This time, we’re going to talk about Best Camera Lens For Nature Photography. There is a lot of information about best camera lens for landscape photography on the internet, of course. Social media are getting better and better quickly, which makes it easier for us to learn new things.

Wildlife Photography Lens and What’s the Best Lens for Wildlife Photography? are also linked to information about best nikon dslr lens for wildlife photography. As for other things that need to be looked up, they are about Outdoor Photography How To and have something to do with best budget camera and lens for wildlife photography. Best Camera Lens For Nature Photography - Best Nikon Lenses For Landscape Photography

147 Things About Best Camera Lens For Nature Photography | Best Lens For Milky Way

  • This rather new lens is impressive because it offers an f/2.8 aperture at its wide end, allowing it to do double-duty as both a traditional landscape photography lens and a slightly more exotic nightscape photography lens. It’s also one of the lightest, most compact full-frame lenses to offer f/2.8 on the wide end, for you astro-landscape shooters out there. - Source: Internet
  • “…this lens is my favorite. For landscapes, the compression from this lens allows me to create unique compositions while still retaining a landscape feel to the scene. It is one of, if not, the sharpest lenses in the Sony arsenal and makes for an incredible portrait and lifestyle lens.’’ - Michael Castaneda, What’s In My Bag: A Complete Sony Alpha Kit For Stunning Landscapes - Source: Internet
  • The biggest expense you’ll be looking at as a new wildlife photographer is your lens. You’ve probably heard people talking about how the glass is the most important aspect to your gear, and that’s definitely true to an extent. You could have the best camera on the market, but with a poor quality lens attached you could find your photos soft and below expectations. So what is the best lens for wildlife photography, anyway? - Source: Internet
  • Wide angle lenses can also be used to give more depth to an image, especially if you are standing or laying at a height lower than the landscape you are photographing. The wider the focal length of the lens, the greater the effect will be. Take this image below for example: - Source: Internet
  • Some OM SYSTEM (formerly Olympus) cameras have a cool feature called Live ND. It means that you can shoot at f4 (the equivalent of f8) and not need to stop the lens down further. It also means that you might not need to bring an ND filter with you. - Source: Internet
  • 35mm (24mm) is usually the longest focal length that can be seen as a ‘wide angle’ lens. Typically covering a diagonal angle of view of around 63 degrees, it encompasses more of the scene than a 50mm lens without introducing noticeable distortion. Prime lenses are available with maximum apertures as wide as f/1.4. - Source: Internet
  • A lens that has a focal length of 24 to 35mm are considered wide angle lens. Nowadays you can find great lenses that have a focal length under 24mm. These are considered as being ultra wide. - Source: Internet
  • Zoom lenses represent the most affordable way to achieve a range of focal lengths and, consequently, most kit lenses are zooms. Typical lenses in single-lens kits are 18-55mm for DX cameras or 24-85mm for FX bodies. Kit lenses are usually built to a price and slower than prime (single focal length) lenses or fast, premium-quality zooms. - Source: Internet
  • Some people would argue that prime lenses are sharper than their zoom cousins. This is most likely true in general, but you’d have to look at comparisons between particular lenses in your budget to see the true differences. There are zooms on the market sharper than many primes – it just depends what you can afford. - Source: Internet
  • Want to shoot astrophotography? OM SYSTEM cameras are, hands down, some of the best for it. You can use the Live Composite feature and work a whole lot less in post-production. Couple it with one of our recommended for the best lightweight lenses for landscape photography for best results. - Source: Internet
  • Finding a lens with Image stabilization is often a good idea. Image stabilization can mean the difference between getting a sharp or blurred shot. This is especially important if you will be hand holding your DSLR camera. - Source: Internet
  • This lens is really fantastic. It’s fast; it fits on a mirrorless system. It’s a full-frame lens. - Source: Internet
    1. Canon EOS R7 The best affordable camera for wildlife enthusiasts Specifications Sensor size: APS-C Resolution: 32.5MP Viewfinder: 2,360K dots Monitor: 2.95-inch vari-angle touchscreen, 1,620K dots Autofocus: 651-area Dual Pixel II AF Maximum continuous shooting rate: 15fps Movies: 4K at 60p User level: Enthusiast specifications Colour Black Condition New Today’s Best Deals View at Walmart (opens in new tab) View at Amazon (opens in new tab) View at Best Buy (opens in new tab) Reasons to buy + Rapid burst-shooting speeds + Excellent autofocus and stabilization Reasons to avoid - Limited range of native lenses - Average electronic viewfinder - Source: Internet
  • We are looking in this article at the wide-angle lenses that have been reviewed by ePHOTOzine and might be considered for wide-angle landscape photography. The idea of what represents “wide angle” has changed over the years, mirroring the changes in style and format of cinematography and wider shots becoming more mainstream. In full frame terms, a 35mm lens was once considered a wide angle but is now more of a wide standard lens. The once ultra-wide 28mm is offered as a fixed lens on many compact cameras, becoming a new even wider standard lens than the 35mm. So the ultra-wide 24mm perhaps becomes the first true wide angle lens and focal lengths down to even 14mm and beyond become affordable as lens design and manufacture become ever more capable. - Source: Internet
  • One of Canon’s best selling lens due to it’s low cost, considering it’s high quality. If you see a Canon lens with a red circle around the tip, you know it’s considered better quality (sharper images) than those without the ring. This one is currently priced at $674 USD. However, you do need to take into consideration that this particular wide angle lens doesn’t zoom in as far (40 mm) as the other two listed above. - Source: Internet
  • 50mm (33mm) is the focal length that best replicates the normal human field of view. Lenses with this focal length are versatile and can be used for subjects other than landscape photography, such as portraiture and cityscapes. Prime lenses are available with maximum apertures as wide as f/1.4, which is very fast and bright. - Source: Internet
  • You could do the same with the Canon 300mm, opting for the 1.4x converter to give you the extra increase in reach. The high-end Canon lenses tend to be more expensive than their Nikon counterparts, but not for much reason other than brand pricing. - Source: Internet
  • The EF-S 18-200mm f/3.5-5.6 IS from Canon is an ideal all-around lens. The lens is designed for APS-C-format Canon EF-S-mount DSLRs and offers a 28.8-320mm equivalent zoom covering a versatile wide-angle to telephoto range. - Source: Internet
  • All these lenses boast some incredible weather resistance. With that said, note that these lenses aren’t waterproof. Instead, they’ll survive being used in the snow, rain, or even on the beach. - Source: Internet
  • “One of my favorite aspects of a telephoto lens is that you can just isolate a subject. You can find a very small vignette, something just very tiny in your scene that you really enjoy and zoom all the way in and isolate that and create a very focused image.” - Source: Internet
  • The Nikon 14-24mm f/2.8 G is probably the lens behind many of the best digital era landscape photographs that you’ve seen. Whether you shoot astro-landscapes with the aperture wide open at f/2.8, or you shoot traditional landscapes at f/8-11, you’ll be very impressed by the overall image quality. - Source: Internet
  • First off, this lens can be used both as a macro and a short telephoto. It is super sharp with beautiful bokeh at all focal lengths and smaller apertures. This lens also has a clutch, which is very handy when you want to switch to and from auto to manual quickly to get precise focus on your subject. The 90mm f/2.8 Macro G is a very versatile lens for a prime and allows you to capture a range of subject matter out in the wild. - Source: Internet
  • You’re going to be sacrificing some image sharpness with this budget telephoto, but it’s still a great lens when you’re on a tighter budget. If you can afford it though, I’d recommend the Nikon 200-500mm alternative listed above. Read our full review of this lens here. - Source: Internet
  • This is a camera that I personally use on a regular basis. If I am going somewhere and want to get high-quality images but don’t want to carry around a bigger camera, the Zfc is my go-to. But I can also throw on a bigger lens and easily get professional-looking images. - Source: Internet
  • Don’t just ignore lenses slower than f/4. The most important thing to think about is quality of the glass and the consequent sharpness of the image. Yes, this tends to correlate with price, but you can still get sharp images on slower lenses – the two factors are not connected. - Source: Internet
  • This 18-300mm f/3.5-6.3 from Sigma is an incredibly affordable all-in-one zoom lens for Nikon F-mount cameras. The extremely versatile focal length is ideal for photographers that want to carry one lens. - Source: Internet
  • Wildlife is typically most active during dusk and dawn so that’s when you want to be out shooting. But that also means lower light conditions than the middle of the day. Add to this the fact that most long focal length lenses are not as fast as their shorter counterparts. So, in order to expose the image properly, you’re going to need to crank up that ISO setting. - Source: Internet
  • For wildlife types, there’s a lot to like. For one thing, it will shoot at 10fps, which is pretty impressive. And, while its 45 cross-type autofocus points doesn’t sound impressive compared to the multiple-thousands of its mirrorless brethren, autofocus on the 90D was still fast and accurate in our tests, even in poor light. And while that crop-frame sensor might lack the appeal of full-frame cameras, it applies a 1.6x multiplier to the focal length of any lens you attach, allowing you greater reach from shorter lenses. - Source: Internet
  • Landscape photography is one of the most challenging genres, but also one of the most rewarding. It is about the viewpoint and composition, but also very much about the light. The truly great landscape photographers wait for the light, perhaps only shooting a few frames when that magic moment arrives and landscape photography becomes action photography, as we catch that fleeting moment that makes a good image a great image. - Source: Internet
  • It has a constant f/4 maximum aperture which maintains a consistent exposure throughout the zoom range. The f/4 aperture also makes this lens a more compact and lightweight alternative to the f/2.8 zoom option. - Source: Internet
  • This landscape lens is for Canons more professional end of the market. It also goes from one wide angle extreme (24mm) to a higher 105mm focal length. It’s currently priced at $1046 USD. Similar to the one above, it also has the option of image stabilization. - Source: Internet
  • “That was really the lens that I was most excited about when I was shooting Sony,” Denney explains. “Wide angle lenses are fantastic for creating these kind of sweeping vistas where it’s just a very immersive look.” - Source: Internet
  • My apologies if you are using another brand, but this article only includes lenses compatible with Nikon or Canon. Also, Nikon and Canon mounts are incompatible with each other. If you have a Canon camera, DO NOT buy a telephoto lens made for a Nikon, and vice versa. - Source: Internet
  • In the below video, pro photographer Mark Denney shares what he says are the three most essential zoom lenses for landscape photography. And believe it or not, Denny argues “focal length doesn’t matter.” - Source: Internet
  • Samyang AF 14mm f/2.8 RF - Canon RF 14mm lenses for full frame cameras are not the easiest to handle from a compositional point of view, but once mastered they can certainly help to make very dramatic, powerful images. This offering from Samyang is well-made, offers excellent sharpness and is available at a price that can’t be ignored. Interested? Help support ePHOTOzine by using these links. Amazon UK Amazon US - Source: Internet
  • “It took me a long time to figure this one out as I decided to use a two lens setup years ago and now that I look back, I feel that decision hurt my progression,” Denney admits. “In this video, I discuss why I was wrong with my previous thought track with regards to zoom lenses for landscape photography and what I think is the best option now. So, if you’re struggling with which lenses to purchase or use for your photography, I hope that my experience helps you in deciding which route to go.” - Source: Internet
  • On the other hand, while taking pictures of wildlife, it’s imperative to respect nature and not cause any stress or harm. You don’t want to alter an animal’s natural behavior in any way. And remember that the closer you get, the more likely that you could get hurt! - Source: Internet
  • For example, landscape photography usually requires a large depth of field. Meaning, photographers will normally want the whole scene in focus. Therefore, it’s not that important to have an expensive fast lens. If you look on the box your lens came with when you make a purchase, you’ll notice an f number. The lower the f number, the faster the lens, the more expensive it usually is. - Source: Internet
  • The king of ‘budget’ lenses, the 150-600mm f/5-6.3 is the latest in Sigma’s popular line of telephoto zooms. I started my career with the 150-500mm they offered at the time, many generations behind what is now on the market, and it lasted me for a good few years. - Source: Internet
  • In this section we will look at popular focal lengths for landscape photography and analyse their characteristics in order to suggest the situations in which they will be most effective. Our suggestions should be taken as hints; not rules that must be adhered to. Many creative images have been produced by stepping outside the bounds of normal practice. (Note: for convenience, we have used the FX focal length as reference and added the approximate DX focal length in brackets.) - Source: Internet
  • Nikon Nikkor Z 28mm F/2.8 - Nikon Z This lens has yet again proved that it is possible to produce really high-quality results at a very affordable price. With superb performance and slick handling, it’s a wide-angle lens Nikon Z fans will be happy to have in their kit bags. Interested? Help support ePHOTOzine by using these links. Amazon UK Amazon US - Source: Internet
  • I want to tell you about this lens that I’ve been using the past few months: the Tamron 72 300, f 4.5 to 6.3 telephoto lens. - Source: Internet
  • Below you’ll find the six best Nikon wildlife lens choices for photographers of all skill levels. All of them are sharp, bright, and capable of snapping pics worthy of a National Geographic cover. Find out more about each in its detailed review and get the lens that suits you the best. - Source: Internet
  • This is a good all purpose lens that goes from ultra wide 17mm, all the way to a normal focal length of 85mm. It’s also not too large and heavy to carry and is priced around $520 USD at the time of writing this article. Another advantage is its image stabilization system that makes taking hand-held shots easier. Fantastic for those photographers who are just starting out and don’t want to spend a fortune, yet still need good quality photographs. You’ll notice many landscape photo’s found throughout this website are taken with Canon EF-S 17-85mm IS USM lens. - Source: Internet
  • There are other pro features. Twin card slots reduces the impact of card failure, while IPX-1 environmental sealing means you can carry on in dusty, wet and cold environments. The full-height design means the lower portrait grip can accommodate two batteries. A final plus for wildlife snappers is that small sensor, which provides a 2x multiplication factor to every lens you attach; so a 300mm becomes a 600mm, and so on. All of this in a body weighing under a kilo. - Source: Internet
  • Also, the Tokina 11-20mm f/2.8 is built extremely durable. With quite a bit of metal in its construction, this lens can serve you well for many years. - Source: Internet
  • Editor’s Choice Nikon 14-24mm f/2.8G Legendary lens that’s worth the spend thanks to its incredible image quality, performance and durability. Check Current Price - Source: Internet
  • But the real beauty and benefit to this camera (or the Z50 for that matter) is the versatility and the Z mount system. You can use this as a relatively compact walk-around camera by putting a smaller lens on it or you can use a longer lens and get exceptional performance for wildlife photography. You even have access to the massive F-mount lineup with the FTZ adapter. - Source: Internet
  • Top Pick Nikon Z6II All around great performer. The second version of the Z6 has improved focusing, an exceptional sensor, and dual card slots while the Z mount means you’ll have some of the best lenses on the market available to you. It also has a price tag that won’t break the bank. Check Price on Amazon.com - Source: Internet
  • If you’ve got a bit of a bigger budget to spend, then the 300mm from Nikon is ridiculously sharp. It’s super quick, too, at f/2.8. Combine this with a 1.4x teleconverter for a 420mm equivalent lens and you have that extra bit of reach when you need it. - Source: Internet
  • I also would favor the Nikon when it comes to dynamic range. While an extra 15 megapixels sounds nice on paper, it is a bit overkill for wildlife photography. Low light performance and dynamic range, however, are essential and the Nikon comes out slightly on top in those categories. - Source: Internet
  • The Tamron SP 150-600mm f5-6.3 is an excellent lens for wildlife photography and is more affordable than most other lenses in its class. The 4x zoom covers telephoto to super telephoto ranges. - Source: Internet
  • The smallest maximum aperture across the range is still only 5.6, similar to the Canon 100-400mm. If you’re looking for flexibility in one lens, then this is something to consider. - Source: Internet
  • Image quality is excellent – terrific color science is married to an accurate metering system and very well controlled noise. We saw very good results up to ISO 12,800. Add to this the fact that the crop sensor gives you a 1.5x multiplication factor on any lens you attach – making all of your lenses significantly longer – and this is a great choice for wildlife photographers. - Source: Internet
  • I think Tamron does an excellent job. This lens was absolutely fantastic across the board, well worth the price point. I would highly recommend this for anybody shooting landscapes. - Source: Internet
  • Let’s get the obvious out of the way: the RX10 IV is expensive, especially for a bridge camera. Before you skip this section in disgust, let’s take a look at the multiple reasons the RX10 IV deserves to be on this list. For one thing, that fixed lens has some really impressive specifications: 24-600mm, with an aperture range of f/2.4-f/4, makes this supremely flexible and pretty bright. - Source: Internet
  • Don’t be deceived by its age: the Nikon D7500 offers fantastic value for wildlife photography enthusiasts. Because it launched back in 2017, you can find great deals on the DSLR. Yet it also remains a fine choice for capturing action, thanks to 8fps burst speeds and a generous buffer that’s big enough for 50 raw files. - Source: Internet
  • We feel that theis definitely the Nikon 70-300mm f/4.5-5.6G ED IF AF-S VR Zoom Lens (Click here to check for product prices and availability) . Although we usually recommend a more mid-tier price point lens first in our articles due to the increasing functionality and performance, we feel that the price tag of the Nikon 70-300mm lens is pretty low while its functionality and performance allow it to crush the competition anyway. - Source: Internet
  • There’s no ‘right’ or ‘wrong’ approach; you simply have to interpret the scene in the way you find most appealing. One photographer may use an ultra-wide angle lens and move in closer, while another could fit a more conservative focal length and step back. And it can pay to change your shooting position to see how the scene in the frame changes, regardless of the lens you use. - Source: Internet
  • Personally, I’ve always been a great fan of zoom lenses. They allow for flexibility, giving you a range of focal lengths you can use. This means you can achieve a variety of compositions for your photo, since you aren’t limited by the fixed focal length of a prime lens. - Source: Internet
  • APS-C and MFT format users will be familiar with using different focal lengths to achieve the same angles of view as full frame, so the crop factors do need to be taken into account. This will be around 1.5x for APS-C, meaning a 20mm lens would be roughly equivalent to the field of view of a full-frame 30mm lens. For MFT, a 12mm lens and the 2x crop factor means that the equivalent full frame field of view is similar to 24mm. - Source: Internet
  • The original Nikon Z6 was one of our favorite mirrorless DSLRs, and the Mark II solidifies its position. There are a lot of similarities between the two – this has a 24.5MP sensor, but Nikon has added a second image processor, giving the Z6 II a pair of Expeed 6 processors for increased bandwidth. That makes itself felt when it comes to shooting wildlife photography – its top continuous speed is 14fps. You also get amazing autofocus performance – 273-points including human and animal detection severely whittle down your excuses for missing a shot. - Source: Internet
  • Canon has one of the most mature lens platforms around, and while the EOS 90D isn’t compatible with the latest and greatest RF-mount lenses, it will work with both EF and EF-S lenses. Our pick of the bunch would be the Canon EF 70-300mm f/4-5.6L IS USM; these days an ‘oldie but goodie’ given its announcement 11 years ago, but it’s still sharp, zoomy, quick to focus and light at a shade over 1kg. - Source: Internet
    1. Nikon Z9 The best premium wildlife photography camera Specifications Sensor size: Full-frame Resolution: 45.7MP Viewfinder: 3,690K dots Monitor: 3.2-inch tilting touchscreen, 2,100K dots Autofocus: 493-point AF User level: Pro specifications Colour Black Condition New, Refurbished Today’s Best Deals View at BHPhoto (opens in new tab) View at Adorama (opens in new tab) View at Best Buy (opens in new tab) Reasons to buy + Powerful stacked sensor + Reliable tracking AF + Rugged build quality Reasons to avoid - Bulkier and heavier than rivals - Some features need firmware update - Source: Internet
  • Looking for an all-round lens to go with your all-round camera? Allow us to recommend the FE 100-400mm G Master super-telephoto zoom lens, a 4x super-telephoto lens that weighs just 1.4kg, includes optical stabilization, and wide-open apertures of f/4.5 at the wide end and f/5.6 zoomed in. It lacks the steep learning curve (and price!) of a wildlife-focussed prime lens, making it a great bit of kit to learn on. - Source: Internet
  • Another third-party brand, Tamron have their own 150-600mm lens available. This second generation is an upgrade to the original 150-600 they launched, which was very popular with users. This lens features faster AF speed, enhanced vibration reduction, and better overall optical performance. - Source: Internet
  • “The M.Zuiko 7-14mm F2.8 PRO lens is a stellar one when it comes to image quality. Quite obviously, it’s designed for wide-angle shooting: which means landscapes, architecture, interiors, and at the longer end you can probably squeeze in a portrait or two if you don’t put the subject near the edges.” - Source: Internet
  • Every FX Nikon landscape photographer should have such a versatile, compact lens in their bag. In fact, this lens even makes a great 2nd addition to your bag even if you already have an enormous, heavy ultra-wide zooms. You may want its easy access to 77mm filters, too. - Source: Internet
  • “OM SYSTEM says this lens uses the same fundamental structure as the M.Zuiko 40-150mm F2.8 PRO, with 15 elements in 9 groups, with a narrower aperture and a lighter, more compact design. I found this lens plenty sharp with a good handle on fighting off aberrations and imperfections” - Source: Internet
  • Another solid contender for the title ofand this time out entry-level/budget option is the little brother of the first lens that we covered, the Nikon 55-200mm f/4-5.6G ED IF AF-S DX VR Zoom Lens (Click here to check for product prices and availability) . Although it provides slightly less functionality and performance than its big brother covered first in the article, it is also much cheaper making it perfect for anyone who is on a tight budget. - Source: Internet
  • Pushing the boat out? You asked for it. If you’re headed out with the EOS R3, pair it with an equally compromise-free lens, like Canon’s RF 800mm F5.6L IS USM. All the lens a wildlife photographer could want, it combines incredible reach with a large maximum aperture to help keep shutter speeds fast. - Source: Internet
  • Canon have their own expense counterpart too: the Canon 400mm f/2.8. But if you like the idea of a fast prime, but not the idea of the £10,000 price tag, I recommend looking at the Sigma 500mm f/4 lens. We reviewed it here, and it performed very well at a great discount to the big brands’ offerings. - Source: Internet
  • There’s no reason to ignore telephoto lenses when shooting landscapes as they can provide useful characteristics that can improve the rendition of some subjects. Longer lenses have a narrow field of view that gives the impression of bringing distant objects closer together, reducing the apparent depth in the subject. This ‘flattening’ of perspective can suggest different parts of a scene ‘belong’ together. - Source: Internet
    1. Sony A9 II Best for stills-focused fun Specifications Sensor size: Full-frame Resolution: 24.2MP Viewfinder: 3,686K dots Monitor: 3-inch vari-angle touchscreen, 1,440K dots Autofocus: 693-point AF User level: Pro specifications Colour Black Condition New Today’s Best Deals View at Amazon (opens in new tab) View at Walmart (opens in new tab) View at Best Buy (opens in new tab) Reasons to buy + Superb image quality + High-quality lens library + Lovely ergonomics Reasons to avoid - Lackluster video features - Viewfinder is surpassed by rivals - Source: Internet
  • Fujifilm Fujinon XF 16-80mm f/4 OIS WR - Fuji X With the partial caveat regarding edge sharpness under some circumstances, overall the Fujifilm Fujinon XF 16-80mm f/4 R OIS WR lens put in a pretty sparkling performance. Above all, it has proved to be an incredibly useful range of focal lengths and I could easily imagine this lens staying firmly on the camera almost all the time. Interested? Help support ePHOTOzine by using these links. Amazon UK Amazon US - Source: Internet
  • The normal focal length (41mm) of the lens, emphasized the background elements more so than the lily pads in the foreground. This helped to create a more natural look and feel. However, when compared to the photograph of the Goose Ponds, this image didn’t horizontally get in as much of the landscape. - Source: Internet
  • For landscape photography, you generally won’t need a lens faster than an f4. Furthermore, a fast lens is often very large and heavy to carry. Considering many landscape photographers will hike or bike into beautiful areas, the last thing you want is a lens that weighs a ton. - Source: Internet
  • With a 16-50mm equivalent field of view, there’s no reason to not like the M.Zuiko 8-25mm F4 PRO. You can go from ultra-wide-angle one moment to normal in the next moment. What’s more, with an f8 depth of field, you may not even need to stop the lens down. Combine this with features on OM SYSTEM cameras like the Live ND function, and you’ll be really happy with all that’s possible. - Source: Internet
  • Sony FE 24mm F/2.8G - Sony FE What a delight to have such a light and compact lens that handles superbly and delivers excellent sharpness both centre and edge. The lens is a real joy to use and is ‘Highly Recommended’. Interested? Help support ePHOTOzine by using these links. Amazon UK Amazon US - Source: Internet
  • The Tamron 16-300mm f/3.5-6.3 is a versatile lens that can be used for many purposes, from macro shots of insects to stunning wildlife photographs of large mammals. This wide-angle, telephoto zoom lens is for Nikon F-mount APS-C cameras, so it has a 35mm equivalent focal length of 24-450mm. - Source: Internet
  • Samyang AF 12mm F/2 X - Fujifilm X It’s ultrawide, it’s fast, it has crisp AF performance and it offers a very high level of performance. There is huge potential in such a lens, especially as it fits seamlessly into the operation of the Fujifilm camera body. A compact, fast ultrawide lens with weather sealing and excellent performance. Interested? Help support ePHOTOzine by using these links. Amazon UK Amazon US - Source: Internet
  • “One of the best E-mount lenses ever made. The sharpness and rendering of this lens are unmatched. From portraits to landscape (Yes, I shoot landscape with it) you will never be disappointed. If you haven’t tried this lens yet, you’re missing out!” – Lester Tsai What’s In My Bag: This Might Be The Ultimate Sony Alpha Kit For Max Versatility - Source: Internet
  • If you want more reach than what the 1.4x converter can offer you, think about buying a camera with a cropped sensor. This will introduce a crop factor into your photography, giving you more reach for your lens. Read our article on the difference between full frame and cropped sensors to understand about this. - Source: Internet
  • Many wide angle lenses also give you the option of using a normal focal length.Normal focal lengths are considered as those being within the range of 28mm to 50mm. This focal length is good for times when you want the main emphasis to be on an object in the background, giving the photo a more natural look and feel. - Source: Internet
  • Along with sports, wildlife photography is the genre that places the greatest technical demand on a camera. Wildlife subjects are often small, reluctant photo subjects, which means autofocus accuracy, and speed, are absolutely critical. You can all-but guarantee that subjects will appear in surprising locations, so a camera that can quickly detect a subject and drive the lens’ autofocus to the right distance is critically important. - Source: Internet
  • The Tamron 16-300mm f/3.5-6.3 is a versatile lens that can be used for many purposes, from macro shots of insects to stunning wildlife photographs of large mammals. This wide-angle, telephoto zoom lens is for Canon EF-mount APS-C cameras, so it has a 35mm equivalent focal length of 25.6-480mm. - Source: Internet
  • Whether you’re heading on a safari holiday or photographing wildlife for a living, you’ll find your ideal camera in the list below. From accessible DSLRs to the latest mirrorless flagships, every model in our round-up has secured its spot on the back of comprehensive testing. Together with buying tips, lens recommendations and our built-in price comparison tool, you’ll find everything you need here to capture your ideal wildlife photography camera. - Source: Internet
  • This is the newest landscape photography lens in Nikon’s lineup, made only for the new Z mount FX mirrorless cameras. Although it is an f/4 zoom instead of an f/2.8 zoom, it poses an exciting new option for Nikon landscape photographers: it’s the first 14mm ultra-wide zoom that is extremely portable and accepts standard 82mm filters! - Source: Internet
  • Admittedly, if you’re a truly merciless pixel-peeper then you might prefer a newer alternative, for the highest level of fine detail. We’ll list some of those options next. However, many landscape photographers will continue to consider this the best lens they ever bought, for its combination of durable reliability and overall performance. - Source: Internet
    1. OM System OM-1 The best all-round camera for wildlife photography Specifications Sensor size: Micro Four Thirds Resolution: 20.4MP Viewfinder: 5,760K dots Monitor: 3.0-inch tilt-angle touchscreen, 1,620K dots Autofocus: 1,053-point AF Maximum continuous shooting rate: 10fps (mechanical shutter), 120fps (electronic) Movies: 4K at 60p User level: Intermediate/Professional Today’s Best Deals View at Amazon (opens in new tab) View at Walmart (opens in new tab) View at BHPhoto (opens in new tab) Reasons to buy + Stacked sensor boosts performance + Impressive stabilization + Useful computational modes Reasons to avoid - Only 20MP resolution - Slightly fiddly controls - Source: Internet
  • Because of the enormous range and lightweight design, it’s perfect for someone looking for the convenience of only carrying one lens as they walk around. The biggest drawback of the EF-S 18-200mm f/3.5-5.6 is that because of the enormous range, some quality and color will be sacrificed in your pictures. - Source: Internet
  • Okay, the absolute perfect wildlife partner for the OM-1 is the 150-400mm f/4.5 TC IS Pro, but that lens will bankrupt most photographers. If you’re planning to shoot relatively close wildlife, then this fine lens will give you an 80-300mm equivalent focal range (in full-frame terms), all at a constant f/2.8 aperture to help you isolate your subject from the background. - Source: Internet
  • Rectilinear distortion and vignetting are not included in this table because most cameras can correct them automatically. Both are also easily corrected with good image editing software. In general, zoom lenses are more likely to be affected by both aberrations than prime lenses, although some very fast primes can show slight vignetting at the widest apertures. - Source: Internet
  • Being a tad heavier than a can of soup at 385 grams, the M.Zuiko 12-40mm F2.8 PRO II is a very invaluable lens. Not only is it weather-resistant, but it also has some of the best image quality we’ve seen from a zoom lens. - Source: Internet
  • When we think of landscape photography, it is quite likely that the wide, dramatic vista produced with wide-angle lenses is the one that springs to mind. The great landscape photographers delivered these images and we can too, with just a little care and thought as to how they are composed. The wide vista, with distant mountains rising into a broiling sky, will look very distant and small if we just shoot a straight wide-angle shot. The composition will need foreground interest and a great viewpoint, or we need to move much, much closer, something repeated again and again when thinking of wide-angle lenses. - Source: Internet
  • The price point is perfect for a lens of this quality. You know you’re spending a little bit more money for a full-frame wide-angle zoom lens like this that is an F 2.8. - Source: Internet
  • As an active professional photographer and owner of Photography Goals, I get the opportunity to use many different cameras. When I’m not shooting portraits for clients, I love to get out in nature to shoot as well. So I know which features are important when choosing a camera for getting great wildlife photos. - Source: Internet
  • Wide-open at f/1.8 or f/2.8, this lens makes a fantastic nightscape photography lens. Stopped down to f/8 or f/11, it is one of the sharpest lenses you can get for traditional landscape photography. - Source: Internet
  • Prime lenses tend to be more expensive than zooms, but they are also faster. They have a much wider maximum aperture, which is a big part of why the price shoots up. The Nikon 400mm f/2.8 lens is fantastic and very fast, but will set you back over £10,000. - Source: Internet
  • Animals are among both the most challenging and most rewarding subjects in photography. You’ll find few worthier themes than an elephant’s quiet strength or the whims of a monkey troupe. Taking pictures of animals puts nature’s splendor and ferocity on display while doing much to spread awareness about the dangers animals face. You need the right tools for the job, though, and that’s where this guide comes in. - Source: Internet
  • This gives them the freedom to develop lenses with cutting-edge technology and specs. Nikon is still building out the Z lineup but new lenses are coming out on a regular basis. In my opinion, the Z lenses are going to be the industry leaders for quite some time. - Source: Internet
  • The lenses with the lowest f-number are also typically a manufacturer’s BEST lenses, so they usually have the highest quality glass and other features too. I would recommend the most expensive lenses with the lowest f-number only for professionals. Most amateurs can get away wonderfully with a mid-priced lens. - Source: Internet
  • I truly fell back in love with photography. So I credit this lens with a lot in my life and my photography career. I mean, it’s basically like a baby to me. - Source: Internet
  • Beyond this point we enter the world of ‘fish-eye’ lenses, which can extend their coverage to 180 degrees. This means that almost everything in front of the camera is included in the image ““ including the photographer’s feet! Fish-eye lenses are used specifically for the distortion they produce: straight lines around the centre of the frame are curved outwards and objects close to the edges of the frame become warped. Used skilfully, these lenses can deliver some interesting pictures and unlock the photographer’s creative potential. But you must be careful that the lens doesn’t make the picture, instead of the other way around. - Source: Internet
  • From personal experience of the Nikon teleconverters, I would insist you avoid the 1.7x and 2.0x versions (the 1.7x is actually the worst of the bunch for Nikon). They soften your images too much in my opinion, and unless you’re using a very expensive high-end lens, it’ll degrade the quality of the image from any cheaper lenses more. - Source: Internet
  • A big complaint of many telephoto lenses is the weight. Even though this lens is still fairly heavy, the design is compact along with being weather resistant. I think it’s entirely possible to use the Sigma 150-600mm as a handheld zoom lens! - Source: Internet
  • Another thing to keep in mind is that this is a DSLR camera, not a mirrorless, and uses Nikon’s F Mount rather than the newer Z mount. While Nikon continues to develop new lenses and DSLR cameras using the F mount…the Z mount will be where you’ll see all the most exciting innovations. If you can squeeze a little more out of your budget, I would recommend going for the Nikon Zfc instead (check out my description below) so that you can get started in the Z mount system from the beginning. - Source: Internet
  • Nikon Nikkor Z 14-24mm f/2.8 S - Nikon Z This Nikon lens does not disappoint with what it delivers – it is clearly splendid and yet another example of Nikon being right at the top of its game. An amazing performance, with outstanding sharpness, and lovely handling. Interested? Help support ePHOTOzine by using these links. Amazon UK Amazon US - Source: Internet
  • It’s hard to do this lens justice in just a few short sentences. It’s characterized by its fast performance and unique optical design; with the built-in 1.4x extender, you can switch back and forth between 200-400mm f/4 setting or 280-560mm f/5.6 for even greater zoom! - Source: Internet
  • Sigma’s Art series 14mm prime is as big and heavy as a lot of ultra-wide zooms, due to its very fast aperture, and if you need great sharpness and low vignetting at f/2.8, then go with this lens. If you plan to spend all your time at f/8-11, however, just go with a Rokinon/Samyang. - Source: Internet
  • I highly recommend this camera to beginners because of its versatility. Because Nikon uses the exact same Z mount on its full-frame and crop sensor cameras, you can use this camera as an entry point and slowly build up a nice collection of Z mount lenses before investing in a full-frame body. In fact, you may never even feel the need to jump to full-frame. - Source: Internet
  • The great thing about a lens that is 12 years old is that you can find them very affordably if you shop used or refurbished. The advantage of buying a tried-and-true lens is, you know you’re adding a durable, trustworthy piece to your kit. The Nikon 14-24mm f/2.8 is weather-sealed, and (mostly) metal. - Source: Internet
  • 28mm (18mm) is one of the most popular focal lengths for landscape photography because it can encompass a relatively wide angle of view (75 degrees) without introducing obvious distortions. It’s a good focal length for maintaining a balanced perspective between close subjects and the background. Almost as versatile as a 35mm lens, the 28mm is often used for architectural photography and group portraiture. Prime lenses are available with maximum apertures as wide as f/1.8. - Source: Internet
  • At just 382 grams, the M.Zuiko 40-150mm F4 PRO is plenty capable. It delivers an 80-300mm field of view, which is fantastic for zooming in on the details of a landscape. This wouldn’t be a list of the best lenses for landscape photography without some sort of good telephoto option. And this is the most versatile! - Source: Internet
  • The considerable focal length reduces the number of lenses you need to carry with you, and luckily the lens is reasonably light and compact. Along with taking long-range photographs of birds and animals, it also lets you take close up photos, as near as 5.74 feet! - Source: Internet
  • This is a common question because you will see lenses from the same manufacturer that have the same focal length but cost VASTLY different prices. The key difference is most likely the aperture, which is how wide the lens can open. The aperture is measured in f-stops. The lower the f-number on a lens, the more light that is captured. The more light that can be captured, the more expensive a lens becomes. - Source: Internet
  • This is the lens that put Nikon on the map for wide-angle landscape photography. It was incredible in 2007 when it was released, and the images it makes are still jaw-dropping today. It’s a legend, and for good reason. - Source: Internet
  • Let’s get the price out of the way first…it’s not cheap. This is a camera designed for professionals that are willing and able to buy the best tool for the job. And that’s exactly what the Z9 is…hands down the best tool for wildlife photography. - Source: Internet
  • A wide-angle lens at f/1.4 is perfect for those who want to get a sharp and pristine landscape image in that blue hour – you can get a lot of light in without losing any quality in the image. The 24mm is also a great focal length for those interested in creating photos of wide-open desert-scapes or more dense wooded areas, as it helps you find a well-balanced composition of your surroundings. This lens is light and packable, making it easy to take on all your adventures in pursuit of that ideal landscape shot. - Source: Internet
  • For those of you that can’t afford lens #5 above, the Canon EF 100-400 f/4.5-5.6L is a spectacular super telephoto zoom lens that provides an extremely long reach for faraway animals and birds. - Source: Internet
  • Yes, this lens is EXPENSIVE. But if we are talking about the BEST lenses for wildlife photography, then I had to include the Canon EF 200-400mm f/4L USM Extender 1.4x! And because of its versatility and amazing quality, you eliminate the need for most of your other telephoto lenses. - Source: Internet
  • Still, with in-body image stabilization compensating by up to eight stops, the R7 offers excellent versatility in the wild. Its only major limitation? A lack of native RF-S lenses. Only two are currently available, and safari photographers may find the 18-150mm telephoto doesn’t quite get them close enough. - Source: Internet
  • Several factors come together to make a good wildlife lens. They have to be telephoto lenses since you don’t want to disturb the animals in their natural habitat or draw away from them with excessively wide backgrounds. A wildlife lens should also be bright so you can shoot at faster shutter speeds or couple it with teleconverters for greater zoom capabilities. The lens needs to keep up with erratic subjects and let you leave the tripod at home when traversing difficult terrain without compromising image steadiness. A light build isn’t a necessity, but it helps when you’re lugging your gear around in a forest all day. - Source: Internet
  • If maximum resolution is on your must-have list then I highly recommend the Nikon Z7II. It is a very popular camera for landscape and nature photographers that want to print big and need every bit of the 45.7 megapixels. - Source: Internet
  • We’d never recommend anything to you that we haven’t tested ourselves. To that end, all the product photos and sample images were shot by our staff. Further, each section contains links to our fuller reviews of each of the best lenses for landscape photography. - Source: Internet
  • It’s a tough customer – the frame is magnesium alloy, and it’s dust and moisture resistant, which should give you confidence to carry on shooting when the weather closes in. For a bridge camera, it’s big; for a DSLR with a 600mm lens it’s small. In this company, it definitely fits the bill as a convenient, lightweight, all-in-one camera, and benefits from a large, comfortable handgrip often forgotten by other smaller bridge cameras. - Source: Internet
  • Which brings us to the compromises. The reason the E-M1X has such a dramatic affect on focal length is that the sensor is tiny – half the size of that found in full-frame bodies, which means high ISO photography suffers. If you’re happy to forego some of the E-M1X’s more spectacular high frame rate features, you’ll finder larger-sensor cameras elsewhere – but if you’re confident you’ll be working at lower ISOs you’ll struggle to find this kind of performance without spending a fortune. - Source: Internet
  • Sony E 11mm F/1.8 - Sony E This is a gorgeous little lens, light, compact, easy to handle and giving sharp, lively results for both stills and videography alike. Without a doubt, a very versatile and high-quality lens that can be ‘Highly Recommended’. Interested? Help support ePHOTOzine by using these links. Amazon UK Amazon US - Source: Internet
  • Sigma 24mm F/1.4 DG DN Art - Sony FE The 24mm lens is a terrific lens in use and is capable of really dramatic results if used well. The Sigma is well made, delivers high quality and handles beautifully, so is high on the list of possibilities if we are looking for a high-quality full-frame 24mm lens, and is Highly Recommended. Interested? Help support ePHOTOzine by using these links. Amazon UK Amazon US - Source: Internet
  • You can’t accuse Olympus of going half-cocked when it comes to lenses. It makes a range of top-notch glass which will do justice to just about any subject. For wildlife types, the Olympus 300mm f/4 IS Pro is a spectacular bit of kit – that 300mm focal length is actually 600mm in practical terms, while integrated image stabilization helps get steadier shots. It’s pricey, but sharp and fabulously built, making it a great partner for the almost bomb-proof E-M1X. - Source: Internet
  • This is a fantastic lens. I own the more expensive 200-400mm f/4 VR II by Nikon, but the 200-500mm is truly brilliant. At 2.3kg, it’s incredibly lightweight for what it is. - Source: Internet
  • Luckily, if you are shooting Nikon then you’ll benefit from some of the best designs in photography. Throughout their history, Nikon has had cameras in every condition imaginable, even in space. So they know how to build them to withstand a lot. - Source: Internet
  • This exact Tamron lens is also manufactured to fit Nikon cameras. See lens #11 below for more information. - Source: Internet
  • Please know that this list is not all-encompassing. There are honestly hundreds of different lens choices on the market! I tried my best to include a few valuable options for each section. Think of this list as your starting point that provides education and points you in the right direction. - Source: Internet
  • If you’d rather have a faster aperture than an extreme wide-angle, go with this Tokina DX option lens instead. The f/2 aperture makes it an amazing astro/nightscape photography lens. It also accepts 82mm filters and is decently affordable and portable. - Source: Internet
  • Landscapes that work best for longer lenses generally contain interesting compositional elements that can draw the viewer’s eyes into the picture. The longer the focal length, the greater the perceived perspective compression. Telephoto zooms allow you to select the focal length that gives the most striking end results. - Source: Internet
  • This was the first-ever f/1.8 zoom, and it deserves a place on any list of “exotic” wide-angle lenses for APS-C (DX) cameras. 18mm is not quite wide enough for some landscape photographers, but if you shoot panoramas then you can’t beat this lens’ corner-to-corner sharpness at every aperture. - Source: Internet
  • As if that supersized lens wasn’t good news enough, there’s more for keen wildlife photographers. The RX10 IV’s maximum continuous speed is 24fps; it can shoot raw for better dynamic range; and its 315-point autofocus, while not quite the last word in autofocus point frame coverage, is pretty good. That performance comes courtesy of Sony’s BIONZ X image processor, which the keen-eyed will have spotted is also in the Alpha A9. Integrated image stabilization should help get sharp shots at 600mm. - Source: Internet
  • It might be great to have a lens that opens up to f/2.8, but you won’t necessarily always need to shoot at this level. Bigger is not always better when it comes to the aperture size of your lens, as the narrower depth of field can render important parts of the scene out of focus. - Source: Internet
  • There’s more. If you’re going to shoot wildlife in regions like northern Europe, weather-sealing is vitally important, as you won’t want to let a spot of rain deter you from getting out. Things to look out for include weather-sealed buttons and switchgear, as well as sealing at the junction between lens and camera body. For those embarking on more far-flung adventures, dust-sealing will also save you a few bucks in repair bills. As ever, the best kind of camera protection is insurance. - Source: Internet
  • Like its 14-24mm f/2.8 sibling, however, this lens is very large and heavy. It’s not your average walk-around landscape photography lens, it is a serious photographer’s specialized tool. - Source: Internet
  • A big complaint of many telephoto lenses is the weight. Even though this lens is still fairly heavy, the design is compact along with being weather resistant. I think it’s entirely possible to use the Sigma 150-600mm as a handheld zoom lens if you want to leave your tripod at home! - Source: Internet
  • All of our recommendations are rooted in real reviews: our expert team has tested nature cams for pros and amateurs alike. For hobbyists, we reckon the small, smart and sturdy OM System OM-1 is the best wildlife photography camera right now. Its Micro Four Thirds format makes it handy to carry, while speedy performance and sticky autofocus give it remarkable versatility for wildlife fans. - Source: Internet
  • As the d3100 is more of an entry-level camera, we will be focusing on lenses within a suitable price range for our article. That said, you can click here if you want to see a full list of lenses that offer a decent zoom range for wildlife photography and will fit directly on your d3100 camera mount. That list is pretty extensive and covers lenses across a large number of price ranges too. - Source: Internet
  • This exact Tamron lens is also manufactured to fit Canon cameras. See lens # 3 above for more information. - Source: Internet
  • This 18-300mm f/3.5-6.3 from Sigma is an incredibly affordable all-in-one zoom lens for Canon APS-C cameras. The extremely versatile focal length is ideal for photographers that want to carry one lens. - Source: Internet
  • If you’re shopping for a Nikon DSLR for wildlife photography, you have a tough choice – this or the D7500. It’s practically an exercise in hair-splitting: they’re both crop-sensor DSLRs with the same resolution sensor; the D500 shoots 10fps; the D7500 8fps. The D500 has more autofocus points (153 to the D7500’s 51). They’re both weather-sealed. - Source: Internet
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