty 680g. Thankfully the build quality is excellent and it’s weather sealed against dust and moisture. - Source: Internet
• The f/1.8 has good image quality—not just at this price point. It is comparable to the higher-priced version and may perform better. This lens gives you quality without breaking the bank! - Source: Internet
• Like many ultra-wide lenses, it has a bulbous front element. This means you cannot screw a filter onto the front. But you can place gels behind the lens. With the 4x XD linear motors, autofocus is fast and precise. - Source: Internet
• This is the budget version of the Sony FE 85 mm f/1.4 GM. And it is smaller and lighter than the f/1.4 version. If you do not need the wider aperture, go with this lens. - Source: Internet
• At 600mm, the FE 200-600mm F/4.5-5.6 G is the longest telephoto lens Sony currently produces. The lens is long, but unlike the 100-400mm, it has an internal zoom mechanism. So it does not extend when zoomed out. - Source: Internet
• The Sony 2x teleconverter (SEL20TC) is currently only compatible with the Sony FE 70-200mm F2.8 GM, Sony 100-400mm GM, Sony FE 200-600 G, Sony FE 400mm F2.8 GM and Sony FE 600 F4 GM lenses. It will not physically fit any other Sony E-mount lenses. - Source: Internet
• The only real negative thing about this lens is the price. At $11,998.00 in the US or £10,499.00 in the UK, this lens will leave a very noticeable hole in your bank account. - Source: Internet
• In recent years, Sony has pushed to include faster telephoto lenses in its lineup. The a9 camera bodies and fast telephotos have made the system attractive to more sports and wildlife photographers. Most recently, Sony has focused on lenses for video. - Source: Internet
• The 1.4x will extend the reach of the 70-200mm GM lens to 280mm and the 100-400mm GM and 400mm GM lenses to 560mm on a full frame camera like the a7iii, but it will do so by sacrificing one stop of light. Fortunately this does not slow the autofocus speeds of these lenses, however you will notice increased vignetting in the corners wide-open and also a little more software in the images. - Source: Internet
• The focal length on this one works from 16mm up to 35mm. The amazing accurate focus of this lens is only brought by the Direct Drive Super Sonic Wave AF Motors. On it is not included an image stabilization, but this lens will work pretty well with the in-camera stabilization that Sony a7 III owns. - Source: Internet
• As usual in ultra-wide lenses, the lens hood is an integral part of the barrel and protects the bulbous, protruding front element. As such, there’s no attachment thread for the direct mounting of filters. However, the new E-mount version of the lens adds a gel filter slot in its mounting plate, complete with a locking device, and comes with a template for cutting gel filter material to size. - Source: Internet
• With its focal length of 14 mm, the lens falls into the wide-angle category. It offers incredible image quality, but at a very high price. You should expect to pay about 1,500 euros. - Source: Internet
• Unlike most up-market zoom lenses for DSLRs, this one has a widest available aperture of f/4 rather than f/2.8, which helps to make its size and weight a better match for the comparatively small A7 series bodies. As with most Zeiss-badged optics, the physical design looks minimalist, without any switches for auto/manual focus modes or on/off for the OSS (Optical SteadyShot) stabilizer. Even so, the metal lens barrels feel beautifully engineered and the build is dust/moisture resistant. Sharpness is good and very consistent throughout the zoom and aperture ranges although the corners become a little soft at longer zoom settings. - Source: Internet
• At 600mm this lens is sharper than the Sony FE 100-400 + 1.4x is at 560mm. At 400mm this lens is also a touch sharper than the 100-400 which considering it’s a G lens and not a GM lens is really quite something. - Source: Internet

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