Today’s topic is Best Sony G Master Portrait Lens. Obviously, you can find a great deal of Best Sony Lenses in 2022: Ultimate E-Mount Buyers Guide-related content online. The proliferation of online platforms has streamlined our access to information.

There is a connection between the Best Sony Aps-C Portrait Lens and Best Sony Aps-C Portrait Lens information. additional searching needs to be done for Four wallet-friendly portrait lenses for Sony E mount, which will also be related to Sony Lens Ranking. Best Sony G Master Portrait Lens - Sony Lens Ranking

220 Tips to Best Sony G Master Portrait Lens | Best Lenses For Sony A7 Iii

  • This list of Sony a7III lenses is fairly extensive. But there are plenty of zooms and prime lenses out there. There are lower price points and different zoom ranges. - Source: Internet
    1. Sony FE 90mm f/2.8 Macro G OSS Big-up the little things in life with this macro lens Specifications Full-frame compatible: Yes Focal length: 90mm (135mm APS-C) Maximum aperture: f/2.8 Aperture blades: 9 Weather seals: Yes Filter thread: 62mm Dimensions: 79 x 131mm Weight: 602g specifications Storage Size 64GB Colour Black Condition New, Refurbished Today’s Best Deals View at Amazon (opens in new tab) View at Best Buy (opens in new tab) View at Walmart (opens in new tab) Reasons to buy + Super-sharp for extreme close-ups + Useful as a fast, short telephoto lens Reasons to avoid - Expensive for a macro lens - Distance scale inactive for autofocus - Source: Internet
  • The lens has 17 elements in 14 groups with multiple aspheric elements and extra-low dispersion elements. This increases sharpness and reduces chromatic aberrations. The aperture ring has nine rounded blades. - Source: Internet
  • See more about the Sony 85mm f/1.4 G Master lens in Chris Orwig’s Favorite Full Frame Primes For Portraits, See How This Pro Chooses His Most Important Lenses, One Light Portrait Setup How-To, Mike Colon On The 85mm f/1.4 G Master, In Use: Miguel Quiles Reviews The G Master FE 85mm f/1.4 GM, What’s In My Bag: Paul Gero’s Cameras & Core Four Lenses, What Separates Pro Portraits From The Rest? and Mike Colón Reviews The 85mm f/1.4 GM For Wedding Shooters. - Source: Internet
  • I can either use it on its own or pair it with my 1.4x teleconverter to get the equivalent of an 840mm lens. That flexibility is ideal as you can’t zoom in and out with a prime lens to help with your framing! - Source: Internet
  • Sony’s longest focal length is now the Sony FE 600 mm f/4 GM OSS. It is a sports and wildlife photographer’s dream. But it comes with a hefty price tag. It is currently Sony’s most expensive lens, followed by the Sony FE 400 mm f/2.8. - Source: Internet
  • Like Sigma’s 24-70mm Art standard zoom for Sony mirrorless cameras, this one has evolved from a very popular lens that was designed for Canon and Nikon SLRs. Again, there are considerable differences in the construction of the E-mount version, starting with the optical path. The veritable feast of glass includes three aspherical elements, complete with a large-diameter, ultra-high-precision one at the front. Further back, there’s an FLD (‘Fluorite’ Low Dispersion) element and no less than five SLD (Special Low Dispersion) elements. Also like the standard zoom, the ultra-wide lens uses both Super Multi-Layer Coating and Nano Porous Coating, which give a noticeable reduction in ghosting and flare, compared with the older SLR lens. - Source: Internet
  • With such a lengthy head start, Sony put those five years to good use. It designed and brought to the market a succession of impressive full-frame compatible lenses, while also ramping up its range of APS-C format lenses for its popular line of A6000 series camera bodies. Whatever type of prime or zoom lens you need for your Sony full-frame or APS-C format body, you’ll be able to find an own-brand Sony lens to fit the bill. The only catch is that sometimes the bill can be a little steep, so we’ve taken value into consideration as well in this in-depth guide to the best Sony lenses. - Source: Internet
  • If you want to make your portraits pop, you can use an off-camera flash. This involves using a flash that is not attached to your camera. It lets you get creative with your lighting and make your subjects stand out. - Source: Internet
  • Next, let’s look at zoom lenses. Zoom lenses are lenses that have a range of focal lengths. These lenses offer more flexibility than prime lenses but are usually larger, heavier, and less sharp. Another advantage of using a zoom lens is that you can buy one lens instead of several to convert the different focal lengths you need for portrait photography. - Source: Internet
  • See more about the 135mm f/1.8 G Master lens in Hands-On Review Of The New 135mm f/1.8 G Master For Portraits, Weddings…And Sports! - Source: Internet
  • Recently Sony has added features to the barrel on lenses designed for video. A lens may have a de-click button and an aperture ring. This lets the photographer change apertures and depth of field smoothly. - Source: Internet
  • The Sony a7III is a mirrorless camera . It can take any Sony E-mount lens built by Sony or a third-party manufacturer. Sony was amongst the first camera manufacturers to enter the mirrorless market. So you have a wide range of Sony a7III lenses to choose from. - Source: Internet
  • Capturing a smaller area of what the lens is transmitting makes the apparent focal length of the lens change by a 1.5x factor. For instance, if you use a lens with a focal length of 50mm on a Sony cropped sensor camera, the lens’s effective focal length is increased to 75mm (50 x 1.5 = 75). - Source: Internet
  • Portrait lenses don’t come much better than this. The wide maximum aperture is perfect for working in low light. And the 11-blade diaphragm and high-precision eXtreme Aspherical element? They provide smooth, circular bokeh highlights. (Sony built a new mold-making machine. That way, the lens wouldn’t produce ugly ones shaped like onion rings!) - Source: Internet
    1. Sony FE 16-35mm f/2.8 GM The ultimate wide-angle zoom lens for Sony photographers Specifications Focal length: 16-35mm (24-52.5mm APS-C) Maximum aperture: f/2.8 Aperture blades: 11 Weather seals: Yes Filter thread: 82mm Dimensions: 89 x 122mm Weight: 680g specifications Storage Size 32GB - 64GB Colour Black Condition New, Refurbished Today’s Best Deals View at Walmart (opens in new tab) View at Amazon (opens in new tab) View at Best Buy (opens in new tab) Reasons to buy + Stunning optics + Fast and silent AF Reasons to avoid - Expensive - Heavy - Source: Internet
  • Of course, some photographers would rather reach for zoom lenses than prime lenses. We get that! So, if you’re a professional photographer using Sony cameras, you’re in the right place. Looking for the best portrait lenses for Sony E Mount? We’ve tested these lenses and found them to be exceptional in a variety of tests. But more importantly, they’re also innovative in many ways. Take a look! - Source: Internet
  • The lens has three Focus Hold buttons and an AF/MF switch. There is also a focus limiter, and you can control image stabilization. The lens comes with a removable and rotating tripod collar. The barrel also has a zoom torque adjustment ring. - Source: Internet
  • Sigma’s Art lenses have an uncompromising design ethic that goes all out for enabling artistic flair and creativity, no matter if they end up being quite large and weighty. The 24-70mm f/2.8 standard zoom for Canon and Nikon SLRs is typical of the breed but the new ‘DN’ version for Sony mirrorless cameras is more of a complete redesign than a simple tweak with a different mounting plate. It’s also about 200g lighter, making it more manageable on a svelte Sony mirrorless body, but is still pretty weighty at 830g. - Source: Internet
  • See more about this lens in Miguel Quiles Takes A First Look At The 100mm f/2.8 STF G Master, Bokehlicious: Steve Huff Reviews The 100mm f/2.8 STF G Master, Manny Ortiz Reviews The Sony 100mm STF and The Art Of Sharpness In A Low-Light Portrait. - Source: Internet
  • This focal length lends itself well to 3/4 length and headshot portraits. Being 65mm, this portrait lens will also give you a little more compression when compared to 50mm options, which will help flatten facial features. This will lead to more pleasing images. Like the 35mm, this lens features an all-metal build, some weather sealing and quality optics. It’s hard to ignore this portrait lens. - Source: Internet
  • Within each series, Sony indicates its superior models by the letter G and names its flagship mirrorless lenses G Master or GM for short. Models involving a partnership with Zeiss are labeled ZA, and are generally pitched between Sony’s own G and GM lenses in quality. Meanwhile, lenses labeled PZ have a Power Zoom for smooth motorized zooming while filming, while those with OSS refer to Optical SteadyShot stabilisation. Phew, enough of the specs and now on to my recommendations; the text links in the next section take you to B&H to check prices, while links to my full reviews and sample galleries are lower on the page. - Source: Internet
  • It doesn’t have image stabilization. But that’s not a problem with the Sony a7III, which has in-body image stabilization (IBIS). It’s also not this type’s smallest or lightest lens at 1.9 lb (847 g). But that doesn’t stop you from shooting handheld for long periods. - Source: Internet
  • I advise buying a Sony lens for optimal image quality and compatibility. But that’s not always the best option. Third-party lenses made by Sigma and Tamron are often significantly cheaper. - Source: Internet
  • The narrower aperture means that it will not work as well in low light. But you cannot beat the price. This is a good lens for traveling light. - Source: Internet
  • Light, compact, and available for under $700, it’d be easy to assume that this was just a mediocre lens. In reality, however, the Tamron 28-75mm f/2.8 can more than pull its weight in both image quality and performance. - Source: Internet
    1. Sigma 14-24mm f/2.8 DG DN Art Ultra-wide viewing angles with top-notch quality Specifications Focal length: 14-24mm (21-36mm APS-C) Maximum aperture: f/2.8 Aperture blades: 11 Weather seals: Yes Filter thread: N/A Dimensions: 85 x 131mm Weight: 795g specifications Colour Black Condition New, Refurbished Today’s Best Deals View at Amazon (opens in new tab) View at Walmart (opens in new tab) View at Best Buy (opens in new tab) Reasons to buy + Great image quality + Robust, weather-sealed construction Reasons to avoid - Less ‘ultra-wide’ than Sony 12-24mm - Not a ‘zero distortion’ lens - Source: Internet
  • There needs to be an electrical connection between the lens and the camera body to send and receive information from the lens. Without these connections, the camera can not control the lens or record the image’s settings. Some manual lenses, while having an E-Mount connection, will not have electrical connectors. In this case, you will need to accept that manual means manually. - Source: Internet
    1. Sigma 24-70mm f/2.8 DG DN Art Cheap at half the price Specifications Focal length: 24-70mm Maximum aperture: f/2.8 Aperture blades: 11 Weather seals: Yes Filter thread: 82mm Dimensions: 88 x 125mm Weight: 950g Today’s Best Deals Check Amazon (opens in new tab) Reasons to buy + Exotic optical path and build quality + Half the price of Sony’s G Master lens Reasons to avoid - It’s no lightweight at 830g - Distortion/vignetting can be noticeable - Source: Internet
  • Distagon – A design system Zeiss uses for its wide and ultra-wide angle, retrofocal lenses. These lenses are often heavy, as they are pretty complex. The Sony Zeiss Distagon T* FE 35mm F1.4 ZA is the only Distagon lens available for Sony E-mounts. - Source: Internet
  • Sony’s FE 100-400mm f/4.5-5.6 G Master OSS is undeniably a cracking lens, but if you want even more telephoto reach, the new 200-600mm delivers it in fine style and is better value. - Source: Internet
  • Sonnar – Sonnar Zeiss lenses use the Zeiss classic “Sonnar” design invented by Dr. Ludwig Bertele in the late 1920s. They feature a fast aperture, lightweight design, and fantastic contrast – all with a minimum of flare. - Source: Internet
  • It is versatile and sharp with beautiful colors. The autofocus is super fast and quiet. And the lens is small and lightweight. - Source: Internet
  • Its shortest focal length might also be a little long for landscape photographers. And it also has no stabilization. But that’s not really a problem as the Sony a7III already has IBIS. This is the best budget lens for Sony a7III. - Source: Internet
  • The Sony Zeiss 55mm f/1.8 Sonnar T* lens is a huge favorite among many, many Sony shooters. Its excellent optics, strong autofocus performance, and compact size make it more than worth its price (which admittedly is a bit steep for an f/1.8). - Source: Internet
  • Editor’s Choice Sony FE 50mm f/1.8 The best Sony lens for everyday photography on a budget. Great image quality and classic focal length (Also great as an 85mm lens on APS-C). CHECK AMAZON PRICE CHECK B&H PHOTO PRICE - Source: Internet
  • If you’re looking for more of a bargain and are comfortable with a manual-focus-only APS-C lens, you could always opt for either the 7Artisan 60mm f/2.8 Macro MK II (under $200) or the TTArtisan 40mm f/2.8 Macro (under $100). - Source: Internet
  • Planar – Designed in the late 1890s, planar lenses have a symmetrical design, with the aperture placed in the middle of the elements. This allows the lens to stay sharp from center to corner at wide apertures, all with little chromatic aberration. Almost every 50mm lens has some element of Planar design in it - Source: Internet
  • Sony labels lenses designed for full frame cameras “FE.” Sony labels APS-C lenses with an “E.” This can be confusing at first. - Source: Internet
  • Most of these lenses have aspherical components for better focus. And most have more than nine rounded aperture blades for more circular bokeh. Whether you are a Sony purist or in the market for a third-party lens, you will find the lens for you! - Source: Internet
  • This makes it a good lens for headshots and close-up portraits. The Sony FE 85mm F1.4 GM lens (discussed below) is better suited to full-body portraits. But out of all of the best prime lenses for Sony z7III, this is likely the best one. - Source: Internet
  • Lenses made for full-frame cameras, on the other hand, have an image circle that’s larger than the APS-C sensor. As a result, full-frame (FE) lenses work just fine on an E-mount APS-C camera, though images will be considerably “zoomed in.” The camera will only show you the part of the image that the lens covers. - Source: Internet
  • Images come out highly detailed, with great color and contrast. In fact, few zooms at this price point can match the fine detail rendering (i.e., acuity) of this lens. - Source: Internet
  • Designed to appeal to those shooting sports, wildlife and action with fast cameras like the Sony a6600, the 70-350mm f/4.5-6.3G OSS super-telephoto lens is an exciting new addition to Sony’s APS-C range. It promises high optical performance, with built-in optical image stabilisation, plus typical G master lens sharpness from corner to corner. Offering 5x optical zoom, the lens is still relatively lightweight and would be a great addition to any kit bag. - Source: Internet
  • The lens produces exceptionally sharp images, and the color is excellent. The lens has 22 elements in 16 groups, with one super ED and two ED elements. It has nine rounded aperture blades. - Source: Internet
  • If you’re looking for “easy mode” and want to make things more effortless, you can use portrait mode on your Sony a6000 camera. Portrait mode is one of the Sony built-in scene modes. Using this mode will automatically adjust the settings on your camera to help you take great portraits. - Source: Internet
  • An “E” without the “F” means the lens was designed specifically for a Sony APS-C camera (i.e. the a6xxx line). It will have a smaller image circle than that of a lens designed for a full-frame sensor. - Source: Internet
  • But you can still shoot handheld. And the Sony a7III’s IBIS system can handle camera shake. The lens just wasn’t meant for action photography. There’s also a touch of pincushion distortion. But the camera should correct that internally. - Source: Internet
  • Sigma has certainly thrown the full weight of its technological expertise into the lens. It has a complex optical path of 19 elements. Of these, there are three aspherical elements, six top-performance FLD (‘Fluorite’ Low Dispersion) elements and two SLD (Special Low Dispersion) elements. In addition to Sigma’s usual Super Multi-Layer Coating, there’s a brand new Nano Porous Coating, to further reduce ghosting and flare. - Source: Internet
  • The lens has nine elements in eight groups with one extra-low dispersion element. It uses a Dual Linear autofocus motor. The aperture has nine rounded blades. A Focus Hold button and an AF/MF switch are on the barrel. - Source: Internet
  • These are Sony’s top lenses. They have a beautiful image quality. But are often heavy and expensive. - Source: Internet
  • If you are looking for a zoom lens, we recommend the Sony 24-70mm 2.8 G Master. This lens gives you much flexibility in terms of focal length while still delivering excellent image quality. - Source: Internet
  • This can be a good thing for portrait photography. First, it means that you won’t be able to get too wide-angled unless you get a super-wide lens (save those for astrophotography). Secondly, you can work with reasonably affordable lenses in the 35-75mm range, as those would be equivalent to 50mm -120mm on a full-frame camera. - Source: Internet
  • “All in all, the Tamron 70-180mm has some great optics. And while there’s some minor distortion and vignetting present, it shouldn’t be a worry with this lens. Outside of that, the lens is tack sharp and offers a great subject separation with some bokeh.” Managing Editor — Bryan Esler - Source: Internet
  • Sony cameras use either an A-mount or an E/FE-mount. A-mount lenses work with Sony DSLRs. Sony’s mirrorless cameras use the E-mount and/or FE-mount. - Source: Internet
  • Full-frame digital cameras have a sensor based on the size of a piece of 35mm film. The Sony a6000 series cameras all utilize a smaller sensor than the Sony A7 & A9 series cameras. The a6000 series sensor is about 78% (roughly 3/4) of the size of its full-sized cousins. This means that the sensor only captures the light from the middle 78% of the lens. - Source: Internet
  • In many respects, the lens is like the popular Sony Vario-Tessar T* FE 16-35 mm f/4 ZA OSS (Zeiss) lens. But added to the barrel are a host of video controls. The lens has a physical aperture ring with a de-click switch and a PowerZoom with a rocker switch. - Source: Internet
  • There are still a few holes. But there are many top-of-the-range lenses you can choose from. If you are on a budget, the smaller and less expensive APS-C lenses work on both the crop-sensor and full frame bodies. - Source: Internet
  • This full frame wide-angle prime lens will do it all. It works as a wide portrait lens. It is also good for video or astrophotography. It is light, bright, and tack sharp. - Source: Internet
  • Yes, you can connect a Nikon lens to a Sony mirrorless camera body. You just need a Sony E-mount adapter. For more information, see the section above. - Source: Internet
  • Many of the high-end lenses have a Focus Hold button. This button is not labeled. You can customize the button’s function in the camera’s menu system for what you want it to do. - Source: Internet
  • This fast nifty-fifty lens has Sony’s widest aperture. The lens is sharp and produces superior image quality with beautiful colors. It is an all-around lens. You can use it for portraits, street photography, or landscapes. - Source: Internet
  • Helped by the inclusion of one aspherical element and five ED (Extra-low Dispersion) elements, sharpness and contrast are outstanding for a super-telephoto zoom and amazingly consistent throughout the entire zoom range, right up to 600mm. Color fringing and pincushion distortion are also very negligible at all focal lengths. Autofocus is super-fast and, unusually for a super-telephoto zoom, the physical length remains constant at all focal lengths. All in all, this is a fabulous lens for both full-frame and APS-C format Sony cameras. - Source: Internet
  • The upgrades also more than double the price of the lens. Many photographers prefer the older version. The older Zeiss lens may be the answer if you are on a budget. - Source: Internet
  • All of the lenses listed below have fantastic optics that will make your portraits shine. They’re all fast, so you’ll be able to create plenty of subject separation. They all have excellent optics, which will help create razor-sharp images, and they all play nicely with the stunning Sony autofocus algorithms. So let’s take a closer look at four portrait lenses that will be friendly to your wallet. - Source: Internet
  • If you want a lens for environmental portraits and full body shots that packs a ton of character, the Sigma 35mm f/2 Contemporary is the way to go. The fast aperture makes subject isolation easy and the quality of the bokeh is top-notch. So if you’re looking to add a 35mm prime to your portrait lens arsenal, take a closer look at this option. - Source: Internet
  • Close Focusing – 0.30m/1ft Cons Double the weight of other 35mm lenses Price Currently, the Sigma 35mm 1.2 Art usually runs about $1500.00 Check Customer Reviews Buy at Amazon - Source: Internet
  • This lens has a variable f/5.6 to f/6.3 maximum aperture. It has 24 elements in 17 groups with five ED and one aspherical element. It uses the newest DDSSM autofocusing system and has 11 rounded aperture blades. - Source: Internet
  • A telephoto lens with a fast aperture is a staple portrait lens. This particular offering from Tamron is fully weather-sealed, the optics are second to none, and the colors and bokeh that this lens renders will leave you speechless. If you want one lens that covers many of the most widely used focal lengths (85mm, 90mm, 105mm and 135mm) for portrait photography, this is the lens for you. - Source: Internet
  • 28mm isn’t usually thought of as a portrait focal length, but photojournalists and environmental portrait shooters find it to be a good choice for including the subject’s surroundings without an overly-objectionable amount of distortion. It can also be useful when shooting in tight quarters. To be sure, using a 28mm for portraits takes practice and it’s not for everyone, but it can make some great and unique photos. - Source: Internet
  • The Sony lenses are lightweight enough to be handheld. But the exact focal length depends on what kind of subjects you generally photograph. The smaller the focal length, the longer the lens you need. - Source: Internet
  • Sony has two main lens mount styles for its cameras: the A-mount and the E-mount. The A-mount is for its DSLRs (cameras with a mirror). The E-mount is for its mirrorless line – both APS-C and full-frame. - Source: Internet
  • Sharpness: Sharpness is debatable as all modern lenses are sharp when used correctly. Some lenses suffer from softness when used at the edges of their aperture ranges. Since portrait photography, especially in environmental or low-light settings, will use the widest aperture available, sharpness could be an issue for some low-quality lenses. NOTE Ken Rockwell has an excellent write-up on sharpness - Source: Internet
  • Many of Sony’s best lenses have a constant aperture. You can use the widest aperture at all focal lengths. If the lens has a range of apertures, the widest aperture becomes smaller as you zoom. - Source: Internet
  • This is our top choice of the best Sigma lenses for Sony a7III. Overall, this wide-angle camera lens offers you stunning sharpness. And it’s a fraction of the price of the Sony G Master model. - Source: Internet
  • The lens is impressive mechanically as well as optically. Its stepping motor autofocus system is very fast and virtually silent in operation, and comes complete with the usual electronically coupled focus ring, which enables very precise manual adjustments. Meanwhile, aperture control is based on an 11-blade diaphragm which remains very well-rounded when stopping down, helping to retain attractive bokeh. - Source: Internet
  • There’s a good reason why portrait photographers obsess over focal length. The choice of focal length has a significant effect on the image. For instance – - Source: Internet
  • It’s not stabilized and weighs 1.5 lb (695 g). But that shows how well-built and weather-sealed it is (as it should be for the price!). There is a cheaper Sony F4 version of this lens, but it’s not as good. There’s best, and there’s second best… - Source: Internet
  • Wildlife photographers often take their best pictures with their shortest and longest lenses. Wide-angle lenses are best for close-range encounters with large animals. These can be elephants and rhinos. Telephoto lenses are best for close-ups or bringing distant animals within range. - Source: Internet
  • Prime lenses: Prime lenses have a fixed focal length, which means they can’t zoom in or out. This can be limiting, but it also means that prime lenses are typically sharper and have better image quality overall. Prime lenses also tend to be smaller and lighter than zoom lenses, which makes them a good option for travel photography. The downside of prime lenses is that you’ll need to move around to get the framing you want. - Source: Internet
  • – Light Edition. Only ever used once in 2012 to designate a particularly lightweight lens design. OSS – Optical SteadyShot is Sony’s name for in-lens image stabilization. - Source: Internet
  • I’ve never owned a Sony FE 85mm F1.4 GM portrait lens (or any other 85mm lens, for that matter!). But that’s because I don’t often find myself shooting portraits or still life shots. - Source: Internet
  • Like many ultra-wide lenses, it has a bulbous front element. This means you cannot screw a filter onto the front. But you can place gels behind the lens. With the 4x XD linear motors, autofocus is fast and precise. - Source: Internet
  • The Sigma 85mm f/1.4 Art lens also happens to be lighter, sharper, and quicker focusing than Sony’s GM version, all while costing a full $700 less. Many feel that its image quality also matches the GM, but that might be more a matter of taste. - Source: Internet
  • The Sony FE 70-200 mm f/2.8 GM OSS II is Sony’s flagship telephoto lens. It ticks the boxes for wildlife, sports, concert, and portrait photography. - Source: Internet
  • The two main problems with the lens are the lack of image stabilization and a filter thread. Again, though, solutions do exist. The Sony a7III comes with in-body image stabilization (IBIS), which should do the trick on its own. - Source: Internet
  • Handling is excellent, with well thought-out controls that have effectively the same layout to those of the smaller 100-400mm lens. Three customisable focus-hold buttons are fitted around the lens barrel and there’s an autofocus range limiter. It’s enhanced in the 200-600mm lens, however, enabling you to lock out either short or long focus range and the optical stabilizer gains a third switchable mode. - Source: Internet
  • The lens barrel has three Focus Hold buttons and an AF/MF switch. There is also a focus limiter. Plus, you can control image stabilization. - Source: Internet
  • Zooms are good general-purpose lenses. And it helps if the zoom range is in the middle—not too short and not too long. You can always carry a specialist wide-angle or telephoto lens with you, too. - Source: Internet
  • Unlike most up-market zoom lenses for DSLRs, this one has a widest available aperture of f/4 rather than f/2.8, which helps to make its size and weight a better match for the comparatively small A7 series bodies. As with most Zeiss-badged optics, the physical design looks minimalist, without any switches for auto/manual focus modes or on/off for the OSS (Optical SteadyShot) stabilizer. Even so, the metal lens barrels feel beautifully engineered and the build is dust/moisture resistant. Sharpness is good and very consistent throughout the zoom and aperture ranges although the corners become a little soft at longer zoom settings. - Source: Internet
  • The lens is hefty and built like a tank. But for the build, it is surprisingly light. The lens has a customizable Focus Hold button and an AF/MF switch. - Source: Internet
  • Finally, don’t be afraid to experiment with different lenses. Each lens will give you a different look. So, play around and see which one you like best. I’d suggest looking at special lenses like the Lensbaby Velvet 85 (LINK) - Source: Internet
  • If you are looking for a crop-sensor, wide-angle prime, look to Sigma. This lens works for video, landscapes, and street photography. It is sharp, fast, and works in low light. - Source: Internet
  • This lens is the latest upgrade of the Sony Vario-Tessar T* FE 16 – 35 mm, f/4 ZA OSS (Zeiss) lens, a staple for many photographers. The newer version is faster and sharper and uses the upgraded autofocusing system. But the improvements also increase weight and size. - Source: Internet
  • It has 20 elements in 15 groups with XA and Super ED elements. It uses the DDSSM autofocusing system. The lens has 11 rounded blades for a smooth, creamy bokeh effect. - Source: Internet
  • There are rumors of an 800 mm f/5.6 lens. Currently, the widest focal length available is in the full frame FE 12-24 mm f/2.8 GM. - Source: Internet
  • It has nine elements in eight groups with seven rounded aperture blades. It has good image stability, and the images are sharper than third-party equivalents. The lens is fast with quiet autofocus. - Source: Internet
  • “In portrait work, the assignment is always to make certain the subject of your photograph is the essential part of the frame,” says Sony Artisan Patrick Murphy-Racey. “Classic portrait focal lengths have always been in the 75-100mm range, but I prefer the 135mm look, especially when the backgrounds are busy and complicated.” - Source: Internet
  • Why Trust Us? Our experience with lenses for Sony Alpha cameras and how we tested Your author Mark has been shooting weddings professionally with Sony cameras for several years, using many different Sony prime and zoom lenses, as well as 3rd party e-mount options. Co-author Usnea has been using Sony cameras for 6 years, shooting landscape, nature, action, and travel photography using primarily native Sony lenses. For testing, Mark used the latest Sony a7IV full-frame mirrorless camera to evaluate a selection of Sony FE-mount lenses and a Sony a6100 for lenses designed for the APS-C format. The recommended lenses in this guide were chosen based on Mark & Usnea’s own personal experience, results of lens reviews by our various Shotkit authors (also professional photographers), and over 120 hours of combined research and analysis. We are not sponsored by any of the brands that appear here, and our opinions are completely unbiased - in short, you can trust what we say! - Source: Internet
  • But it’s a great option. It’s only 20 mm long and weighs 4.4 oz (126 g). And it’s compatible with the following Sony lenses for Sony a7III: - Source: Internet
  • There are, of course, plenty of other 50mm lenses available for the Sony FE-mount, but the F/1.2 GM stands out not only for its relatively compact size and exceptional optical performance but also for being Sony’s only f/1.2 lens. - Source: Internet
  • It’s sharper at 400 mm than Sony’s 100-400mm lens. And you can always bolt on a 1.4x or 2.0x teleconverter for extra reach. - Source: Internet
  • Background blur: A good portrait lens will create a beautiful background blur known as Bokeh. This helps to make your subject stand out from the background and creates a more professional-looking image. Lenses with a wide aperture and at least 9 diaphragm blades will produce the desired “Creamy” Bokeh. dorama has a good write-up on what is Bokeh - Source: Internet
  • If you are looking for a mid-range budget zoom lens, the Sony E 55-210 mm f/4.5-6.3 is the lens for you. It is small in dimension and weight, perfect for APS-C bodies. - Source: Internet
  • Let’s look in detail at the best lenses for the Sony a7III. I’ve sorted the list by minimum focal length, from the shortest to the longest. It includes the best zoom lenses for Sony a7III. But first, I recommend the best teleconverter for Sony lenses. - Source: Internet
  • Buying the “wrong” teleconverter might mean you can’t even use it with your lens. Or it won’t work with the autofocus (AF) system due to compatibility issues. It might also mean a deterioration in image quality and focusing speed. - Source: Internet
  • It has an Internal Focus (IF) system, which means the lens doesn’t change length when focusing. And the lens minimizes focus breathing, focus shift, and axial shift for zoom for video. This means a more stable and accurate composition when recording. - Source: Internet
  • But this is a good lens if you’re not obsessed with smooth bokeh and don’t often shoot in low-light conditions. It’s not part of the G Master series, Yet it has a useful focal range. And the internal zoom mechanism makes it easy to balance on a gimbal tripod head. - Source: Internet
  • A good mid-range zoom is a must for almost every kit, but finding one of the best Sony lenses for less than $1000 isn’t so easy….that is, until Tamron came out with the 28-75mm f/2.8 Di III VXD G2. - Source: Internet
  • The f/1.8 has good image quality—not just at this price point. It is comparable to the higher-priced version and may perform better. This lens gives you quality without breaking the bank! - Source: Internet
  • The sharpness of this lens is superb, especially when stopped down to f/5.6. It also works superbly with Sony’s autofocus system. - Source: Internet
  • The lens is exceptionally sharp across the frame. And the autofocus performance is lighting-fast. That makes it ideal for wildlife and sports photography. - Source: Internet
  • The Sigma 24-70 mm f/2.8 DG DN Art lens has 19 elements in 15 groups with six FLD and two SLD elements. The aperture has 11 rounded blades, just like the Sony. The lens barrel has a Focus Hold button and an AF/MF switch. - Source: Internet
  • The Sigma 35mm f/2 Contemporary is one of the best 35mm portrait lenses for under $700. The lens has a gorgeous retro look and feel. The metal body is terrific, it features some weather sealing and the optics are sublime. In our review, we said: - Source: Internet
  • The Sony FE 70-200mm F2.8 GM OSS II zoom lens is an updated (and more expensive) version of its predecessor. I bought mine for three reasons: - Source: Internet
  • – Gold Series lens. Sony’s second-highest lens tier. GM – Gold Master, more commonly “G-Master” lens. Sony’s highest-tier lens. - Source: Internet
  • While Sony’s mirrorless lens mount is generically-known as the E-mount, the single letter E on a model name specifically refers to lenses that are only corrected for cameras with cropped APSC sensors, like the A6000 series, or full-frame bodies running in cropped / Super-35 modes; in either case, the crop reduces the field-of-view by 1.5 times, so a 50mm becomes equivalent to 75mm. Note older NEX bodies also employ cropped APSC sensors, but may not have the firmware to correct distortion on some of the latest lenses; they’ll still work, but you may see more distortion that you would on an A6000 series body. - Source: Internet
  • GM, or Gold Master lenses are Sony’s premium, top-of-the-line lenses. They’re designed to fulfill all professional requirements, from exceptional image quality and performance to weatherproofing and a superior design build. They are designated on the lens with a white G on an orange square. - Source: Internet
  • It has Nano Porous Coating and Super Multi-Layer Coating. They ensure good contrast and resistance to ghosting and flare. It also has these lens elements. - Source: Internet
  • Sony launched the FE 12-24mm F2.8 GM ultra-wide-angle lens as the “world’s widest f/2.8 zoom.” It’s suitable for astrophotography, landscapes, and architecture. Outside, you can get dramatic leading lines and distorted-perspective views of skyscrapers. - Source: Internet
  • I decided not to compromise on image quality when I bought two Sony a1 mirrorless cameras. I covered all my bases by buying the 12-24mm, 24-70mm, 70-200mm, 400mm, and 600mm G Master lenses. Plus, I bought the 1.4x and 2.0x teleconverters! - Source: Internet
  • The maximum size of the aperture of a lens – or f/number – determines how “fast” a lens is. Faster lenses let in more light, allowing you more wiggle room when working handheld in darker environments. They also allow you to photograph a narrower focus plane, putting your subject in focus while blurring everything in front and/or behind it. - Source: Internet
  • The bokeh is creamy, smooth, and beautiful. If you are looking for a macro lens, look no further. For the cost, you get a super-sharp lens! - Source: Internet
  • The crop-sensor 50 mm f/1.8 OSS is one of the lightest lenses Sony makes. It is the perfect balance of focal distance and aperture. - Source: Internet
  • Think of the Tamron 70-180mm f2.8 Di III VXD as being more compact and lighter than a 70-200mm lens, giving you excellent mobility when shooting all day. With your Sony camera, you’ll rely on its image stabilization. The VXD autofocus motor will keep up with most subjects, provided you’ve got the right camera. - Source: Internet
  • The tripod foot doesn’t fit Arca-Swiss mounts. But that’s not too much of a problem at a medium focal range. And I like that you can remove it to save even more weight. This is a must-have lens for Sony a7III. - Source: Internet
  • If you need a bit more reach, Sony’s 100-400 mm f/4 GM comes in a close second to the 70-200 mm f/2.8 lens. But it is heavier and larger. - Source: Internet
  • The lens has 16 elements in 13 groups with two extra-low dispersion elements plus three aspherical and two XA elements. The lens uses the DDSSM autofocus system. It has 11 rounded blades for a smooth, creamy bokeh effect. - Source: Internet
  • Some E-Mount lenses are marked as E and others as FE. The FE lenses work with both SonySony’sl-frame and APS-C sensors, while the E lenses are built for the APSC sensors and can be used on the full-frame cameras in APSC (cropped) mode. These lenses are typically less expensive and made for the hobbyist rather than the professional market. - Source: Internet
  • Just as with conventional SLRs, independent manufacturers have kept an eye on Sony’s progress and started designing prime and zoom lenses that compete with own-brand optics. Some of the latest from the likes of Sigma and Tamron deliver similar or even better performance than Sony’s own lenses, while undercutting them for price. Let’s take a closer look at the best buys to suit a range different requirements. - Source: Internet
  • With some lenses, you can get close to your subject. With other lenses, you have some distance for the focusing system to work. It is worth looking at a lens’s minimum focusing distance if you like to get close to your subject. - Source: Internet
  • This is an excellent portrait lens that’s well-built and weather-sealed. Its three extra-low dispersion (ELD) elements ensure extremely sharp images across the frame. These are the “sweet spots” of maximum sharpness: - Source: Internet
  • These are the top lenses that are optimized for Sony Alpha APS-C sensor cameras, also known as having a ‘crop-sensor.’ They work on both older models from the Sony NEX range, as well as anything from the a6xxx range (e.g. a6100, a6400, etc.). - Source: Internet
  • This fairly chunky optic nonetheless only weighs in at a pretty modest 371g thanks to a predominantly plastic construction, but balanced really nicely on the Alpha A7R II we tested it with. The design is very clean - so much so that there’s no distance or DOF scales, but those niggles aside, it’s a cracking portrait lens. Focusing is nice and brisk while the nine-blade diaphragm delivers to really beautiful bokeh. Optically, there’s little to fault it on either - it’s incredibly sharp at the centre of the frame through the aperture range. If you can’t justify one of the more exotic Sony portrait lenses, this is a great option. - Source: Internet
  • The Sigma is half the price of the Sony FE 24-70mm f/2.8 GM but gives it stiff competition. The Sony version has an edge with image sharpness. But this lens is not far behind in quality. - Source: Internet
  • Yes. Sony lenses labeled with a “G” are higher quality lenses. G Master (GM) lenses are top-of-the-line flagship lenses. - Source: Internet
  • When looking for the right lens to buy – especially from third parties – you’ll need to make doubly sure that you’re buying an E-mount lens for your Sony mirrorless camera. (Many third-party developers like Tamron and Sigma make the same lens for a variety of different cameras.) - Source: Internet
  • Sony’s 24-105 mm f/4 G OSS is the perfect travel lens. It covers a wide range of focal lengths and is small enough for everyday use. The images are sharp, and the autofocus is fast. - Source: Internet
  • Smooth Autofocus Motor; A cheaper AF motor used primarily on Sony’s kit lenses. XA – Extreme Aspherical; the lens contains Sony’s top-of-the-line aspherical element that produces extremely high resolution with beautiful out-of-focus areas. Reserved for Sony GM lenses. - Source: Internet
  • A 35mm lets street photographers take people shots without getting too close. Choosing a 24-70mm or 28-75mm gives you much more flexibility. So you might be able to avoid buying another lens. - Source: Internet
  • “I can’t complain about the autofocus here. It’s pretty much as good as a Sony lens. And you can trust us on that statement; we’ve reviewed the most lenses for Sony FE-mount of any photography-specialized outlet.” - Source: Internet
  • Anti-Reflective; the lens contains Sony’s nano-coating technology. All G and GM lenses have this. DDSM – Direct Drive SuperSonic Motor; Designed for moving large, heavy focus groups in some Sony lenses. - Source: Internet
  • Another way to make your portraits stand out is to use a wide aperture. A wide aperture will result in a shallow depth of field. This means that the background of your image will be blurred out, making your subject pop. - Source: Internet
  • Sony’s f/2.8 1635 mm G Master lens is one of the best landscape, wide-angle lenses you can buy. It is also great for real estate and indoor photography. - Source: Internet
  • If the Sony FE 85mm f/1.8 is too slow for you and you have a bit more to spend, take a look at this beautiful 85mm f/1.4 Art lens by Sigma. - Source: Internet
  • Very costly Price Currently, the Sony Zeiss 50mm f/1.4 Planar runs about $1500. (This is a high-quality lens and holds up well. We suggest looking on the used/renewed market, where you can find the lens for about $1000) Check Customer Reviews Buy at Amazon - Source: Internet
  • I often go on game drives with two lenses. I bring my Sony FE 24-70mm F2.8 GM lens on one camera and my Sony FE 600mm F4 GM OSS lens on the other. So I’m ready for anything! - Source: Internet
  • For the price, the image quality of this lens is amazing. Photos come out startlingly sharp, nicely contrasty, and with great color. The bokeh is nice and creamy, and there’s nothing distracting in the out-of-focus areas. - Source: Internet
  • To be clear, you can still use a prime lens or zoom lens that doesn’t have the E-mount. But you have to fit an adaptor. That’s inconvenient and means you won’t get the most out of your camera. - Source: Internet
  • A focal length of around 85mm is ideal for portrait photography. It lets the photographer stand a good distance away from the model. And it flattens the perspective slightly. A wide maximum aperture lets you separate the subject from the background. And it creates smooth bokeh. - Source: Internet
  • Zoom lenses: Zoom lenses have a variable focal length, which means they can zoom in and out. This is incredibly useful for portrait photography, as it allows you to frame your subjects differently without moving around. Zoom lenses also tend to be larger and heavier than prime lenses, making them a bit more challenging to carry around. - Source: Internet
  • The Sony a6000 series cameras are known for their excellent image quality and great value for money spent. If you want to start honing your portrait photography skills, you need to find the right lens. This style of photography requires high-quality glass to really capture the personality of your subject, how do you know you are getting the right lens? So let’s look at how to select the best sony a6000 portrait lenses. - Source: Internet
  • The best lenses and sharpest lenses are in Sony’s premium G Master (or Gold Master) range. These figure highly in this list. If needed, you can read our article on Sony lens abbreviations first. - Source: Internet
  • Autofocus: Autofocus is vital if your portrait images will be of more active subjects, such as dancers or athletes in action. However, in most cases, your subjects will be statically posed. In these cases, autofocus comes into play only to simplify the photographer’s life. While it’s not critical and a manual focus lens will work fine, stick with autofocus – unless you want to create a unique portrait style. - Source: Internet
  • Sony’s mirrorless lenses corrected for use on full-frame bodies like the A7 and A9 series, are labeled FE and have no reduction in their field-of-view when shooting in full-frame modes; these also work on cropped bodies or in cropped modes, albeit again with a 1.5x field-reduction. Sony’s A-mount lenses have SAL in their product codes, but models additionally labeled with DT are designed for bodies with cropped / APSC sensors. - Source: Internet
  • I often use my 2.0x teleconverter to make mine into the equivalent of a 140-400mm lens. That gives me slightly more flexibility to frame the larger animals on safari. But it does mean losing a bit of sharpness and a couple of stops of light. - Source: Internet
  • For example, attaching a 50mm full-frame lens to an APS-C camera will make the lens act more like a 75mm or 80mm lens. (The focal length of the lens itself doesn’t change.) This can be super useful if you want more of a super telephoto effect but don’t want to pay for something that expensive. - Source: Internet
  • The focal length range also makes it a versatile lens. It’s perfect for landscape photography at the ultra-wide end. And it’s a great street photography lens at 35 mm. This is the best 35mm lens for Sony a7III on our list. - Source: Internet
  • First, let’s consider prime lenses. Prime lenses are lenses with a single focal length. These lenses are usually smaller, lighter, and sharper than their zoom lens cousins. They also tend to have larger maximum apertures, increasing the light the lens can let into the camera. - Source: Internet
  • “The 85mm f/1.4 G Master is just an all-around perfect portrait lens, so when I’m shooting fashion and portraits or headshots – that’s my go-to,” says Sony Artisan Mike Colón. “It’s really fast at AF tracking and it’s great with Eye AF which I use a lot. It blows my mind to be shooting wide open with a shallow depth of field on this really beautiful lens.” - Source: Internet
  • – Full-frame E-Mount lens. G – Gold Series lens. Sony’s second-highest lens tier. - Source: Internet
  • It also is slower, with a variable maximum aperture of f/4.5 to f/5.6. Both lenses use the same focusing system and work with Sony’s teleconverters. - Source: Internet
  • The most popular focal range in all of the photography, the 24-70mm zoom is one of the most versatile in the industry. The wider end (24mm) is suitable for both landscapes and interiors. The longer end (70mm) allows for nice portraiture. - Source: Internet
  • The lens is large for a prime. But it seems well-balanced. The autofocus is superior, and it has amazing low-light performance. The lens is expensive, but it is one of Sony’s best! - Source: Internet
  • So the best approach is to use “native” lenses designed for the Sony a7III. That generally means a Sony lens. But one Sigma lens and one Tamron lens do make our list. - Source: Internet
  • Autofocus technology has changed and improved in the newest lenses. The Direct Drive Super Sonic (wave) Motor (DDSSM) is currently the best autofocus system in Sony lenses. It is precise, quick, and quiet. - Source: Internet
  • You can use this lens for real estate, landscape, astrophotography, or as a walking around lens. It is probably too wide for portraiture. But the bokeh is beautiful. - Source: Internet
  • In recent years, Sony has pushed to include faster telephoto lenses in its lineup. The A9 camera bodies and fast telephotos have made the system attractive to more sports and wildlife photographers. Most recently, Sony has focused on lenses for video. - Source: Internet
  • This is the best telephoto lens Sony makes. But quality comes at a price. It is one of the more expensive on the list. - Source: Internet
  • Often called a perfect walk-around lens, the Sony FE 28mm f/2 is small and light, but extremely capable. It’s sharp and displays beautiful bokeh when used wide open. It’s a good choice for still and motion shooting and it gives excellent contrast and color recognition. - Source: Internet
  • – Gold Master, more commonly “G-Master” lens. Sony’s highest-tier lens. LE – Light Edition. Only ever used once in 2012 to designate a particularly lightweight lens design. - Source: Internet
  • As usual in ultra-wide lenses, the lens hood is an integral part of the barrel and protects the bulbous, protruding front element. As such, there’s no attachment thread for the direct mounting of filters. However, the new E-mount version of the lens adds a gel filter slot in its mounting plate, complete with a locking device, and comes with a template for cutting gel filter material to size. - Source: Internet
  • When it comes to portrait photography, many pros will argue that you can’t beat the results you get with primes. Their wider maximum apertures help highlight subjects, and their ability to simplify complicated backgrounds and produce a beautiful bokeh effect helps create portrait images that stand out. But which ones should you consider for your portrait work? We put together a list of 5 (+1…if you think a little different about a portrait lens!) of the best Sony prime lenses for people and portraits. - Source: Internet
  • Many photographers buy mirrorless cameras to reduce the size and weight of their equipment. But they are then surprised by the heaviness of the lenses. Size and weight may be an issue if you are traveling or hiking. - Source: Internet
  • The lens has 16 elements in 13 groups with two aspherical, two SLD, and three FLD elements to minimize chromatic aberration. It is a bit large and heavy. But it should not overbalance the crop-sensor cameras too much. - Source: Internet
  • It has an internal zoom mechanism, which means it doesn’t get longer or shorter as you zoom in and out. It accepts 77 mm screw-in filters. And a handy window in the lens hood lets you rotate a circular polarizing filter if you have one. - Source: Internet
  • The Sony FE 16-35mm F2.8 GM wide-angle lens has excellent sharpness and contrast at all apertures. This is true, especially in the center of the frame. There’s also minimal chromatic aberration, color fringing, and barrel or pincushion distortion. - Source: Internet
  • Sigma chose to eschew some of the “normal” conventions (i.e. external focusing, no IBIS, etc.) with this lens to focus purely on the optics…and it shows. - Source: Internet
  • The only real downside of this lens is its autofocus. It definitely hunts a bit if you’re too close to your subject or in super low light. It’s also not the quietest. Still, it functions great most of the time. - Source: Internet
  • The lens has 17 elements in 14 groups with two ED, two Super ED, one XA, and one aspherical element. The RDSSM and four XD linear motor (LM) autofocusing system is four times faster than the previous model. And it has 11 rounded aperture blades. - Source: Internet
  • The best prime lens for portraits is the Sony FE 135 mm f/1.8 GM. The Sony FE 24-70 mm f/2.8 GM II is the best zoom lens. - Source: Internet
  • Sony 90mm f/2.8 Macro G OSS: The Sony 90mm f/2.8 Macro G OSS might be a surprise on this list because of its “macro” designation. However, the lens has always had devotees among professionals who photograph people and portraits. The 90mm Macro G is extremely sharp across the frame and, being a macro lens with OSS – it’s a versatile option. - Source: Internet
  • Fast aperture: A fast aperture is important for portrait photography as it allows you to capture images with a shallow depth of field. This means that your subject will be in focus while the background is nicely blurred. fast aperture also allows you to take advantage of low-light conditions, such as indoors or during “Golden Hour” to perform well, a portrait lens should have an aperture of f/2.8 or better (note: lower f numbers are better, it means the aperture is physically larger) - Source: Internet
  • 85mm is a classic focal length for any portrait shooter and Sony 85mm f/1.4 G Master might be the best 85mm lens ever made. As a G Master lens it represents the pinnacle of design and manufacturing. It’s an ideal combination of speed, sharpness and the classic 85mm look. - Source: Internet
  • Sigma designed the 14-24mm F2.8 DG DN Art wide-angle lens from the ground up for mirrorless cameras. It’s weather-sealed. And the build quality is excellent—although it weighs only 1.8 lb (795 g). - Source: Internet
  • Not all of the Sony a6000 series cameras support in-body stabilization. Howe er, some lenses do have built-in stabilization. This means that the lens can compensate for some camera shake while taking a photograph. For portrait, landscape, and street photography, stabilization is very handy. Gett ng a lens with this feature can vastly improve the quality of your final images. - Source: Internet
  • If the Tamron 28-75mm f/2.8 isn’t wide enough for you, your next best bet in the mid-range zoom category is the Sigma 24-70mm f/2.8 DG DN Art lens. - Source: Internet
  • The Sony FE 12-24 mm f/2.8 GM is a ridiculously sharp lens with the widest angle of view Sony makes. The edges are sharp with no coma or chromatic aberrations even at 12mm. - Source: Internet
  • Mirrorless cameras have a different design than DSLRs. That means their lenses are often smaller and lighter than the DSLR equivalents. This is especially true with lenses for Sony a7III. Lenses such as the 24-70mm and the 400mm prime lens are incredibly light. - Source: Internet
  • Sony cameras and lenses have some of the best auto-stabilization technology on the market. OSS indicates the lens has “Optical SteadyShot.” This is Sony’s image stabilization system. - Source: Internet
  • The lens has three Focus Hold buttons and an AF/MF switch. There is also a focus limiter, and you can control image stabilization. The lens also comes with a removable and rotating tripod collar. - Source: Internet
  • I’m a wildlife photographer, and I used to take two-thirds of my shots with a Nikon 800mm lens. Sony doesn’t (currently) make anything that long. That meant I had to buy the Sony FE 600mm f/4 GM OSS lens and attach my 1.4x teleconverter if I wanted more reach. - Source: Internet
  • While it comes with excellent build quality and quick, accurate autofocus, the real reason to buy this lens is for its speed and superb lowlight performance. Its f/1.4 maximum aperture is just about as fast as you can buy. - Source: Internet
  • The Sony SEL E Mount 14TC 1.4x Teleconverter gives you even more flexibility with your E-mount lenses. That’s especially true for lenses with a long focal range. - Source: Internet
  • The Sony FE 90 mm f/2.8 is one of the best macro lenses on the market. At this focal length, it is also useful for close-up portraiture. The wide aperture with nine rounded diaphragm blades gives you a sharp look with terrific bokeh. - Source: Internet
  • There are two Focus Hold buttons on the lens barrel and a focus range limiter. The lens has a physical aperture ring and a de-click switch. These make the lens attractive for videography. - Source: Internet
  • A lens from Tokina? You bet! This 85mm lens surprised us when we had it in for review. Our jaws hit the ground when we looked at the images. They’re sharp, contrasty and the colors are fantastic. In our review, we said: - Source: Internet
  • The best reason to buy a Sony FE 24-70mm F2.8 GM II zoom lens? Like all G Master lenses, Sony designed it with the highest image quality in mind. The lens offers phenomenal sharpness at all apertures and distances. - Source: Internet
  • This is not Sony’s sharpest lens. But it is versatile with good image quality. If you buy this lens, you are getting a good lens at an affordable price. - Source: Internet
  • The Sony E 70-300 mm f/4.5-6.3 G OSS is the most expensive APS-C lens on this list. This G lens has many features of the mid-level, full frame lenses. - Source: Internet
  • The lens barrel includes a sliding focus ring for AF/MF selection. There is also a Focus Hold button and a focus range limiter to set your capture distances for easier focus. You can also control image stabilization. - Source: Internet
  • From the day it was announced, the Sony 135mm f/1.8 G Master photographers have raved over its sharpness, speed and overall performance. (Lens Rentals called it the sharpest lens they’ve ever tested. Period.) Combining rapid autofocus acquisition with a lightweight design and a variety of professional functions, this is a versatile, high-performance tool for professional portrait photographers. - Source: Internet
  • At the wider end of spectrum for portraits, 35mm is an excellent choice. Renowned by photojournalists since the first days of the Leica, portraits taken with a 35mm lens have a photojournalistic look. It’s a versatile focal length that’s particularly suited to environmental and street portraits and wedding pros will find it to be indispensable all day long on a wedding day. The Sony Distagon T* 35mm f/1.4 ZA is fast and extremely sharp, producing beautiful bokeh with great contrast. - Source: Internet
  • Again, there’s a cheaper f/1.8 version available. But this list contains the best lenses for Sony a7III, not the cheapest! - Source: Internet
  • Another lens from the Sigma Contemporary series makes our list. However, it’s here on merit like the rest of the lenses. While many portrait photographers like to have a 50mm prime as part of their kit, we can’t help but feel this 65mm option is just plain better. In our review, we said: - Source: Internet
  • At f/2.8, it’s not particularly fast, but what it loses in speed it makes up for in its particularly small size. (A faster lens would obviously be larger and heavier.) - Source: Internet
  • The Sony Planar T* 50mm f/1.4 is a top choice for portrait photography because of its versatility, tack-sharpness and beautiful bokeh. 50mm gives you a flattering perspective in a medium-tight portrait as well as images where you’re backed off more, both with a comfortable photographer-to-subject distance. This 50mm’s fast f/1.4 maximum aperture lens also makes it useful in dimly-lit situations. - Source: Internet
  • A Carl Zeiss lens is a lens made by Sony using Zeiss design and technology. It uses the Zeiss quality standard, which focuses on resolution and contrast. (Sony partnered with Zeiss for two decades before making their first GM lens in 2016.) - Source: Internet
  • This is the budget version of the Sony FE 85 mm f/1.4 GM. It is lighter than the f/1.4 version. If you do not need the wider aperture, go with this lens. - Source: Internet
  • Need a longish telephoto that still covers the portrait range? Take a look at the Tamron FE 70-300mm f/4.5-6.3. - Source: Internet
  • Sony 85mm f/1.8: The Sony 85mm f/1.8 has a devoted following among wedding and portrait shooters in particular for its combination of sharpness, compact size and overall value. The 85mm G Master is slightly faster and it’s one of the sharpest lenses ever made, but the 85mm f/1.8 is a good option if the G Master doesn’t fit into your plans. - Source: Internet
  • Photo of Depeche Mode’s Martin Gore by Chad Wadsworth at Moogfest. Sony Planar T* 50mm f/1.4 lens. - Source: Internet
  • If you want to create beautiful headshots with bokeh that melts away, you need to check out the Tokina atx-m 85mm f/1.8. It’s well made, focuses like a champ and has top-notch optics. Considering the price (under $500), this portrait lens is a no-brainer for photographers on a budget. - Source: Internet
  • Its main competitor, the Sony 35mm f/1.8 is almost $350 cheaper but also slower. The Sony 35mm f/1.4 GM is a somewhat better lens optically, but a full $600 more. - Source: Internet
  • Sony offers lenses at a range of focal lengths. Some are prime lenses, fixed at one focal length. Others zoom, letting you choose from a range of different focal lengths. - Source: Internet
  • Ultra-wide-angle lenses start at around 12 mm. They give you a great field of view. But they usually lead to more distortion. That may be a good thing if you can control it. But it’s easy to tilt your camera accidentally and throw off all your vertical lines! - Source: Internet
  • It may take a while to master focusing on this lens, but once you do, you’ll absolutely fall in love with what it can do. (The key is to understand that it was built for Macro photography, not so much as a multi-purpose lens.) - Source: Internet
  • Here are the 19 best Sony lenses. On our list, you will find a variety of focal lengths—wide-angle, mid-range, and telephoto lenses. We have listed both prime and zoom lenses. - Source: Internet
  • With a focal range roughly equivalent to 27-202mm on a full-frame camera, the Sony 18-135mm f/3.5-5.6 OSS is a perfect all-in-one lens for APS-C shooters who don’t do a lot of low-light photography or shots needing a shallow depth of field. - Source: Internet
  • I bought my Sony FE 400mm F2.8 GM OSS telephoto lens after watching an unboxing video by Tin Man Lee. At one point, the wildlife photographer showed how light the lens was by picking it up with his finger and thumb! - Source: Internet
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