This time around, we shall cover What Nikon Lens Is Best For Portraits. Obviously, there is a great deal of information on Best Nikon Lens For Portraits And Wedding Photography on the Internet. The rapid rise of social media facilitates our ability to acquire knowledge.

information about The Best Nikon DSLR Lenses of 2022 is also related to which nikkor lens is best for portraits and which nikon lens is best for night photography. As for further searchable items pertaining to which nikon lens is best for product photography, they will likewise have anything to do with The best lenses for wedding photography and for shooting events in 2022. What Nikon Lens Is Best For Portraits - Which Lens For Portraits

206 Interesting Facts What Nikon Lens Is Best For Portraits | Beginner Wildlife Photography Lenses

  • For starters, a good portrait lens should open as wide as aperture f/1.8 or less. Many of the best portraits are candid shots when people think the cameras focus is off them. - Source: Internet
  • Courtney receives a lot of questions about what is the best lens for wedding photography, so I decided this would be a good topic to write on this month. I think lens choice can be a personal thing, but I’ll do my best to share what I have experienced along the way. Not interested in wedding photography lenses? Be sure to check out our Everything You Need to Know About Camera Lenses Series. - Source: Internet
  • Lenses come in all shapes and sizes. They also vary in cost. In this article, we have collected some of the most recommended lenses for wedding photography. - Source: Internet
  • Does a camera lens coated in dust mean that it isn’t a high-quality lens? Today we are talking about vintage lenses for portraits. Modern equipment like a digital camera, has made capturing great photos even easier for photographers. But they can sometimes lack the creative element and feel of vintage lenses. While, there are a lot of filters or editing that can be done to make modern images have a vintage feel, actually using an affordable lens like a vintage lens is the best way to achieve a real vintage style image. - Source: Internet
  • There’s more. If you’re going to shoot wildlife in regions like northern Europe, weather-sealing is vitally important, as you won’t want to let a spot of rain deter you from getting out. Things to look out for include weather-sealed buttons and switchgear, as well as sealing at the junction between lens and camera body. For those embarking on more far-flung adventures, dust-sealing will also save you a few bucks in repair bills. As ever, the best kind of camera protection is insurance. - Source: Internet
  • Still, with in-body image stabilization compensating by up to eight stops, the R7 offers excellent versatility in the wild. Its only major limitation? A lack of native RF-S lenses. Only two are currently available, and safari photographers may find the 18-150mm telephoto doesn’t quite get them close enough. - Source: Internet
  • Below is a summary table of all the DSLR lenses for wildlife photography that I think are interesting to consider when you buy, both for third party brands and natives. The price is the approximate price at the time of writing the article. The lenses are in the order of being cited in the paragraph above. For information, all tables can be sorted by clicking on the desired column title. - Source: Internet
  • With a lot of lenses, you get a really defined transition between the in-focus and out-of-focus areas of their photos. Not so with the Nikkor 58mm f/1.4G. While some may like that look, I really prefer the transitions the 58mm produces. It’s one of the lens’ characteristics that makes its images so magical. - Source: Internet
  • If you’re on a budget and want to shoot portraits, you can’t go wrong with the Nikon 85mm f/1.8G. It’s a great lens, one that was a workhorse for me when I started out. - Source: Internet
  • A note about this list for people who are not familiar with portrait photography: Many of these are prime lenses, which means they only have a single focal length. This is different from kit lenses, which often have the capability to zoom in and out. So why go with a prime lens over a zoom? Primes offer a couple of key advantages: larger apertures to let in more light, and greater sharpness, too. For portrait photographers, the tradeoff is generally worth it, and while these lenses can be used for general-purpose photography, they really are well-suited for portrait sessions. - Source: Internet
  • Getting started in wildlife photography is one of the more expensive genres of the photo industry. The lenses and cameras that are often in the bags of pros are more often than not in the higher tier price brackets. However, to get started you don’t need to spend a fortune to gear up with some great lenses for wildlife photography. - Source: Internet
  • Whether you’re heading on a safari holiday or photographing wildlife for a living, you’ll find your ideal camera in the list below. From accessible DSLRs to the latest mirrorless flagships, every model in our round-up has secured its spot on the back of comprehensive testing. Together with buying tips, lens recommendations and our built-in price comparison tool, you’ll find everything you need here to capture your ideal wildlife photography camera. - Source: Internet
  • While older, this lens is still very expensive. If you don’t have the cash for this particular 35mm, the Sigma Art 35mm f/1.4 is a good alternative at around half the price. - Source: Internet
  • While not the lightest of lenses due to the 9-blade aperture system, this lens is one of the most popular from the 1960s. At f/1.2 this is a fast lens that has been a favorite of many photographers. With the wide-open aperture, the lens creates a smooth bokeh that is enticing to vintage lens photographers. Due to the large front element flares and ghosting are a common occurrence with this lens, but used properly can enhance the photo style of any portrait. - Source: Internet
  • Nikon is gradually replacing old mechanical aperture lenses with modern electromagnetic diaphragm lenses. The Nikon 200-500mm f/5.6E VR has a faster aperture at all focal lengths and is effectively useful even with a 1.4x teleconverter. Compared to the Sigma 150-600mm focusing ring, the Nikkor 200-500mm VR ring is very smooth, allowing for more precise focusing. - Source: Internet
  • The Canon EF 85mm f/1.8 USM is a fast and high-quality telephoto prime lens. It has a medium build quality with a plastic lens mount and a metal lens barrel. - Source: Internet
  • The brighter aperture of an f/1.8 prime will allow for even smoother backgrounds in portraits. Some brands go even wider, down to f/1.4 or f/1.2. - Source: Internet
  • Hence, the reason I prefer the mid range Canon EF 85mm f/1.8 USM portrait lens. Other professionals prefer the more versatile Canon EF 70-200mm f/2.8L IS II USM. However that also comes with a hefty price tag of $2499 USD. - Source: Internet
  • The AF-S Nikkor 85mm f/1.4G is the second lens in Nikon’s range of professional f/1.4 lenses, complementing the excellent (and expensive) AF-S Nikkor 58mm f/1.4G in Nikon’s line up. - Source: Internet
  • The original article also included the 15mm f/2.8 Fisheye lens which we no longer use. Funny how quickly trends can change! - Source: Internet
  • The built-in focus lock button is great if you want to use the shutter button for focusing while instantly locking focus at a moment’s notice (it essentially eliminates the need for back-button focus). Also, this lens has a ring that lets you change apertures manually right on the lens instead of using a control dial on your camera. The ring clicks on third-stop increments, but the sound can be disabled for those planning to shoot video. - Source: Internet
  • The equivalent of these lenses for Nikon users are the 85mm f/1.8G AF-S NIKKOR Lens or the 50mm f/1.4D AF Nikkor Lens. - Source: Internet
  • You can’t accuse Olympus of going half-cocked when it comes to lenses. It makes a range of top-notch glass which will do justice to just about any subject. For wildlife types, the Olympus 300mm f/4 IS Pro is a spectacular bit of kit – that 300mm focal length is actually 600mm in practical terms, while integrated image stabilization helps get steadier shots. It’s pricey, but sharp and fabulously built, making it a great partner for the almost bomb-proof E-M1X. - Source: Internet
  • The 24-70mm f/2.8 is the perfect standby lens for wedding and event photographers. It’s wide enough for most interiors, yet ’long’ enough for impromptu portraits and couple shots. Many will focus close enough for quite small details too, and the constant aperture and pro-grade optics mean you can shoot wide open to combine sharp subjects with defocused backgrounds. - Source: Internet
  • “The lenses are the reason to consider the Z system, and the Nikon Z 70-200mm f2.8 VR S does not disappoint. Sharpness is only a touch removed from a Z mount prime, bokeh is spectacular, and colors are excellent.” - Source: Internet
  • But it’s also the least practical of these lenses. It’s enormous and very heavy. Not to mention it’s the most expensive portrait lens here by a long shot. In many ways it’s hard to even call it a portrait lens, as the majority of photographers who buy it are probably skewed more towards using it for sports photography. - Source: Internet
  • We’ve chosen 70-200mm lenses in preference to portrait lenses (opens in new tab), and for two reasons. First, the zoom lets you can quickly adapt to different circumstances, subject distances and backgrounds. Second, at longer focal lengths the background blur can be just as effective, and you have more control over selecting and framing the background. - Source: Internet
  • Nikon’s NIKKOR 14-24mm f/2.8G pairs quality glass with a wide aperture and angle of view, which is great for astrophotography, buildings, interiors, wide group shots, and creative portraits. Even at f/2.8, this lens is sharp across the frame and has minimal barrel distortion at even the widest angle of 14mm. - Source: Internet
  • If bokeh and vivid colors are what you want out of an entry-level vintage camera lens look no further than the 50mm f/1.4 Super-Takumar. In addition to the color and narrow depth of field, the Super-Takumar also has a crisp sharpness even at the wide-open aperture. - Source: Internet
  • Canon EF 85mm f/1.8 USM Medium Telephoto Lens for Canon SLR Cameras - Fixed 85 millimetre standard lens with f 1.8 maximum aperture for Canon SLR cameras, Lens Type:Telephoto… - Source: Internet
  • Pushing the boat out? You asked for it. If you’re headed out with the EOS R3, pair it with an equally compromise-free lens, like Canon’s RF 800mm F5.6L IS USM. All the lens a wildlife photographer could want, it combines incredible reach with a large maximum aperture to help keep shutter speeds fast. - Source: Internet
  • Best Nikon DSLR Macro Lens Nikon AF-S FX NIKKOR 105mm f/1.4E ED With tack sharp images even at f/1.4, this professional macro lens from Nikon is great for portraits or detail work. - Source: Internet
  • A great lens for portrait photography, the 100mm focal length f/2 Olympus OM Zuiko Auto-T is a well-built lens with a vintage design that has stood the test of time. A well-designed combination of the sturdy metal housing, ED glass, and smooth mechanics, has created a long-lasting lens for the ages. Featuring great sharpness, vivid colors, and of course a beautiful bokeh this lens is a must-have for any portrait photographer looking to incorporate vintage glass into their collection. - Source: Internet
  • The f/1.4 aperture allows for handheld shooting in dimmer light, which is essential for changing situations on the street. And a 35mm field of view can capture more of the environment, resulting in some pretty cinematic street scenes or portraits when used creatively. - Source: Internet
  • Canon 5DSR – This Canon broke new ground with its insanely high 50 megapixel CMOS sensor. Let’s be clear, the vast majority of wedding photographers have no need for this kind of resolution. Having said that, with the proper lens attached, this camera is capable of some pretty stunning results. - Source: Internet
  • We test lenses using a mix of both real world sample images and lab tests. Our lab tests are carried out scientifically in controlled conditions using the Imatest testing suite, which consists of custom charts and analysis software that measures resolution in line widths/picture height, a measurement widely used in lens and camera testing. We find the combination of lab and real-word testing works best, as each reveals different qualities and characteristics. - Source: Internet
    1. Sony A9 II Best for stills-focused fun Specifications Sensor size: Full-frame Resolution: 24.2MP Viewfinder: 3,686K dots Monitor: 3-inch vari-angle touchscreen, 1,440K dots Autofocus: 693-point AF User level: Pro specifications Colour Black Condition New Today’s Best Deals View at Amazon (opens in new tab) View at Walmart (opens in new tab) View at Best Buy (opens in new tab) Reasons to buy + Superb image quality + High-quality lens library + Lovely ergonomics Reasons to avoid - Lackluster video features - Viewfinder is surpassed by rivals - Source: Internet
  • The ATX AF 85mm f/1.8 is a fast telephoto prime lens designed for portraits and low light shooting. It has a minimum focusing distance of 0.8 meters/2.6 feet and a maximum magnification ratio of 1:10. - Source: Internet
  • If you want something a little longer think about looking into a 300mm f/4 prime lens. These fixed focal length lenses don’t zoom, so you have to move your feet to get the composition correct. However, due to their nature as primes they have excellent optical performance, offering wonderful sharpness as well as a reasonably fast aperture for creating pleasing portraits with your of focus areas as well as working in less than perfect light. - Source: Internet
  • The 85mm F1.2L is a unique lens because it’s the only one in this series designated as a “L” lens. All the other RF lenses are considered “new standard zoom” or “wide angle zoom” lenses. - Source: Internet
  • The only thing that some photographers probably have reservations about using this lens for portraits is its widest aperture being f/2.8. But I wouldn’t use that as a deciding factor in buying this lens at all. - Source: Internet
  • The general rule is to keep your shutter speed above the focal length. While it’s easy to shoot a 50mm at 1/50 s in limited light but the 1/200 s suggested for a 200mm is harder to do. This is where that lens stabilization comes in. - Source: Internet
  • Overall, the Nikon AF-S Nikkor 50mm f/1.4G is the best Nikon D3500 lens for portraits. Although the autofocus can be slow, it makes up for it by being a lot more silent than its predecessors. Even if you’re an advanced photographer, image quality is great across the frame for such a lens, guaranteeing that you won’t be disappointed. - Source: Internet
  • The Nikon 200-500mm f/5.6E ED VR, weighing 2,300 grammes, is noticeably heavier than the 1990-gram 150-600mm Tamron. But in comparison with the sport-version of the 150-600mm Sigma lens, the Nikon 200-500mm f/5.6E ED VR is 560 grams lighter. - Source: Internet
    1. Sigma 35mm f/1.4 DG HSM | A This Sigma 35mm is an affordable classic in a range of lens mounts Specifications Mount: Canon EF, Nikon F, L mount, Pentax K, Sony A, Sony E, Sigma SA Autofocus: Ultrasonic (ring-type) Optical stabilizer: None Minimum focusing distance: 0.3m Maximum magnification ratio: 0.19x Filter size: 67mm Dimensions: 77x94mm Weight: 665g Today’s Best Deals View at Walmart (opens in new tab) View at Amazon (opens in new tab) View at Best Buy (opens in new tab) Reasons to buy + Strong all-round performance + Reasonably compact and lightweight Reasons to avoid - No weather-seals - Lacks image stabilization - Source: Internet
  • These lenses are often faster, cheaper, and lighter than their zoom counterparts. The best prime lenses have a maximum aperture of at least f/1.8, whereas zoom lenses typically start at f/3.5. - Source: Internet
  • Some churches require you to stay no closer than the last row of guests (obviously in that scenario, a long lens is best). Some churches are more liberal in letting you move around & allow you to come in closer. Outdoor weddings have less rules & are especially fun for that reason! - Source: Internet
  • The Canon RF 85mm F1.2L USM is a new addition to the Canon RF line of lenses, with an estimated MSRP (manufacturer’s suggested retail price) of $2,099.00. - Source: Internet
  • Featuring a large maximum aperture of f/1.4,the Pentax HD PENTAX-D FA* 85mm f/1.4ED SDM AW is one of the brightest, fastest lenses in its class. - Source: Internet
  • We positioned the girl with ample space between her body and the foliage seen behind her. This enabled me to blur the background nicely while using f/4 aperture. I am standing as close to her as the camera would physically enable me, yet still be able to focus while the camera lens was set on 105mm focal length. - Source: Internet
  • A lower number like f/1.8 means your lens can handle dark conditions better, although such lenses will be more expensive. If you’re not planning to shoot in extreme low-light, you can save some money by going for, say, an f/3.5 lens! - Source: Internet
  • The Samyang AF 85mm f/1.4 RF is a very large and heavy lens, but it’s also quite fast. It has a non-rotating front filter thread, so you can use slim filters or polarising filters without the need to rotate it during composition. - Source: Internet
  • In terms of the lens design, Nikon has used very little of its modern optical technology in it. So, the Nikon 200-500mm f/5.6E VR lacks nano-coating of the front element. Still, it is equipped with a silent wave drive (SWM), vibration reduction/image stabilization with a performance of up to 4.5 stops, an internal focusing system, and three ultra-low-dispersion elements. - Source: Internet
  • Photographers with enough clients to support a big budget may have one lens in each category. They might even have a few duplicates as backups. Others may shoot with only two or three lenses. - Source: Internet
  • The Samyang AF 85mm F1.4 is a lens designed for full frame cameras, but can be used on an APS-C camera providing a 127.5mm equivalent focal length. - Source: Internet
  • The sharpness is good wide open at f/1.4 and sharpens up nicely by f/2. The bokeh is smooth so the out of focus areas look pleasing when shooting close ups or portraits. - Source: Internet
  • The bottom line is that you can never have TOO many lenses when shooting a wedding. I carry two bodies (the D700 & D3S) so I can have two lenses going at all times & use a wide variety of lenses through out the course of the event. Let’s talk about some of the things you want to take into account when choosing your lenses. - Source: Internet
  • The Nikon 105mm f/2.8G is one of the sharpest Nikon lenses out there and, not surprisingly as it’s a macro lens, resolves a butt load of detail. While it’s not really widely known for its bokeh, it has gorgeous bokeh that I would put on par with the best, even the 85mm f/1.4. - Source: Internet
  • You can also find similar inexpensive lenses from Sony, Canon, and other manufacturers, so if you don’t shoot with Nikon cameras, you can still pick up a 50mm f/1.8 lens for your camera at a great price. That said, I have used versions from other brands and tend to prefer the Nikon, but perhaps that’s just my own personal bias; all of them do a great job with portraits and other photography situations, too. - Source: Internet
  • Looking for an all-round lens to go with your all-round camera? Allow us to recommend the FE 100-400mm G Master super-telephoto zoom lens, a 4x super-telephoto lens that weighs just 1.4kg, includes optical stabilization, and wide-open apertures of f/4.5 at the wide end and f/5.6 zoomed in. It lacks the steep learning curve (and price!) of a wildlife-focussed prime lens, making it a great bit of kit to learn on. - Source: Internet
  • These lenses are also compact and lightweight, making it travel-friendly and convenient to carry around. For the Nikon D3400, our top 50mm lens of choice is the Nikon 50mm F1.8 G. - Source: Internet
  • These portrait lenses mentioned so far are mid range as far as price goes. If you are a beginner and need a cheap lens to learn with I recommend trying a Nikon 50mm f/1.8D AF Nikkor Lens or for Canon photographers the EF 50mm f/1.8 II lens, both with a low price of under $100. - Source: Internet
  • For wildlife types, there’s a lot to like. For one thing, it will shoot at 10fps, which is pretty impressive. And, while its 45 cross-type autofocus points doesn’t sound impressive compared to the multiple-thousands of its mirrorless brethren, autofocus on the 90D was still fast and accurate in our tests, even in poor light. And while that crop-frame sensor might lack the appeal of full-frame cameras, it applies a 1.6x multiplier to the focal length of any lens you attach, allowing you greater reach from shorter lenses. - Source: Internet
  • Let’s get the obvious out of the way: the RX10 IV is expensive, especially for a bridge camera. Before you skip this section in disgust, let’s take a look at the multiple reasons the RX10 IV deserves to be on this list. For one thing, that fixed lens has some really impressive specifications: 24-600mm, with an aperture range of f/2.4-f/4, makes this supremely flexible and pretty bright. - Source: Internet
  • The jury is still a bit out on this one, as it was released not too long ago and there’s not a ton of sample images yet. I haven’t personally been able to get my hands on it yet to test it out. But from Nikon’s official samples and what I’ve seen from multiple photographers, this lens is a top-notch performer up there with the best of them. - Source: Internet
  • Nikon’s modern NIKKOR 70-200mm f/2.8E FL ED VR is considered one of the best lenses in this zoom range by any manufacturer. A multipurpose workhorse, this lens is perfect for sports, events, and portraits. - Source: Internet
  • Portrait purists might balk at the inclusion of this final entry, but that’s a mistake; the Tamron 70-210mm f/4 offers unreal value for the money, and it’s an amazing choice for people who want an excellent portrait lens that also works well for sports and wildlife, and who don’t have a lot of money to spend. Available for several hundred – as opposed to several thousand – dollars, this beauty from Tamron lets you get almost the same level of performance as high-end 70-200mm f/2.8 lenses and even includes image stabilization and weather sealing. - Source: Internet
  • If there are vintage lenses for portraits that you want to try but don’t have the right brand of camera, check out adapter rings. Most modern cameras can use vintage lenses simply by adding a ring for mount-type compatibility. So, the next time you see a dusty lens from the past, don’t be afraid to attach it to your favorite camera and start capturing dream-like portraits like so many photographers before us. Do you have a favorite vintage lens that didn’t make the list today? Be sure to share it with other photographers, so they too can see the awesome imagery that can be created with vintage lenses. - Source: Internet
  • Another important characteristic when shopping for lenses is to consider the capacity of autofocus as it is essential for this type of photographic activity. It has to be fast and accurate, and not drifting or dropping when the lens is tilted up or down. Image stabilization is another essential feature when shooting fast moving subject that require you to move erratically as well. - Source: Internet
  • An extremely sharp optic with an outstanding image stabilization system that allows, even in the worst condition, to shoot and obtain good results even freehanded. We really appreciate the constant minimum aperture throughout the excursion. It is a bit heavy, but for such a lens you cannot expect more, a harness belt can help. Being able to lock the at the minimum focal length is a nice engineering touch for the user. Efficient focusing, the hood is quite cheap, but it does the job. - Source: Internet
  • Although the zoom range is short, it still covers a useful wide-angle range. With a very wide-angle and an f/2.8, you will love this lens for indoor photography or in tight spaces. In addition, this wide-angle Tokina lens for the Nikon D3500 is great for astrophotography thanks to its large aperture, large diameter, and short focal length. - Source: Internet
  • When stopping the lens down, the image will get sharper as you stop down to f/2.8 and will remain reasonably sharp for landscape photos at f/5.6 if you’re using an APS-C sensor camera. - Source: Internet
  • Wedding and event photography typically combines a variety of styles, from portraits to group shots and from detail shots to big interiors. You don’t always know how big (or small) the venue is going to be, where you’re going to be able to stand and how far back you can get. An ultra-wide zoom can really get you out of trouble, especially if you need to get a big group shot in a confined space. - Source: Internet
  • Fully weatherproof from $1,299.00 Buy from Amazon Sigma 105mm f/2.8 APO EX DG OS HSM Prime Lens for Canon EF-Mount Best Budget Macro Lens Great price for the lens quality - Source: Internet
  • Although the background separation isn’t quite as nice as an 85 mm, the 50 mm is also a popular choice for portraits. For wedding photographers who need to make the budget, a 50 mm lens is an excellent option. It offers that bright aperture without the big price tag. - Source: Internet
  • Renting is an affordable way to rest easy in your choice. Some rental companies will allow you to buy the rental lens if you end up liking it. If you don’t, it’s a much cheaper loss than finding you don’t use that focal length after purchasing it. - Source: Internet
  • This portrait lens for Nikon D3500 performs very well at the centre of the frame, but the image quality quickly degrades towards the edges. Stopping the lens down to f/5.6 improves the image clarity significantly. Considering the price of the Nikon 35mm f/1.8G, the chromatic aberration is not too bad throughout the entire aperture range. - Source: Internet
  • There are other pro features. Twin card slots reduces the impact of card failure, while IPX-1 environmental sealing means you can carry on in dusty, wet and cold environments. The full-height design means the lower portrait grip can accommodate two batteries. A final plus for wildlife snappers is that small sensor, which provides a 2x multiplication factor to every lens you attach; so a 300mm becomes a 600mm, and so on. All of this in a body weighing under a kilo. - Source: Internet
  • The Nikon 18-300mm f/3.5-6.3G ED VR is a very compact and lightweight lens at 550g, considering its impressive 16.7x zoom. It’s no bigger than the 18-200mm lens. - Source: Internet
  • This Canon 50mm f/1.2 lens was introduced in 2007 and has earned its place among the best portrait lenses for a very good reason: it has the widest aperture of any lens on this list, which means you can use it in extremely challenging situations with very little light. Plus, if you prefer ultra-shallow depth of field, you can’t go wrong here. Its weather-sealing means you don’t have to worry about moisture or dust ruining your shots, and autofocus is fast and reliable. Images are sharp, background blur is beautiful, and the lens is small enough to take anywhere. - Source: Internet
  • Another lens of Russian design makes our list. the 85mm f/1.5 Helios-40-2 is another 1950s lens that is well known in the camera community. This 6-element Double Gauss design is based on similar lenses for the Pentax M42 mount. What makes this lens extremely special is the swirly - Source: Internet
  • Now you might be thinking, but hang on aren’t fast lenses expensive? Not necessarily so. For my wedding and commercial work photographing people, I don’t shoot with what Canon refers to as a professional L lens. Instead my tool of preference is a much cheaper Canon EF 85mm f/1.8 USM Lens which last I checked was approximately $420 USD. - Source: Internet
  • But if you really want to get up close, there’s nothing like a long telephoto zoom lens in your arsenal. This is where the new Nikon Z 85mm f/1.8 S comes in It offers an equivalent focal length of 127 millimeters. - Source: Internet
  • The built-in second-generation VR (vibration reduction) is capable of producing superb images in low-light conditions. It provides three stops of stabilisation, which is great for images at night and handheld shots. Vignetting is not bad, but it gets stronger as you stop down the lens. Distortion, however, is quite strong across all focal lengths. - Source: Internet
  • Comes with lens hood (LH-61C), lens cap, rear lens cap. Angle of view : 75° - 8.2°.Lens… - Source: Internet
  • Smartphones have made it pretty easy to snap photos of wildlife while you’re out and about. But for those who are serious about wildlife photography, a dedicated camera with a zoom lens is key to capturing the perfect shot of an animal in its natural habitat. There are a few factors that you should consider when choosing a camera for wildlife photography. Fast, continuous shooting speeds allow you to capture clear stills of fast-moving animals, while large image buffers let you shoot for longer without interruption. Silent shooting might also be important if you tend to shoot more skittish animals that are easily frightened, while quicker animals like small birds require more responsive, accurate autofocus systems with excellent tracking capabilities. - Source: Internet
  • Nikon has a reputation for being popular among wildlife photographers. However, they’ve got a lot more than telephotos to offer. Weather sealing, rugged build quality, and brilliant optics are par for any of these professional lens offerings. Some, like the 70-200mm f/2.8, are praised even by Canon and Sony shooters. - Source: Internet
  • In many ways, the Sony 85mm f/1.4 GM lens is a peer to other 85mm f/1.8 options – such as the excellent Canon earlier on this list – but has enough unique features to earn a spot for itself. Everything you might expect is here: exquisite sharpness, beautiful background blur, fast autofocus, and sealing against dust and moisture. However, this lens also includes a few extra features that certain portrait photographers will appreciate. - Source: Internet
  • If you want something a little more interesting and unique, and are looking for a way to make your pictures stand out in a crowded field, this Sigma 40mm lens might be just the ticket. Its 40mm focal length is wider than every other lens on this list, perfect for photographers who prefer to let a little more into their field of view to get a unique look. It’s razor sharp even wide open, and the f/1.4 aperture means you can get full-body shots while keeping the background nice and blurry. - Source: Internet
  • The 70-200mm is great for capturing details and close-ups. The long zoom range also makes the lens an option for the portrait section of the day. Its length will help create softer backgrounds. All this while having the aperture a bit wider to keep both the bride and groom in focus. - Source: Internet
  • If you do pick up a brighter macro lens, you don’t have to use it for just macro. Many lenses allow you to switch off the close-up mode, which results in shooting like a normal lens. Buying a bright macro that doubles as a portrait prime can help stretch the budget. - Source: Internet
  • Another creative lens for the Nikon D3400 that we’d recommend is the Nikon 10.5mm F2.8. - Source: Internet
  • Sale Nikon AF-S FX NIKKOR 85mm f/1.4G Lens with Auto Focus for Nikon DSLR Cameras Ultra-fast f1.4 classic portrait lens, Nano Crystal Coat - Source: Internet
  • 35mm prime lenses are often bright and affordable. These are excellent for everything. From capturing the entire ceremony setup in one shot to photographing the entire dance floor. - Source: Internet
  • This is my favorite lens. It creates beautiful bokeh (blur) at f/2.8, and the compression you get when you’re zoomed in from 150-200mm gives your image a look that’s hard to achieve with any other lens. It also allows you to get in close to the action without disrupting the moment. - Source: Internet
  • The choice of a focal length also varies based on style. Some favor the separating power of a big lens. Others enjoy the storytelling feel of a wide-angle that captures the full scene. - Source: Internet
  • This M.ZUIKO Digital lens has an aperture ring that allows you to change its aperture from f/1.8 to f/22 with just a flick of your finger. It also has three ED elements that reduce chromatic aberration and increase sharpness and contrast for clear images. - Source: Internet
  • For starters they look and feel cheaper to hold. They are normally made of plastic whereas the more expensive lenses are metal. Of course the more expensive portrait lenses should be sharper. However as a beginner you won’t have anything to compare the lower cost lens with, so personally that’s not a big deal when you are still learning. - Source: Internet
  • Very good lens if used at short distances, it holds well up to about 500mm even at full aperture, but at 600 the image starts losing lots of quality. It is very light especially when used in the mountains and it’s very compact. Very responsive AF and a good stabilization system. In our opinion a flaw lies in the fact that as soon as you remove your finger from the shutter button to focus the VR turns off accordingly, while in other lenses it remains active for a few seconds. - Source: Internet
  • Note the examples you see on this page have been optimized for internet viewing. The original files are much sharper than they may appear. I hope this helps you choose the best portrait lens for your needs. - Source: Internet
  • Sigma’s 24-70mm Art lens for Canon and Nikon DSLRs is solidly built with a metal barrel and a weather-seal gasket on its brass mounting plate. The zoom and focus rings operate with smooth precision, and the ring-type ultrasonic autofocus system is very quick and quiet, as well as featuring switchable modes to give priority to AF or manual override. The lens also features a 4-stop optical stabilizer. Image quality is gorgeous, with superb sharpness and very attractive bokeh, while color fringing, distortions and vignetting are all quite minimal. In-camera corrections are available in the Canon-mount edition of the lens. - Source: Internet
  • There’s a downside though. The long focal length and bright aperture mix make this lens a heavy piece of glass. It’s also an expensive addition to your wedding photography kit. - Source: Internet
  • The 85 mm is an excellent focal length for portraits, particularly on full-frame cameras. The focal length is more flattering than a wider angle. But it still allows you to take portraits in venues with limited space. - Source: Internet
  • The 300mm f/4 is a lens that has been on the market for a long time now and both Nikon and Canon lenses can be easily found for an excellent price secondhand even from dealers with included warranties. The 300mm f/4 was the telephoto that I used when I became more serious with my photography and it helped me on the path to shooting professionally. So I can vouch for its excellent qualities. - Source: Internet
  • There are several advantages to using a prime lens. A fixed focal length will allow you to get closer to your subject without having to move around as much. This helps you avoid the distortion of zooming in or out while taking pictures. - Source: Internet
  • Thanks to its wide zoom range (11x zoom), it is extremely versatile. Interestingly, for a zoom lens, it’s very compact and not much bigger and heavier than the Nikon 18-105 mm. The housing is made of semi-hard plastic, while the mount is metal, which guarantees sturdy attachment and no wear. - Source: Internet
  • Both macro work and portraits. I’ve found the 105mm perspective to be a great focal length for portraits. And when you want to do true headshots where the person’s face fills the frame, the macro capability of this lens makes it possible. - Source: Internet
  • And while the other Nikon 50mm G lenses (the 50mm f/1.4G and 50mm 1.8G) produce technically good image quality in terms of sharpness and detail, I find them wholly uninspiring. - Source: Internet
  • Sometimes the 24-70mm lens just isn’t wide enough to capture everything you want. The ultra wide angle helps you capture the environment. Venue and landscape shots also provide a great addition to your wedding day coverage, as they set the scene for the day and allow you to take full advantage of the scenery, especially at beautiful venues. - Source: Internet
    1. Tamron SP 90mm f/2.8 Di Macro 1:1 VC USD The best macro lens for Canon and Nikon DSLRs all round Specifications Mount: Canon EF, Nikon F Autofocus: Ultrasonic (ring-type) Optical stabilizer: 4-stop hybrid Minimum focusing distance: 0.3m Maximum magnification ratio: 1.0x Filter size: 62mm Dimensions: 79x117mm Weight: 610g Today’s Best Deals View at Amazon (opens in new tab) View at Amazon (opens in new tab) Reasons to buy + Impressive weather-sealed build quality + Hybrid image stabilization Reasons to avoid - Not yet compatible with Canon and Nikon mirrorless full-frame cameras - Source: Internet
  • One key advantage of this particular lens is its built-in image stabilization, which is exceptionally useful when handholding at slower shutter speeds. Even though the f/1.4 aperture can let in a massive amount of light and will therefore let you use fast shutter speeds in low light, I generally don’t shoot portraits wide open because the depth of field is so tricky. You can easily shoot at 1/30s with this lens and capture sharp images (assuming your subjects are completely stationary!). There isn’t really a one-size-fits-all solution when it comes to portrait lenses, but this one is pretty close. - Source: Internet
    1. Nikon Z 24-70mm f/2.8 S A good step up from the Nikon Z 24-70mm f/4 lens if you can afford it Specifications Mount: Nikon Z Autofocus: Pulse (stepping motor) Optical stabilizer: None Minimum focusing distance: 0.38m Maximum magnification ratio: 0.22x Filter size: 82mm Dimensions: 89x126mm Weight: 805g Today’s Best Deals View at Amazon (opens in new tab) View at Walmart (opens in new tab) View at BHPhoto (opens in new tab) Reasons to buy + Enhanced handling characteristics + Sumptuous image quality Reasons to avoid - Fairly large - Expensive to buy - Source: Internet
  • While portraits can be shot on a variety of focal lengths, the combination of compression and bokeh (blurred background) you get from a wide-aperture 85mm means a lot of portrait shooters prefer it. The NIKKOR 85mm f/1.4G excels as a portrait lens due to the buttery smooth bokeh effect it creates while keeping the subject tack sharp, even at f/1.4. - Source: Internet
  • Also worth a mention: The DC-NIKKOR 135mm f/2D. A really nice option for portraits but as it was released 25 years ago, is quite dated. It’s not very sharp wide open and doesn’t really have the resolving capabilities needed for the higher megapixel cameras of today, like the Nikon D810. The DC of the camera stands for Defocus Control and is the selling feature of the lens – it allows you to adjust the character of the out-of-focus areas of the lens. You can take a look at a hands-on review of it here. - Source: Internet
  • “I expected big things from the images shot with the Nikon 50mm f1.2 S — and I wasn’t disappointed. The lenses are really the best part of the Z series. The 50mm continued the trends that I’ve seen from other Z lenses with excellent sharpness and minimal aberrations.” - Source: Internet
  • If there is a photographic genre where the right lens choice really does make a significant difference, that is definitely bird and wildlife photography. In this kind of photography the wrong kind of optic simply won’t let you get the shot, it’s as easy as that. Animals in the wilderness and skittish birds are often at distances that are not optimal and swiftly appearing and moving in difficult light conditions. So how can we help you finding the right lens to get over the challenges that birding photography can throw at you? - Source: Internet
  • The Nikon 18-200mm is not very good at bokeh. First of all, the lens’ aperture is not bright enough. Plus, the sharpness around the edges sharply drops as you open the aperture. Therefore, the Nikon 18-200 mm is not a good option for portrait and macro photography. - Source: Internet
  • Focuses as close as 37.4" (95 cm) from $1,199.00 Buy from Amazon Sigma 70-200mm f/2.8 APO EX DG OS HSM Zoom Lens for Canon EF-Mount Best Value Telephoto Zoom Good value lens - Source: Internet
  • This lens is similar to the EF 85mm f/1.2L II USM (MSRP $1,549.99), with a few minor differences: - Source: Internet
  • There’s been a lot said about the Nikkor 85mm f/1.4G’s bokeh – and for good reason. You’d be very hard-pressed to find any lens on the market with better bokeh than this lens, irrespective of brand. It has smooth transitions, subtle contrast and it’s smoothness means it doesn’t distract from the image’s subjects. - Source: Internet
  • Maximum f/1.8 aperture isn’t as bright as some competing lenses that go to f/1.4 or f/1.2 - Source: Internet
  • For capturing a stunning close up of the couple’s rings or jewels on the bodice of a bride’s dress, Jasmine prefers the Canon 100mm Macro IS. This lens is unmatched in its ability to capture jewelry in stunning detail. The Nikon 105mm Macro f/2.8 delivers similarly stunning quality of close up objects. - Source: Internet
  • The versatility of the 24-70mm zoom lens is critical for smaller spaces. For example, a tea ceremony in a Vietnamese wedding is commonly held in a living room. The 70-200mm would be too compressed for this situation, and the 50mm would not provide enough versatility, as you typically don’t have much room for movement. - Source: Internet
  • Wedding photography involves storytelling. And sometimes you need a wider lens to capture the shots that tell the story. A prime 35mm is brighter and lighter than a wide telephoto lens. - Source: Internet
  • Macro lenses come in all different focal lengths and apertures. A longer focal length will offer more separation for the background. But getting close-up shots on a macro level already provides significant softness. That means an f/1.2 isn’t necessary for a wedding photographer. - Source: Internet
  • TIPA Award winner from $2,298.00 Buy from Amazon Canon EF 24-70mm f/2.8L II USM Zoom Lens Best Independent Mid-Range Zoom Great value lens - Source: Internet
  • Great glass is just one component of portrait photography, though. There are a host of other elements to consider, including lighting, composition, posing, use of props, and just getting to know your clients. Here at dPS, we have lots of resources for portrait photographers that cost far less than a new lens, so before you drop your next paycheck on more camera gear, consider upgrading your talent with some education and training. You might be surprised by what you can do with the gear you already have! - Source: Internet
  • The Canon EF 85mm f/1.2L USM II lens has a fast maximum aperture of f/1.2, allowing great control over depth of field. - Source: Internet
    1. Sony FE 90mm f/2.8 Macro G OSS The obvious macro choice for Sony cameras, and a very good lens Specifications Mount: Sony FE Autofocus: DDSM Optical stabilizer: Yes Minimum focusing distance: 0.28m Maximum magnification ratio: 1.0x Filter size: 62mm Dimensions: 79x131mm Weight: 602g Today’s Best Deals View at Amazon (opens in new tab) View at Walmart (opens in new tab) View at Best Buy (opens in new tab) Reasons to buy + Advanced feature set + Refined handling characteristics Reasons to avoid - Quite pricey for a 90mm macro - Relatively ineffective optical stabilization - Source: Internet
  • The best lens differs from photographer to photographer. It’s based on shooting style and the brand of the camera body. Some wedding photographers favor bright primes with two bodies for fast access. Others prefer the ease and range of a zoom lens. - Source: Internet
  • Okay, the absolute perfect wildlife partner for the OM-1 is the 150-400mm f/4.5 TC IS Pro, but that lens will bankrupt most photographers. If you’re planning to shoot relatively close wildlife, then this fine lens will give you an 80-300mm equivalent focal range (in full-frame terms), all at a constant f/2.8 aperture to help you isolate your subject from the background. - Source: Internet
  • You could really make the case for the Zeiss Otus 85mm f/1.4 being the best 85mm lens for Nikon cameras. And it’s certainly not an easy choice between the two – that is, if you have the budget for the Zeiss, as it’s significantly more expensive. - Source: Internet
  • The Nikon 50mm f/1.4G is an excellent lens for portrait photography, thanks to the 9-bladed diaphragm that produces smooth bokeh. Slightly unorthodox is the 58mm filter size, considering that similar Nikon lenses usually come with a 52mm or 62mm screw. Therefore, this lens might not be the best choice for you if you have already invested in different filters. - Source: Internet
  • One of the best overall lenses for the D3400 has to be the Nikon 18-300mm f/3.5-6.3 DX. This standard zoom lens is made for all sorts of uses, giving you an all-in-one photography solution. - Source: Internet
  • For this image I used a Canon EF 24-105mm f/4 L IS USM lens as I didn’t have my usual portrait setup with me at the time. When using such a lens for portraits its important to think more about the shot beforehand. In this case, the subject was not moving (huge advantage if shooting at f/4 speed). It’s a classic portrait shot. - Source: Internet
  • This is a nice portrait lens that performs well in low light without breaking the bank. The Nikon AF-S Nikkor 50mm f/1.4G is also excellent. But it sits at about twice the price in exchange for that lower aperture. - Source: Internet
  • The HD PENTAX-D FA 85mm f/1.4ED SDM AW’s construction includes five elements in four groups, including aspherical elements that are featured in the fourth group to reduce spherical aberrations. This minimizes the number of lens components, reducing overall size and weight. - Source: Internet
  • Tamron SP 150-600 mm f/5-6.3 Di VC USD is the least expensive and the overall best 600mm lens for Nikon D3500. At 1,990 g this lens is quite heavy compared to other lenses. However, for a telephoto lens, it’s decently light. - Source: Internet
  • Now of course as you gain more experience and want to invest it into your work, you might outgrow some gear or wish for more pro features. But when you’re getting started, the lenses I’ve listed below are a great base to build on and invest in, that will not only provide excellent quality results but also hold their value within your gear bag. These lenses will cover a range of shooting situations so you can capture the natural world in all manner of ways to really follow your creative vision. - Source: Internet
  • You might notice a pattern emerging on this list; after all, the Nikon Z 85mm f/1.8 is the third 85mm prime lens on here, which might seem redundant. Why not include other lenses with more varied focal lengths? Well, 85mm is the sweet spot for many portrait photographers, and when Nikon made this lens for their Z-mount mirrorless cameras, they took everything they had learned from their already-exceptional F-mount DSLR lenses and kicked it up a notch. It’s got everything you would expect in a lens of this caliber and in this price range: sharp optics, solid construction, a massive grip for focusing, and good weather sealing – all in a package that isn’t too big and won’t weigh you down during long photo sessions. - Source: Internet
  • The lens has very good sharpness in the center of the frame at f/1.8 and f/2. However, performance degrades significantly towards the edges of the frame until you stop down to f/5.6 or f/8 where performance is excellent.. - Source: Internet
  • Here are some of the best lenses for capturing dream like portraits with a vintage feel. Most vintage lenses are manual focus with an aperture ring and these older lenses are interesting fixed focal length prime lens and come in various focal lengths and beautiful bokeh, like for example a swirly bokeh or various shaped bokeh due to their interesting apertures and optical design. It is good to use a prime lens for portraits rather than a zoom lens although it can be a versatile lens for other genres. - Source: Internet
  • Depending on how close your standard zoom can focus, you may or may not need a macro lens (opens in new tab) – but ultra-close-up shots of tiny details can add real variety to a package of shots. The typical 90-100mm focal length for macro lenses is also close to the ideal ‘portrait’ lens, so although an f/2.8 macro lens won’t offer as much background blur as an f/1.4 portrait lens, you may still get more than you expect and you will still get that flattering portrait ‘perspective’. - Source: Internet
  • Straight out of the box, Nikon AF-S NIKKOR 85mm f/1.8G is one of the cheapest yet sharpest lenses available in the market. Combined with an AF-S motor, it provides for some excellent portrait photography with quiet in-depth zoom and amazing bokeh. - Source: Internet
  • A fashion shoot I did recently with a Canon EF 85mm f/1.8 USM Lens. A fast lens with a low aperture f/1.8 was important for this commercial job. It was photographed late in the evening as the available daytime light was quickly fading. - Source: Internet
  • Hang on you’re thinking, this goes against everything I said earlier. The lowest aperture this lens goes to is f/4 and it’s a non prime! Keep in mind she also shoots with a 50mm f/1.2L and the 35mm f/1.4L. - Source: Internet
  • Quite compact for an 85mm full frame lens from $426.95 Buy from Amazon Canon EF 85mm f/1.8 USM Prime Lens Best Value Canon 85mm Lens Small and lightweight - Source: Internet
  • It’s a tough customer – the frame is magnesium alloy, and it’s dust and moisture resistant, which should give you confidence to carry on shooting when the weather closes in. For a bridge camera, it’s big; for a DSLR with a 600mm lens it’s small. In this company, it definitely fits the bill as a convenient, lightweight, all-in-one camera, and benefits from a large, comfortable handgrip often forgotten by other smaller bridge cameras. - Source: Internet
  • Some portrait photographers prefer a wider field of view, and some like a lens that is a bit more narrow. Why not have one lens that does both? Most zoom lenses have too may tradeoffs to be taken seriously by portrait photographers, but Canon set out to solve that problem with this 28-70mm f/2 zoom lens. Built for Canon RF mirrorless cameras, this lens pushes past most of its peers thanks to the f/2 aperture instead of the f/2.8 aperture that is common for similar zoom lenses (albeit with the tiny sacrifice of 28mm at the wide end instead of 24mm). - Source: Internet
  • More than just a minor upgrade over the previous version of this lens, the Mark III edition of Canon’s 16-35mm f/2.8L is extensively redesigned. The new optical path gains a large double-surface GMo (Glass Moulded) aspherical element at the front, adding to two UD (Ultra-low Dispersion) elements and a ground aspherical element at the rear. High-tech coatings include both SWC (SubWavelength Coating) and ASC (Air Sphere Coating) for greater resistance to ghosting and flare, and fluorine coatings are added to the front and rear elements. Image quality is excellent with a noticeable improvement in sharpness from previous editions of the lens, particularly towards the edges and corners of the frame – especially useful when capturing venues and interiors. - Source: Internet
  • Autofocus is fast, though it’s not quite comparable to other lenses like the Canon 85mm f/1.4, and this lens is a heavy beast that will give your arms a workout. The 40mm focal length results in a bit of distortion when shooting close-ups and headshots, but in normal daily use this wasn’t a huge problem for me. Despite these drawbacks, there’s almost an intangible beauty to this lens that’s difficult to describe, which makes it wonderful for portraits as well as everyday shooting. I especially like how I can get several people in a shot for group portrait scenarios and still create a beautiful blurry background; at the end of the day, those results matter to me more than anything else. - Source: Internet
  • The Sigma 20mm F1.4 Art is the best portrait lens for the Nikon D3400. It delivers superb image quality with beautiful bokeh and does really well in low light. - Source: Internet
  • Great value lens from $715.00 Buy from Amazon Fujifilm XF 23mm f/2.0R WR Prime Lens Best Value Mid-Wide Prime Lens For Fujifilm All-metal, weather-sealed construction - Source: Internet
  • There is no “perfect” portrait lens. And contrary to what some may try to make you believe, there’s no one lens you HAVE to have. There’s more than one way to skin a cat when it comes to portrait photography and any type of photography for that matter. - Source: Internet
  • Prime lenses offer a brighter aperture than the 70-200mm ones. Some brands even offer more efficient autofocus and higher-quality shots. Without all those zoom components, most prime lenses are also lighter and cheaper. - Source: Internet
  • Touted as “the best wide-angle lens in the world” for a reason, Nikon’s NIKKOR 24mm f/1.4 lens is sharp to the corners, even wide open at f/1.4. Low barrel distortion also means less correction time in post. - Source: Internet
  • This is always a matter of personal preference. Personally I don’t like using macro lenses for portraits. Especially close-up portraits. I find them too harsh. No one likes looking at photos of themselves where they can see every line in their face or blackhead in their nose. - Source: Internet
  • The Sony FE 85mm f/1.8 is a lens for those who want a longer focal length and faster aperture than the Sony FE 85mm f/1.4. - Source: Internet
  • That stabilization helps shoot those dimly lit spaces, especially at slower shutter speeds. This allows you to drop the ISO down. But stabilization isn’t as essential in a wide-angle lens as it is for telephoto and macro. - Source: Internet
  • As if that supersized lens wasn’t good news enough, there’s more for keen wildlife photographers. The RX10 IV’s maximum continuous speed is 24fps; it can shoot raw for better dynamic range; and its 315-point autofocus, while not quite the last word in autofocus point frame coverage, is pretty good. That performance comes courtesy of Sony’s BIONZ X image processor, which the keen-eyed will have spotted is also in the Alpha A9. Integrated image stabilization should help get sharp shots at 600mm. - Source: Internet
  • Generally speaking it’s much more common, that animals will be far away from you (and your vehicle) when you are on a safari, as opposed to very close-by. Therefore it’s advisable to shoot on a long telephoto lens. Since Nikon has yet to release a telephoto, that is made for the Z mount of their mirrorless cameras, I opted for the F mount AF-S NIKKOR 200-500mm 5.6 lens and used it with the FTZ adapter. This lens is absolutely fantastic and works just as well with the Nikon Z 6 as with any DSLR. - Source: Internet
  • Note, the Autofocus on the Nikon lens won’t work with D40/D60/D3000/D5000 models. So if you have one of these camera bodies you might want to consider the 85mm f/1.8G AF-S NIKKOR Lens instead. - Source: Internet
  • When this article was first published in 2009, the 85mm f/1.2 was in our honorable mention category, but we’ve since fallen in love with this focal length. The 85mm lens is a true portrait lens that doesn’t distort the image the way that some wider-angle lenses do (such as the 24mm or 35mm), especially along the edges of the frame. This lens also offers great compression and background bokeh at wider apertures. - Source: Internet
  • In conclusion, I think all of the lenses listed above are helpful & have their place. I am a sucker for prime lenses…I love the speed, the clarity & the fact that they aren’t as big & clunky. With that being said, I rely heavily on my 24-70mm & 70-200mm to get me through weddings & wouldn’t want to be without them. I like the 24-70mm at the 24mm focal length & I like the 70-200mm at the 200mm focal length best. - Source: Internet
  • The Nikkor 70-200mm f/2.8G VR II is sharp and delivers very good image quality. It has the fastest autofocus of any Nikon lens I’ve used, but more importantly for portraits, it’s dead-on accurate. It just gets out of the way and does what you want it to do in terms of autofocus. - Source: Internet
  • All reports are clear that the Canon EF 85mm f1.2L II USM Lens is a slow lens to autofocus compared to other cheaper models. Great if your portrait style is of families sitting around grouped together and no one moves. However for kids or weddings where people are on the move, that once off special moment is usually gone by the time this lens auto focusses. - Source: Internet
  • Sale NIKON NIKKOR Z 85mm f/1.8 S Portrait Fast Prime Lens for Nikon Z Mirrorless Cameras 85mm f/1.8 lens with nine blade diaphragm for soft rounded book - Source: Internet
  • I would certainly recommend these as name brand lenses over third party manufacturers, as they are far better optically engineered. Often when starting out with wildlife photography, some people go for the longest superzoom they can find like the 150-600mm or 50-500mm. But these suffer from optical quality and often lead to frustrating results. - Source: Internet
  • Along with sports, wildlife photography is the genre that places the greatest technical demand on a camera. Wildlife subjects are often small, reluctant photo subjects, which means autofocus accuracy, and speed, are absolutely critical. You can all-but guarantee that subjects will appear in surprising locations, so a camera that can quickly detect a subject and drive the lens’ autofocus to the right distance is critically important. - Source: Internet
    1. Sony FE 70-200mm f/2.8 G Master Sony’s G Master lenses have well deserved reputation for quality Specifications Mount: Sony FE Autofocus: Dual linear stepping motor Optical stabilizer: 2-stop Minimum focusing distance: 0.96m Maximum magnification ratio: 0.25x Filter size: 77mm Dimensions: 88x200mm Weight: 1,480g Today’s Best Deals View at Amazon (opens in new tab) View at Walmart (opens in new tab) View at Best Buy (opens in new tab) Reasons to buy + Impressive build quality and handling + Very good optical performance Reasons to avoid - Pricey to buy - Relatively ineffective optical stabilizer - Source: Internet
  • The sharpness is where the true value of this lens really is, and it’s cost. The images are extremely crispy on any end of the frame, even when shooting wide open. Nikon designed this lens to work best with a high-resolution modern camera, like a D850; with such a match you bird photography shot will have no rivals! - Source: Internet
  • Like I said before, you can get really good subject separation with this lens and it has nice bokeh at its wider apertures. It doesn’t have the best bokeh though. When you compare it to some of the other options that could be considered among the best Nikon portrait lenses, the bokeh of the Nikkor 70-200mm f/2.8G VR II falls a little short. - Source: Internet
  • Considering these facts, the Nikon 85mm f/1.8G stands apart from its predecessors greatly. This lens can capture a lot of light, which results in some highly detailed snapshots that may very well suit the economic as well as professional demands of all photographers and filmmakers. - Source: Internet
  • The Nikon AF-S NIKKOR 35mm f/1.8G is a compact lens made out of high-quality plastic, while the bayonet is made out of metal and a rubber gasket to protect the camera from moisture and dust. The lens focuses on a silent, reasonably quick motor, which allows for manual adjustments while the AF is enabled. - Source: Internet
  • But it does all that in a much lighter package and is only a fraction of the price. It’s easily the best Nikon portrait lens if you’re on a budget. I highly recommend it. - Source: Internet
  • There’s also just something about the way it renders natural light images, making it the best Nikon lens for outdoor portraits in my opinion. I love the bokeh of it too – I think it’s a toss-up between the 85mm f/1.4, so I think the two are tied for the best Nikon lenses for bokeh. - Source: Internet
  • It’s also a great lens for group portraits or just two-subject portraits. I’ve used it a ton for shooting couples during their engagement sessions and it’s great for that. And it’s great for family portraits – it’s the best Nikon lens for outdoor family portraits in my opinion. - Source: Internet
  • The list of best vintage lenses for portraits could go on and on as there have been countless show-stopping images created over the years with many different lenses. One thing to keep in mind is that new isn’t always better, and sometimes the only way to recreate that vintage feel from the past is to dust off a vintage lens and take it out for a spin. These lenses have excellent build quality as well compared to many modern lenses. - Source: Internet
  • Image quality is excellent – terrific color science is married to an accurate metering system and very well controlled noise. We saw very good results up to ISO 12,800. Add to this the fact that the crop sensor gives you a 1.5x multiplication factor on any lens you attach – making all of your lenses significantly longer – and this is a great choice for wildlife photographers. - Source: Internet
  • Silent USM AF motor from $399.00 Buy from Amazon Nikon AF-S FX 50mm f/1.8 Prime Lens Best Value Nikon Standard Prime Lens Inexpensive prime lens - Source: Internet
  • But when you’re taking portraits in cramped spaces – and this is an issue for many portrait photographers – sometimes you just have to go wide. Not all of us can afford the bigger spaces for portrait studios. Or a studio at all. - Source: Internet
  • Thinking of buying one or more of these Nikon portrait lenses? Please consider using one of the affiliate links in this articles to do so. It doesn’t cost you anything extra, and it helps run this site. Thanks for reading! - Source: Internet
  • Since the Nikon 18-200 mm f/3.5-5.6 IF-ED AF-S VRII entered the market in 2009 and succeeded Nikon’s previous version of the Nikon 18-200 mm, it has become a widely popular lens among Nikon photographers. Some might say that it’s the best multi-purpose Nikon D3500 lens for travel and landscape photography. - Source: Internet
  • While not a featherweight, it’s very easy to use freehand, and it’s small enough to carry anywhere, even when you walk a lot. In my opinion, this lens is a better choice than fixed lenses like the 300 f / 4 IS or the 400 5.6, because it is much more versatile thanks to the zoom. - Source: Internet
  • This Tamron lens has life-size reproductions and stabilization. But it doesn’t have nearly as high of a price. Like the Sigma, the complaints are mostly about the autofocus. - Source: Internet
  • At the other end of the scale, if you don’t mind paying out the big bucks on camera gear, the choice of lens for Nikon professionals is the 85mm f/1.4G AF-S Nikkor Lens, priced at $1649. Now for Canon photographers you would think this is where I’d recommend a professional L lens, like the EF 85mm f1.2L II USM Lens that sells for $1579. - Source: Internet
  • Sale Canon RF 85mm F1.2 L USM Lens, Black High image quality and bright f/1.2 aperture L lens for EOS R System cameras. - Source: Internet
  • This review is based on a loan sample of the Samyang AF 85mm f/1.4 F lens, provided to me by B&H. You can purchase it here or check for availability at Adorama and Amazon. - Source: Internet
  • In general, the longer the better, but as stated before, this has its limits. At the wide end, 35mm is too wide for my tastes. It’s ok for full body portraits and in some cases three quarter length portraits but closer than that you get an unflattering rounded distortion of your subjects’ features. The last thing you want is to make your subjects look like hippos. - Source: Internet
  • This lens was built in two styles, an 8-element, and a 7-element version. Because of the flexibility of the aperture this lens is great for low light environments. This lens is known to have a flare when in direct light that can be used to create unique images. - Source: Internet
    1. Nikon AF-S 16-35mm f/4G ED VR Nikon’s ultra-wide DSLR lens is ‘only’ an f/4, but it is stabilized Specifications Mount: Nikon F Autofocus: Ultrasonic (ring-type) Optical stabilizer: 4-stop Minimum focusing distance: 0.29m Maximum magnification ratio: 0.25x Filter size: 77mm Dimensions: 83x125mm Weight: 680g Today’s Best Deals View at BHPhoto (opens in new tab) View at Walmart (opens in new tab) Check Amazon (opens in new tab) Reasons to buy + Detachable lens hood enables filter thread + Optical stabilization Reasons to avoid - Relatively ‘slow’ f/4 aperture rating - VR is only worth 2.5 stops - Source: Internet
  • With an aperture ranging from f/1.8 to f/16, it serves as a great contender against the latest lenses by packing an enormous amount of clarity and detail into the photos. It can still be coupled with a wide range of DSLRs and SLRs as it works excellently with every digital Nikkon, both FX and DX, ranging from some of the best ones, such as the D4 and D800, to even the cheapest ones, like the D40s and Nikkon D5000 collection. - Source: Internet
  • The thing about the 58mm focal length is that it actually makes for a legitimate difference compared to 50mm. I’ve never been a huge fan of the 50mm focal length – I remember putting my first 50mm lens on my camera and being like “meh”. With a brand new lens! - Source: Internet
  • The wider aperture is also excellent for limited light when that f/2.8 isn’t enough to get a nicely lit shot. This lens is helpful during ceremonies and other low-light portions of the day. - Source: Internet
  • Canon has one of the most mature lens platforms around, and while the EOS 90D isn’t compatible with the latest and greatest RF-mount lenses, it will work with both EF and EF-S lenses. Our pick of the bunch would be the Canon EF 70-300mm f/4-5.6L IS USM; these days an ‘oldie but goodie’ given its announcement 11 years ago, but it’s still sharp, zoomy, quick to focus and light at a shade over 1kg. - Source: Internet
  • The Nikon AF-S Nikkor 50mm f/1.4G (its full name) is an improved version of Nikon’s older 50mm lens. Notably, this compact lens offers better coatings and a very quiet and fast internal focus motor, but it lacks an aperture ring, so you can’t use it with older cameras. However, the focusing is slower than in the older version. - Source: Internet
  • Bright, long and stabilized, this Canon lens has an excellent reputation. (If you’re on a budget, consider the Canon EF-S 60mm f/2.8 Macro USM.) - Source: Internet
  • Focuses as close as 37.4" (95 cm) Buy from Amazon Sigma 70-200mm f/2.8 APO EX DG OS HSM Zoom Lens for Canon EF-Mount Best Value Telephoto Zoom Good value lens - Source: Internet
  • The high aperture of f/1.4 makes this lens great for taking portraits in low light conditions without having to use a flash. The bokeh (the out-of-focus area) is also very smooth and creamy which makes it perfect for creating unique looking images. - Source: Internet
    1. Canon EOS R7 The best affordable camera for wildlife enthusiasts Specifications Sensor size: APS-C Resolution: 32.5MP Viewfinder: 2,360K dots Monitor: 2.95-inch vari-angle touchscreen, 1,620K dots Autofocus: 651-area Dual Pixel II AF Maximum continuous shooting rate: 15fps Movies: 4K at 60p User level: Enthusiast specifications Colour Black Condition New Today’s Best Deals View at Walmart (opens in new tab) View at Amazon (opens in new tab) View at Best Buy (opens in new tab) Reasons to buy + Rapid burst-shooting speeds + Excellent autofocus and stabilization Reasons to avoid - Limited range of native lenses - Average electronic viewfinder - Source: Internet
  • Nikon put decades of development into their flagship lenses. Professionals regularly rely on Nikon lenses for their vibration reduction (VR), autofocus motors, and build quality. While there’s a crop of high-performing third-party options to choose from, the lenses on this list will be Nikon-manufactured. - Source: Internet
  • The Venus Laowa 25mm comes with a manual focusing full-frame ultra-macro lens that has no autofocus and no iris. The focal length of 25mm allows you to take sharper pictures and use a few frames for stitching photos with different focus points. The minimum focusing distance is 40mm at 5x magnification. The rounded front housing blocks less light than standard lenses. - Source: Internet
  • 105mm is already a longer focal length, negating much of the need of having a wider aperture to get subject separation because of the lens’ natural compression. You get about the same amount of subject separation with 105mm at f/2.8 as you do with an 85mm at f/1.4. - Source: Internet
    1. Sony FE 16-35mm f/2.8 G Master It’s not the only Sony ultra-wide zoom, but it is the best Specifications Mount: Sony FE Autofocus: Dual DDSM Optical stabilizer: None Minimum focusing distance: 0.28m Maximum magnification ratio: 0.19x Filter size: 82mm Dimensions: 89x122mm Weight: 680g Today’s Best Deals View at Walmart (opens in new tab) View at Amazon (opens in new tab) View at Best Buy (opens in new tab) Reasons to buy + Great sharpness and beautiful bokeh + Advanced autofocus system Reasons to avoid - Expensive for a 16-35mm lens - Source: Internet
  • Best telephoto Lens Sigma 50-150mm f/2.8 The Sigma 50-150mm f/2.8 features excellent autofocus, stabilization, and fantastic build quality. It’s a great telephoto lens to start with if you’re interested in this field! Check Amazon USA - Source: Internet
  • Luckily both Nikon and Canon have excellent low-cost APS-C wide angle lenses that really offer great performance and functionality at decent prices. The new Nikon 10-20mm and the Canon 10-18mm are perfect candidates for wide angle wildlife shooting. Their ultra-wide view can pull the viewer into an entire landscape, while the close focuses of a mere 0.2m allow you to get up close and personal with your subjects (often wirelessly triggering) for impact filed images. - Source: Internet
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