249 Fascinating Statistics What Is The Best Lens For Landscape Photography Canon

This time, we’re going to talk about What Is The Best Lens For Landscape Photography Canon. There is a lot of information about Must Have Canon Lenses on the internet, of course. Social media are getting better and better quickly, which makes it easier for us to learn new things.

best lens for landscape photography canon aps-c and Best Canon Lenses are also linked to information about Lenses and Focal Lengths for Landscapes. As for other things that need to be looked up, they are about Best Portrait Lens For Canon M50 Mark Ii and have something to do with Best Lens For Canon M50.

249 Interesting Facts What Is The Best Lens For Landscape Photography Canon | Must Have Canon Lenses

• 35mm to 50mm can be used for landscapes, and particularly if the scene is further away and you don’t incorporate foreground. For example, let’s say you are standing on a ridge and shooting a mountain range in the distance: shooting at this narrower focal length is better than at 21mm where you are trying to get everything into the scene. Another example would be a detail shot like a forest or rock formation where you are trying to highlight certain objects. For these types of photos, it’s not as much the grand landscape you are trying to capture, but a certain object or series of objects as part of a great landscape. - Source: Internet
• What are the downsides of going with a third-party lens like the Sigma 17-50mm f/2.8? The first is autofocus, which can be slower than Canon’s native offerings. The second is build quality, which is good but not quite up to Canon standards. These issues aside, the Sigma is a highly capable walk-around lens for EF-S and a tremendous value. - Source: Internet
• Macro lenses aren’t too popular nor used by photographers. It’s because of limited usage: close-up detailed shots. But these are still used to add a new aspect to your photography or dimension to your videos. - Source: Internet
• It’s also worth looking out for weather sealing, so that a little rain doesn’t put a premature end to your whole shoot. Also, pay attention to the filter compatibility. Many ultra-wide lenses can’t take front-mounted filters at all because of their bulbous front element, while others will require ones with a sizeable filter thread. Filters can be hugely important in landscape work, so it’s worth thinking about the filter setup when you buy a lens. Check out our guide to the best filters for landscape photography to get an idea of the kinds you might use. - Source: Internet
• Simply put, the Canon EF-S 10-18mm f/4.5-5.6 IS STM has no competition. Every other ultra-wide angle lens for Canon’s APS-C cameras costs at least twice as much, is optically inferior, can’t focus as close or has no image stabilization. - Source: Internet
• There is very little distortion and no vignetting with this lens. The optics are above the standard and deliver crisp and beautiful RAW images. What stands out most about this lens for me is the build quality. - Source: Internet
• For Canon EF camera owners who want a great all round lens, the Canon 50mm f/1.8 STM is hard to beat. It’s also the cheapest way to get that coveted ‘blurred background’ look. - Source: Internet
• It also has a nine bladed diaphragm which is rounded to give softer and more natural rendering to landscape details and highlights, and at 680g and 82.5x125mm it can save size and weight in a backpack compared to the faster but larger, heavier and more expensive 14-24mm f/2.8. And still offers great build and weather sealing. - Source: Internet
• This can be caused by using a low-quality lens or by attaching filters to the front of the lens. Vignetting can also occur naturally when shooting into the sun. Good lenses will have minimal vignetting. - Source: Internet
• The f/4 maximum aperture might not scream low-light landscapes, but it’s only a stop slower than the EF 16-35mm f/2.8L III USM so can easily be made up in ISO, it’s constant, and will save you about £1000. If you’re caught without a tripod, the lens’s Optical Image Stabilizer is rated at four-stops, so that could get you out of a (dark) hole, too. Weighing a reasonable 615g, it’s by no means huge either, at 83x113mm and boasts some decent weather sealing. - Source: Internet
• We’ve arrived at our personal favorite focal length for landscapes: 21mm. Yes, there are great uses for going wider or narrower, but if we had one prime lens to choose for landscapes, it would be 21mm. With this focal length you still get the wide-open feel that starts to evade the narrower focal lengths below, but it’s not too wide for many situations. There are a number of fun 21mm lens options and it’s often at the heart of the range of many wide-angle zooms. - Source: Internet
• A telephoto zoom lens is a good way of creating a sense of distance between the viewer and the subject of the photograph. They’re also very useful for getting up close to a particular element or detail of a landscape that may not be reachable otherwise. As having a wide aperture isn’t so important, you don’t necessarily have to throw down big bucks on a telephoto lens. Some good choices are: - Source: Internet
• Let’s deal with the elephant in the room first. Why oh why would I not recommend the Canon 85mm f/1.2L II?! A lens that’s widely regarded as one of the greatest portrait lenses ever created. - Source: Internet
• A telephoto lens is a great choice if you need to zoom in on your subject. They’re great for sports, wildlife, and any other situation where you need to zoom in. Here are two of our favorites: - Source: Internet
• One thing to take into consideration when shooting telephoto landscape images is haze. If there are a lot of particles in the air, try using a polarizer or that oh-so-handy “Dehaze” slider in Lightroom to cut through and get a clearer photo. Sometimes haze is simply unavoidable, and you either have to work with it or move back into wider focal lengths to focus on a subject closer to you. - Source: Internet
• For E-mount and L-mount users looking for a portable and affordable long telephoto option, Sigma has come up trumps. Designed from the ground up for full-frame mirrorless cameras, it can also be used on APS-C models, giving a 150-600mm equivalent range. Highlights include a dual action zoom design, either by rotating the zoom ring or pushing and pulling the lens hood, and four-stop optical image stabilisation with a dedicated panning mode. - Source: Internet
• However, this guide is to recommend lenses that offer bang for your buck i.e. the top performance + value for money. - Source: Internet
• LENS CHOICES. Perhaps just as important, you’ll want to have the opportunity of choosing just the right lens for shooting the best landscape photos. No matter what type of Canon you choose you’ll have no issue finding the right lens to use due to Canon’s extensive lens lineup in all formats. - Source: Internet
• Auto-focus is fast and accurate, as is typical with lightweight Canon lenses. Compare this to the f/1.4, and to a greater extent the f/1.2 lenses and you’ll see a huge difference in AF capabilities. - Source: Internet
• This means that a Nikon 18-200mm lens is equivalent to 27-350mm on a 35mm camera, which has much less landscape usefulness than if it were 18mm at the wide end, for example. The same goes for Canon: the popular 10-18mm wide-angle lens for APS-C cameras is equivalent to 16-28.8mm. The good news is that this focal length range is terrific for landscape photography and actually much better than 10-18mm on a 35mm camera. - Source: Internet
• Some lenses are built to withstand the elements. Others aren’t. Weather sealing keeps moisture, dust, and other undesirables out of your lens. If you are going to be in the wet and the yuk, choosing a lens that is weather sealed or weather-resistant can be a great investment. - Source: Internet
• The Canon EF 16-35mm f/2.8L III USM Lens is a similar lens to the cheaper f/4 version detailed above. It’s far costlier and doesn’t have the image stabilization of the f/4, but it does have a wider aperture and sharper image quality. It’s as fast to autofocus and is also weather sealed, but it has a greater advantage when shooting in low-light situations. This makes it perfect not only for evening landscapes, but a host of other settings. - Source: Internet
• Third-party lens makers like Tamron have really been stepping up their game in the last few years. This lens is a great example of that. It is a pro-quality wide lens at about one third the cost of the Canon lens above. - Source: Internet
• We’ve used our extensive experience of testing and reviewing lenses to come up with a definitive list of the right optics for wildlife photography. This list comprises a mix of telephoto zooms and primes, each of which have their own advantages and disadvantages (which we’ll get into). There are lots of expensive telephoto primes out there – enough that we could have filled this list with them – but we’ve kept realistic budgets in mind, and provided plenty of affordable options alongside the premium stuff. If you are working to a strict budget, we do also have a dedicated guide to the best affordable telephoto lenses for wildlife photography. - Source: Internet
• The Canon EF 24-70mm f/2.8 L II is also commonly used on the dance-floor at wedding receptions. It’s definitely not a light lens to be used at the tail end of a long day, but the versatility in the zoom range, coupled with its incredible auto focus performance really is undeniable. - Source: Internet
• In summary, the Canon EF 24-70mm f/2.8 L II is one of the sharpest lenses I’ve ever used. 24-70 is a great focal range, and even at 38-115mm on a cropped sensor camera, it’s a very useful lens that can remain on your camera all day long. - Source: Internet
• There are a ton of very capable cameras on the market today, but landscape photography has its own requirements. Unlike wildlife photography, autofocus and speed are less important. Instead, image quality is the top priority. While a higher megapixel count can help, most modern cameras can turn out great images with plenty of dynamic range regardless of sensor size and resolution. Portability, battery life, and weather sealing can also be important considerations depending on your needs and preferences, whether you’re hiking up mountains or capturing scenic views while traveling. - Source: Internet
• To achieve such a low price, lenses need to be made out of plastic. Usually this means dubious build quality and shorter lifespans, but that’s not the case with the Canon EF-S 10-18mm f/4.5-5.6 IS STM – it’s all plastic, but it still manages to feel great quality, perhaps due to the large rubber focus ring that takes up the majority of the lens barrel. - Source: Internet
• One disadvantage of Canon M50 is that there isn’t built-in image stabilization (IS) in the camera body. However, you can compensate for that with lenses. Canon M50 has a variety of lenses where there is built-in image stabilization. But it’s not in every lens, so keep an eye on that for better steady photos, especially when you are a beginner. - Source: Internet
• At less than an inch tall, the Canon EF 40mm f/2.8 STM looks like an over-weight lens cap. It’s known as a ‘pancake’ lens for this very reason. - Source: Internet
• If you want something a little wider, but just as small and light for your EF-S body, the Canon 24mm f/2.8 is a great choice. Equivalent to 38mm on a full frame camera, it’s the perfect everyday walk around lens, or great for travel due to its compactness. The maximum f/2.8 aperture also produces great bokeh, on the cheap! - Source: Internet
• The reality of wide-angle zoom lenses is that they don’t perform best at the ends of their focal length range. It isn’t necessarily a massive drop-off, but you may notice more distortion and softness than you will more toward the middle of the zoom range. In fact, these lenses will perform quite a bit better if you bump them up even a couple of millimeters. For example, a 16-35mm lens likely will be sharper and have less distortion at 18mm, so take this into account when choosing focal lengths. - Source: Internet
• One caveat is that image stabilization doesn’t work as well when the subject is moving. That’s why the majority of photographers who invest in one of the f/2.8 variants of the 16-35mm are event or wedding photographers. I’d go as far as to say that the f/2.8 III is the best Canon wide angle lens for weddings. - Source: Internet
• ARTICULATING LCD SCREEN. Although not needed for the majority of landscape photos you take, you may want to shoot some of your images from either high or low vantage points. Shooting at ground level or from an above your head perspective often make your landscapes more interesting. - Source: Internet
• Sure, primes will get you better optical quality. But lugging a bag of five or six lenses is no small matter if you’re tramping through the lakes, and changing lenses in wet weather is not recommended. A good zoom lens, as long as it’s high-quality, can be a much more pragmatic choice. You just have to make sure that you do indeed get a good one. - Source: Internet
• MEGAPIXEL COUNT. This is the most important feature to pay attention to when it comes to shooting landscapes. The more megapixels on your camera sensor the more details you get in your final photograph. - Source: Internet
• The Canon EF-S 10-18mm f/4.5-5.6 IS STM is optically very impressive. There’s no sharper ultra-wide angle lens for APS-C cameras, and it also adds image stabilization (IS) – a first for any Canon ultra-wide. - Source: Internet
• FOCUS MAGNIFICATION. Very useful when precise focusing is needed for perfect sharpness of specific parts of your landscape photo. You have the ability to zoom in using your LCD screen to fine tune the focusing accuracy. - Source: Internet
• The Nikon 70-200 f/2.8 ED VR II is a lens every photographer should own and one that rarely leaves my bag. It can’t give you a wide view, but it’s a great telephoto for landscapes. - Source: Internet
• Let’s get one thing straight from the outset. If you absolutely need the sharpest, fastest (largest aperture, not AF speed) ultra-wide angle lens from Canon, don’t get this lens. The Canon 16-35mm f/2.8L III is better. - Source: Internet
• Sometimes 200mm of focal length just isn’t enough. Enter this 100-400mm. It gives you a tremendous amount of reach for up close landscape compositions. It also has top-notch image stabilization, meaning you can hand-hold at lower shutter speeds with great results! It is incredibly lightweight for its focal length but a beast in all the other ways! - Source: Internet
• It’s time to bring out the big guns. No more pussy-footing around with old lenses or first versions – the Canon EF 24-70mm f/2.8 L II is quite simply the top all-round Canon zoom lens money can buy. - Source: Internet
• The long range on this lens will mean it’s possible to pick out even the finest details of a landscape. The image stabilization of the Canon EF 1-400mm f/4.5-.6L IS II USM makes it possible to shoot straight from your hands, assisted by the USM autofocus. - Source: Internet
• The best Canon lens for street photography is the EF 50mm f/1.8 STM. This lens is lightweight and compact, making it ideal for carrying around with you. - Source: Internet
• The Canon 35mm f/1.4 L is among the sharpest wide lenses I’ve ever tested. It is extraordinarily sharp and contrasty, even at f/1.4. - Source: Internet
• It allows you to create some up close and creative compositions and is a great idea for photographers who enjoy a mix of landscape and wildlife photos. It’s pricey but the quality is top-notch and you won’t ever regret having it in your kit. Cost – around $2,000 - Source: Internet
• A fun prime lens for purists is the Zeiss 21mm f/2.8 Milvus. This manual focus lens is heavy and expensive but can’t be topped at its focal length for image quality. Perhaps I have a personal bias—the old Distagon version is my favorite lens that I’ve ever owned—and not everyone will appreciate the manual focus. But it’s a high quality option for landscape photographers who shoot at 21mm. - Source: Internet
• For vlogging, it works the best when you are shooting yourself. It’s a wide angle lens that fits lots of scenes when self-shooting in a close range, like hand holding a camera. It’s a fast lens with an aperture of f/2 and also works great in low light. With that aperture, you can also blur the background and you stay sharp with autofocus. - Source: Internet
• Surprisingly, the 24mm f/2.8 also comes with specialized coatings on the lens elements to reduce ghosting and flare. Quite the treat at this price. - Source: Internet
• The Sigma 16mm f1.4 will have a effective focal range of 24mm on your Sony Alpha body (a6000, A6300, a6500), and your Sony full frame when used in crop mode, but 24mm is plenty wide enough for landscape photography. If you are a Sony crop shooter looking for a cheap yet well made lens that can deliver outstanding results, the 16mm from Sigma is the lens you have been looking for. - Source: Internet
• Since this lens is incredibly sharp, you can use a relatively high mega-pixel Canon dSLR (i.e. pretty much any modern one) to crop into the image and still retain this impressive sharpness. - Source: Internet
• High-end professional models like the Sony a7R IV, the Nikon D850, and the Canon EOS R5 have ridiculously high-resolution sensors that are ideal for pros, but there are still a lot of great options out there at more affordable price points for enthusiasts and hobbyists. A lot of our picks are DSLR cameras since the advantages of mirrorless cameras are less relevant for landscape photography, and the longer battery life of DSLR options tends to come in handy when venturing out to capture remote landscapes. But that doesn’t mean you won’t still get excellent results from almost any modern mirrorless alternative. And really, it’s your lens that’ll end up making the biggest difference for landscape photography. As a general rule, it’s better to invest in a less expensive camera body and higher-quality lenses than it is to invest in an expensive camera body and cheap lenses. - Source: Internet
• That’s what happened when Canon released the v.II of its hugely popular Canon 35mm f/1.4 L – one of the best Canon lenses for wedding photography. - Source: Internet
• If you’ve got around $2k to spend on lenses, I’d recommend this one every time. With your change, get the 50mm f/1.8 from above, and you’ll be able to shoot anything, anytime. - Source: Internet
• Many Canon users pick up an inexpensive 18-55mm kit lens with their DSLR, and not coincidentally, adding the 55-250mm STM gives you nearly complete coverage. Despite the mostly plastic build, this lens is sharp, relatively light at just over 13 ounces, and our favorite telephoto option in the E-FS mount. Instead of still photography-centric USM autofocus, the STM motor focuses quickly and silently (focusing can be a major issue with telephoto zooms). You also get image stabilization for handheld photos in low light. - Source: Internet
• Using a wide-angle lens for landscape photography is a no-brainer. It’s the most commonly used and for good reason. When you think of landscape, what do you picture? Maybe a field of corn, a towering mountain range, an ethereal forest, or a relaxing beachfront. - Source: Internet
• Canon has two lens types for its digital SLRs: EF-S (compatible only with APS-C or crop sensor cameras) and EF (compatible with full frame and crop sensor cameras). To be clear, EF-S lenses cannot be used on full-frame cameras, but most EF lenses can be used on crop sensor cameras. The major downsides of going this route are that full-frame lenses cost considerably more than their EF-S counterparts and you won’t be maximizing the optical capability (only the center portion of the lens will be in use). Along with the added weight of a full-frame lens, the value certainly is questionable on a crop sensor camera. Feel free to use existing EF lenses on your EF-S camera, but we recommend against buying them for that purpose. - Source: Internet
• This is critical: the listed focal length of a lens when used on a non-full-frame camera needs to be multiplied by the camera’s crop factor to find the 35mm equivalent. The history behind crop factor is long, but what you need to know is that focal length is described using 35mm film as the reference point. Because the image sensors on non-full-frame cameras are smaller, you have to multiply the listed focal length to find the equivalent. Below are common crop factors on both DSLRs and mirrorless cameras: - Source: Internet
• If not for the Canon 10-18mm above, it would be a no-brainer to rank the Sigma 10-20mm f/3.5 higher. This lens has an ultra-wide focal length range equivalent to 16-32mm, and with a constant f/3.5 maximum aperture, is faster than any Canon wide-angle zoom. You also get slightly more reach than the Canon 10-18mm and a cheaper price tag than the 10-22mm below. - Source: Internet
• An interesting alternative to Nikon native lenses is the Tokina 11-16mm f/2.8 DX II (16.5-24mm equivalent). With this third-party lens you get less range and inferior build quality but superior low light performance. This lens also has notable distortion at the wide end, making Nikon’s built-in distortion correction mode almost mandatory. - Source: Internet
• The majority of landscape photos are of the wide-angle variety, which dictates the lenses and focal lengths that we discuss below. There isn’t, however, a universal definition of wide angle (Wikipedia, for example, offers the not-so-helpful, “a lens whose focal length is substantially smaller than the focal length of a normal lens”). It’s generally accepted that the human eye sees at a 50mm equivalent, so anything less than that technically is wide angle. - Source: Internet
• A telephoto zoom lens is perfect for getting close to the action without sacrificing image quality. They’re great for sports, wildlife, and any other situation where you need to zoom in. Here are two of our favorites: - Source: Internet
• When it comes to build quality, it is designed pretty well. It’s not quite up to the same quality of the full-frame Canon L lenses but it’s pretty solid. This is basically what you would expect from a crop sensor camera. - Source: Internet
• Despite the difficulties, many high-end, ultra-wide lenses used for landscapes are bulbous. If you’re using one of these lenses, you’re probably already aware of these issues and are shooting in good light. This eliminates the need for a polarizer and you can mitigate the need for a neutral density filter by exposure bracketing and blending those exposures together later in post. If this all sounds like a foreign language to you, then we’d recommending avoiding bulbous lenses and going with a lens that is 16mm at the widest. - Source: Internet
• This calculus also impacts the dreaded 27mm focal length (the common 18mm lens on crop sensor cameras). With these lenses, not only are you cutting it close in terms of wide-angle capability, but they won’t perform at their best at the widest focal length. This is even more reason why it’s worth looking for a specific landscape lens at your desired focal lengths. - Source: Internet
• The 18-55mm f/3.5-5.6 STM is perhaps the most commonly used EF-S lens—it’s offered in kits with most entry-level and mid-range Canon DSLRs. For $100 more than the camera body—the common price adjustment for the kits—we are fine with this lens. It will get you out the door and shooting with decent sharpness, good autofocus, solid video performance, and a better build than past 18-55mm versions. - Source: Internet
• Every lens buyer faces the tough decision of zoom vs. prime. In general, prime lenses are faster, lighter, and have less distortion, but zooms are much more versatile by covering a range of focal lengths. It’s worth noting that the quality of zoom lenses continues to improve and even the Canon kit lenses are much better optically than in years past. In addition, new Canon digital SLRs have features like built-in distortion correction that make purchasing a zoom more attractive. - Source: Internet
• Rather than slavishly matching its rivals with a 100-400mm telezoom, Ricoh Imaging came up with something a little different. Designed for use on the full-frame K-1 and K-1 Mark II, this longer 150-450mm design is also entirely at home on the firm’s APS-C models, on which it provides an impressive 225-675mm equivalent range. The lens employs a built-in autofocus motor, backed up by Quick Shift Manual focus, and boasts weather-resistant construction. With Pentax SLRs including in-body image stabilisation, this is the only lens on our list that doesn’t include built-in optical stabilisation. Combined with its hefty size and 2kg weight, this means that users may well find a monopod helpful to minimise shake and aid composition. - Source: Internet
• Achieving a shallow depth of field is impossible when using ultra-wide angle lenses, so the only thing apertures governs here is the amount of light entering the camera. The IS allows for an extra 4 stops, meaning the Canon EF-S 10-18mm f/4.5-5.6 IS STM can be shot handheld even at 1/4 or 1/2 a second. - Source: Internet
• The most beneficial feature of this Sigma lens is its f/1.4 aperture. It’s a fast lens and provides high quality sharp photos during daylight and low-light conditions. - Source: Internet
• The bokeh isn’t as great as with the 24-70mm f2.8 version, but it is also more affordable at about half the price. This is what I travel with because it’s versatile and I know I can shoot a lot of different situations with a single lens! Cost – around $1,000 - Source: Internet
• Although the EF-S 10-88 doesn’t have quite the range of the 10-22mm above, it’s definitely more affordable. For the beginner or amateur looking to get into landscape photography, this is a solid choice. Image stabilization will help with hand-held photography, as will the STM autofocusing. - Source: Internet
• With all of that said, we do have 4 third-party lenses on this list and all are viable options. Sigma in particular has been making serious pushes in both the crop sensor and full frame markets, and you often can find Sigma lenses with faster maximum apertures at lower price points than Canon. Tokina is another contender and we even prefer their 16-300mm all-in-one lens over the Canon 18-200mm. Whatever brand of lens you choose, make sure to do your research (or read ours). - Source: Internet
• Pancake lenses are the best—they weigh next to nothing and make your DSLR feel, well, much less DSLR-like. In the EF-S mount, Canon’s most popular pancake is the 24mm f/2.8. Weighing a feathery 4.4 ounces and with a total length off the camera of less than 1 inch, this 38mm equivalent lens is a really nice option for travel and everyday use. - Source: Internet
• A telephoto lens has a focal length of 85mm or longer. These lenses pull the scene closer to you. They are helpful for taking faraway shots of specific images on the landscape such as a tree, cabin, mountain peak, or rock formation. They help you create more intimate scenes and demonstrate a sense of scale. - Source: Internet
• It truly is remarkable that a lens that’s over 19 years old can out-perform much more recent ones. I can’t really understand why Canon chose to update the Canon 35mm f/1.4 L – it really is that good. - Source: Internet
• The good news: this means you don’t necessarily have to buy lenses with larger apertures like f/2.8 and lower. These high-end lenses generally are more expensive and heavier than comparable models that are of f/4 or higher, and you typically can save a lot of money and weight in the process. You may need to carry a tripod and will be sacrificing low-light capabilities, and this does not apply to those interested in astrophotography. But if you’re shooting between sunrise and sunset and interested in landscapes with a large depth of field, then save your back and wallet and go with the f/4 versions. - Source: Internet
• While the build on EF-S 24mm f/2.8 is light and compact, it’s clear that it was built to last. The metal mount, durable frame, and all-around solid feel all lend to the impression that this lens will be with you a long time. - Source: Internet
• For crop frame cameras, the Canon EF-S 10-22mm f/3.5-4.5 USM is probably the best landscape lens out there. Image quality is consistently good throughout the zoom range, even at the 10mm ultra-wide end. It’s an affordable lens that is convenient to carry around. - Source: Internet
• The 50mm f/1.8 works fine on an EF-S body, but remember that the focal lens becomes 80mm – a little less versatile than 50mm, but still great as a portrait lens. I also recommend it to Canon EF-S camera shooters since you can use it on an EF body if you ever choose to upgrade. - Source: Internet
• If you’re using a Nikon DSLR with an APS-C format sensor (Nikon’s DX range) the Nikon 10-20mm f/4.5-5.6 G AF-P DX VR can open up a world of landscape opportunities beyond the grasp of a standard zoom. - Source: Internet
• Wide and ultra-wide angle versions give you longer depths of field. Telephotos, on the other hand, compress your scene from front to back and can help isolate your subject. Wider angle lenses also provide more - Source: Internet
• If you shoot landscapes on a Sony mirrorless camera with an APS-C format sensor like the A6400 or A5100, you’ll want an equally small, lightweight but dependable wide-angle zoom. The 10-18mm F4 OSS is just that, offering a streamlined design that’s still weather sealed. At 225g and 70х63.5mm it’s genuinely pocket sized, so can be brought along as the accompaniment to a standard zoom, and it takes 62mm filters and adapter rings, which keeps space – and cost – down, too. - Source: Internet
• There are 4 different versions of the 16-35mm zoom in the Canon lens line up. 3 of those lenses are f/2.8, which is usually considered ‘better’ than f/4. So why on earth have I chosen the Canon EF 16-35mm f/4L IS USM as one of Canon’s top wide angle lenses? - Source: Internet
• Be prepared to use your feet more to compose your shots. This focal length will make you be creative and challenge you to see a scene differently. There’s nothing fancy about this lens. No vibration reduction or focus limiting switches. Just a nifty little lens that fits in anyone’s budget! Cost – around $200 - Source: Internet
• Although this lens doesn’t have the range of the 100-400mm above, the Canon EF 70-200mm f/4 IS USM still boats its quality as a landscape lens. It captures sharp and clear photos even when shooting without a tripod. The sturdiness of the lens makes it a great addition when travelling, ideal for chasing landscapes. - Source: Internet
• Aside from DxO Mark naming the VII the sharpest Canon lens, and the marginal advantage when shot at f/1.4, I’d still recommend you save some money and go with the original version. Newer doesn’t necessarily mean better. Nor does ‘more expensive’… - Source: Internet
• If there’s one lens that epitomises the size advantages of Micro Four Thirds for telephoto shooting, it’s this hugely popular 100-300mm zoom. One of Panasonic’s earliest lenses for its Lumix G system in its original guise, it gives a 200-600mm equivalent range in a very compact package, complete with optical image stabilisation and fast, silent focusing. The updated ‘mark II’ version adds weather-resistant construction and compatibility with Panasonic’s Dual IS system, in a smart all-black finish. It may not quite match the image quality of higher-end optics, especially at the long end of the zoom, but makes up for this with its bargain price. - Source: Internet
• Sony mirrorless cameras are ubiquitous in the outdoors, from casual photographers to industry professionals. For APS-C mirrorless cameras like the popular Alpha a6500, lens options are limited and the runaway leader is the pricey Sony 10-18mm f/4 OSS (15-27mm equivalent). $850 is a lot to spend for an f/4 crop-sensor lens, but the optics are strong including excellent sharpness. A considerably cheaper option is the Sony 16mm f/2.8 (equivalent to 24mm), which is compact and inexpensive but not as versatile or as good optically as the Sony 10-18mm. - Source: Internet
• The sharpness produced by the Canon EF-S 10-18mm f/4.5-5.6 IS STM really is mind-blowing. It’s even sharper than full frame wide angle lenses costing 10x the price! - Source: Internet
• Canon M50 with APS-C sensor is a half-frame camera, which means it has about a 1.6x crop factor compared to a full-frame camera. So you need to take into account that for example, a 15-45 mm lens is not exactly with those focal lengths. You need to multiply it 1.6 times to get the exact focal length, which is 24-72 mm (for a 15-45 mm lens). - Source: Internet
• Consider what the exterior of the lens is built with. If it’s made of cheap plastic, expect it to work accordingly. Opt for a lens with a sturdy and dependable build quality that you can rely on day after day. - Source: Internet
• You’re going to be choosing between zoom lenses or primes. Having a zoom gives you more shooting flexibility, while prime lenses bind you to a specific focal length, with the trade-off of better optical quality. Zooms also tend to be cheaper, and are realistically going to be the best choice for most amateurs. - Source: Internet
• Serious macro photographers deserve a dedicated lens for the purpose, and our top pick for Canon’s EF-S mount is the 60mm f/2.8. With a focal length equivalent of 96mm, this lens is ideal for most macro and medium telephoto shots. The f/2.8 maximum aperture works well for creating depth of field and bokeh, and at less than 12 ounces, the lens won’t weigh you down or take up much space in your camera bag. - Source: Internet
• Tripods are a staple in the landscape photography world. Capturing an entire scene in focus usually means shooting with smaller apertures of f/10 to f/16, leading to slower shutter speeds. That range is the common sweet spot for most lenses, meaning shooting within those f-stops is where lenses perform their best and are the sharpest corner to corner. - Source: Internet
• If you shoot models in a studio all day long, then fair enough. Maybe you don’t need a lightweight lens with fast auto focus (you probably don’t need f/1.2 either, but that’s another story). - Source: Internet
• Wide angle and ultra wide angle lenses have a focal length of 35mm or wider. These are best suited for capturing a wide area in a scene. They are great because you can take in a really wide view and give your audience a sense of what the scene looks like on a grand scale. These are the most popular lenses for landscape photography. - Source: Internet
• This wide angle lens is often used by vloggers. It’s sharp, quiet focus, is great in low light, and has a nice background blur. That is all you need for vlogging. - Source: Internet
• Choosing the best focal length depends on your landscape photography goals and what other lenses you already own. If you prefer big open images with lots of scene included, go for a wide angle or ultra wide angle focal length. If you like focusing on details and tighter compositions, consider a standard or telephoto lens. - Source: Internet
• “For the price you really can’t beat it. Canon and Zeiss’s options offer either autofocusing or assistance, but this lens offers essentially the same quality at a much more affordable price.” - Source: Internet
• If you’re like me, you don’t mind taking your time, and you don’t mind toting along with a lightweight tripod. If that’s you too, then image stabilization for your camera or lens is irrelevant. In addition to image stabilization technology built into most lenses, some cameras now come with IBIS. That’s In Body Image Stabilization. - Source: Internet
• This is an impressive lens to say the least. The ultra-wide angle can take some incredible photos, fitting so much in the frame without distorting straight lines. The quality of the images is consistent throughout the focal length range. The USM technology makes autofocusing quick, accurate and almost silent. This is an excellent lens for landscape and architectural photography. - Source: Internet
• Sigma 30mm f/1.4 is a large aperture high-speed lens, perfect for low-light situations. One of the first things I noticed is the focus ring that is much bigger and more tactile than the competition. - Source: Internet
• Zeiss has long been associated with superior build quality and optics, and they have some interesting options for wide-angle prime lenses with the Sony FE mount. One in particular that we like is the incredibly sharp Zeiss Batis 18mm f/2.8. When paired with the a7R III, it’s bound to deliver some serious results. Not everyone will love being restricted by a prime, but if you’re looking for simplicity in a wide focal length, give this lens a look. - Source: Internet
• Full-frame Canon shooters have far more landscape lens options, and we love the versatility and value of the Canon 16-35mm f/4 L. This lens covers a great range of wide-angle focal lengths, has image stabilization for low light, and boasts the “L Series” build quality that photographers love. A more expensive lens at the same focal length range is the Canon 16-35mm f/2.8 L II, which is a true pro-level wide-angle zoom and a full stop faster. And for those looking to go a bit wider while avoiding hefty price tag of Canon’s 11-24mm f/4, we’d recommend checking out Sigma’s 12-24mm f/4 with the EF mount. - Source: Internet
• This one is kind of a special lens. Firstly, it’s one of the lightest macro lenses with autofocus. Another noteworthy feature is built-in LED lights. - Source: Internet
• A standard lens is a lens in the 18-70mm range. Most beginner cameras come with an 18-55mm lens lens as part of the “kit.” These are versatile, inexpensive lenses that are a great tool to get started in landscape photography. Don’t feel like you need to rush out and buy a brand new lens. Use what you have and when your lens is the limiting factor in your growth, you’ll know! - Source: Internet
• Giving an equivalent 15-30mm view, at 230g and 77x73mm lens is seriously tiny, making it suitable for the most arduous hikes. But just because it’s small, it doesn’t skimp on the image quality. This lens uses three aspherical lens elements within its construction to give rich, natural colour and excellent sharpness. - Source: Internet
• Overall that gives you the versatility to shoot photos and vlogs while playing with different focal lengths (as its zoom lens). Aperture starts from f/4, so it’s not the greatest in low light conditions. But it’s a great deal because of all the other benefits that you get from this lens. - Source: Internet
• Low light lenses are essential when there isn’t much light that can be entered into the camera. The periods when it’s already darker or indoor events where there isn’t too much natural light. The first lens specs for low light conditions you need to look at is aperture. The wider it is the more the light could enter the camera. - Source: Internet
• Sigma delivers high quality lenses for third parties. This prime wide-angle lens has an aperture of f/1.4 which provides better quality for low-light conditions. - Source: Internet
• You’ll also want to look at the maximum aperture. While you may not find yourself shooting wide-open too often when it comes to wildlife, you may find that having an aperture larger than f/5.6 comes in handy, whether it’s for creating shallow depth of field, or getting a bit more light when the sun starts to dip. Of course, lenses with larger apertures tend to be both larger and more expensive. - Source: Internet
• Always check to make sure your lens’s autofocus will be compatible with your camera. Yes, you can use manual focus but I find most of the time I prefer autofocus, especially when shooting handheld. And as my eyes age, my AF is more reliable than my own vision. - Source: Internet
• On the downside, f/2.8 doesn’t really give you much subject separation unless you shoot it at around 70mm. That’s why I wouldn’t call a 24-70mm one of the top lenses for portraits – moreover, it’s a hugely versatile story-telling lens. - Source: Internet
• At 77.6х87mm and 385g it’s highly portable, but that doesn’t mean any compromise in optical quality with four aѕрhеrісаl and four extra-low dispersion elements. While this is a fairly minor upgrade on the previous version of this lens, as we pointed out in our review, landscape photographers will appreciate the addition of weather-sealing, which justifies the extra cost outlay. - Source: Internet
• In our review, we found ourselves highly impressed by how intelligently Canon has gone about making a lens of this type so affordable. The compromises all make sense, and add up to the Canon RF 100-400mm F5.6-8 IS USM being a very tempting proposition indeed for wildlife photographers. - Source: Internet
• This lens appears on many lists which is a testament to how versatile it is. Many beginner photographers swear by it, and it’s not hard to see why. It’s such a convenient lens to carry around, and performs well in so many settings. For the amateur photography the EF 50mm is perfect as a general photography lens, and that includes landscapes. It’s an affordable way of trying out different ways of shooting. - Source: Internet
• This wide angle to standard length lens is one of Nikon’s flagship offerings for a reason…it’s just a fantastic lens. The versatility of the zoom is really helpful in landscape situations, and the bokeh, contrast and color is beautiful. It performs great in low light and is just flat sharp. This lens comes in two versions, one with vibration reduction and one without, so you can choose which best fits your needs. This lens is also a fabulous portrait and event lens, so if you want something versatile that will serve multiple disciplines, this is for you! Cost – around $1900. - Source: Internet
• The Canon 18-200mm f/3.5-5.6 is an all-in-one lens designed to go head-to-head with the popular Nikon 18-200mm (Nikon also has released an improved 18-300mm version, and we wish Canon would too). Starting with the positives: this is a versatile lens with reasonably good optics, and many people appreciate the convenience factor. For around $700, you can fill out your entire camera bag and forego the need to change lenses. - Source: Internet
• You’ll notice that the majority of lenses on this list are manufactured by Canon. First and foremost, Canon offers the widest variety of EF-S lenses by far and has being expanding its native offerings for decades. Second, Canon lenses generally perform best, and particularly in terms of autofocus speed and accuracy (third-party lenses often are made for multiple mounts and therefore aren’t as exacting). Third, it’s tough to beat Canon build quality. Many third-party lens manufacturers try to undercut Canon in price and sometimes cut corners with materials in the process. - Source: Internet
• It’s easy to get confused by Canon’s fleet of 18-135mm EF-S lenses. The first version was a standard IS, while the second added a stepping motor (STM) for smooth video. But the third improved significantly on past iterations with its “Nano USM” motor that offers the best of both worlds: fast autofocus for stills along with smooth and silent video. Combined with a useful focal length range equivalent to 28.8-216mm, we prefer this lens above any Canon 18-135mm or 18-55mm on the market. - Source: Internet
• All-in-one superzooms aren’t usually the first choice for wildlife, but they can be handy in situations where you need to travel light or don’t have time to change lenses. Tamron’s ground-breaking 18-400mm for APS-C DSLRs is the longest lens of its type, with its 22.2x zoom providing an impressive 27-600mm equivalent range. It’s also dust- and splash-resistant for outdoor shooting, while optical stabilisation is on board to combat camera shake, which is essential with such a long lens. You won’t get as sharp pictures as you would with a premium telephoto lens, but it’ll certainly be better than not getting the shot at all. - Source: Internet
• The lens is compatible with Fujifilm’s 1.4x and 2x teleconverters for even longer range, although with even smaller effective apertures. As part of Fujifilm’s premium ‘red-badge’ range, the lens boasts high-end optics and built-in stabilisation. It employs a matte silver finish for shooting in hot weather and is fully weather-sealed. - Source: Internet
• The 5D Mark IV has a better pixel count, 30 MP versus 22 MP, but will cost you a bit more more. It all depends on how much you are willing to invest. You can use any of the extensive lineup of Canon EF lenses with both the 5D Mark III and Mark IV cameras. - Source: Internet
• There are plenty of great f/1.4 Canon lenses, but 35mm is just such a versatile focal length – you can shoot portraits, landscapes and everything in between… and f/1.4 is plenty fast enough for low light situations, and for blurring the background beautifully. - Source: Internet
• WEATHER SEALING. Sometimes the best landscape photos involve shooting in adverse conditions. That includes inclement weather like rain, snow or blowing dust particles in the wind. If your landscape cameras has weather sealing, you can shoot under adverse conditions without damaging your equipment. - Source: Internet
• For even more telephoto reach, another popular choice for Canon crop sensor cameras is the EF-mount 70-300mm f/4-5.6. With a zoom range of 112-480mm on APS-C format cameras, this lens costs more but offers superior reach for uses like wildlife photography. All things considered, we prefer the lower price and weight of the 55-250mm. Unless you plan on shooting at the telephoto end of the spectrum frequently, it’s a better value and less of a burden to carry. - Source: Internet
• The first lens most landscape lovers reach for is a wide angle lens. But the best landscape photographers have lenses of all different focal lengths in their bag so they can capture the scene as they want to. Before we dive into the recommendations for the best lenses for landscape photography, let’s cover some lens basics! - Source: Internet
• If you’re looking for a great portrait lens, the Canon EF 85mm f/1.8 USM is a great option. The large aperture produces a shallow depth of field, and the autofocus is fast and accurate. - Source: Internet
• One thing I really like about this lens is that even with the wide 16mm, you can fit an 82mm filter on this lens. Some wide-angle lenses have large front elements that require you to get a special filter holder and use large square filters. Filters are essential for landscape photography so being able to use standard filters makes things a lot easier. - Source: Internet
• The seasons are changing and that means beautiful colors will soon be all around us. Fall is perhaps the best time to get out and shoot landscapes. Cooler temperatures make it easier for us to stay out for longer periods, and bright oranges, reds, and yellows make photographs pop. It can be hard to find a true wide angle lens if you are an APS-C shooter, so which lenses should you use or consider buying? If you are a APS-C user and are looking for some cheap but amazing lenses to take your landscape photography to the next level, this article is for you. Lets take a look at the best cheap, APS-C wide angle lenses for landscape photography. - Source: Internet
• You do have to pay up for the improved technology: the 18-135mm IS USM is roughly double the cost of the versions mentioned above, but it’s a higher quality lens designed with enthusiasts with mind (it’s the kit lens offered with the Canon 90D, which speaks volumes). The STM version is a fine option and particularly for video shooters, and the standard IS should be good enough for those who stick to stills. But for discerning photographers who want the whole package, we recommend the IS USM. - Source: Internet
• Don’t get me wrong – the Canon 35mm f/1.4L II is an amazing lens. When shot wide open, the quality is better than the original version, but it’s only if you’re really examining two photos shot with both lenses side by side that you may notice the differences. - Source: Internet
• If you’re looking for the best of the best and are less concerned with cost-saving, then the Nikon Z 14-24mm f/2.8 S should be right up your alley. The ‘S’ designation means it’s a premium Z-mount lens, designed for serious enthusiast and professional users who don’t want to compromise on optical quality. And as such, it delivers – in our review, we found the Nikkor Z 14-24mm f/2.8 S to be capable of producing images with absolutely stunning sharpness, in a range of situations. - Source: Internet
• The one thing to note about wide-angle lenses is that there can often be distortion. The 16-35mm isn’t completely immune, but distortion is pretty well controlled. Also, the more you zoom out, the less distortion there is. - Source: Internet
• The Canon 50mm f/1.8 STM is an affordable, fast, and light lens for your camera. The 50mm focal length is the “normal” lens that mimics what you see with your own eyes, so this lens is perfect for everyday shooting. - Source: Internet
• Almost every photographer I know, even those specializing in portraits or action photography, has a soft spot for landscapes. There’s just something about nature and sunsets and vistas that captures our imagination and prompts creativity. Even if you just dabble in landscape images, you’ll want a lens to help translate that vision before you into a stunning image. - Source: Internet
• If you are using a Canon full-frame mirrorless camera, we recommend the Canon RF 100-400mm f/5.6-8 IS USM as a great telephoto to start with. The Canon RF 85mm f/2 Macro IS STM is a versatile portrait lens that also works as a macro. - Source: Internet
• Let’s keep going with this Grand Canyon scenario. You’re outdoors, taking the best photos you’ve taken in months and suddenly it starts raining. You want to keep shooting but you’re working with a lens without weatherproofing. - Source: Internet
• The 16-36mm f/2.8L III is the quintessential landscape lens in the Canon system. The 16-35mm range will cover just about all of your wide-angle landscape needs. - Source: Internet
• The Sigma 18-35 f1.8 is perhaps one of the best lenses Sigma has ever made, and there is no way in good conscience I could leave this particular lens off of this list. The 18-35mm is perhaps one of the sharpest lenses I have ever used personally, and while it is the most expensive lens on this list, it is still incredibly cheap when you consider just how much lens you are getting. The Sigma 18-35 will have an effective focal length of 28-56mm on APS-C bodies, so not the widest lens on the list, but the maximum aperture of f1.8 across the whole focal range is the killer feature here. - Source: Internet
• The best Canon lens for portrait photography is the EF 85mm f/1.8 USM. This lens has a fast aperture that enables you to produce a shallow depth of field. - Source: Internet
• A prime lens is a lens with a fixed focal length. They’re typically smaller and lighter than zoom lenses, and they often have larger apertures. This makes them a great choice for low-light photography and portraits. - Source: Internet
• Wildlife photography often involves tripod use, so you may want to check if the lens comes with a tripod mount (or if one is available as an optional extra). The manufacturer may also offer compatible teleconverters – devices that can give you more reach, usually with a trade-off in aperture width. They are more practical on mirrorless cameras than DSLRs, as autofocus tends to work better. - Source: Internet
• If you’ve used a full-frame camera or know the focal lengths, crop factor can be very helpful in choosing your EF-S lenses. For example, the Canon 10-22mm wide-angle lens is equivalent to 16-35mm on an APS-C camera, which actually is much more useful than the listed range. And the Tamron 16-300mm has a whopping 480mm of reach on your crop sensor camera. For clarity and ease of comparison, we’ve included 35mm focal length equivalent both in the product specs and table. - Source: Internet
• The AF is fast and accurate, even at f/2.8. Let’s face it, no one buys an f/2.8 lens to shoot at anything but wide open. - Source: Internet
• However, the Canon 18-200mm has some issues that leave us wanting. The manual focus ring turns when autofocus is in use, which can make the lens awkward to hold, and you can expect some distortion and softness throughout its zoom range. More, the Tamron 16-300mm above is cheaper, goes wider, and has more reach. If sticking with Canon is a must, the 18-200mm is your all-in-one choice. For those willing to go with a third-party lens, we recommend saving with the Tamron. - Source: Internet
• A large aperture is also essential for videos. Another aspect that videographers benefit from Sigma lenses is autofocus. There you can switch focus from one subject to another super fast. - Source: Internet
• The Canon EF 16-35mm f/4L IS USM is another great versatile lens. It has a wide focal length range that makes it perfect for landscape and architectural photography. Plus, the image stabilization and autofocus features make it easy to get great photos in any conditions. - Source: Internet
• An additional bonus with the Canon EF 50mm f/1.8 STM is that it can focus closer than any other non-macro Canon 50mm lens, at just 1.15 ft. (35 cm) away from the image plane. - Source: Internet
• The multifunctional Canon EF-M 18-150mm f/3.5 is a compact all-in-one lens that is perfect when you have little space in your bag but want to shoot different types of photos. With that lens, you can shoot wide-angle photos, portraits, landscapes, and zoom up objects. - Source: Internet
• To take your photography to the next level, begin building your arsenal of lenses. A lightweight, compact “nifty fifty,” namely either the Canon EF 50mm f/1.8 STM for Canon DSLR cameras or the Canon RF 50mm f/1.8 STM for Canon EOS R full-frame mirrorless cameras, is the best starting point for most people. Wide-aperture prime lenses offer a great way to achieve photos with a sharp subject and a blurred background, and they get great shots indoors or outdoors, day or night. - Source: Internet
• Additional wide angle lenses: Sigma 16mm F1.4 DC DN Contemporary, Canon EF-M 22mm f/2 STM, Canon EF-M 15-45mm f/3.5-6.3 IS STM. - Source: Internet
• With the Canon EF 40mm f/2.8 STM attached to the front of your bulky dSLR, shooting an entire day is a breeze. Did I mention I was really jealous of Canon shooters for this lens?! - Source: Internet
• This means that the 18-55mm kit lenses that come standard with Nikon and Canon DSLRs actually are 27mm and 28.8mm at the wide end and not as useful for landscapes as many people assume. In addition, these lenses often aren’t at their best optically at 27mm or 28.8mm (more on this below), so serious landscape photographers will want to add a specific wide-angle zoom or prime lens. Those buying a point-and-shoot camera for landscape photography also should keep an eye on focal length equivalent to make sure their camera can go wide enough. - Source: Internet
• If you’re looking for a general-purpose lens, the Canon EF-M 18-150mm f/3.5-6.3 IS STM is a great option. It has a versatile zoom range that will let you capture everything from wide-angle landscapes to close-up portraits. Plus, its Image Stabilization technology will help reduce camera shake, making it easy to get great photos in a variety of conditions. - Source: Internet
• The benefit of using a standard lens for landscape photography is that you can also photograph other subjects. A standard lens allows you to have a bit more focus when shooting landscapes. You can crop out unnecessary objects and pull out more specific details. Once you’re done with the landscape, you can then go on to photograph something else without having to switch lenses. Some good standard lenses for landscapes are highlighted here: - Source: Internet
• We’ve bought and tested over 75 cameras, and below you’ll find our recommendations for the best cameras for landscape photography for most people to buy. If you’re looking for something more portable to capture landscapes while you travel, check out our picks for the best travel cameras. Or, if you want more well-rounded options for various kinds of photography, you can look at our recommendations for the best cameras for general photography or the best cameras we’ve tested. - Source: Internet
• It’s widely used by portrait photographers, as it’s a prime lens with a wide aperture (f/1.4). It makes it possible to shoot nice clear captures with an option of blurred background and dreamy bokeh. A fast lens that will get you sharp detailed images. - Source: Internet
• Overall, it would be the perfect choice for your first portrait lens. At that affordable price, you won’t find any other good quality portrait lenses. Another portrait lens to be considered is a bit more expensive Canon EF-M 32mm f/1.4 STM Lens. - Source: Internet
• Sigma lenses are known for magnificent quality at an affordable price. For Canon M50, Sigma has produced three types of prime lenses. This one is perfect for beginners to kick off with portrait photography. - Source: Internet
• This article exclusively covers EF-S lenses for Canon’s crop sensor DSLRs, but we’ve also created a full article on Canon’s EF (full-frame) lens offerings. These lenses are an expensive bunch, but so are full-frame cameras and it’s a different group of photographers that are willing to spend big bucks for top-tier equipment. Again, we don’t recommend buying EF lenses specifically for your EF-S camera due to their cost and weight, but technically they are compatible. - Source: Internet
• This is another APS-C crop sized sensor camera, but it’s a mirrorless camera. If a compact design is a high priority, the EOS R7 is the pick for your landscape capable camera. With the same 32.5 number of megapixels as the 90D, this is the choice for the serious amateur photographer who wants a mirrorless interchangeable lens camera (milc). - Source: Internet
• This wide-angle zoom is designed for Canon cameras with an APS-C sensor, like the Canon EOS 90D or 250D. It gives a view similar to a 16-35mm lens on a full-frame body, so there’s plenty of options for big scenes. And being made to be compact and lightweight at only 83.5×89.8mm and 385g, it’s a great choice for landscape photographers who’re doing extensive hiking. - Source: Internet
• One of the key specs that we provide for each lens in this article is weight. Simply put, you’re going to be carrying the lens for extended periods either around your neck or in your camera bag, and weight definitely makes a difference over time. For certain uses like landscape photography where you may be hiking deep into the backcountry, the weight of a camera and lens can become a top priority. - Source: Internet
• Despite its small size, the Canon EF 40mm f/2.8 STM still manages to pack in 7 diaphragm blades, which result in surpisingly smooth and creamy bokeh. Many users actually find the bokeh more pleasing at f/2.8 than even the f/1.8 range of Canon lenses. - Source: Internet
• If you’re shooting full frame, the Canon 24-70mm f/2.8 II is the cream of the crop, and arguably the only zoom lens you’ll ever need. Yes there’s an f/4 version which is a lot cheaper, but you won’t get much subject separation at the wider ends of the zoom range with this maximum aperture… at least, not like you can with f/2.8. - Source: Internet
• For Canon EF cameras, the Canon 35mm f/1.4 II is hard to beat. Sure, Canon’s f/1.2 lenses are awesome, but their size, weight and price make them a little harder to recommend unless you’re a pro. - Source: Internet
• We took an entire six-week trip through New Zealand with the Nikon 18-200mm and definitely saw shortcomings when shooting landscapes. The photo above is shot at a 27mm equivalent, and you can see the complex distortion at the top of the photo and lack of foreground. It’s just tough to get everything in at this focal length when shooting big scenes, not to mention you’re battling distortion and softness from the lens itself. 27mm is okay for landscapes if that’s your only option, but we heartily recommend going wider. - Source: Internet
• Whatever the case may be, you’ll need a wide-angle lens to capture everything in the area. Landscapes are known to be vast and expansive. If you’re using a standard lens, it likely won’t be able to get everything into the frame. Having a wide-angle lens on hand allows you to be more in control and get the shot you want without compromising. - Source: Internet
• Something else to consider as well as how much space you have to work with when you’re in nature. If you have a standard lens, you may not be able to physically back up enough to get the shot you want. Having a high-quality wide-angle lens will get the job done with ease. - Source: Internet
• Sony also makes a great 70-200mm landscape photography lens. This f4 isn’t going to give you the shallow depth of field of an f2.8 version, but it does have great compression and will let you hone in on small details and tight compositions. - Source: Internet
• Wildlife photography is no backyard photography, and apart from incredible skills and techniques, it requires incredible lenses as well. In this guide, we will be reviewing some of the best lenses that Canon has to offer, and are suitable for wildlife photography. Not only that, but you will also get to read some tips that will be of great help to you when making your final buying decision. - Source: Internet
• Wildlife photography isn’t a child’s play, and if you are serious about this sort of photography you must purchase durable gear, including camera and zoom lens. You will probably drop your lens several times without a number, so you must consider the durability before buying so you wouldn’t have to buy another one soon. Luckily, the lenses listed on this page all have in common an excellent quality and a strong build. - Source: Internet
• As for photography, it’s the same with videos and vlogging. You need several lenses for different types of scenes. In a close range wide angle lens, for details macro lens, when it’s dark then the low light lens, and etc. - Source: Internet
• Over the last few years Tamron have been producing some really good lenses, and this 10-24mm lens designed for APS-C shooters is one of them. With an effective focal range of roughly 16mm-38mm, the Tamron is perfect for landscape photography. While it’s not the fastest lens on this list aperture wise, do not let that bother you because when shooting landscapes you will generally use a smaller aperture anyway. - Source: Internet
• Focal length(s) is perhaps the most important factor in choosing a landscape lens. As we mentioned above, the heart of the landscape focal length range is 14mm to 35mm. To illustrate what each focal length means in practice, below are sample photos with descriptions of the scene and composition: - Source: Internet
• Most prime lenses are lighter than zoom lenses, weighing as little as 4.4 ounces for a pancake-style lens like the Canon 24mm f/2.8 STM. Certain zooms, and telephoto lenses in particular, can creep over 20 ounces plus a lot of bulk. It’s worth noting that faster zoom lenses tend to be heavier as the optical complexity requires more internal components. - Source: Internet
• The Canon EF 24-105mm f/4 L IS USM is impressively sharp for a zoom lens of this range. It’s not quite as sharp as the 70-200mm f/2.8L, but it’s better value, lighter and offers a much more flexible zoom range. - Source: Internet
• This wide angle lens covers a great range of focal lengths for landscape photographers. It’s one of the most popular zooms of the genre and a favorite of most Canon landscape photographers because it’s fast, sharp, versatile and the color and contrast from this lens is stunning. Like the Nikon 14-24mm lens, however, it’s a big investment. Cost is around $2,200. - Source: Internet
• The Canon EF 50mm f/1.2L USM is a great general-purpose prime lens. It has a wide aperture that lets in plenty of light, making it ideal for low-light photography. Plus, the shallow depth of field makes it perfect for portraits. - Source: Internet
• The Canon EF-S 10-22mm f/3.5-4.5 USM lens is perfect for landscape photography on a crop sensor camera. - Source: Internet
• As we already said, wildlife photography often happens in low light, and on top of a wide aperture and high ISO, image stabilization plays a big part in getting clear, sharp pictures. Hence, strong image stabilization is an important feature of a wildlife lens, particularly when you are shooting at a longer focal length. In any case, it is always advisable to use a good tripod as well. - Source: Internet
• “We’ve got absolutely nothing but respect and love for the Sigma 18-35mm f1.8 DC HSM. If you’re an APS-C DSLR user, this should be the lens that is a high priority item on your list to get. It’s sharp, contrasty, has beautiful color that is true to life, focuses quickly, and stays compact due to its internal zooming and focusing design.” - Source: Internet
• Wide-angle zooms come in all shapes, sizes and prices, so it can be difficult to know which to choose. What’s also often important to landscapers is a combination of light weight, ease of use, and image sharpness. Light weight because you don’t want to lug it about, ease of use because you may be wearing gloves (a good control ring is your friend here), and image sharpness because you’ll often be stopping down to capture as much detail as possible. - Source: Internet
• There are a lots of sites which discuss why this 1998 lens is actually better than the 2015 one, so I won’t go into it here. However, what I will say is that if you’re lucky, you can still get a new or used Canon 35mm f/1.4 L for a bargain price. - Source: Internet
• Lenses have plenty more features to take into account. Size and weight are important, as you’re going to be carrying the lens to your shooting location. Dust and weather sealing is also a consideration, given that wildlife photography is a decidedly outdoor pursuit. The minimum focus distance may be a consideration if you want to get close-ups of smaller or tamer animals. - Source: Internet
• For landscape photography you have the full spectrum of digital cameras to choose from, from compact point-and-shoots to mirrorless cameras and digital SLRs. To help in the process, we’ve created a handy guide to choosing a camera for landscapes, and you can see our full landing page of digital camera reviews here. Whichever route you decide to go, make sure to keep an eye on the focal lengths and lens scenarios discussed above. - Source: Internet
• The lenses above are considered to be “ultra wide”—again a rather arbitrary definition—and 24mm is where things start to normalize. You may notice when scrolling through photos in magazines or on flickr that 24mm is where many of the images start to shift from landscapes to urban and people shots. Again, this isn’t a hard-and-fast rule and you can take spectacular landscape photographs at 24mm, but you’re no longer ultra wide and may start losing the scale and grandeur of some large scenes. Images tend to flatten out the more you zoom in. - Source: Internet
• It would be a great investment for beginners in terms of the price and quality you get from that. Especially when shooting photos without a need to worry much about light. An aperture f/1.4 is an excellent fast lens that provides sharp photos with a rich contrast color palette. An ideal partner to level up your portrait photography. - Source: Internet
• Additional low light lenses: Sigma 30mm f/1.4 DC DN Contemporary, Canon EF-M 22mm f/2 STM, Sigma 16mm F1.4 DC DN Contemporary. - Source: Internet
• I call this the “cauliflower” of lenses for landscape photography. It looks ugly and clunky, but it’s pretty good for you! I love that I can throw this on my camera and be set for everything from wide angle landscape shots to close up telephotos. It also has vibration reduction, giving you 3-4 additional stops than you would have shooting handheld. - Source: Internet
• This ultra wide zoom lens is one of the smallest, lightest and least expensive Canon offers. It has a variable aperture, but is great for playing with perspectives and getting a really wide view or getting really close to your subject. If you want an introductory landscape photography lens that won’t break the bank, give this one a try! - Source: Internet
• The 5D Mark III is remarkably affordable for such a capable landscape camera. Check out KEH. It’s where I buy my used gear. - Source: Internet
• You don’t find many lenses with built-in LED lights. Shooting close range photos might come challenging because the object in front of the lens blocks entering light to the camera. With in front LED lights, this problem is solved. - Source: Internet
• To add some variety to your images, try using a large aperture like f/1.8 to capture shallow depth of field. Move close to some vegetation and stick it right in front of the lens while focusing on the subject in the background to create a “dreamy” effect. This also works well if you’re looking to shoot handheld as you don’t need to worry as much about bumping down the shutter speed to compensate for smaller apertures. - Source: Internet
• We would love to survey crop sensor camera users about focal length equivalent, and would bet that a significant percentage do not understand the concept. Years ago, the first real lens I purchased was the Nikon 18-200mm—I had read about landscape photography and thought that I was getting a true 18mm at the wide end. Nobody in the camera store told me about crop factor and it wasn’t until I started shooting that it all came together and I learned my lesson. - Source: Internet
• Overall it’s a good multi purpose lens that does a lot of work for beginners. But if you want to upgrade then I would look at all-around lenses like Canon EF-M 18-150mm f/3.5-6.3 IS and Tamron 18-200mm f/3.5. - Source: Internet
• The volume of landscape shots taken at 24mm goes up in part because of the popular 24-70mm f/2.8 lenses for Sony, Canon, and Nikon full-frame cameras. These pro zooms are some of the most versatile lenses on the market and great for everything from the outdoors to people photos. Some primes are available at 24mm but the selection is more scarce than at 18mm or 21mm. - Source: Internet
• The best Canon lens for landscape photography is the EF 16-35mm f/2.8L II USM. This is a wide angle zoom lens that provides excellent image quality and sharpness. - Source: Internet
• Canon EF-S lenses can only be used on Canon APS-C DSLRs. APS-C cameras have a smaller sensor, and the ES-F lenses are designed to only fit that sensor size. EF lenses, on the other hand, can work on any full frame or APS-C Canon camera bodies. - Source: Internet
• The Canon EF 100-400mm f/4.5-5.6L IS II USM is another great telephoto zoom lens. It has a slightly longer focal length range than the EF 70-200mm, making it even better for getting close to the action. - Source: Internet
• As it’s a telephoto lens then you would benefit from it when shooting long range. Also, typical features like autofocus and image stabilization are included in the lens. Thanks to these, photographers can shoot sharp photos of wildlife, sports, or any other faraway subjects. - Source: Internet
• There are a few reasons why we don’t we have the Tokina 11-16mm ranked higher. The first is distortion, which is heaviest at the wide end but noticeable through 16mm. In addition, we don’t love the nearly 20-ounce weight of this lens, which makes it somewhat burdensome to carry. Finally, the focal length range is smaller than other wide-angle lenses on this list. But if speed is a high priority, give the Tokina a serious look. - Source: Internet
• It’s rare to find an ultra-wide angle lens for cropped sensor cameras, since the nature of APS-C is to lengthen focal distances. However, the impressive Canon EF-S 10-18mm f/4.5-5.6 IS STM manages to achieve just this. - Source: Internet
• It’s the perfect lens for starting photo- and videographers, as it has several beneficial features. For quality and sharper scenes, there is built in image stabilization. It’s a zoom lens with an option to shoot wide angle street photography photos, capture portraits, and also shoot long range. - Source: Internet
• I captured the photo above in Norway with the Zeiss 21mm f/2.8. It’s an incredible lens that has manual focus and is quite heavy, but you can’t beat the optics. It has almost no distortion, very little falloff, and is sharp corner to corner. - Source: Internet
• As we discuss below, zoom lenses often don’t perform best at their widest with more distortion and softness. Even bumping the zoom in a couple of millimeters from 16mm to 18mm can make a notable difference in image quality. All in all, 18mm is one of the most useful focal lengths for landscapes—right up there with 21mm below. - Source: Internet
• HIGH ISO PERFORMANCE. Most landscapes can be shot with a low ISO sensitivity setting on your camera to get the maximum image quality. Astrophotography sometimes requires you to set your camera’s ISO to a high number in order to get a good exposure under such dark landscape photography conditions. - Source: Internet
• As a result, you’ll often need to increase the ISO setting by a stop to keep shutter speeds up and avoid subject motion blur. You also won’t get quite so much blur when shooting a subject against an out-of-focus background. But this could prove a small price to pay for a lens that’s highly portable and easy to shoot hand-held. - Source: Internet
• In this guide, we’re counting off all the best lenses for wildlife photography. Capturing images of wild animals in their natural habitat is an incredibly rewarding discipline – but a demanding one. There are physical limitations to how close you can get to most wildlife, meaning that a long lens is not just an asset, but an essential addition to your kit bag. - Source: Internet
• If you’re asking whether you can shoot landscapes with a telephoto lens, the answer is yes. In fact, just about every type of serious photographer should carry a 70-200mm or similar lens in their bag. One type of landscape scene in particular beckons a telephoto lens: mountains. The shot above is of Machapuchare in Nepal at a whopping 169mm. Yes, the Himilaya are the tallest mountains in the world and I was far away when I shot this early morning photo, but you can’t capture the detail of mountains without extended reach. - Source: Internet
• You’ll have to pack up and wait for the clouds to clear until you can continue. When you choose a lens with weatherproofing, it keeps the equipment safe from dust, dirt, rain, and other elements. Many lenses have fluorine protection on the glass that keeps it safe from these things, along with scratching. - Source: Internet
• For around a hundred bucks, you’re getting a lens that works perfectly with every Canon EOS camera ever made, i.e. every Canon DSLR and every Canon autofocus 35mm camera made since 1987. - Source: Internet
• The Canon RF 24-240mm f/4-6.3 IS USM is another of the best Canon travel photography lenses. The 24mm wide-angle will offer up a more dramatic perspective from closer to the subject, while the 240mm telephoto will zoom in on your subject from afar. - Source: Internet
• The tradeoff of wide apertures is often cost and size. Lenses landscape photography with f1.4 apertures tend to be big and expensive. Only you can prioritize your needs and decide if you’d rather have a smaller, lighter, less expensive lens or if a faster, sharper lens that weights four times as much is the est lens for you. - Source: Internet
• The thing is, it is not easy to get a lens to keep a super-wide aperture all the way to a very long focal length. When a lens offers this, it is usually very expensive. The 400 mm f/2.8 lens costs 10,000 dollars. - Source: Internet
• Another all-in-one lens to be considered is Tamron 18-200mm f/3.5. It has similar features as it was with the previous Canon superzoom lens. The only little advantage is that Tamron has a focal length of up to 200mm. - Source: Internet
• In practical use, it turns out to be an excellent lens that’s a fine match for the firm’s high-speed, high-resolution flagship Nikon Z9. Our testing proved the Nikkor Z 100-400mm f/4.5-5.6 VR S to be capable of delivering sharp images, time after time. It’s the kind of lens you can rely upon to deliver, no matter how difficult the conditions. - Source: Internet
• For landscape purposes, we think of the wide-angle focal length range as 14mm to 35mm on a 35mm camera. Anything less is getting into fisheye territory, and anything more is pretty normal and doesn’t have a wide-angle feel. The heart of the wide-angle zone for landscape professionals is more like 14mm to 24mm, but we will address 27mm focal lengths and narrower because that’s where many popular APS-C lenses start. - Source: Internet
• There was a time where third party lenses were less than desirable for landscape photography. When I worked at our student newspaper in college, woe was the photographer left with the cheap Sigma or Tamron 35mm. But in the last decade or so, Sigma and Tamron have not only closed the gap with their Canon and Nikon counterparts, they’ve surpassed them in some areas. - Source: Internet
• This standard lens is small, light-weight, and inexpensive. It’s easy to throw in your bag because it doesn’t take up much room and gives you glass that can take some really great landscape shots. This is sharp and can take a pretty good beating and the bokeh at 1.8 is really great. - Source: Internet
• Another challenge often faced by wildlife photographers is light. The fact that wild animals are often active late in the day or hidden in the vegetation means wildlife photography often takes place in low light conditions. Therefore, you need a lens with a lot of light-gathering abilities, with f/4.0 apertures or even wider. However, lenses with long focal lengths and wide apertures are always expensive, which means you should be ready to splash the cash. - Source: Internet
• A prime is any lens that has a fixed focal length. You’ll have to “zoom with your feet,” because you can’t change the focal length without physically moving your shooting location. But these make great landscape lenses because of their quality and sharpness. If you have a prime you love for portraits, give it a try for landscapes, too. - Source: Internet
• Always check to make sure the landscape photography lens you are considering is compatible with your camera body. Nikon, Canon, Sony, etc., have proprietary lenses for landscape photography. You can’t use a Nikon lens on a Canon body, for example, without an adaptor (and even then with limited success). - Source: Internet
• Whenever optics are mentioned, it’s almost a given that Canon will be mentioned instantly as well. The two words are almost synonymous, and rightly so, Canon is a Japanese company that has been a terrific manufacturer of high-quality cameras and optics in general for many years. Thus, if anyone is looking to buy any optical product, one of the first brands that come to their mind is Canon. Therefore, if you have a Canon camera and you are in search of the best Canon lenses for wildlife photography, then this article is for you. - Source: Internet
• The Tamron 17-50mm f2.8 is a slightly older lens, but it’s still a great option for those who shoot with APS-C bodies. While the focal length is not as wide as the Tamron listed above, what you loose in width you make up for in aperture. The maximum aperture of f2.8 means that this lens is great for daytime landscapes, and also nightscapes and astrophotography. - Source: Internet
• This wide angle lens is a favorite lens of landscape photographers for a reason…it’s sharp, sharp, SHARP! It has great sharpness throughout its range and minimal distortion, even at the 14mm focal length. Landscape pros rely on this lens for a reason…it’s that good! The only downfall is the price. This lens costs around $1,800 new. - Source: Internet
• We’ll start by noting that the 50mm f/1.8 STM technically is an EF lens, but it’s fully compatible on EF-S cameras with an 80mm equivalent and we are writing it up in that context. At $125, this prime lens is terrific for people photos: it’s sharp, fast, focuses well, and weighs just 4.6 ounces. That’s a winning formula in our book. - Source: Internet
• Canon offers an extensive range of tremendous lenses that are particularly useful for wildlife photography. There are several options that fit most budgets and needs. And most wild animals are nocturnal in nature, which means you can only have a chance to photograph them late or early in the day. Since these conditions are usually low-light and cloudy, it is always helpful to have a lens with a larger maximum aperture. - Source: Internet
• The clear downside of this lens is price: $800 tops the cost of many Canon DSLRs, not to mention the 15-85mm is not particularly fast with a maximum aperture of f/3.5-5.6. We would give more consideration to spending up for an f/2.8 lens like the Canon 17-55mm above, but it feels like there are too many good EF-S lenses to merit spending so much on a slow(ish) zoom. - Source: Internet
• If you need a lens that can perform in low-light conditions, the Canon EF 50mm f/1.2L USM is a great option. It has a wide aperture that lets in plenty of light, making it ideal for low-light photography. - Source: Internet
• Another big minus on the lens is a low aperture range. Because of that, you won’t get the best results in low-light conditions. The aperture ranges from f/3.5 (18mm) to f/6.3 (60mm). - Source: Internet
• Let’s explore a few options for the best lens for landscape photography and discuss why they are considered the best. You can read about Nikon wide angle lens on our website PhotographyTalk.com. - Source: Internet
• My top pick here is the Canon EF 100-400 mm f/4.5-5.6L IS II USM Lens because even though it is a rather expensive lens, I believe that its general performance and build/optics quality justifies the price. In addition, its size and weight are kept at a reasonable level and it’s not always the case with wildlife lenses! I even selected it as my top pick in my other article about wildlife lenses. - Source: Internet
• If you’re looking for a great Canon lens that will stand the test of time, you might want to consider their 10-18mm f/4.5-5.6 IS STM lens. - Source: Internet
• The Canon EOS R was Canons first camera to use the newer RF lens mount and also the first full frame Canon mirrorless camera. It’s a very affordable landscape camera with plenty of pixels. The EOS R uses a full-sized LP-E6N battery for extended shooting time. - Source: Internet
• The EF-S lens options for your Canon crop sensor DSLR are immense, from standard kit zooms to specialty primes and third-party options. To help you wade through the fray, we’ve picked the top zoom and prime EF-S lenses covering all the major categories from wide angle and portrait to telephoto. In addition to including the highest quality lens options with fast maximum apertures and premium builds, we have taken value strongly into consideration and that is reflected in our rankings. For more background information, see our detailed Canon EF-S lens comparison table and buying advice below the picks. - Source: Internet
• Many Canon users are working with crop sensor bodies, like the 60D. If you’ve tried your hand at landscape photography while using a crop sensor body, you’ve likely gotten frustrated as the 1.6x crop factor means that even a 16mm lens gives you a field of view of about 26mm. - Source: Internet
• Wide-angle zooms aren’t always the fastest, which generally isn’t a problem as you’ll likely be working at narrower apertures for landscapes anyway. However, if you’re prepared to pay extra, you can get large-aperture wide-angle zooms for working in low light. There are also a few features you probably don’t need to worry about, like image stabilisation, as landscape photographers tend to work on tripods. - Source: Internet
• There is a previous f/2.8 rendition of this lens, but this one delivers better image quality and unless your shooting night sky images, the f/2.8 isn’t really necessary for landscapes. - Source: Internet
• Fall is perhaps the best time to get out and shoot landscape photos. Cooler temperatures make it easier for us to stay out for longer periods, and bright oranges, reds, and yellows make photographs pop. But it can be hard to find a true wide angle lens if you are an APS-C shooter. - Source: Internet
• Canon’s EF 24-70mm f/2.8L II is a highly crafted piece of optical perfection. It performs flawlessly in most situations and produces the highest-quality images. It totally justifies the high cost with its many features and level of construction. When taking landscape photographs, the EF 24-70mm performs excellently, delivering sharpness and high amounts of detail. - Source: Internet
• Overall Canon M50 lenses are pretty small and compact compared to other models and manufacturers. You can choose from different types of lenses, regarding where you have more interest. Hopefully, you find the information you need to pick the best lens for your Canon M50. You can always ask additional questions from below in the comment section! - Source: Internet
• What’s more, it’s both lighter and more compact than pairing the Nikon AF-S 14-24mm f2.8 G with an adapter, making it a good excuse for Z-mount users to go all in and opt for the native lens. While there is some distortion evident if you leave it uncorrected, there’s no reason you ever would leave it uncorrected, with Nikon’s automatic correction profiles ready and able to swoop in and take care of matters. - Source: Internet
• Almost all walk-around zooms are 17mm or 18mm at the wide end, meaning they aren’t ideal for big landscapes and other true wide-angle scenes. The Canon 15-85mm is an exception, hitting an equivalent of 24mm at the wide end with an attractive 24-136mm focal length range that goes from wide angle to medium telephoto. Combined with impressive sharpness and fast autofocus, the Canon 15-85mm f/3.5-5.6 can serve as the only lens in your bag (or one of two with the addition of a telephoto like the 55-250mm). - Source: Internet
• While wide angle lenses are indeed good for shooting wide inclusive views of picturesque natural scenes, don’t exclude normal and telephoto focal lengths. Sometimes the narrower views give you some fascinating images too. See the example below. - Source: Internet
• A good wide angle lens could be all you need if you’re starting out with landscape photography. They’re the perfect match; the depth of field they have across apertures is second to none, making it possible to frame a point of interest whilst still having a sharp background. They also draw the focus into the picture and make the horizon seem further away. You can fit so much in the frame with a wide angle lens, but be aware of creating a fisheye effect at wider zooms. Here are some of our favourite wide angle lenses: - Source: Internet
• Choosing lenses and focal lengths for landscape photography has a lot of layers, and it’s a topic I wish I researched more before jumping in. Accordingly, below is detailed information on ideal focal lengths for landscapes with example photographs and our take on each. We’ve also picked and described the top wide-angle lenses for both crop sensor and full-frame cameras from Canon, Nikon, and Sony. The truth is that there isn’t one correct focal length for landscapes, but it’s well worth investigating before making a big purchase. - Source: Internet

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